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@eighthdoctor
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
"It was my choice. I bore Viserys three Targaryens. But with the last, my last... I wanted him to be a Hightower. In truth, I'm glad I waged that battle, seeing now what came of our other sons. Perhaps sending Daeron away was my truest act of motherhood."
really really love this daeron i love his sensitive observant gaze i love his quiet placid nature i loveddddd his creepy cultish forcible indoctrination into masculinity i love that he is already war crimes mcgee. he’s only six seconds old
the way he imitates the gentle paternalistic chivalric misogyny of like we must be polite to women and how as we show them out and protect them for Ormund to shatter the illusion and explain that manhood is about power and carnage and violent punishment of those you can deem as lesser…
if you’re raised with an angry man in your house, there will always be an angry man in your house. HOUSE OF THE DRAGON 1.05 - 'We Light the Way' 3.04 - 'Tumbleton'
+ Bonus:
Source
People who are like, viciously against prison abolition confuse me. I'll admit that, in the end, I also struggle to imagine a world in which, even when nobody has any reason to, someone or another won't act in a way that could only be solved with restricting their autonomy. But people who would act in such a way, even when all their needs and wants are taken care of, in a society that has methods of healing and retribution that isn't punishment, are exceedingly rare. People will do unreasonable things, even in a perfect world, but the amount of people who will do unreasonable things repeatedly with no way of stopping them are astronomically rare.
Best case scenario, we find a way around this issue and the number of people in prison is 0 (a way around that doesn't involve killing people, I will clarify). Worst case scenario, we don't, but the vast majority of people who would be in prison now most likely did not act in the way that originally got them in trouble and, in the scenario they still did, had ways of making up for that and doing better that does not involve punishment (which exasperates the issue). Its a win-win either way, but since prison abolitionists don't have a magic solution for every problem people are willing to throw away the whole concept, even when working towards that goal will only lead to benefits even if it is never 100% achieved.
I feel like this sort of thing maps over (nearly) identically to psych abolition, mainly because psychiatry is a carceral in itself. It is an extension of the prison system.
"What about the ~violent evil schizophrenics/murderers/rapists/sociopaths/etc~" has never been a productive question, because it misunderstands the whole concept at its very basis. "Restricting autonomy is inhumane, we should work towards a world that does not restrict autonomy as much as possible" has always been the thesis.
You get it.
HOUSE OF THE DRAGON 3.02, "Queen's Landing" 3.04, "Tumbleton"
Genuinely I think the great unsolved academic problem of the century is accessibility of knowledge structures.
It's been true for a long time that the academic project has accumulated more information than any person can readily comprehend the scope of, so if you want to learn something the immediate challenge is figuring out what is already known about it, and where to find it. Library science is structured around this problem, and has some interesting approaches and answers! Mostly following a sort of decision-tree model, where the organizational categories are necessarily somewhat arbitrary, the important thing is that they're clearly defined enough that you can ask a series of questions about "it is this or that?" and arrive at a location.
But the set of arbitrary categories does unavoidably influence the way knowledge is generated and interpreted, the "silo effect" of different fields of study not knowing how to talk to each other about their areas of overlap, and not necessarily even thinking to check what areas of overlap exist and who they could and should be talking to.
And hypothetically digitization provides the potential to completely change this up! You can build database structures that can be filtered by many different criteria simultaneously! You can look for certain keywords wherever they appear regardless of category!
But then you face a whole new conceptual headache, which is figuring out how to categorize things in a parallel access structure. And you quickly have to contend with the fact that different fields are often using completely different words and conceptual approaches, and how do you link these things up across the database? How do you provide relevant context for what kind of background framework is in play, for someone coming in with an unknown level of background knowledge in potentially a completely different approach?
