Introduction #2
To be brown is to be inherently displaced. Colonialism affects us all-- black, brown, 'yellow,' 'red,' those of us who have tints of it all. Imperialism technically affects a whole lot of white, or whitened (over time) people too. But I think there is something about being a person of colour that makes displacement a prerequisite to existence.
Even if you & your family grew up in the same place, the effects of colonialism/ imperialism/ shadeism/ colourism/ racism/ globalization/ liberalism cannot be denied. My father called it LPG-- Liberalization, Privatization, Globalization. Funny because LPG is also a popular gas/oil company name, at least in India. Funny because of how so much imperialism centers around oil/petroleum. /sarcasm
I think part of decolonization is recognizing the immense grief of our pasts, the struggle that has always been there. We are neither moving forward nor back; we are a conundrum in the face of the laws of physics and time, the "Love Laws" as Arundhati Roy put it in her book, The God of Small Things. To be brown, to be black, to be red yellow colour-tinted everything, to 'pass' or not pass, to be revealed in that instant of curled hair, your eyes turned towards the sunlight, your body a lover's discovery.... Well. That's decolonization. & it never, ever ends.
One of the films we watched in my class was called Which Way Home? I think the questions raised by that film are so pertinent to this project. Whether we moved legally or 'illegally,' the question of "home" haunts us, with that huge gap of dis/privilege between of course. It is the difference between being homeless on the streets, and being housed in a place that will never feel, truly, like home. (Certainly, the privilege of being housed must be recognized...)
Maybe this project is a testament to the brokenness of our lives, so lost in between what we want & what is true. I chose to focus on the fragmentation in all our lives, because it's always there. Because this was never just about me. Because "I love you" became framed in terms of possession possibly precisely because of the innate loss of the moment, the "fragile temporary" as Malika put it-- It's all we have. It's why the quote by Margaret Atwood from her poem we are hard on each other, "If I love you, is that a fact or a weapon?" resonates so deeply with me. The resistance to possession is a reenactment of the trauma of displacement on a personal/global stage. It's us, remembered as only blips in the universe, but what beautiful blips we were/are!
That's why I want to focus on psychological displacement in addition to physical, geographical displacement. That's why I want to focus on homelessness as a kind of physical displacement that may or may not go across borders. Asylum as seeking services to enter a country, to get mental health services, to get services after incarceration. I don't know how far I'll get with this, but I'm going to continue anyway.












