The stars have always listened to me. They were distant enough that I could imagine they understood. But I never learned how to speak to the sun. I was told to look away before its light could hurt my eyes, and somewhere along the way, I mistook distance for safety. It's a cruel irony, isn't it? We spend our lives searching the heavens for lonely stars, only to realize the loneliest one was the closest to us all along.
this is a stupid question but I have no clue so 🧍♂️
Wow, you did it! Yay, anyway as for the question, nah its not stupid. I used to do it alot as a kid and tries to pick it up again but school and work just got in the way.
I love liking art and looking at it on Tumblr tho!
Mind Your Manners (Or: How to Survive the Morales Dinner Table)
By Skibidi432 on AO3
The Morales kitchen smelled like yellow rice and fried plantains, a comforting bubble of safety that Miles had completely shattered with a single syllable.
Miles was mid-sentence, gesturing wildly with a forkful of food. "...and honestly, Ganke was being wild, so I told that N***a—"
The word left his mouth before his brain's filter could catch it. It wasn't a word he used around his parents. Ever. It was the kind of Brooklyn slang that stayed firmly on the streets or in Discord calls with Ganke.
The silence that followed was absolute.
The clinking of silverware stopped. The hum of the refrigerator suddenly sounded deafening. Miles froze, his fork hovering inches from his face, his soul practically leaving his body.
Jeff slowly lowered his newspaper. His expression didn't change, but his eyes locked onto Miles with the terrifying authority of a seasoned NYPD officer who had just caught a perp red-handed.
Rio, meanwhile, stopped mid-chew. She set her glass down with a precise, deliberate *clink*.
"Miles Gonzalo Morales," Rio said, her voice dropping an octave into that dangerously calm, quiet register. "What did you just say?"
"I—uh," Miles stammered, his voice cracking. He looked at his dad for backup, but Jeff just folded his arms, leaning back in his chair.
"Oh, don't look at him," Rio snapped, turning her gaze fully onto her son. "I know you did not just bring that word to my dinner table. I don't care who you’re talking about, or what song you heard it in, or what your friends are saying at school. Do I look like one of your little friends?"
"No, Ma, it just slipped out, I swear—"
"It slipped out because you're using it too much outside of this house," Jeff interjected, his deep voice filling the room. "Look at me, Miles. You think you're grown? You think because you're running around Brooklyn you get to use that kind of language under my roof?"
"No, Dad—"
"I work too hard, and your mother works too hard, for you to be sitting here sounding like you don't have an education," Jeff continued, using his best 'Captain' voice. "You've got a brilliant mind, Miles. Use the vocabulary we paid for at Brooklyn Visions."
Rio nodded in agreement, crossing her arms. "Exactly. And since your vocabulary seems a little limited today, you’re going to have plenty of time to practice your writing. No electronics for the rest of the weekend."
"The whole weekend?!" Miles gasped. "But Ganke and I were gonna—"
"Ganke can wait," Rio said firmly, pointing a spoon at him. "And you can spend that extra free time washing the dishes tonight, and tomorrow, and Sunday. Maybe the soap will help clean out your mouth."
Miles slumped in his chair, staring tragically at his plate. He had faced down giant villains and interdimensional anomalies, but nothing was quite as terrifying as the Morales parental tag-team.
"Yes, Ma," he mumbled.
"And sit up straight," Jeff added, picking his newspaper back up. "You're ruining your posture."
I was bored, and I recently watched the spider verse movies again with my family, and thought that this was something Miles would DEFINITELY do on accident in character.
"you're all using speculation to push your own selfish agendas."
"what can we do when the people who have power, don't fight? if you're afraid of fighting for your own lives, then please, help me! just shut up and invest everything in me!"
these are the dialogue, phrases spoken by eren during his trial scene. everyone loves to clown on this scene, everyone loves to prioritize and give spotlight to levi beating the living shit out of eren because it's badass but looking back at it, it's really, really such a great scene simply because of eren.
it really tells you how woke he really was, and even at fifteen years old, so, so fearless, even if he's all tied up, his fate rests on the people that don't really give a fuck about him, telling, asking, and begging them to help him. it doesn't really matter to him that he's all tied up, if he's being hindered, or chained to something--he will speak his mind, even if he shouldn't because his life is really at stake here but why should he when it's the truth, eren has always prioritized the uncomfortable truth over ignorance and self-preservation because he can't live like that, because he can't live lying to himself or die never letting them, grown adults, know that they're cowards when they have the power to completely change things around them.
