Hello I'm back from the dead, who knows how long it'll last? Anyways here's a drawing I made where I was forced to stick to a specific color palette, hope y'all like it
noise dept.
Aqua Utopia|海の底で記憶を紡ぐ
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@consideryourbeans
Hello I'm back from the dead, who knows how long it'll last? Anyways here's a drawing I made where I was forced to stick to a specific color palette, hope y'all like it
You know I will actually
reblog to be eaten by this thing
Recently got some new paint pens and have been having lots of fun working with them :)
it's definitely my predisposition to extreme frugality+redneck engineering, but i'm now obsessed with creating things literally without buying Anything. no supplies no tools no nothing, only the stuff you can just find outside, like Plants, Sticks, and Rocks.
I'm making textiles with nothing but foraged plant materials using no tools except sticks. Nature allows you to do this! There's no rules! I mean okay well maybe there might be some rules sometimes but they're just weak human rules! The plants themselves? They're like "Why sure! You can make yarn with nothing but fibers from the dead stem I don't need anymore, a couple sticks from that tree over there, and your own body and mind! Why not?"
Plants like to give us gifts! And nobody has the power to stop them!
Once you know the ways of the plants, the ways of our capitalist society become silly and hard to understand, sometimes even instilling you with a sense of dread.
I was looking at the textile books in the library to try to learn about plants you can make textiles from. I was shocked to discover how incurious most books are about the origin of the very matter from which textiles are made!
For one thing, there were whole shelves of books on how to weave, how to knit, and how to quilt, but barely a single complete volume on how to create yarn or thread to begin with.
Of the books that did cover how the yarn is created, many of them discussed only wool, and those books didn't concern themselves with how to get the wool off the sheep, or how to find such an organism and enter a mutualistic partnership with it in the first place...
If you know the ways of the plants, you will be almost offended when a book about how to make a thing, starting from the beginning of that thing, tells you immediately to buy something. You don't mean "one or two steps further back in the process of a thing being assembled"—you mean the BEGINNING beginning. You seek to learn how the thing is born from the living Earth, not where to buy a Product in a less assembled form.
Where do Products come from...?...According to the capitalist, consumerist way, they come from other, simpler Products of course, which ultimately are born from Industries. I found a book or two which made some attempt to give a more exhaustive list of possible textile materials, with sub-section for plants, which included: Flax, Cotton, Hemp, Jute, Ramie, and some allusion to other possibilities such as Nettle. This of course is a list of plant fibers for which a Huge Industry exists. Regarding plant fibers for which there is no huge industry, the books either said nothing or said something like "...but sadly, there is no huge industry based upon these plants (so they are not worth talking about any more)"
I found a few cryptic statements saying that the range of plants that could be used for textile purposes is theoretically limitless...but none of the books were interested at all in those theoretically limitless plants.
It's not that only those few plants are really good for textiles and the other ones are inferior, either. I have learned from my delves into the Internet, that many plants now considered totally useless to humans and not investigated for their potential applications at all...have actually been used by some human culture on Earth for thousands of years as a fundamental part of everyday life.
Native Americans for thousands of years utilized plants native to this region for textiles. These ones are among the plants I have been gathering; they are plants that naturally grow here and can be harvested sustainably, in fact in many cases they benefit from being harvested.
Apocyonum cannabinum, also known as Dogbane, is essentially a North American analog to hemp or flax; you extract the bast fiber from the stem by beating it until the woody part breaks into pieces and falls out and the outer bark flakes off. This plant is native to all U.S. states except Alaska and Hawaii and I reckon that's because of its importance as a textile plant.
I've collected big bundles of the stuff by picking over fields that have been mowed already by a brush cutter; it's so easy, because the fibers are so strong that they are not broken by the brush cutter. Instead, I find mats and bundles of fiber 1-2 feet long stretched out over the ground or trailing from the stubs of stems, often with the woody parts and outer bark already beaten out by the mowing. Simply mowing a field where dogbane grows essentially pre-processes the fiber so your work is half done for you.
It is amazing to me that a person can see how the fibers do that if you mow the plants in the fall, and not immediately think, "We should be making string or rope out of that." Early colonial texts call this plant "Indian hemp" and say it is superior to actual hemp. Likewise what few resources I can find on Native American textile plants, list dogbane as one of the main ones.
So I gather the dogbane. It is astonishingly strong, fragrant when you handle it, and beating the fibers is loads of fun, just a great way to blow off steam. The fibers range in color from almost pearly white to cream to peach to beautiful shades of orange and copper, and have a lovely sheen to them.
After I've beaten the fibers and gotten them to mostly separate I tease them out with my fingers and scrape out all the remaining little bits of bark, and pull them through a plastic comb until the soft and lustrous fibers are separated and all that's left is some nubby bits of lint.
The last picture is what it looks like after combing and cleaning. The color looks more washed-out than it is for real because of my white lamp.
