SCREAMMMMMM
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Doug Jones
h

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@croquismoss
SCREAMMMMMM
making a collection
Wait I have more
This is what the average YouTube thumbnail looks like now
spent too long on this
Every time I see that last pic, I have to note that the funniest line is the one immediately after the highlight
Dude living downstairs has been loudly rapping for like 10 minutes, then suddenly did a high pitched scream, and now its silent down there
he got raptured
Autobiography of that one time i thought I saw someone dressed as a trout
You may be a catfish, but you'll never catfish me the way troutdog did... if you catch my drift.... if you know what im saying.... if you're picking up what im putting down.......
I really really like your work but sometimes I feel like 90% of the jokes go over my head. Can you recommend me anything to read/watch/experience to better understand your comics?
Of course. One of my biggest influences is the cartoonist B.Kliban. While best known for his distinctive cat drawings, most of his cartooning output was single-panel work.
Much of it is easily understandable language or visual puns, but many of his funny works are just unusual situations, with no obvious meaning:
(I think that "Household Hint" could be considered a spiritual forerunner of Tiktok ragebait food videos.)
In his 1975 collection titled "Cat," among many funny cat comics, there are several pages which are just drawings of his beloved cats.
I feel a strong connection to Kliban's approach: Direct contour-line drawing, mostly anonymous characters in novel situations, and few traditional long-term narrative stories. And yet, there are recurring visual trends. (Have you noticed that he only draws one kind of cat?)
It is said that we train our audiences, in form or content. Over time, the reader knows what to expect from an author.
I think that a lesson can be derived from this graphic design manual.
(from Notes on Graphic Design And Visual Communication by Gregg Berryman, 1979.)
I believe we can draw a correlation between broadly-defined "art" (comics, painting, drawing, sculpture, video, etc.) and logo design:
With low "abstraction" (depending upon references that many people will get, explaining things in extremely explicit terms), material will be readily understood, but it is hard to separate this material from other stuff out there. It's harder to have your individual voice known.
With high "abstraction" (sharing weird comics, but consistently over a long period of time with many people,) an artist can have their message understood- or at least received enthusiastically- even if they're weird.
I drew this yesterday. It is probably understandable as both a humorous criticism of gamer-centric marketing and also as a visual-verbal pun to most English speakers under 40. I'm not sure if "Gamer Butter" would be accepted readily without people being familiar with other drawings I've made which lampoon consumerism and gadget culture.
B.Kliban and I have had the good fortune to share our works widely enough to have such a special relationship of artist and viewer, who accept the less understandable material alongside the more easily digestible. Thank you for the kind comment and question.
mice are having sex in my walls :(
the mice are fucking AND now i'm getting heckled
@oyavaski i think the funniest part of this is you thinking that this is fake because.....some of us are the same age and we have normal tumblr names i guess lmao????
never thought i'd get accused of faking having a mice infestation for tumblr clout and yet here we are
you fucked those mice yourself
I fucked those mice myself
posting this here cause I’m still not over it. people who write instructions I love you you’re so funny
does anyone want to see a really good picture of my kitty cat
not a cat, first off
snale
Lady in drive through had a bearded dragon sitting on her boobs and she held it up and let me pet it. killing myself canceled
art is not my strong suit but this is my best recreation of what i saw when i opened the window. i have to emphasize that she was supermodel levels of gorgeous
Studies show that approaching youth with a bystander-intervention model is actually a lot more effective for reducing sexual assault, and it is also more enthusiastically received than programs that bill themselves as anti-rape.
We can tell youth that they are basically “rapists waiting to happen” (anti-rape initiative), or we can tell them that we know they would intervene if they saw harm happening to someone and we want to help empower them to do that (bystander intervention). The kids jump in with both feet for the latter! It was amazing to see children (and young boys in particular) excited to do this work and engage their creativity with it. Also, studies show that not only do they go on to intervene, but they also do not go on to sexually assault people themselves. Bystander intervention also takes the onus off the person being targeted to deter rape and empowers the collective to do something about it. It answers the question in the room when giggling boys are carrying an unconscious young woman up the stairs at a house party, and people are not sure how to respond and are waiting for “someone” to say or do something.
Richard M. Wright, “Rehearsing Consent Culture: Revolutionary Playtime” in the anthology Ask: Building Consent Culture edited by Kitty Stryker
This is also, btw, how the US drastically reduced drunk driving in the US. Telling people they shouldn’t drive when intoxicated made absolutely zero difference. A slogan-and-ad-campaign for “Friends don’t let friends drive drunk!” changed drinking culture. Going after the bystanders is quite often the most effective thing to do in any social change.
its dj erectile disfunction on the beat
making sure yall go hard even though i cant
i had a dream last night that the entire world used a currency (?) called angrypennies which as the name implies are obtained by experiencing anger. the stronger and more intense your anger was, the more angrypennies you'd gain. an all-consuming rage would earn you more than a slight irritation, etc. so people were always searching for ways to fuel their anger and purposefully keeping themselves angry all the time because they wanted to earn angrypennies. unclear if angrypennies could be exchanged for goods and services, or if they were just a collectible.
anyway, as if this wasn't heavy-handed enough, at one point british comedian greg davies appeared and explained that angrypennies couldn't be worth feeling angry all the time. this was a real revelation to dream-me and i was finally able to break free of the angrypenny grind and allow myself to experience emotions other than anger.
it goes without saying that i will be using the word angrypenny as if it was part of the common vernacular instead of a term that my dreaming brain conjured up i.e. "he's all about the angrypennies" (derogatory way to refer to a guy who searches for reasons to be angry and possibly lacks introspection)