And then - this is where I get unclear on the historical timeline. For some reason, from the early digitization grappling projects to the internet I grew up on, something happened where the internet got very full of surface-level answers, and also extremely technical answers, but there's a huge slice missing in between, which is SPECIFICALLY the college level "introduction to how this field is thought about, including slightly more than surface information but also an orientation to the framework of thought which has been built in academia so far, and which will be useful for knowing how to find and interpret more technical information on this subject." This type of thing is INFURIATINGLY difficult to find on the internet, and has been even since back when google worked. There's a handful out there of thoughtfully curated websites - usually hosted by some university where someone took the trouble to build out an explainer for their field of study - but they've always been random lucky unicorns to find. As a fallback you can try downloading some random textbooks and reading them, but I can't call that a good approach.
And then, in parallel to that, there's the search engine thing. Google early on hit a really interesting and compelling strategy for sorting webpages by their relationship to a web of knowledge - but the proxy for this was a web of links, which rapidly became Extremely gameable. For a while they were on top of managing this, somehow, I don't actually know the technical details.
There was a brief window where search expanded from just including your exact keywords, to triangulating sets of concepts related to your keywords - this was like 2015? There was a fleeting moment where a search of several meaty keywords could actually tell you what the field of study you wanted was, could point you to things slightly beyond the scope of what you'd asked for, which was so cool. And then fairly rapidly over several years this collapsed into showing you instead things that were related to vaguer, less technical versions of your keywords, and then eventually to the point where if you had more than about 3 keywords it would just start ignoring most of them.
This seems to have happened in parallel to a hard turn towards microadvertising and to google itself as an ad service. I have a suspicion that google stopped TRYING to get ahead of the gaming of their searches and instead just leaned into it, because this brought them more add revenue via content aggregators who ran their ads and also gamed their searches aggressively. Resulting in the rapid search engine sloptimization of everything.
Meanwhile database structural approaches really lagged, because search was so easy and powerful through google for a while, that straight keyword searching felt clunky and high-effort in comparison. There could have been a lot of work in this field that just... failed to materialize, as far as I can see.
Instead the data science world leaned in hard on machine learning - which could offer some interesting approaches! I think not unrelated to what 2010s google was up to actually! - but then all that got swept up in the push to natural language models. Which is INCREDIBLY frustrating, because the output you're going to get from a language model for a search query is AT BEST equivalent to asking some guy who's read approximately everything ever to summarize of the top of its head. In practice it's worse than this, because a language model does not actually have a conceptual understanding of what it's read, a fact which is only semi-compensated by the sheer volume of information it's processed - if a clear conceptual approach is strong enough in it's text sources it's statistically likely to cough that back out, but that's entirely a gamble. But even aside from that, this completely fails as an indexing strategy because it can't send you anywhere! It can't tell you where it got anything! It's a total dead end on the project of organizing and accessing the body of knowledge which exists!
So we're back at a square where the options for sorting and accessing digitized knowledge at large are not really better than they were in 2002. And there's an absolute mire of paywall inaccessibility tied around basically everything that has enough source reputability to separate it from the absolutely unfathomable quantities of bullshit that's been created in the SEO arms race. And the academic field that seems like it SHOULD have been working on this project, the whole time, has been.... genuinely I don't FUCKING know why and how they lost the plot so completely. And the other academic field that previously approached the problem has been underfunded into obscurity because "computers made them irrelevant".
one thing I really appreciate about rtd era doctor who is just how NORMAL the sets often look:
there have been at least three separate people I’ve known whose bedrooms had this vibe: the incredible clashing between different shades of pink, the dark carpet, the messiness, the poor lighting filtering through that dark curtain—I know how it feels being in this room.
I painted my room this exact color in 2008/2009. martha’s organized, but she’s a student and it’s a cramped space—she arranges her shelves the best she can, but her stuff is just stuff and doesn’t perfectly match. when I’m at school I have to dry my laundry in the middle of my room exactly the same way!
yup, that’s what every break room I’ve ever had at work looks like, with the mismatched tupperware and posters and questionably-clean microwave.
sylvia’s house is obviously intended to be coordinated, but with a nonprofessional’s taste. you can see the little pumpkins in the background from halloween, there’s a printed tablecloth at the table, the counters are that realistic mix of cluttered and clean.Â
even in a fancy office, we’ve got the ugly fluorescent lighting that’s not really doing anyone favors, the crooked potted plants, the sporadic beige and white walls, the random workplace posters above the printer and trash cans.
people sitting in weird places because there aren’t enough seats around the tv! the cat tower with kitty litter shoved in the corner! the overstuffed table! the slightly-crooked picture frames! this IS the vibe of being stuffed into a too-small room with company over.