These fibers weren't quite as well-processed so the end result was kind of rough and scraggly, but I experimented by making some string:
All I used to spin it was a stick with a notch in the top so I could twist with my fingers, holding the other end of the stick steady and pulling the strand back towards myself. Whenever I finished a little more I would just loop it over the bend in the top of the stick and keep going.
The other fiber I've been experimenting with is milkweed seed fluff. This one is an interesting one because it was the first material I became interested in spinning, and the first I experimented with to the point of making a yarn. It took a long time to figure it out, I have quite a bit of single-strand seed fluff yarn now, and intend to spin this into a three-ply yarn to make it strong.
I was so happy! My first yarn! Spun with nothing but a stick. It's delicate but it holds together and handles being unwound and rewound just fine, and I think making a 2 or 3 ply yarn would make it pretty workable.
So imagine my surprise when I begin reading about textile arts and the possible uses of the plants i'm working with, and learn that spinning milkweed seed fluff is impossible?
Milkweed bast fiber has been used, like the dogbane bast fiber, but according to the internet, spinning the seed fluffs into yarn is something that cannot be done, because they are too short, smooth, and fragile. Many have tried! It doesn't work!
That was news to me.
As I read more about spinning the more conventional plant fibers, though, I consider what a deep knowledge humankind has cultivated of the ways of wool and flax and cotton, and think...is my total lack of knowledge about spinning yarn, the reason I was able to spin the milkweed fluffs?
Normal people would have armed themselves with the proper tools for undertaking a new activity, but I didn't even bother to look up what I was doing, because MacGyvering cool stuff out of materials from nature you can find anywhere outside is basically half my personality at this point, and makes me feel unreasonably powerful. As a result, I made a technological approach to spinning yarn that was designed specially for the challenges of spinning milkweed seed fluffs, and only later realized that 1) this is not a normal way to spin yarn and 2) i'm not supposed to be able to spin this stuff at all.
And it's because I came at it backwards. Instead of trying to use existing technology to spin milkweed fluffs, I became determined to spin milkweed fluffs and developed my technique based on what would work to do that, without any knowledge of what I was "supposed" to be doing.
If I had been normal about it and thought "Hmm, I should buy the right tools to do this" or even thought "Hmm, I should start with fibers that are usually used to make clothes" this would not have happened.
I'm coming at everything backwards: instead of "Where can I purchase Thing I Want To Work With?" it's "What does Nature provide, and what cool stuff can I do with it?"
I didn't even set out to work with textile materials. It's just that the plants kept giving me textile materials. This hobby absolutely snuck up on me out of nowhere this was not my idea
People have had success blending milkweed fluffs with other stuff, so I'm going to try to blend it with the dogbane next! I am fully going to go all the way and make like clothes or bags or blankets out of this stuff. There is no turning back for me, the euphoria of creation and the profound wisdom of the plants have inflicted a fascination with my task.
What's the staple length of that milkweed please? I am fascinated by it.
You mean like the length of the individual fibers? They're like an inch on average, the biggest seed pods have fluffs a little longer.
Basically the reason it works, I think, is that I'm twisting the strand with my fingers, pulling back toward my body and using the other end of the stick as an anchor point/leverage. There is something about the warmth and moisture of touching the fibers so much that makes them want to bind together more.
There is a lot of twist to the yarn, but it's not a problem, in fact if you twist until it kinks up, you can just...mash the kinked part between your fingers really hard and it'll flatten out and you can keep going. The fiber is springy and pliable in a way that lets you do things like that with it.
Where a lot of people messed up was they tried to card it. All you need to do is spend some time gently pulling the fibers between your fingers to separate the individual fibers in each "tuft" that attaches to a single seed. If you're too rough with it, the fibers will just break and that's not good. But you do kinda have to play with it in your hands? I don't know if it's the oils in your hands or what, but touching it a lot makes them want to mold together to each other more.
I can really see how this material is totally different than anything else you could spin in many ways.
Source
Video of Tama
Follow Ultrafacts for more facts
The picture in the background of the second one
Tama is boss
THE TRAINS HAVE CARTOON TAMAS ON THEM
Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]
For those who haven’t read articles about it, the local shrine elevated her to a god. She’s now the Eternal Stationmaster and patron god of the station.
Beautiful.
Now I’m crying thanks
and a new cat was hired right?
yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy
she works very hard
Everytime this crosses my dash, I reblog. It is the law.
I’m crying at 11pm over train cats
Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016). There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.
^Nitama majestic, and below with Yontama
Yontama.
a legacy
okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back
“Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25]
As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account.
Every time I see this post there’s new info and it gets better
You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters.
The shrine of Tama Daimyōjin (Great gracious deity Tama), next to the Kishi station where she worked.
Nitama presenting her yearly offerings to Tama Daimyōjin on the anniversary of Tama’s Death, June 23 (The offerings are presented by the company president, as Nitama is a cat and thus can’t hold the offerings herself) (Not pictured, but also present, Yontama)
you cannot pass without reblogging guys. i’m sorry, i don’t make the rules.
