Kiana Khansmith
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Today's Document
taylor price
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oozey mess
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Origami Around
Misplaced Lens Cap
Xuebing Du
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
Keni
"I'm Dorothy Gale from Kansas"
NASA
wallacepolsom
PUT YOUR BEARD IN MY MOUTH
noise dept.
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@dreamsofadollfie-blog
Reblog if you are insecure about anything below:
-weight
-appearance
-intelligence (or lack of)
-skills (or lack of)
-weird hobbies
-friends (or lack of)
-body
-personality
-family
Who ever reblogs this will get a message in their inbox.
Reblog if you are one of the less noticed Sexualities!
Demisexual, Bisexual, Asexual, Grey-Asexual, Pansexual, Fluid.
support mentally ill ppl who have breakdowns often, support mentally ill ppl who talk about how much they hate themselves, support mentally ill ppl who sometimes say or do extreme things during breakdowns, support mentally ill ppl who have mood swings and who feel like absolute hell one minute and fine the next, support mentally ill ppl who actually show signs of being mentally ill, because if that makes you uncomfortable, then don’t say you support them.
dont yell at me
dont yell at me
dont yell at me
dont yell at me
dont yell at me
dont
yell
at
me
instead of yelling try not yelling
if you ever yell at me, i promise you i will cry no matter who you are or what i did
i thought that im the only one that cries when people yell at me
Slit, Nux with war pups! …I can’t stop drawing war boys *screams*
furiosa vs. tropes for women in action
Mad Max: Fury Road has already inspired some of the most intense fandom I’ve seen, and been part of, in years. I think it’s partially due to the sheer intensity of the sensory and emotional experience the movie delivers. But let’s be honest. A lot of it is due to Furiosa.
The character has already inspired an outpouring of fan art and cosplay. Even among movie fans who aren’t part of those scenes, people who love her REALLY love her. (And I wholeheartedly include myself in this category.) I can’t remember the last time that multiple, grown-ass adults on my Facebook feed had profile pictures referencing a movie character. Several of them–men and women–have this one:
Why has Furiosa inspired so much passion? I think a lot of it has to do with the way she blows a giant flaming hole in the standard images for women in action films.
While recent years have given us some fantastic action heroines, they tend to be confined within a few set tropes, with remarkably little variation.
Of course, by far the most common trope for women in action is still to be the person being rescued–to be the prize the protagonist, usually a man, gets at the end of the journey. There are whole franchises built around this concept. I think we can all agree that’s boring and not worthy of a blog post.
But even among women characters who have agency in action movies–as protagonists or as villains–there are still some basic patterns that recur again and again. In particular, there are three basic templates that a large majority of female action characters fall into. The point is not that these tropes, in and of themselves, are wrong. It’s that they’re often all there is.
1. The Girl Hero
This is the default trope for YA. Katniss in The Hunger Games, Tris in Divergent…you’ve seen it many times.
Katniss Everdeen, The Hunger Games
The Girl Hero is virginal (often unusually non-sexual for a teenager). She’s usually small or skinny, sometimes for a logical reason (Katniss grew up starving), sometimes not so much. She seems like an underdog, but proves to be surprisingly good at violence and/or have some unique skill, and through her bravery and grit takes on foes much bigger than she is.
Tris, Divergent
It should be said that plenty of male YA characters share these characteristics–Harry Potter is also small and skinny, a novice in the world of magic, but unusually skilled at a few things. He doesn’t win his battles through physical strength, but through cleverness and bravery. And there’s an understandable appeal in having a scrawny underdog, of any gender, turn out to be a hero, especially in a book or movie geared toward young people. But with a few exceptions (see: Tamora Pierce) the Girl Hero with these qualities is THE template for young women in action/fantasy/sci-fi/speculative fiction, with not a lot of variation.
2. The Sexpot
When the Girl Hero grows up, she can be properly objectified as a different trope, the Sexpot.
Lara Croft: poster girl for this trope
You’ve all seen this trope in the many, many superhero and comic book movies that are currently squirting out of the studio pipeline. She’s that one token woman on the team with four guys.
Yeah, that one.
The Sexpot gets to fight–and sometimes even gets artfully bloody and dirty–but she has to do it in a latex suit and while appearing cool and sleek and having a good hair day. (She has long hair, so she can flip it, and so we’re extra sure she’s a girl.) Her fight style is extra bendy and flippy and maybe when we break out the slow motion. She may use her sexiness as a weapon (a la Black Widow) or it may be just a bonus quality. She can be powerful, but only if we can look at her conventionally attractive body move around in tight clothing while it’s happening.
