This interaction might have started with Dana snapping at her, but it certainly doesnât look like itâs going to end that way, though that isnât saying much. Rose is unpredictable, itâs a virtue of hers or so she likes to think, even as she knows others in the mansion would call it an irritant at the least and Dana seems to be a little unpredictable herself today; itâs not so often that she gets the gamut from Dana, not so often that in the space of one interaction she manages to earn irritated, flustered and something that read as charmed between the two, but itâs a weird day to follow an even weirder one.
If Feiyan is missing thereâs almost no telling what else might happen.
Apparently, what else included an unintentional slip of the tongue by Dana which made her smile wide as Dana pauses, the implication of her own words and how they might sound catching up with her suddenly. Yet, in response she doesnât follow the joke perhaps because, while it makes her smile, itâs not the thing thatâs worth responding to or perhaps itâs that Dana made the joke already. Either way, she cants her head slightly, studying Dana for a moment, trying to figure out what else Dana thinks she does, before abandoning the cause and saying something for the sake of filling silence because she wonât ask. âActually, I mostly think of it as taking,â Rosemary says, unsure why sheâs lying through her teeth about this, âbecause everything I summon has to come from somewhere.â Maybe sheâs lying because on some level, she knows Danaâs right. Summoning for her has always been the means by which to give, to matter in a world where she has nothing else to offer really, and despite the wildness and the indulgence and the way she has no problem leaning into any of that, she doesnât really think sheâs done anything to deserve receiving here. Music doesnât seem to matter much in this house, so what she has left is summoning and sheer force of personalityâfor better or worseâto make people pay attention to her. Then she shrugs and corrects Dana gently, pushing the point just a little. âAnd yeah, Dana, it is just what I do. But thatâs okay.â
Itâs not, itâs really not, but thereâs no helping it. As such, perhaps itâs for the best that as they move into the room, they shift conversation topics, giving her something else to say so that those sentiments donât hang in the air to long or get a chance to grow awkward.
âWell, first of all,ââand the mirroring of Danaâs speech pattern is intentional; itâs a different way to tease, because she finds the formality of it so endearing, but she simultaneously canât help but mock her a little by throwing it back at herââIâm gonna disagree with you very much. Obviously, youâve been playing wrong and when you wanna learn to play the right way, you let me know. Promise, I wonât say no. Kinda hard to when you blush like that.â When. Not if, even though in her head itâs a very big if. âSecond, a five out of ten isnât passing. I didnât even go to college and I know that.â Thereâs something in the way she says didnât even go to college, that sounds an awful lot like sheâs saying, Iâm stupid, but she doesnât give the phrasing or intonation a second thought. Instead, she keeps talking because sheâs good at that, brushing past anything that might matter to focus on things that please her more superficially, âAnd third, I like doing better than just passing. Obviously Iâm not gonna try and compete with a fresh baked scone, but I think I can do better than five, if you help me out.â And Rose makes that sound so casual, but really, sheâd love the help. She doesnât let it show, but there is a mounting sort of frustration with the fact that she canât quite seem to make it stick with Dana. If she devoted half as much time to almost anyone else worth having ( except maybe Dan ), sheâs pretty sure sheâd have had them in bed at least once by now.Â
But then, maybe thatâs what she likes about Dana, just a little. Everyone else sheâs ever wanted has been an easy sell, all itâs ever really taken is her name and a smile or a little bit of a flirt before she gets what she wants. Danaâs not entirely immune, but sheâs sure as hell not so easily won. Itâs a challenge, which is a little callous, a little cruel and makes her at least a little bit awful for seeing it that way, but itâs one thatâs gradually made her realize that for once, thereâs more to it than just the desire for the tangle of sheets and pleasure.
If it was only that, sheâs pretty sure sheâd have given up by now.
Not being easily won doesnât equate to being unable to surprise though. Vaguely, Rose supposes itâs her own fault, because she teases and teases and then gives Dana space to turn it back around, but she doesnât expect it, so much so that when Dana puts her hands on Rosemaryâs hips, she freezes. Itâs not like she hasnât been plain, itâs not like she hasnât wanted Dana for a while, so itâs not because she doesnât want her hands there. No, the thing is, she freezes because sheâs actually terrified that if she moves this will stop, that Dana will shift away and set her even farther back in terms of winning trust, winning her. âDana.â The nameâs whispered on a breath out, and for once Rosemary honestly has no idea what sheâs supposed to say to follow it.Â
Only, then she finds herself thinking, what are you doing? you will ruin this if you make it too real, so she swallows hard and finds the way to cover it with her usual persona, as if she didnât just awkwardly pause for seconds and seconds, though itâs forced around the edges and she wonders if Dana will notice, call her on the fact that sheâs all but running from herself. âTied up? Is that how you like things then? Gotta say, color me shocked. Wouldnât have guessed in a million years, not that Iâm saying I mindâŠâ She twists a little then, trying to catch Danaâs gaze even with her head on her shoulder because thereâs smug laughter in her gaze, but she canât quite manage it the way sheâd like, least of all holding a cactus, so she just defaults to answering the other question even as thereâs no joke to be made. âActually, I have no idea. Only child and my parents didnât really do that kinda thing, at least not to my memory.â She doesnât remember much laughter at home. Mostly just pronunciations that sounded an awful lot like fire and brimstone, a quiet sort of acceptance and hymns.
