The Penitent Magdalen (detail), 1640, Georges de La Tour
Monterey Bay Aquarium

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shark vs the universe
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Love Begins
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Janaina Medeiros
Cosmic Funnies
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Cosimo Galluzzi

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@clymnsb
The Penitent Magdalen (detail), 1640, Georges de La Tour
That night, I wanted to burn the shape of your lips into my flesh. As a token. To remember—as if I would forget.
Venetta Octavia, “Are You Lot’s Wife, That You Should Look Back?”
(taken from @venettaoctavia’s poetry collection Prelude to Light)
from “sometimes i wish i felt the side effects” by Danez Smith, Poetry Magazine March 2018
i. he’s drinking alone tonight, as he does every night, but something’s different. instead of leaving, he walks straight up to you and holds out a hand. you look at him, arch an eyebrow. ‘come,’ he says, ‘I’ll show you the world as you’ve never seen it before.’ ii. you think you might be in over your head, just a little. you thought he was going to take you up in his plane, for fuck’s sake. who was to know you’d be looking at the world from the earth up? he chuckles a bit, and the sound is deep in his throat. ‘not quite what you were expecting, is it?’ iii. he’s walking ahead and even the way he swings his arms screams of power. not brute force, no, just a will like a stygian blade and a charm like a soothsayer. he stops, asks what you think of the decor. you say you thought he’d have walls decorated with skulls. it’s his turn to arch an eyebrow. ‘would you like yours to be the first?’ iv. you don’t know why you’re in bed with him. you don’t usually do this, but gods, you could drown in those eyes. they make you feel like you’re drowning and invincible all at once. you thought his skin’d be clammy and chilling, but you never expected the fiery heat, never thought you’d respond in the like so quickly. he holds your hands over your head, nips at your neck, doesn’t say anything. your harsh breaths mingle together. you feel like you’ve forgotten something. v. you remember now. this guy has a bloody wife, and she’s standing in the doorway, hand on hip, smelling strongly of frangipani. wildly, you think of how to the chinese that scent means death. you look to him for help but he’s already up, arms outstretched. ‘I was just thinking about you. darling.’ vi. sorry, he says, you’re his first in over a thousand years, probably the last for another thousand. they kiss. you look at her over his shoulder and her eyes are laughing wildly. I win, they’re saying. he tightens his arms around her. you lose.
HADES, Venetta O. (prompt by asterrias)
I’m so lonely in the world I want to peel all of my flesh off and walk, just bone and gristle, straight into the river, to be swallowed, just like my father.
Kathleen Glasgow, from Girl in Pieces (via lifeinpoetry)
“Warmth, perfume, rugs, soft lights, books.”
— Anaïs Nin, from a diary entry featured in Mirages: The Unexpurgated Diary; 1939-1947
source
them: so why are you so into death magic and morbid, dark aspects of witchcraft?
me: there is a bitter truth in the evanescence of life and languishing charm in the macabre; you cannot know life without touching death with your fingertips. the decay is the melody of soul.
me to me, in my head, truthfully: i am an edge goblin creature and I love being dramatic and looking good in black
HERE IS NOT THE PLACE FOR NOSTALGIA Lauren Jane Williams “Set in an adult fairy tale host environment, personal nostalgic memories become the catalyst for fragmented narratives that are ceremonially theatrical, explicit and raw in their disturbing detail. You have happened upon an episode within this almost intangible yet tactile narrative; a witness to the debris of a decadent world which is trying to find its own way of replacing the monotonous boredom of nature by means of artifice. The work is an amalgam of memories; chaotically collected, neurotically processed and constructed to create a heightened world of artifice and sensory stimulation, which ultimately leads to expenditure of the self.” SOURCE
I stuff my mouth full of cherries. Say, this is the taste of love, and I will choke on it.
Angelea Lowes, excerpt of 2 Truths and a Lie (via wildfairy)
Tonight’s mood is going to the beach alone in the dark to sit on some rocks by the water after ingesting enough caffeine to transcend this plane of existence and have a personal conversation with Virginia Woolf
Gold snake rings. Snakes were a common motif in jewelry during Roman times. They were associated with healing and the god Asclepius, with protection, as well as resurrection, and immortality.
Roman, c. 1st century BC - 1st century AD
Path of Figs, by Giulia Bianchi
2012
oh, all my dead— i ate them i choked
Alejandra Pizarnik, from On This Night, In This World in “Extracting The Stone Of Madness: Poems” [translated by Yvette Siegert] (via adrasteiax)