In the end
Show & Tell
Today's Document
noise dept.
Fai_Ryy
let's talk about Bridgerton tea, my ask is open

Product Placement

roma★
RMH
Monterey Bay Aquarium
One Nice Bug Per Day

No title available
EXPECTATIONS
"I'm Dorothy Gale from Kansas"
I'd rather be in outer space 🛸

Love Begins
NASA

pixel skylines

shark vs the universe

tannertan36
Xuebing Du
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@cherrylisie
In the end
if you have a problem with any of the fictional pairings that i enjoy on the internet, for the low cost of $9,000 you can pay me to care about what you think
Price doubles if you want me to pretend I’m swayed by your opinion.
Another $4,500 if you want my pretending to be swayed to be convincing instead of half-assed
Also this is a monthly payment
WAIT HOLD ON I cannot fucking believe when I was like four years old my parents were cajoling me to walk with the family and trying to get me to keep up even though I kept insisting that I was "tired" until they took me to a doctor and found out my LUNGS DIDN'T WORK. how insane that we live in a world where reasonably loving parents think their FOUR YEAR OLD is trying to be LAZY. like they were mortified to be clear. adults are just so trained to ignore children's complaints as untrustworthy, kids just need discipline, they can't possibly speak for themselves. what the fuuuuck.
YOU ARE NOT IMMUNE BTW you should always be trying to take children seriously, especially very little ones but definitely all of them. the most disempowered class basically legally defined as property and most people are like "yeah that's good actually I hate when they Loiter lol they're stupid and loud and i actually think children should stop existing. restrict their personhood more actually"
a new perclin fic was posted by one of the people who were writing it in polish before i became obsessed with it and I'm just reminded of how much i love perclin like that's my silly little ship
my boys T.T
I miss perclin
I find it fascinating that Chihiro, of all characters, is the first to bring up Genocide Jack. Like he is like bunny, and he's thinking about a wolf that can eat him.
Yeah, let's go with that simile.
friend who went to bed is a type of dead wife
Perclin for 13?
13- What interests/hobbies would they try and get the other into? Would they succeed or not?
I actually think that Percy would be very into super detailed handwork, like embroidery and he'd be explaining to Colin all the time about different stitches and things like that and Colin would just be like
while it all goes completely over his head.
There’s a quality that certain books/movies/TV shows have that leads me to say, “Yeah, I can see people making fanfiction of that.” It’s something to do, I think, with how tight the story is, how much feels open-ended or like it could be elaborated on.
Something like Breaking Bad, for example, has low squiggability (that’s what I’m calling this quality). It’s tightly written, the characters are consistent, there’s little left to interpolate or extrapolate. Obviously, people DO write fanfic of Breaking Bad, but it still has a low squiggability score. Whereas something like Supernatural has a high squiggability score. Fantasy and science fiction often have high squiggability scores. This suggests squiggability could also be related to worldbuilding and potential for people to borrow a premise or setting.
And sometimes you’ll read or watch something and you’ll say, “Ah, low squiggability,” and then you’ll open tumblr and find out that everyone else seem to think its squiggability was very high indeed.
“Caught proshipping” is such a hilarious phrase I just saw someone using lmao like “caught being anti censorship and harassment” “caught being an adult who doesn’t give a fuck about dumbass pearl clutching fandom drama.”
do you think thomas would be afraid of fireworks and press a hand over his wound when he hears them go off. and then captain covers his ears for him and holds him close. or something like that
🧡❤️ traditional under cut :0
"It doesn't help your credibility to exaggerate, most employers wouldn't literally work you to death" like, I used to work in distribution. If booking a truck driver for back to back shifts until they fall asleep at the wheel, crash, and die counts as being worked to death, I have personally met employers who've worked employees to death and gotten away with a slap on the wrist. It may not be universal, but it's a hell of a lot more common than a lot of us would prefer to think.
Death by spreadsheet is an acceptable degree of separation for most in middle management. They can sleep at night without guilt for what they've done, because the system charitably setup twelve degrees of separation between their choices and the real-world harm. But do not be fooled, their choices set that harm into motion. Without their reckless disregard for human life, the harm would not be done.
I used to work at a TV station in Ohio. On weekends, we only had an 11pm news broadcast. Not much happened on weekends, ya know? I worked Monday-Friday 9-5, but someone on the weekend shift quit, so I also had to come in at 9pm on Sat/Sun to work the 11pm news. It was brutal. I worked seven days a week, even if two of them were ~3hrs.