3. The Ice Queen
The Ice Queen is almost always the trope for female villains. She sits at the top of some kind of power structure–a state or a criminal enterprise–issuing commands to her minions but rarely doing the violence herself. She’s probably got a sharp suit or a uniform and a severe haircut.
Delacourt, the villain of Elysium.
She’s allowed to be older than 35.
President Coin, Mockingjay
The Ice Queen has institutional power but rarely fights; physicality is the low pursuit of men in her world. She may be smart, crafty and manipulative, but she will not punch you in the face. She’ll snap her fingers and get someone else to do it, although she may sit on the edge of her desk to watch.
Jeanine, the villain of Divergent
Maya, Zero Dark Thirty–an Ice Queen protagonist, sort of
The point here is not that there’s no variation on these themes. But it’s striking how often the women that do exist in the thriller, action, sci-fi and speculative fiction film universe fall into one of these three boxes. Which is why any character who doesn’t map onto one of these templates is so exciting.
Here’s Furiosa.
She fights a hell of a lot. She does not flip her hair.
She’s intensely physical, but you never get the sense that her fights are choreographed to perform her sexuality for you. They’re choreographed for her to fucking win.
When Max shows up, they have a knock-down, drag-out fight with each other. Max doesn’t pull any punches. Why? Because he makes no assumptions that she’d be less lethal to him than a man. They beat the shit out of each other in a big, messy, grunty, scrabbly fight.
For significant portions of the movie, Furiosa is driving a truck, which means she’s essentially acting from the biceps up. You literally cannot look at her boobs. You have to look at her face.
She gets to be dirty. Really really dirty. This picture alone highlights how weird it is that all the other women above are so clean.
She gets to be ugly and make weird faces in the middle of fighting.
She gets to yell and be angry the way one might be in the middle of a nonstop road battle when you’re full of adrenaline because you’re fighting for your life.
In short, she gets to look like an actual person who is actually fighting, instead of a statue that can do a back walkover with the help of a wire rig.
So it’s hardly surprising that she’s racked up a lot of fans. She takes all the images of clean, pretty, carefully sexualized women we’re used to seeing, even in action, rips them to shreds, sets them on fire and then drives over them with an 18-wheeler.
This is all even more remarkable given that Furiosa is played by an actress who is very feminine-presenting in her everyday life. Charlize Theron is one of the very few actress who’s been allowed to pick roles where she radically changes her gender presentation.
Here she is in Aeon Flux, playing about the most Sexpot-y character imaginable:
Here she is in Monster:
I think there are a lot more actresses out there who could take on these kinds of transformations, radically altering the way they look, move, and perform their gender, the way male stars do all the time. But the equivalent depth and diversity of roles for women just doesn’t exist in Hollywood right now.
Furiosa’s popularity shows how starved we are for images of women who are actually powerful and physical in the same ways that men get to be in blockbuster after blockbuster after blockbuster. It’s not that all the images of women in action have to look like this–it’s just that we hardly ever see a female fighter who looks this way. Furiosa reminds us that there is so much more out there than we’re getting in terms of what women can do and look like on screen.
I love everything about this analysis and it makes me reflect and realize this re how they present Furiosa:
From the very first shot of her all the way until her brawl with Max, we only see her face, her eyes in particular. The intensity in them is fucking breathtaking– haunting, scathing, lethal, broken, all at once. (A. O. Scott perfectly names it a “thousand-mile stare.”) So, absolutely, we don’t see her body, or anything distinctly female. There will be no gazes wandering to her chest or curves. We’re forced to look her in the eyes and accord her respect.
God beautiful analysis on one of the reasons Furiosa is such a wonderful character.
My boyfriend just reblogged a, “reblog if you don’t have a boyfriend or a girlfriend”
For many this would be distressing.
For me, as a genderqueer person who is not his boyfriend or girlfriend, it cracked me up.