There's a story here, something about a woman enraptured by her own gift; fueled by greed and seduced by hedonism. Dana can't tell if it's the tale Rose uses to distract or the one that suffocates her with the desire to be willed into truth. But Dana knows, with more certainty than she's ever known anything, that the woman who thinks of it as 'taking' isn't Rose. Of course, Dana also knows she doesnât really know Rose at all, she can hardly tell a joke from a lie out of herâbut there's a perspective here she's gained over the years. Maybe she's just thought far too much about the woman. Perhaps it's her way of trying to know her despite Rose's seeming attempts to the contrary. Maybe she's utterly wrong about all of it; but for her own sanity she chooses to believe that this woman in front of her is more than the persona she puts forth. There's a person there, one Dana has found herself liking more and more each glimpse. A person she wants to know beyond the superficial.
If it's really all about the taking, if Rose truly wants to summoning to be just all she doesâshe wouldn't have bothered staying. It's clear as a summer day to her, an unmistakable kindness ( or something between wanting to feel useful and doing what's right ). Rose could have summoned up another cactus of the same variety and Dana wouldn't really be able to tell it apart from George. She'd get over the loss in about a day, as she does most of her problems, and the issue would have been resolved long before now. "If it was about taking or how summoning is your only use, you wouldn't be here," her words are gentle, lips parted as if she wants to say more.
Instead she picks at the lapels of her unnecessary lab coat, which squares out her willowy frame. Feeling fabric roll under her fingers, she uses the sensation to distract her away from her desire to keep picking at the issue until Rose sees it like she does. Itâs not okay, she wants to say, and itâs not true. In the air, the force of another conversation makes the last give wayâbut Danaâs thoughts never truly move from their initial point: there is more to Rose.
( Is there more to Rose? )
Danaâs nose scrunches at Roseâs choice of syntax. Itâs very funny, so charmingly hilarious that Danaâs lips curl up in displeasure. The healer has good enough humor to eventually break into a smile, but itâs not without due extensive frowning first. âYou have the uncanny ability to make me immediately regret something Iâve just said, you know that? Iâm starting to think thatâs your real magic.â She huffs out, fighting a creeping blush with sheer power of will. âFifty percent is a passing grade. Itâs not exactly first-class honours but it is passing.â Her head lolls to the side, quirked in curiosity. âYouâyou keep selling yourself so shortâŠâ First with the magic, now with this. Half of her is concerned Rose is trying to lure her into compliments, but she doesnât think Rose even realizes the insinuation of her words. She supposes itâs her fault, backlash from her own dumb fictional ranking scale. âFirst of all,â now itâs her turn to be funnyâthough it hits her a little later that sheâs really just mocking herself. âIf. If I decide I want toâuhâlearn howây-you know. If! Not when.â She takes a step forward, systematically closing the distance between them by the exact half-span of her gait. âSecondly, I wouldnât tell you even if I had an answer to that. Iâm not going to ask you to start doing something on my account, and youâre perfectly fine just as you are.â Dana lets her teeth catch part of her lip, playing with it as she mulls over what to say next ( the three point method is very important after all, she wouldnât want to ruin the flow ). In the end, instead of playing along, she lets a genuine thought slip. âWhy do you care?â Itâs not harsh, not meant to push Rose awayâDanaâs voice betrays too much vulnerability for that.
( Is there more to this? )
Maybe thatâs what spurs her on at first, but the way Rose utters her name steels her resolve. It stirs a fluttering in her stomach that Roseâs following words instantly kill. Dana pulls her head back just as Rose turns hers, there's a groan of displeasure between her lips that she smothers into the back of Rose's head. She maintains her place there, but drawn up, no longer hunched over to try and balance her head on the woman's shoulder. "Youâ" she turns her head again to avoid having her breath spill over the woman's skin. "You never asked." Itâs not about the being tied upâDana knows better than to dignify that with an answerâit's about the unspoken something in the air and how much she just doesnât understand.Â
She can't tell if Rose is putting something up to stop it from going to a place she doesn't like. She can't tell if she's disappointed or relieved it never ventures there. She can't tell what Rose wants and if it's something she wants too. She can't tell and not all of that is her fault. When she pushes, she's met with this and then what's she supposed to do? She's never been good at this.
But she recalls the way Rose held her name, hopes sheâs not imaging the forced nature of the joke, and presses closer until her body is flush with the Roseâs. Danaâs trying to prove a point and sheâs left to pray that Rose gets it.
( There is more to Rose, and Dana wants so selfishly to know it. )
She trails her hand away from Rose's hip to down her armâit's less a tickle and more like a brush stroke painted on the most delicate of canvases. When she reaches Roseâs hand, she lets her own rest there too, as though George is just too heavy to carry with one set of hands. âTell me more about your childhood,â she requests, knowing itâs a little odd to want personal anecdotes from her position but more focused on the point sheâs trying to make; the one about being interested in Rosemary the person, not the persona. With her hands, she channels magic and familiar heat courses through them. She pushes the warmth through Rose and into the plant, watching damaged spines snap back into place. Even when George is restored to his full glory, she maintains steady flow of her magic. When the force is this small, the sensation feels pleasantânot anything like the scorching it usually leaves in her. Itâs something like tickling, maybe a bit more like being wrapped in a blanket, but Danaâs never really asked anyone how this feels. âYou can put George down on my desk if youâd like.â It would mean having to move, and Dana hopes the thought stirs at least a hint of reluctance.