it also sells the point that eren will happily give his life for the truth, he's happy to give his life for the people if it means it would change things and free them. i also really love how for someone who's depicted as reckless, a blockhead and acts before he thinks, he reads and knows the government so well, he sees past their bullshit, he doesn't really buy that them wanting to execute him for being a titan shifter isn't really because they care about the people, because they are a danger to the welfare of the people but rather the status quo that they maintained for hundreds of years and his very existence challenges that.
it's also important that once again, eren despises that those who have power refuse to change and it just baffles him because you have the entire world at your fingertips--why not change it for the better? this is why he wants them to invest everything they have on him because he understands that the power he has, though unknown, is unfathomable and greater than anything the government has to give, he understands his role as humanity's greatest weapon and wants to exploit that.
I think the person up there is giving Eren too much slack, Eren is as much as a hyprocrite as those other people.
"you're all using speculation to push your own selfish agendas."
Eren did the exact same thing with the rumbling and literally assumes the people of the outside world will never stop hating edians and uses it to push for his own selfish agenda(doing the rumbling for that "scenery")
Erens way of "changing" things for the better are extremely black and white and just involve smashing the "enemy" and refusing to compromise, he lacks nuance because he is extremely selfish and cant accept that reality didnt fit into the neat little boxes and idealisation he made in his mind.
I love the hell outta Eren, he is one of my fave characters, I find him amazingly well written for all these reasons and how fleshed out he is.
He seems very contradictory in the final arcs but I've come up with a speculation of his true core nature on my blog.
Most people don’t actually want to be free. They just want the one pulling their strings to make things comfortable enough that they don’t have to be responsible for their own life.
This is literally Mob mentality, too many times human irl constantly latch onto identities, groups or ideologies and make that their entire identity(couldnt be bothered finding a new word) and turn everything into a simple "Us vs them", demonising everyone else or a certain scapegoat/group and see their own as people that can do no wrong.
Its so sad and just pathetic, they let their own morals be dictated by what the majority says.
It happens everywhere, and I'm sick and tired of it.
By me: on AO3(dont judge my layout, this is my first time)
The Shiganshina Historical Museum was supposed to be a straightforward, graded assignment, but the 104th class rarely did anything by the book.
"Your project requires a three-page analysis of the technological shift from cannons to Omni-Directional Mobility gear," Mr. Erwin Smith announced. His voice, commanding and effortless, carried easily over the ambient chatter of the lobby. "Please stay with your assigned groups and follow the guide."
He paused, adjusting the clipboard in his arm like a shield. "And remember, these reports account for thirty percent of this term's grade."
A collective groan rippled through the students, spearheaded by Connie's loud lament.
"Thirty percent?" Jean hissed, leaning toward Connie. "That's just evil."
"Thirty-five if you complain again, Kirschtein," Erwin interjected without breaking his stride.
Jean snapped his posture straight, his eyes locking onto the back of the teacher's head. "Sorry, sir."
With a faint, almost imperceptible smirk, Erwin continued leading the way. But the compliance was short-lived. The moment they cleared the turnstiles, the class dissolved into its usual chaotic factions, fracturing the neat lines into a mess of high school cliques.
Over by the main display glass, Eren was uncharacteristically absorbed reading a plaque which detailed the cataclysmic event of the rumbling from 854, looking more serious than Armin had ever seen him. Mikasa stood exactly one step behind him, obsessing over the "aesthetic" (her words, not mine) of an artifact piece of the all black Jaegerist miliary uniform, while Bertholdt stood awkwardly nearby.
Further down the hall, Ymir was loudly making fun of a medieval portrait that looked vaguely like Historia, who was, predictably, scrolling mindlessly on her phone, ignoring everything the guide was chattering about leaving Marco, who was diligently taking notes on a plaque about early district wall fortifications, with Thomas and Samuel leaning over his shoulder to copy his bullet points.
Armin Arlert, adjusting his thick glasses, pen already poised over his notebook, tried to focus on his own work. He was determined to get an A. But as the tour guide began a lengthy explanation of the internal mechanics of a Thunder Spear, Armin noticed three distinct absences from the crowd.
Sasha was lingering by a vending machine, trying to see if she could shake a bag of potato chips loose, while Connie and Jean were whispering and looking down a dimly lit hallway marked "Staff Only: Under Construction".
Before Armin could warn them, the trio slipped past the velvet rope.
"Idiots," Armin muttered under his breath. Fearing they’d get the whole class penalized—and knowing others would probably join them if they noticed—Armin hurriedly followed them into the restricted wing.