You can’t not reblog a goddess. It’s just what’s so. :)
So, fun fact- the manga Noragami has an arc where the main character, Yato (a minor kami/God that is down on his luck but trying to make it big time) goes to a council/conference for all the Gods in Japan.
And they are announcing the winner of the “up and coming god” award, and of course, Yato thinks it’s him.
But no-
ITS TAMA!
Always reblogging this.
Source
Video of Tama
Follow Ultrafacts for more facts
The picture in the background of the second one
Tama is boss
THE TRAINS HAVE CARTOON TAMAS ON THEM
Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]
For those who haven’t read articles about it, the local shrine elevated her to a god. She’s now the Eternal Stationmaster and patron god of the station.
Beautiful.
Now I’m crying thanks
and a new cat was hired right?
yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy
she works very hard
Everytime this crosses my dash, I reblog. It is the law.
I’m crying at 11pm over train cats
Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016). There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.
^Nitama majestic, and below with Yontama
Yontama.
a legacy
okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back
“Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25]
As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account.
Every time I see this post there’s new info and it gets better
You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters.
The shrine of Tama Daimyōjin (Great gracious deity Tama), next to the Kishi station where she worked.
Nitama presenting her yearly offerings to Tama Daimyōjin on the anniversary of Tama’s Death, June 23 (The offerings are presented by the company president, as Nitama is a cat and thus can’t hold the offerings herself) (Not pictured, but also present, Yontama)
you cannot pass without reblogging guys. i’m sorry, i don’t make the rules.
You can’t not reblog a goddess. It’s just what’s so. :)
So, fun fact- the manga Noragami has an arc where the main character, Yato (a minor kami/God that is down on his luck but trying to make it big time) goes to a council/conference for all the Gods in Japan.
And they are announcing the winner of the “up and coming god” award, and of course, Yato thinks it’s him.
But no-
ITS TAMA!
Always reblogging this.
A couple of my not quite human OCS bonding over their shared love of human pants
So I've got a story about a girl cursed to turn into a dragon and her nonbinary friend who's trying to help lift it
And I've been calling it "It Kinda Has a Dragon" because gosh if a girl slowly turning into a dragon isn't kind of a dragon idk what is
But I'm also thinking of changing it to "Dragon and Dragon't" in which the girl is the Dragon and the friend is the Dragon't
My partner thinks this is a significantly better title, idk for sure yet lol
A couple of ocs from my story, Amignus (hoodie guy) and Betty (fire person) :)
I may color this later, depending on how I'm feeling lol
He is totally definitely having a Very Good Time right now and is not in any way a danger to the people around him (:
Debating posting more art on Tumblr just because Instagram has actually the worst functionality ever lol. Anyways, been brain rotting over the new Spiderverse movie, here's a spidersona I made :)
I kinda like the idea of their dimension having inverted colors at times for emphasis purposes
So there's a character in my story who doesn't really have a character design because they're a being without a physical form
*however*
If they did happen to have any sort of form, I think it would be this :)
So a few days ago, an audio fiction creator, Blue Mayfield, was stolen from during a move. He lost an estimated 15-20 thousand dollars worth of equipment, including the computer he used to work on his podcast, Camp Here And There.
He really needs help. Camp Here And There was his way to earn money, but it’s currently on hiatus between season 1 and season 2, and he can’t work on season 2 while he doesn’t have his equipment or files. He’s also a disabled college student, and can’t work most jobs.
There are a few ways to help out. One way is to donate money to the Camp Here and There patreon. ( https://www.patreon.com/mayfieldandbelov?utm_campaign=creatorshare_fan ). Another way is to buy from his shop ( https://mayfieldandbelov.com/shop/ ). He also has a PayPal ( https://www.paypal.com/donate?token=ntxmX2sqArkoAYUvLadndPF7W5i1dFYPgR1T_VLShF2FIzXiJe6LCxYYKzhWbfQX05QPxkF01dCa7KCV ) and will be making a go fund me. Finally, if you don’t have the means to financially support him, you can listen to his podcast on YouTube ( https://youtube.com/playlist?list=PLm1R8IoIYpkQMc0hmTyFLDn7E9lKdtl45 ), where he gets ad revenue.
If you need extra convincing, Camp Here and There is a great podcast featuring wonderful music, characters, writing, and representation. If you want an autistic physically disabled fat trans man with BPD as a main character, maybe give it a listen. Anything helps.
That oc I said I wanted to share the other day! I meant to color this, and maybe I still will, but I have yet to get around to it lol
I think she's one of my favorite characters atm he's so silly and I love zir :)
I was gonna share a new OC with y'all but I realized some context is needed, so instead take this concept art of some magical creatures called fentes
My brain is a rainbow fidget slug that won't stop wiggling around and making those silly clicky clack noises