It’s so weird that pyjama cases were a thing. They went so abruptly out of fashion, too. The idea was (I think) that it was vaguely indecent to leave your pajamas around, and it definitely spoils the look of your nicely made bed, so lots of people put them under the pillow; but a cuter thing to do was to have a specially made empty stuffed animal or cute purse or pillow thing, with a zipper, and you’d stuff it with your pajamas in the morning and place it cutely on your nicely made bed. Then in the evening, you would unzip and disembowel the soft plump object, and reclaim the pajamas. It wasn’t just a thing for kids; adults did it too. In the kind of pre-1950s novels I like to pick up, authors describe a character’s pyjama case to reveal a bit about the character; but of course they never say why you’d have a pyjama case. “Everyone knows what a horse is.”
I suppose it’s been culturally decided that it’s an unnecessary step in the bedtime process. We’re busy bastards, aren’t we? Who makes their bed every morning, I mean, really?
Perhaps, also, our clothing is no longer of the material and methodology where you have to spend extra time/attention/tools on them. Pyjama cases may have had some benefit - extending the life of the pyjamas, or something. Perhaps it was more common in those days for mice to climb into your silk pyjamas, or they kept them from being attacked by dogs, or something. It’s possible that there are unspoken benefits to keeping your pyjamas in a stuffed toy, which previous generations knew instinctively and we have forgotten. Some people are like that, they maintain rituals and practices that don’t get written down, and so become arcana. My father-in-law owns special clothing maintenance tools such as shoe trees (which you place in your shoes every night at night) and trouser presses (in which you leave your worn-but-not-dirty trousers overnight so they are crisp in the morning). He irons his pocket handkerchiefs - why? so that they fold into a precise pocket shape, with the same fold pattern as plastic-wrapped disposable tissues: the optimised shape for pockets. You are not going to read in the literature about there being a reason for ironing pocket handkerchiefs. It is a habit that is not captured by history. You have to speak to a practitioner to even consider that there is a specific value in pocket handkerchief folding. Maybe we operate at a remove from the people who could have told us why they bothered with the idea and then stopped.
You can buy a selection of pyjama cases online, but with no explanation of why you’d want to, it’s hard to see how this helps. The only real thing i can see is that it’s cute and tidies the pyjamas up, but we’ve all decided that untidy pyjamas are a problem that doesn’t need solving.
Pyjama cases have no Wikipedia article; search engines have nothing to offer. Old books only self-reference them being a normal thing. Someone who knows about pyjama cases or textile history could heroically fill this in. Please do. Otherwise, this tumblr post is going to suddenly become the leading analysis of pyjama cases, and that would be sad.
Every now and then a difficult period like this comes along: so it's time to request some assistance.
I've kind of been neglecting my vision for the past year or so, aware that I needed new glasses (and to go have a consult for possible eye-related surgery), but putting it off... and now the situation has, as it were, come home to roost.
The other day, when I was typing something and then (to check it before posting) had to pick up the Mac and hold it up to my nose to see what I'd typed... I realized that if this went on much longer, even with dictation (because after you dictate, you still have to edit...), I wouldn't be able to write.
That would be bad.
I need to go see my Eye Lady, get examined, and get both sets of glasses re-fitted with new prescriptions. This—as usual, each time it needs to be done every year and a half or two years, due to Weird Eyes—is going to run into a low-four-figure-ish kind of money. And due to other recent unexpected medical expenses, right now there's not enough dosh around (or spondoolicks or whatever term you prefer...) to get things sorted.
Therefore: can I get people interested in keeping a writer, you know, writing (as I've got three novels working at once at the moment...), to consider doing one of these things?
(a) Go over to Ebooks Direct and buy a book. (Or a bundle. Or a gift card for somebody else who might like my work.) And if you do: thanks so much!
(b) Stop by my Ko-Fi and drop a little something in the pot. It'll be most appreciated.