---
The hallway led to a large, dust-sheeted room filled with unnumbered crates. In the center stood four mannequins draped in pristine, authentic Survey Corps uniforms, complete with the dark green Wings of Freedom capes.
"Whoa," Connie breathed, his eyes wide. "Look at these! This is the real deal, not the cheap cosplay stuff."
"We shouldn't be in here," Armin hissed, catching up to them and adjusting his glasses nervously. "If Mr. Smith finds out, we're going to fail the entire semester. Let's go back before the guide notices. Even Floch is still out there actually doing the assignment."
Jean rolled his eyes, crossing his arms. "Relax, teachers' pet. We're just looking. Don't ruin the fun because you're scared of getting a gold star taken away. Besides, Jaeger is out there practically drooling on the glass. Imagine his face if we tell him we found the actual gear."
"I'm not a teachers' pet!" Armin snapped, his face flushing.
"Prove it," Connie grinned, dragging a heavy leather jacket off a mannequin. "Let's try them on quickly. Just one picture to prove we actually touched real history, and then we go back. Come on, Armin. Even you have to admit the capes look cool."
Armin looked from Connie to the legendary Wings of Freedom emblem. His historical curiosity clashed with his anxiety. "...Just a picture? And then we immediately leave?"
"Promise," Connie said, already struggling to figure out how the complicated leather harness straps buckled around his torso.
---
Putting on authentic ODM gear harnesses was a nightmare. For ten minutes, the room was filled with heavy breathing, complaints, and the sound of buckles clinking.
Jean struggled into his jacket, frowning at his reflection in a dark glass display case. "Honestly? These look kind of stupid. The crop-top style jacket is a terrible fashion choice for a military uniform."
"You're just mad your shoulders are too broad for it, Horse-face," Sasha giggled, already wearing her cape and doing a dramatic salute.
"Shut up, Sasha! At least I didn't put my harness on upside down like Connie!"
Connie was currently tangled in leather straps, looking like a caught fish. "A little help here? I think I buckled my leg strap to my collar."
Armin, despite his initial reluctance, had actually managed to put his uniform on correctly, his inner history nerd quietly thrilled. "You have to cross the chest straps before looping them through the back belt, Connie," Armin explained, leaning over to assist.
"Strike a pose!" Sasha whispered loudly, whipping out her phone.
They crowded together, Connie throwing up a peace sign, Sasha saluting, Armin offering a nervous smile, and Jean looking away with a forced scowl that fooled nobody. Click.
"Alright, we got the photo, now let's get this stuff off before—" Armin started, but his warning was cut short by a sharp, violent RIP.
Everyone froze.
Jean looked down. He had tried to shrug out of the tight leather jacket too quickly, and the authentic, centuries-old seam beneath the armpit had completely split open, leaving a gaping hole.
"Oh my god," Armin whispered, the color draining from his face. "Jean, you destroyed a priceless artifact."
"It was old!" Jean panicked, his voice dropping an octave. "The thread was dry-rotted! It's not my fault!"
"Who cares whose fault it is, run!" Connie yelled.
---
They didn't make it to the door.
The heavy curtain to the restricted wing pulled back, revealing the imposing figure of Mr. Erwin Smith. Beside him stood a very angry museum curator and a security guard—who happened to be accompanied by Mr Nile Dawk, the notoriously strict head of campus security, who looked like he wanted to banish them from the property permanently.
Behind them, the rest of the class peeked through the hallway. Floch was snickering ,Eren looked entirely indifferent, and Ymir was openly laughing at them.
"An interesting interpretation of the assignment," Mr. Erwin said, his voice terrifyingly calm, his thick eyebrows climbing toward his hairline as he took in the sight of his four students tangled in priceless historical garments.
Ten minutes later, the four of them were sitting in the museum’s main office, stripped of the artifacts and thoroughly chewed out while the rest of the class boarded the bus outside.
"You will receive zeros for the day's participation," Mr. Erwin announced, handing Jean a clipboard with an official museum incident report. "Furthermore, because these items are protected historical property, the cost of specialized restoration falls entirely on you."
Jean looked at the bottom of the page and let out a choked gasp. The number of zeroes on the fine was astronomical.
"We have to pay how much?!" Connie shrieked.
"Divided four ways," Jean groaned, burying his face in his hands as he saw Marco trying to give him an awkward wave from the bus window outside. "I'm going to be working at that grocery store until I'm thirty."
Armin slumped in his chair, his glasses slipping down his nose. "I knew I should have stayed with the tour guide."