This was a particularly bad winter. One Saturday, we had a level 2 snow emergency: That means you should only travel if you absolutely must. Like, it's not uncommon for cops to pull you over in level 2 emergencies to ask where you're going and why. It is genuinely dangerous to drive in that much snow.
I told my boss as much, how I almost crashed on the way home at 12:30am after a news broadcast. I told him I would need to call off if there were a snow emergency again during a night snow.
He told me, point blank, "If you ever call me about the goddamn snow, I will take it as a call of resignation."
And that was that! The very next Saturday, snow fell again. It was a level 2, but would become level 3 by sunup. Level 3 means driving is literally illegal except for ambulances and snow plows. I stared out the window, watching the snow, and I had to make a choice.
"Will I die for this? Will I kill myself to keep this job?" I made $11/hr.
Yes, managers work you to death. That's their job.
Every single labor protection is written in the blood of those who were literally worked to death, and business owners and profiteers would claw those protections back with glee if they could. They will squeeze every red cent from your body if they are allowed, and write off your death for an insurance payout that they'll try to pocket for themselves while hiring your replacement for half the pay they gave to you.
percy weasley tag is so empty since you left 😔 we miss you boss
aww uwhfhhxhabx
Yeah I haven't had many thoughts recently on him or well at least nothing I haven't said before. I love Percy and still think about him though so I might come back at some point.
Two things absolutely changed my life as a writer. You ready?
One- Your characters can be bad people, they can do bad things. There doesn't have to be a reason or a moral. You can make them bad if you want to. No other reason needed.
Two- it doesn't have to be good, it just needs to be written. On my last book i literally wrote the words "dumbest version" on the top of the page because I had seen some advice to do that. It changed everything. I stopped trying to make it perfect, I just tried to make it. Period. Full stop. You can edit bad writing. You can't edit a blank page.
And honestly? Defiance is the best writing I've ever done. All because I let my characters be bad and I gave myself the freedom to write it badly.
I don’t think there’s anything inherently wrong with relating to characters, “they’re literally me” etc but if that’s the only way you engage with stories you’re kinda missing the whole point of Characters being vehicles through which we can see perspectives outside of our own. and also you’re going to get upset when the Character acts in a way that is not Personally Relatable to You
doubly for shipping. at risk if biting the hand that feeds me, a well written fictional relationship should ideally be more than a didactic template for how to have a nice relationship
Fandom could learn a lot about community from podfic
First I want to acknowledge that a lot of what I’m about to say has been said better in other places by people more knowledgeable than I am. I’ll link to at least one here:
An Archive of Our Own, a project of the Organization for Transformative Works
This is An Abridged History of VoiceTeam, pulled together by thelordoflamancha. It’s 3000% worth a listen (if an hour and twenty minute-long NPR-style fandom audio documentary sounds good to you. It’s SUPER well-produced).
Also: I’m writing this on my phone on my lunch break, so it’s going to be incomplete, messy, and poorly formatted! I’ll start here: structurally, podfic is different from fanfic and the incentives around it are different as well. There simply isn’t the audience for podfic that exists for fanfic, even in mega fandoms, so you’ll never get the same stats from a pod that you’d get from a similar fic, in terms of hits, kudos, and comments. Further, unless people are streaming short podfics directly from AO3 (which is one way to listen, but not the only way, and is not a very good way to listen to long podfics), people have to leave ao3 to listen, then come back and leave feedback. Engagement is much, much, much lower across the board, so the incentive is just not the same.
Additionally, there’s a respect for other fans pretty well baked into the culture of podfic: you don’t release podfics you haven’t gotten permission for. Some people don’t want other people interpreting their work in this way, and that’s so understandable. But this didn’t happen by accident! People have been pretty intentional about building this culture through:
a) almost always thanking the author for granting permission very obviously, both in the notes of the work and (much of the time) in the audio recording itself
b) always linking the fic back to the original work
Podficcing takes skill and knowledge. Beyond just “please tag for major character death, etc.” Most people aren’t taught how to record and edit audio in school, while we do, generally, reach the age of 16 with some experience writing a 500-word story. Beyond that, ao3 doesn’t support audio files—you have to upload them somewhere else and link to them.
so! When faced with a pastime where there is a barrier to entry, a built-in lower interaction threshold, AND a necessary interaction and respect for with other fans, you’ve basically got two options. Either podfics are the purview of a dedicated few who love audio editing for the love of the game, or you grow the community.
