if you see me liking contradicting headcanons for the same character just know it's because I do not give a fuck and I have an active imagination #hewouldsaythat
"I'm Dorothy Gale from Kansas"

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PUT YOUR BEARD IN MY MOUTH
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Fai_Ryy
hello vonnie
Cosimo Galluzzi

@theartofmadeline
YOU ARE THE REASON
$LAYYYTER
Noah Kahan
Jules of Nature
art blog(derogatory)

Discoholic 🪩
we're not kids anymore.

bliss lane
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🩵 avery cochrane 🩵
taylor price
Lint Roller? I Barely Know Her
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@chiarokage
if you see me liking contradicting headcanons for the same character just know it's because I do not give a fuck and I have an active imagination #hewouldsaythat
just saw a "only one bed" fic with the major character death warning
#i guess that's one way to solve that problem
“This bed ain’t big enough for the both of us.”
Another Makoami collection dump
enemies-to-lovers is about power, actually
I think a lot of people misunderstand why enemies to lovers is so popular. It’s quickly become one of the most pervasive tropes in many novels. Is it the banter, the tension? That’s definitely part of it. But if that were true, then friends-to-lovers and literally any romance with good dialogue and characterization would scratch the same itch. For some, it does, but for many…enemies-to-lovers just hits different.
My theory is that it isn’t actually about love, not really. I think it fulfils a fantasy that no other trope can provide: the fantasy of being seen as an equal.
Think about what specifically makes someone an enemy in fiction. It’s not just someone the MC dislikes, it’s someone who can affect them in tangible ways, maybe even have the power to ruin them, challenge their worldview, expose their weaknesses, etc. The relationship begins with conflict because the characters are fundamentally opposed in some way. It doesn’t matter why, but they’re fighting. There is a struggle for dominance.
I would argue that the most impactful enemies-to-lovers moments are never the romantic moments, they’re the scenes where power shifts. They BOTH lose: they’re forced into a position that would have horrified them at the beginning of the story. They end up needing (or wanting) each other.
That’s why I think people are often disappointed when a supposed enemies-to-lovers story turns out to be a milquetoast attempt where they’re just kinda mean to each other for a few pages, and then immediately start making out. Where’s the risk, the actual threat? If the characters aren’t capable of genuinely affecting one another, then the relationship isn’t actually transforming in a satisfying way. The appeal is in the fact that they have power over each other, because the eventual trust they build requires real surrender.
Because here’s the thing about enemies; they pay attention, and usually more attention than anyone else. They notice weaknesses because they’re actively looking for them, they notice strengths because they need to account for them. They notice habits, blind spots, ambitions, fears.
They study the MC with a level of scrutiny that borders (and later crosses) intimate, but unlike friends (or supporting characters in the MC’s corner) they’re not willing to give them the benefit of the doubt, they don’t overlook flaws out of affection. Which is exactly what makes the eventual romance so satisfying. It feels earned.
It’s easy to imagine being loved by someone who sees the best version of you, but it’s an entirely different thing to be loved by someone who has seen you at your worst. That’s why this dynamic often feels more convincing than romances where the characters are immediately into each other.
I imagine there are many who go through life feeling misunderstood, or worse, that the people who love them only love the polished, perfect version they present to the world, almost like impostor syndrome. But what if there was someone who couldn’t be fooled by this carefully constructed image?
When someone more powerful chooses someone, maybe the fantasy is protection. When it’s someone less powerful, the fantasy might be admiration. But if there’s someone intelligent and observant enough to see the MC as an equal, the fantasy there is the most intense and honest validation.
Which means enemies to lovers was never about turning hate/annoyance into love, it was about turning power into vulnerability – which is a terrifying loss of power, which THEN leads to intimacy.
the reality of being a writer
Especially the last one!
I feel both seen and attacked.
The key to writing good fanfiction is to harbor a deeply humiliating desire, and the trick there is that even pretty basic and societally-accepted desires like “being held” and “being wanted” CAN and WILL be humiliating if they’re intense enough. Become so estranged from human connection that the idea of someone playing with your hair fills you with yearning so deep you feel like you’re going to throw up and you will write some banger fanfiction. It might have some other consequences too but idrk about that.
Being a writer means arguing with a person who doesn't exist about a decision they'd never make.
writing is just sitting in front of a computer and making up problems for imaginary people while ignoring your own. fun and casual hobby.
if you ever tell me that you go to a chiro this is what i envision them doing to you
Help
I love when platonic love and romantic love is so blurred that it doesn’t even matter anymore. All that matters is the devotion that’s there, the unwavering devotion
help I’m having ideas beyond my available free time
help I'm having ideas beyond my available energy levels