Looking back on it, I might have been wrong about...
...Eren being driven by pure greed or a toxic desire for a "blank slate" world. When I first analyzed the difference between Armin’s curiosity and Eren’s rage, I thought it was about him wanting to possess that untouched wilderness. But looking closer, it isn’t about wanting stuff at all. It’s about a desperate, existential need to be "something"—to have a purpose and to constantly satisfy his own unyielding nature.
The truth is, even if Eren got that idealized, empty world, he still wouldn't have been happy or satisfied. There would be nothing left to push against, meaning all that violence and drive would inevitably turn inwards.
The Mantra as an Identity
Look at his literal life motto: "Fight, fight, fight." When Hange calls him out in front of the mirror, asking, "If you say 'fight, fight'... does that mean there are two fights?" they are pointing out the core flaw in his psyche. It isn’t just a call to overcome oppression. For Eren, fighting is a literal requirement to exist.
He wants the conflict.
He needs the fight.
Without it, he doesn't know how to be a person. His greatest fear isn't actually losing his friends or failing Paradis; it's the terrifying prospect of being "nobody." To Eren, a life of quiet peace is indistinguishable from being cattle trapped inside the walls. I mean look at his absolute distaste for people who were content living peacefully, he framed them as "cattle" purely for just wanting a normal peaceful life.
But get this:
Eren didn’t just want to fight for the sake of fighting; he wanted the fight to lead to the specific reward he and Armin had dreamed of. In their childhood fantasy, the outside world was an untouched, beautiful, and completely open paradise. It represented absolute, unrestricted freedom.
When the enemy was the Titans, the world was simple:
Titans = Brainless monsters (Evil).
Humans inside the walls = Victims (Good).
Eren could view himself as a righteous savior fighting against monsters to achieve a pure goal. But finding out that the "monsters" across the ocean were just regular humans—innocent children, families, and ordinary people—shattered that identity.
If he wanted to keep fighting, he could no longer pretend he was a righteous hero. To fight humanity, he had to become a monster himself. That is why he was so deeply disappointed: the reality of the world forced him to face the dark reality of his own nature. He realized that the only way to get the "blank slate" freedom he obsessed over was to commit an unforgivable atrocity.
In the early seasons, Eren is a screaming, raging tempest. He is constantly shouting, and noted by Levi for being an "absolute monster" of pure will, and completely unignorable.
The Traditional View: He’s just a passionate, angry kid who wants to avenge his mother.
My Lens: The loudness is a defense mechanism against the void. If he is quiet, he is invisible. If he is invisible, he is just another piece of cattle waiting to be slaughtered inside the walls. By being a "loud crackling fire," he forces the universe to acknowledge him. His charisma isn't polished; it's a raw, magnetic pull of a person who is so entirely consumed by his own need to matter that others can't help but be drawn into his orbit
Once he unlocked the memories of the Founding Titan and realized the sheer, world-altering power he held, that existential panic of being "nobody" vanished. He didn't need to scream to be noticed because he knew he was about to become the center of gravity for the entire human race.
He chose to burst out from beneath a stage where Willy Tybur was literally putting on a play about him and Paradis. Willy was trying to define Eren to the world as the ultimate threat. By exploding through the building at that exact moment, Eren essentially said, "Let me define myself."
The ocean:
Usually, people see Eren pointing across the sea as a moment of grim realism—he's the only one focusing on the political reality while his friends enjoy the water. But in my opinion, it was a moment of sheer existential panic:
"If we kill all our enemies over there... will we finally be free?"
If freedom to Eren means the absolute absence of walls and enemies, then killing everyone should result in total freedom. But as I pointed out, the subtext he is wrestling with is much darker: "If I kill everyone, and there is no one left to oppose me, who am I?" He isn't just asking if they will be free; he's realizing that achieving his goal means the death of his identity. If the enemy disappears, the fire goes out.
This is a moment of profound internal horror. He is looking at the ocean—the ultimate symbol of the "blank slate" he thought he wanted—and realizing it means nothing to him. The beauty of nature does not feed his soul because it provides no friction.
"Because I Was Born Into This World"
This brings it all back to his ultimate philosophical justification. When Eren and Carla say "Because he was born into this world," it's usually treated as a beautiful statement about the inherent value of human life.
But for Eren, it gets twisted into a radical, aggressive entitlement to space and impact.
It's not just "I have the right to live quietly."
It's "I am here, my existence is undeniable, and I have the right to push against anything that tries to contain me."