Luckily, this is set up for community-building. There are people who need to ask for expertise and people who can provide it, and there’s already a culture of talking to other fans.
in the case of podficcing, some really dedicated and talented people have taken on the mantle of creating events that highlight and support community-building. The biggest(?) of these is VoiceTeam, which is basically a creative scavenger hunt event. For a month, people join teams to complete a series of challenges set by a mod team, each one of which is worth points. Everyone who participated gets points, so working together is key. The challenges range from “encourage authors from to create a blanket permission statement [a statement on a profile that outlines the author’s preferences for podfic / other transformation of their work]” to “listen to podfic while drawing” to “create a closet cosplay of a character as you listen to podfic.” Of course, there are a bunch of challenges about recording and posting podfic, but crucially, you don’t have to be a podficcer to participate in VoiceTeam.
Podtogether is another unique podfic event that pairs authors and podficcers together to create a new work specifically for podficcing. There’s an element of community baked in.
most podfic events have listening parties associated with them, where people listen to the same podfics and chat about them on discord in a liveblog sort of situation.
Okay, so what can fandom as a whole learn from podficcing? Some things are maybe not transferable; some of this only works because the community is a few thousand fans and not millions. Some things are up to individual fans to choose as opposed to structural innovations in fan spaces (curating your own space vs curating fandom in general). But!
An intentional focus on community, collaboration, and creativity over statistics. I honestly don’t know how to create more of this, but I noticed that one of the things that made Wolfbird (a fic that has largely been revealed as prompted rather than written) so enticing and beloved was the “bookclub” nature of the comments. The prompter added bookclub-style questions to the end of every chapter that encouraged people to talk to each other and share ideas about the story. I also think that the allure of statistics are a major driver of AI-promoted fics (I am not immune to line-go-up).
Creating community norms around fanfiction, and having mature ways to discuss them. I realize that this won’t work across the board, but it’s no secret that one of the biggest success factors in VoiceTeam has been the leadership of klb, a fan who is a teacher of young children. Sometimes fans need to be told that the community norms are different than how they’ve been acting, but it doesn’t need to be a huge proclamation.
Events? I know fic exchanges exist, but those are also fairly solitary environments where you can’t discuss what you’re working on more broadly. Maybe there are other options.
Enjoying not!fic. This is something I DO see in fandom, through blog posts and comments and different things. In podfic spaces people will get on a discord call, record it, and just have a fun time building out ideas. It’s a paper dolls playtime! Have fun with it! It will never get you notoriety, but that’s not the point.
Working intentionally collaboratively. One of the great things about multivoices is the notion of working together on something, sometimes even at the same time! Maybe having writing sprints with friends and then discussing what you write could work? Maybe reading something together and talking about it?
ultimately, I think it comes down to not letting the worst actors define the fandom experience. I think this has two parts: being vocal about what community norms are, and not allowing yourself to get too caught up in the fandom drama.
Recognizing fan creativity in all its glory. I’ve seen knitting projects, songs,
Being willing to put something kind of silly and shitty out into the world. This is a hallmark of voice team. Maybe you don’t post your weird song about how much fun you’re having on ao3, but it’s fun to show it to friends or teammates!
okay, lunch break is over and I can’t figure out how to turn off the list formatting in this post. I also never put a read more break up at the top, whoops. I hope this is legible to people, and I invite discussion here, of course! I also want to recognize that podfic is so great BECAUSE a lot of really awesome people work to make sure it is (klb, silverandblue, all the VT mods, etc)
And another thing! With podfic, the process is (mostly) the point! The end product is almost secondary to the process of making it. That’s what people comment about, that’s what you work with people on, that’s where the shine of podfic is. And that’s not different from fic, but the emphasis of fic is so often the product, not the process.
The first draft philosophy that has finally gotten me writing for fun isn't "worst version of story" type framing, it's "tell the story to yourself."
Your story isn't ready for polished prose, you don't know what happens yet. This doesn't make it Bad Writing, it's a different type of writing. And this ties into why I think the plotter vs pantser debate misses the mark - both detailed outlines AND make-it-up-as-you-go first drafts are ways to make up the story. This part is for you, so how you do it should be whatever is the most fun or satisfying way to tell yourself the story.