I don’t know, I just love how they unapologetically show the messiness of normal life on camera?? I feel like the unglamorous-ness of it grounds the show so much?! it’s just so much fun watching a bunch of fantastical sci-fi things play out against mundane settings I see every day.
daeronisms
because Ormund Hightower getting in his teenage nephew’s face and coke ranting about the glory of the Hightower Reconquista that he has made up in his head that they are divinely ordained to accomplish to because of their special blood and no one understands but them IS exactly how Daemon was moving with fifteen year-old Rhaenyra in the first season of this show. kind of insane
It's kinda crazy that Nixon resigned over Watergate because in this current news cycle, it would be a big deal for like a week then everyone would collectively forget about it like the Venezuela or Minnesota thing
Been thinking today about where some of the wires get crossed when aro and/or ace people talk about wanting more low-to-no romance stories and other, allo queer folks get mad at us for it--because while some of it is just plain hatred of aspec folks, I'm absolutely willing to consider that some of it is more unintentional lateral striking out--and I think I'm stumbling into something I want to articulate. Not that it's an entirely new thought, or even something I've never considered before, but something I haven't quite framed this way in the past.
Because, like, okay. It's 2026. There's rising queerphobia of all stripes--which is undeniably one reason I'm thinking about the lateral violence of it all, and we'll circle back to that--but the media environment of today does still makes it more possible than ever before to find and enjoy queer fiction. And this is critical to what I'm about to say next, so I hope those of us that grew up in times where that was not true can sort of table our thoughts on what things were like when we were kids.
My point it, if I'm an adult who isn't in the closet (and even if I am in the closet, plausible deniability is higher than it was pre-2010 or so!), I can go see a gay movie. I can go buy a gay book. There are members of the community, like kids/teens or people in unsafe situations that might not have that freedom, but at the very least, finding the gay media isn't the hard part for anyone. Heated Rivalry is one of the biggest TV shows of the year (and the books that it's based off have since seen a huge jump in popularity, too), queer romantasy is flourishing, and even classic queer media is getting revamped (pun intended) in series like the Interview With the Vampire TV series. And if, for whatever reason, none of the current professional stuff is doing it for you, Ao3 has approximately 8.4 million M/M stories and 1.7 F/F stories--which isn't the greatest ratio for the femslash fans, but is still nothing to sneeze at. And that's not even getting into the many gay podcasts and audio dramas, self-published books, comics (indie and otherwise), and other, nicher options. Long story short, if you only want to watch, read, or listen to media with prominent gay characters in it, you can establish a very healthy media diet, with everything from fun, trashy romance to acclaimed TV miniseries to weird podcasts to RPG actual plays, and everything in-between. This has very much not always been the case, so it's really cool we're here!
As an aro/ace person I... can't do that with stories about people like me. Like I really, seriously can't do that. I guess if I was content to enjoy less media, maybe, but I love stories, which I'm sure a lot of people on this website can relate to. And I love participating in fandom, too, so sometimes I do want to be into something that's big enough for me to chat about it with other people, or get more than a handful of kudos on my fanfic. So at the end of the day I don't limit myself, and that's honestly a good thing! It's great to be into things about characters who don't exactly share your identities, too.
But like. This year I've bought* exactly one book with an actual, canonically aro and/or ace character in it--the short story collection Tales From the Folly, which is a part of the Rivers of London series and features the aro/ace character Thomas Nightingale. (*I say bought, because I'm yet to actually read it--I'm sorry, Thomas!). That's it. I've enjoyed various other stories, but as far as ones with people like me go, I've gotten my hands on exactly one. And it's not for a lack of trying! There just... hasn't been much on my radar. This is a huge reason I've gotten so excited about Project Hail Mary recently--it doesn't have any canonically queer characters, and the original author definitely didn't intend to write the main character in a way that resonated with so many aro/aces. But it's a story without any canonical romance of any kind, where as a result, I can watch a fun movie and pretend for a little bit that Ryland Grace is like me. There are so few aro/ace characters that most of what we get. Playing pretend.