How it connects to School castes:
In that peaceful, modern setting, Eren has a normal life, a loving family, and great friends—and he is miserable. Eren sits in class completely numb, wishing for a zombie apocalypse or some massive, catastrophic global conflict just to break the monotony. He is desperate for a crisis to give his life meaning. When he realizes a supernatural threat isn't coming, he genuinely cries out of pure disappointment.
When Eren gets tangled up with actual, dangerous cultists/criminals, he gets kidnapped. Suddenly, the "cool, edgy conflict" he fantasized about becomes a reality. He is trapped, he is helpless, and he is genuinely terrified. He realizes that real violence isn't a glorious stage for his ego; it’s horrific, painful, and ugly. He desperately wants to go back to his ordinary life in that moment.
Now connect this to the rumbling and canon:
The Fantasy: Eren initiated the Rumbling because his inner nature demanded the ultimate, world-shattering conflict to define his existence. He wanted to be the storm.
The Reality: Once he actually started doing it—once he was crushing innocent children like Ramzi, hearing the screams, and watching the world burn—the reality of the horror caught up to his human psyche. Just like in School Castes, the actual weight of the atrocity was too much for him to bear.
The Cabin Dream: A Gift and a Warning
The vision Eren gives Mikasa in Chapter 138 (the cabin sequence) is great proof of this(for me). He shows her what would have happened if they ran away together:
They live in a secluded cabin.
Eren is quiet, wasting away, and waiting to die from the Titan curse.
The world outside is still falling apart, but they have abandoned the fight.
On the surface, it looks like a tragic romance, but underneath, it's Eren showing her why they could never work. He is proving to her that if he chose her version of peace, he would have to completely kill who he is. He would become a hollow shell of a man, rotting away in isolation because he isn't fighting. By telling her in that dream to "throw the scarf away" and "forget about me," he is begging her to let go of an idealised version of him that fundamentally cannot exist.
He didn't just push her away to protect her from himself and the conflicts; he pushed her away because her love demanded a version of Eren that his nature refused to be. Every time Mikasa tried to wrap the scarf around him or pull him back from a fight, she was trying to pull him toward safety, domesticity, and peace.
He couldn't confess to her or give into that relationship because doing so meant accepting a peaceful, quiet existence. His nature demanded that he be the monster, the fire, and the storm that tears the world apart. He knew he could never be the peaceful partner she deserved, so he chose to become the ultimate enemy she would be forced to kill—allowing her to finally break free from her obsession with him and survive in the world he left behind.
The Ultimate Theater of Conflict
This completely reframes the Rumbling and why he stopped at 80%(imo). If his goal was strictly to protect Paradis, a 100% flattening was the logical choice. If he just wanted his friends to survive, he could have used the Founder's power to alter their memories or keep them from fighting.
Instead, he practically begged the Alliance to oppose him. He didn't just want to save his friends; he wanted to be remembered by everyone. By positioning himself as the ultimate "Devil of all Earth" and forcing his closest friends into a world-shaving showdown, he guaranteed his legacy.
He chose to become the ultimate axis around which human history would forever turn, preferring to be a monster etched into the scars of the earth rather than risk living and dying as a nobody. Even in death, Eren forced the universe to acknowledge that he was here.
(BTW, this is just my personal speculation of his character, im sure many would disagree but to each their own I guess)
Eren Jaeger didn't want freedom. He was just greedy. 🧵
Let’s talk about how the biggest delusion in Attack on Titan was Eren’s definition of "freedom."
For years, we watched him scream about walls, cages, and enemies across the sea. But if you look closely at his actions, it was never actually about liberation. Eren’s entire character arc is a masterclass in the sin of absolute greed and insatiable unsatisfaction.(imo)
Here is why:
He invented cages to justify wanting MORE: Before the Colossal Titan even kicked down the wall, Eren was already miserable. While Armin looked at the book of the outside world with wonder, Eren looked at it with pure rage. Why? Because the mere existence of boundaries offended his ego. He couldn't just live a peaceful life; he needed a conflict to define himself.
The "Bland Person" Paradox: Without an enemy to fight, who even is Eren? He doesn’t have Armin’s quiet curiosity or Mikasa’s desire for a peaceful home. His identity was entirely dependent on having something to destroy. Once he ran out of Titans, he moved the goalposts to the rest of humanity just to keep the cycle going. Hell, even before meeting Armin he was a apathetic and bored kid who had nothing to do with his life, Armin just "unlocked" that greed in him.