HEARTBREAKING: friends who i should be going to the movies and playing dnd and watching anime and cosplaying and going to the mall and having sleepovers and exploring the woods with live one hundred trillion miles away
It’s crazy to spend years really hostile and defensive about criticism and then have a truly revelatory experience and come back like “oh actually tear me apart. Strip me to my bones so I can rebuild from the foundation.”
Every time you go in a public place and something ISN’T disgusting it’s because somebody cleaned it. Every time you feel comfortable using a public bathroom or sitting at a restaurant table or setting something on a gas station counter or playing on a playground it’s because somebody cleaned it.
Thank you to everyone who cleans the world, especially those who are underpaid and under appreciated.
I worked in a supermarket for 7 years and I don't think I can understate just how much cleaning you had to do for it to look clean (it very often where not in the places you aren't supposed to see)
True for food service, retail establishments, gyms, outdoor areas, schools, religious buildings, office buildings, etc. People usually only notice when a space is NOT clean, meanwhile every time a space is clean it’s only because of the diligent work of janitors, maintenance staff, custodians, parks workers, or volunteers.
she is a princess and you are a dragon. she will be married tonight. do not keep standing outside of her room like that, go inside. go get her. that is what proper dragons do.
not that you have ever been a good or proper dragon. when you hatched out of your egg, your eggtooth was too smooth. the other dragons were rough with you, put little holes in your wings.
you were not bold. you were odd. you liked rippling water and the shine of chitin when bugs scuttle and of course the movement of the stars. those were all acceptable interests albeit maybe not traditional. perhaps you had inherited these through some great-great-uncle or something. certainly a dragon may be wise, or clever, if they are not bold.
yes, you have been a great deal of a puzzle to the other dragons. your body is smaller and rather more soft than it ought to be. so speed should have been yours, perhaps - your mother said it would be like fighting a shadow. if a dragon is not aggressive, it may instead be cruel, sly; a backstab. but alas your scales - so iridescent that they almost shine like the moon at night, a glow from within - you are not a shadow, you are a beacon like the flash of a knight's blade. your father has said at least you would make a fine egglayer, a nice mate to a good male. a dragon like you may still be a good mother perhaps; and that is a fine thing to be; although of course it would have been better if you'd been a trove-hoarder instead.
what a dragon must not be is kind.
you have watched her now for six moons. what a good and proper dragon would do is to go inside and to snatch her. a very proper dragon would have kidnapped her many times over, but you will be the delight of your brood to princess-snatch even at all. when you catch her in your jaws and bring her home, they will love you, then. they don't think you're capable of it, but you are, because you're a proper dragon. you can show them that. if you go in, now, right now.
you are rather too glossy to hide in the shadows, so instead you have learned how to appear flat and round, a puddle of light. (how your siblings would mock you! a dragon should be matte, to blend with the night). you dapple your flank with mud. you perch in odd angles atop of trees, scuttle like the bugs you love - hither, tither, frantic.
what you must not do is fly with your wings full-out. alight, you will be limned by the moon's corona. you will be a beacon. you must remember this when (not if) you snatch her.
____
you found her because of the lake. this lake in particular was your favorite - nestled deep in the woods, between two mountains. it is very quiet; there is nothing to horde there so no other dragon bothers you. a gentle waterfall spills over into a deep cove, and there are many mossy caves you've spent your afternoons napping in. while it is not proper for a dragon to prefer such things, you like to lay in rolling tenure just under the water. you have become excellent at holding your breath, can do it for hours. it is the easiest way to appear as a patch of sunlight.
she was not sunlight. she was the night's joy. the dark press of water. her face at first concealed by many diaphanous layers. her breathing quick and quiet.
she had pulled them back to drink from her water flask. and there she had been: a princess. your first very-real princess. right there, only the reach of a single talon from you. if you had simply lunged then, you would have been able to take her easily, in one single movement.
but you did not take her.
she had startled you a bit; you'd been daydreaming about music, which you'd just discovered, and rather liked. you'd heard it from a little house while you snuck in and stole their sheep.
but you knew the sound of fear, of being followed. you'd been chased too many times, you knew what it looked like. the rapid jolt of fear.
you smelled her then; cinnamon and onyx, and perhaps that was what had blinded you. perhaps your mouth was just watering. whatever the case, you waited until she had fled back into the forest; and then you waited a bit longer. in her wake, a garrison of men, their hands rough.
oh. so they were not knights. they were just men chasing a young woman through the woods. perhaps they did not even know a real princess had been running from them. well, that was a relief. you are not good at fighting with knights, who have swords instead of cudgels. these were just men, so you rose from the water in the quiet way you'd learned from the fish. they did not hear you coming.
and besides. proper dragons do violence so well.