DO NOT FORCE ALCOHOL ON TO PEOPLE WHO SAY THEY DO NOT DRINK
DO NOT FORCE ALCOHOL ON TO PEOPLE WHO SAY THEY DO NOT DRINK
DO NOT FORCE ALCOHOL ON TO PEOPLE WHO SAY THEY DO NOT DRINK
My McGonagall Appreciation Post.
college???????? living on my own????????? paying taxes??????
my fave scene
reasons why I’m wearing a dress:
no pants
i look hella cute
my favourite pair of jeans are dirty
this dress has pockets
no PANTS
it’s comfortable
no pants
i don’t need to worry about matching anything
seriously the only reason I’m wearing this dress is because it has pockets and nO PANTS INVOLVED
not a reason why I’m wearing a dress:
because I’m trying to look ‘sexy for the boys in class’ seriously wtf
Don't forget wearing a dress means you don't have to match anything
the word ‘bisexuality’ is a taboo
it isn’t said on tv. orange is the new black, for example, features a bisexual protagonist who points out the biphobia at one point in assuming she can’t be attracted to multiple genders, but no one Ever says the word and she is ignored and referred to as a straight girl or a lesbian depending on the situation
other bisexual characters later turn out to have been Really Monosexual All Along. or are attractive, promiscuous women with commitment issues
this isn’t a coincidence.
people who are attracted to multiple genders, when asked about it, often describe themselves as “Fluid”. “I’d rather not label it.” “I don’t need to define it.” “It’s just whatever.” as if people are afraid of even implying the b word
this isn’t a coincidence.
the word ‘bisexual’ gets you different reactions in different places. straight people think you’re either faking for attention or a deviant. straight men are afraid of bi men and think bi women are just particularly promiscuous straight girls who want to have threesomes with them
gay men accuse bi men of being in the closet. lesbians accuse bi women of being straight girls going through a phase. and the ones who don’t do either of these things still often assume bisexuals are promiscuous, indecisive, and can’t settle down.
the theme throughout is that bisexually is illegitimate, deceptive, and always a front for something else.
this isn’t a coincidence
people are constantly encouraged to ‘settle down’, to ‘just pick one’, to ‘not be greedy’. abandon bisexuality. you’re really gay. you’re really straight. you’re too young. how can you know you’re bisexual at 16? 18? 20? 25?
this isn’t a coincidence
the word ‘bisexuality’ is constantly, persistently manipulated, by people who aren’t bisexual at all. the meaning twisted on shallow rationale. accused of being transphobic, or of being exclusionary. this has been happening for over 20 years now despite the existence of outspoken trans and/or non-binary bisexuals. whatever they can do to make you not say the word. pick a different one.
this isn’t a coincidence
bisexual people - whether implied or literally, deliberately saying they are bisexual using the word - are constantly rewritten as gay or as straight. gay icon. he was never interested in men. bi actor comes out? headlines say ‘came out as gay’, or articles outright ignore it
it’s never, ever a coincidence. bi erasure is a constant, ongoing thing.
Reblog if you think a boy can wear a dress
Why is it that when couples make a new human life, it’s ‘beautiful’ and ‘miraculous,’ but when I make a new human life alone in my basement, it’s ‘a crime against nature’ and ‘morally abhorrent’?
Mad Max: Fury Road behind the scenes, or, “CGI? What CGI?”
It’s not that there’s no CGI in this movie - it’s just that he did it back-to-front.
Just as he stood all story telling and character tropes on their heads, George Miller inverted conventional wisdom on practical vs. CGI. Dangerous, explody, actors-flying-through-the-air, fire, apocalypticonvoy racing at 60kph across the landscape, dirt and fighting - all real. Skyscapes, rock walled canyons and starry nights - all CGI/enhanced.
Explode things individually with extreme safety, composite them together in post, set against background of cgi enhanced landscape. Color time for surreality, rotoscope for emotional devastation, bake at 350 for approximately 15 years - done!
redshoesnblueskies‘ last tag in particular:
#George Miller#post production#mad max#fury road#Fury Road: No Accidents
…is doubly perfect, in that 1) all the significant creative choices in the film come off as internally consistent and intentional, and 2) former-ER-physician Miller has said more than once how proud he is that despite a months-long shoot with big stunts nearly every day there were no serious injuries or broken bones on-set.
Except for Tom Hardy’s nose, reportedly…
Ouran High School Host Club
Haruhi: fuckin rich people
Tamaki: notice me kouhai
Kyoya: *anime glasses glint*
Hikaru: Bro bro bro
Kaoru: Broooooo
Honey: loves cake more than he loves his brother
Mori: *is tall*