This is where I think some of the wires are getting crossed. When people hear someone like me say "I'm really exhausted by all the emphasis on romance and shipping in fandom," I think what some of you are hearing--because it's historically been true, and we're at a scary time in the world where it feels more and more like it's threatening to become true again--is "I want there to be fewer gay stories." When what I'm really saying is "I want there to be more aro/ace stories--or at least stories where I can pretend the main character is like me." And to even further hamper understanding, when aro and/or ace folks say we want stories about people like us and we hear other, allo queers object, what we aspecs often hear is "I think people like you aren't worth telling stories about"--even though many of you have valid reasons for liking the stories that you do, too.
I think that those of us who belong to older generations (especially millennials and above) can all probably relate to what aspecs are experiencing here on some level. There was a point in time where gay books were extremely limited, and gay characters in TV and movies were unheard of. Even as things crept in a more progressive direction, the Bury Your Gays tropes meant not everyone could enjoy the stories those characters showed up in. That was really hard for a lot of people, and I never, ever want us to go back to that. But I do think it's important to acknowledge that gay media just isn't at that point right now. Media with actual aro/ace characters in it.... kind of still is. It's different, because society is in a very different place, and also cishet people have historically demonized aromantic and asexual people with very different tropes--the heartless villain incapable of love, the cold lover that the protagonist abandons to be happy with someone else, the boring stuck-up prude, etc. And there are people, especially in the indie sphere, who are making some good stuff. But at the end of the day, I have a lot fewer choices than you do. Which is why it really hurts to get told that my headcanons and readings of canon--which are most of what I have--are actually problematic.
Anyway. None of this is groundbreaking. It's been said before, by people more eloquent and more persuasive than me, and it'll probably be said again. It just feels worth reiterating, considering some of the blowback I've been getting to expressing this sentiment. Because I really do think a lot of us want the same thing--for everyone to be able to enjoy whatever kind of stories they like most about people like them. (Without losing sight of the fact that media can be a great way to understand the experiences of people of other experiences, of course). When the scales are so unequally weighted, however, it gets really messy to talk about.
So instead of projecting our own fears and insecurities onto each other and letting them dominate the conversation--let's actually talk about it.
Pulling these tags out because I think they further articulate some of the points I was trying to make here really well:
#There definitely is a suspicion and resentment towards the idea that stories with No Romance are valuable#because many many people hear ‘there shouldn’t be all this gay shit’#And then they treat you like that’s what you said#Treating stories without romance—or with main ace and aro characters—as a cowardly in-between step#between Straight Media and Gay Media#as if they just weren’t brave enough to make it Actually Gay#rather than welcoming it as something with real value in itself#And yeah it comes from real fear because there ARE a lot of conservatives in the world saying there shouldn’t be all this gay shit#but then there are people who treat this as the ONLY thing anybody is saying so anything that reminds them even a little bit of that#is suspicious. And a lot of those people haven’t fully shaken off the 2014 attitude that aces and aros are Just Straight People Really#It’s rooted in real fear but then it turns into uncalled-for viciousness about their fellow queer people who are Being Queer Wrong#I also think… there’s a lot of fear that someone who is very similar to you but reached a different conclusion is Judging You#by a lot of people self conscious about their place in society#That causes a Lot of the lateral cruelty between ace people and gay people (via @specialagentartemis)
As someone who is alloromantic and allosexual, I suspect that another factor in play here is that allo people may not know what aro/ace/aroace stories look like.
Like, you mentioned PHM as an example of a story that doesn't have romance or sex in it, not because the characters are canonically aroace but because those just weren't parts of the story, and said that it was better than nothing because you could at least pretend that the characters were aspec.
And I think a lot of allo people tend to think that an aro story is just a story that doesn't have romance in it, and an ace story is a story that doesn't have sex in it, and from that viewpoint it seems like you're advocating for taking things away from stories.