___
once you had smelled her you could find her, although such things have always been easier for you than for the others. you spend a great deal of time studying things - it allows you to analyze them. you have tried to explain to the other dragons that sometimes it is best to slow down, but of course no dragon should be slow.
at first you did not understand the confusion of the people's umwelt. they relied so much on their communication (only words and actions!) and what they could see with their eyes. you and the other dragons did not use these as much; but you liked prying out the little sonic differences between hello that means "i like you" and hello that means "i don't like you."
so it took you a while to learn that you were responsible for what had happened to her. men had gone missing, and even bad men going missing makes a big fuss. (you know that if it had been girls missing, it would be okay. many proper dragons steal girls because it will not bring a knight to their door). for a while she had been trapped on the palace grounds. it was determined that it was no longer safe for her to be just a princess, she must undergo some human transformation and become a wife.
and then you saw her descending from the window of a castle, quick and agile, moving like a whisper, clad almost entirely in black. you could see her quite well of course, although you were not seeing her; but instead her heat and her smell and her sound and all the other sensory noise all humans give off.
you followed her, keeping yourself in a cloud so you appeared as if mist. she stole off into the woods. you were interested in that, and watched her scuttle - although of course you could have taken her then. she did not seem to do much in the woods, only run around cry into her little hands.
she appeared to be looking for something. she did not get far that first night; scurried back to her bed. over and over this happened - she would run as far as she could, only to go back again. it seemed rather boring to you, but of course you had been free your whole life.
and then one night - finally, she arrived at the lake. she sank to her knees then, her hands pressing into the water. her head tilted to the sky. her dark hair spilling in a caught breath behind her.
this is how you heard her voice for the first time. when she came again the next night, she did so more quickly, more assured. straight to the lake, as if it had called her.
she had skipped a pebble over the surface of the water. this action was dangerous, because it almost hit the sail of your wing. you had structured yourself very finely to look like a rockslide.
"three months." her voice was like her: it was deep and smooth and dark, a low violin string. "they want me to marry that bastard in three months."
and then she cried into her hands again, and the sound of it almost broke you.
so you followed her maybe more than a proper dragon should, then. more than back to the castle. you hid along her daily walks and watched her in the throne room and saw her out riding horses. she was good with dogs and nice to her people and very much a proper princess, although you know a proper princess ought not to slip out at night and run around barefoot through the woods.
you discovered she is terrible with directions. you have often had to make a path more clear so she could get home again. she cannot hunt better than an egg; you have had to kill fish and push them subtly up to the shore.
but she appears to love the lake as much as you do. you have seen her read by candlelight (how foolish. the entire woods saw her each time). you have seen her build little paper boats to float along the surface. you have seen her strip her many layers and dive in, have seen her lay with her belly to the sky, floating like she is suspended by the hands of darkness itself.
oh. so she loves the stars, as well, then.
__
you must go in. she will be married tonight. that is a human thing, but you have learned what it has meant. she will go to somewhere else, and you will not see her again, maybe ever. and then how will you be a proper dragon? go!
you have made yourself in the form of a gargoyle, hiding in the white stone. you can see into her room; and the tapestries that seem unlike her. everything in her room is very bright, which is bad for a proper dragon. there are many knights in the hallways and in their rooms, and their smell is itchy and repugnant to you.
her dress is white, which does not seem like her. you have only seen her wear black. she is sitting at some kind of desk, and she is crying again. she smells of cinnamon still, but moreso of grief. you can feel the heartbreak in her as if it was inside of you.
you cannot watch her cry anymore. you have watched too often without moving. that is shameful.
you nose the door open. you can move quiet, because you are not very big. she is within a cave of you, then a wingtip, and then she is standing up, looking into your eyes.