The ultimate temper tantrum: When he finally saw the outside world, he wasn't happy that humanity was alive—he was furious/disappointed that it didn't look like the untouched, blank wilderness in Armin's book. His greed was so toxic that he preferred a wiped slate over a messy, realistic reality.
When he finally admitted to Armin that he didn't even know why he felt compelled to do the Rumbling—that he "just wanted to"—the shield of "saving Eldia" completely shattered.
Eren wasn't a freedom fighter. He was a slave to his own bottomless desires, using a noble concept like liberty to cover up a baseline refusal to ever be satisfied with what he had. He destroyed the world not to free it, but because he couldn't accept a world he couldn't entirely possess.
Eren was too cowardly to push back against his own nature, he didnt want to climb that hill of looking for a "better" way, because it was too mentally hard for him.
He used the word "freedom" as a righteous shield to cover up a baseline, bottomless greed. He wanted to see a blank world, he wanted to wipe everything away, and he wanted to be the one who did it, regardless of the human cost. He was so consumed by the desire for more that he ultimately destroyed himself and the very world he wanted to possess.
15.) Character you're most like/is most relatable?
16.) Character you'd be friends with?
17.) Favorite opening theme?
18.) Favorite ending theme?
19.) Favorite anime/game track?
20.) Favorite moment/scene? OR scene that you think is the most rewatchable?
21.) Most exciting scene?
22.) Scene that made you angry?
23.) Scene that made you cry?
24.) Funniest scene?
25.) Best outfit?
26.) Best hairstyle?
27.) Best character glow up/design evolution?
28.) Favorite meme?
29.) Give yourself a Stand! Give it a design, ability and/or name.
30.) You're isekaied into one part of JoJo's and join the main cast. Which part are you hoping for and which part do you have the best chance of surviving (as a non-Stand user? As a non-Stand user)?
31.) You get to save one deceased character. Who are you picking and how do you rework the story to save them?
32.) You get to visit a location featured in JoJo’s. Whether it's fictional or real, where would you want to go?
33.) You have an entire day to spend with your favorite character(a). What's on the agenda?
34.) You get to take one article of clothing or item from the manga/anime/games to wear/use? Which do you pick?
35.) Which characters would you want to see interact (more) and why?
36.) You get to put a character of your choice into another series. Who’s getting the isekai treatment and what IP are you putting them in?
37.) What got you into JJBA? What made you start reading the manga/watching the anime?
38.) If you have any, what is your favorite piece of JoJo's merch you own? Is there a piece of merch you wish you had?
4. Pineapple dude(forgot his name legit, the one from part 5)
5.Lisa
6.Joseph, Lisa and Ceaser
7.Joseph(old)
8.Joseph(shocking, right)
9.Stands
10.star platinum(simple, but yh)
11.part 5
12.Bruno
13.Koichi(idk, I feel like hes underrated)
14.Gwess(the one from part 6)
15.Narancia
16.Narancia
17.CHASE
18.part 4 one(forgot name)
19.Golden wind
20.Any scene with F.F
21.Kira death(or like the events before and surrounding it)
22.Bruno "resurrection" and Abbachio death
23.none
24. Any scene with Okuyasu/polnareff in it
25.Trish una
26.Dio
27.Koichi early part 4 to later part 4
28.The classic "Oh no, how do we find the stand user?"
The stand user in question: *Cue image of a flamboyantly Bizzare(lol) dressed person*
29.yay! Umm, its called 「SYNCHRONICITY TWO」(based off the song namesake by the rock band "The police")
The Stand can "freeze" a perfect 2D snapshot of whatever is currently reflected in its facial lens. By blinking its lens, it creates a floating, transparent square frame in mid-air. Whatever was captured inside that frame becomes entirely static and unmovable in the real world for up to 10 seconds.
30.part 3, I think I have a high chance, I mean Anne survived.
31.Abacchio, Ummm, just do the thing that Giorno did for Bruno(how would Giorno even be there? Idk 🤷♂️)
32.italy
33.Joseph, ummmm, eating food
34.whatever the hell weather report wears on his head.
35.The part 5 gang, they had such a good dynamic, shocking how it was only 8 days in verse.
36.Giorno Giovanni into BSD(Bungoe stray dogs) so he can show the port mafia what a REAL gangSTAR looks like.
37.it was on Netflix, one of my friends used to watch it and I just was bored and decided to watch it, I found part 1 to be boring ngl but once part 2 happened, It was the greatest decision of my life.
38.I dont have any unfortunately, but maybe one day.
And thats all for today!
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