But--I'm assuming--a story with actual aro or ace representation is a story that adds something, namely a character who is canonically aro or ace. And--again, I'm assuming--it would not have to be a story about Aroace Alice and Her Aroace Struggle, although it could be that; but it could equally well be just be about Alice and reflect the ways in which being aroace affects her life an an international spy or dinosaur hunter or college professor having a midlife crisis or whatever Alice's story is about. But either way, it's not a story-without, it's a story-with.
And I think that may be an important distinction in this conversation.
This is a reasonable insight and so I hope you don't take my "yes, but" here as an outright refutation! But I'm thinking that in emphasizing representation specifically, I may also have unintentionally downplayed another hugely important aspect of all this, particularly when it comes to interactions in fandom, which is that even stories without explicit aromantic representation can have hugely important implications and resonances for aromantic people.
I guess the simplest way to put it is like. A story like Ursula K le Guin's The Left Hand of Darkness doesn't exactly have trans "representation" (in that transness is a social and cultural phenomenon separate from the speculative gender system she explores in the novel), but it does nonetheless have a lot to say about gender, in a way that definitely resonates with some trans/gnc people. Specifically, it shines a light on gender in a way that is of interest to people who want to have important conversations about the topic, and that makes it important and/or interesting to many queer folks. And in the same way, stories without explicit aromantic representation can absolutely say some very important things about relationships, particularly platonic relationships, especially when they show characters choosing to prioritize and value explicitly or even implied-to-be platonic connections.
So to return to my example above, I liked Project Hail Mary in part because I felt like I could pretend the protagonist was like me. But while the movie doesn't actually have anything explicit to say about aromanticism or the experience of being aro, it does ask another really interesting question -- namely "What if you were someone who was always sort of isolated and didn't have a lot of connections, and then you made a friend (who, it should be noted, already had a bond with a romantic/reproductive partner) who cared about you so deeply that they made it clear they valued you just as much as their partner?"
That's aromantic catnip! And not just because it's sort of a fun wish fulfillment fantasy, but because it raises super important questions about who gets to be significant to you and what it looks like to have friends who also have romantic partners that still value you. And so even though it's not a story with explicit aromantic representation, it's chock full of aromantic resonances.
And this is exactly where things get snarly with fandom. Because aro and/or ace people are in a weird position where there are very, very few characters that represent us, but there are still some stories that feel important to us all the same. So we don't really get to "claim" them as ours, but it still hurts when all the fandom wants to do is to seemingly erase the themes that feel so significant to us by making those stories romantic or sexual after all. To other queer people, it looks like we're getting upset over nothing -- that's not that character's canon identity, so why do we feel like we get to lay claim to them? But what we're really struggling with is watching stories that genuinely have interesting things to say about relationships get interpreted in a way that erases that -- and especially in the absence of actual canon aromantic and asexual characters, that really hurts.
I don't know what the answer to all this is. Obviously it's not particularly kind (or feasible) to tell other queer people they're never allowed to insert queer romance into stories that don't have any. But when the ratios are so skewed in favor of the people who do want to do that, and so skewed against those of us who would rather we talk about the stories as-is, it really starts to feel like nobody cares about us, and that our narratives aren't seen as important, or valid, or even queer -- not just in fiction, but in real life, too.
So yes, what I'd really love to see is more canonically aromantic and/or asexual characters, doing things aromantically and asexually and written by authors who want to explore experiences like mine. But I'd also really like to be able to point out that there are already stories about experiences like mine out there, and that's something that other queer people are actively erasing.
BOGLEECH YOU CAN’T JUST REBLOG A PICTURE OF THIS WEIRD UNDEAD GHOST FISH WITH NO EXPLANATION
WHAT IS THIS CREATURE
FOLLOWUP CAN I HAVE TWELVE OF THEM IN MY HOME
I dunno the exact species but this is what a little baby eel looks like! Even moray eels start out like this, only their version has adorable nightmare teeth
this is less than an inch long, a tinie bitus
Building a home for a toadlet
(via)
NOTHING will prepare u for how tiny this guy is
Me watching the prep: That’s gonna be WAY too small for him to live in!
Me seeing the amphibian: Objection withdrawn.