"it's you." her hand on your jaw is warm. "i thought i was imagining you, you know. i turned around that day. i saw what you did to those men. i have been looking for you since. i told everyone that i had an angel to protect me. they locked me in here anyway."
you are not an angel, you are a dragon. you have to keep your wings locked tight or you would explode the walls of this place. it makes you feel big, suddenly. you are not used to that sensation. you do not like to be locked in a tower. you believe maybe the princess does not like to be locked in a tower either.
you take her in your jaws. she is very small, and does not resist you. although you are not a strong flyer, you must take off in a single push. any other movement would be too slow. you must also hold your breath so you do not smell her, the clove and cinnamon and little bird of hope. your mouth would water and you would drop her.
against the full moon, you do the thing that is impossible. you stretch yourself out all the way, a bold and beaming arrow, and you fly. you can hear them cry about you now, loudly. a banner that would strike pride even into your father: dragon. dragon. dragon.
on the eve of her wedding, you snatch the princess from her tower.
an arrow whisks for you, and then dozens, and then hundreds. you are not afraid of pain. you have learned long ago how to fly with holes in your wings. you hold her very gently still, and you push past the smell of your blood.
in the night you are a star. someone somewhere could look up and see you and make a wish.
there will be another lake, you decide. you can find another lake. somewhere very, very far from here. however long you must fly, however long you must hold your breath: you will take her home, because you are a proper dragon.
___
sometimes they come for her, your treasure. you have built her a little castle here, deep in the forests off the map. and of course for you: a silver round lake like the shift of her iris. you bring her books and she brings you bugs to study. you let her saddle you, and together you ride through the clouds and fog banks. she is a shadow on your back; a warm and velvet thing. she makes you music and lives the way she should; free in the night like a promise.
but they do come. you have stolen a real princess, and they do not want her to be a princess. they want to make her into a brood mother, or into bait, or into prey. they always look into the caves first; into the places proper dragons stay. they are real knights, not just men with sticks. they are loud and their smell still makes you itch.
but she has made you brave now, and cunning. if a dragon is not big, it should be cunning. and since you are a proper dragon, and since your treasure is your most precious thing, you lay in wait.
let them come. you will let the light drip off of you, and then you will pour through them.
afterwards, your princess will tell you a story around the fire. she will patch your wounds as she did that first time. she will sing to you.
and in that moment, neither of you will be a title nor a story. she will just be herself, and you will just be you.
I take my wallet out of my pocket and unfold it. It is empty other than a single moth that lazily flies out. The moth lands on the tap point of the card reader. There's a beat, and my payment is processed. The moth flies back into my wallet and I put it back in my pocket.
This is a pretty 18th century fashion plate, but I wonder if the artist has confused their exotic birds.
That's clearly supposed to be a parrot, but it bears a distinct family resemblance to a turkey, between that neck and the hint of a wattle.
Both parrots and turkeys were status symbols in Europe at the time, a sign of wealth and exotic foreign connections.
ALT text:
1780-1785 fashion plate number 23 from the French publication "Galerie des Modes et Costumes Français”. A woman in powdered hair and curls wears a bright orange jacket edged with transparent white frills and turquoise blue ribbon, over a skirt to match. She stands next to a sort of a wooden coat-rack of bird perches set into a manger or tray and with a bowl at the top, snuggling up to a very odd-looking bird. It is clearly intended to be a parrot, but seems rather overlarge with a more turkey-like neck than the sleek look of a parrot, and its coloration suggests a turkey’s wattle more than a parrot’s plumage.
UNPOPULAR OPINION: A lot of "mental health issues" disappear when bills are paid, rent is secure, and the fridge is full. Peace is expensive. And pretending money doesn't affect mental health is privilege.