Day In and Day Out

An Idle Distraction

[transparentgentlemenmarker]

Les dances à travers le monde

[apollosdrunkenmixup]

my favourite thing about this is some are very traditional dances integral to that country/culture; and some are one individuals favourite move

and he approaches all of them with enthusiasm and a surprising amount of skill

[sani-86]

Watching this makes me happy

[fishey-me]

Joyful. 🥰

[lutraslutra]

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If you catch the reference, we should be friends

Captain Nonsense is at it again, it’s me I’m Captain Nonsense

[vanillacreame153]

Been missing them a lot lately and they just make me so extremely soft. So cozy, cuddly, comfort ineffable husbands for it is- I deeply enjoyed making this and I’ve needed to just sit down and draw so desperately😭 they are so deeply important to me. Hope you enjoy.

[obsessivelollipoplalala]

Okay I promise I'm about to make a point about one of the main things wrong with the gomens finale and am not just combining my interests arbitrarily lol. One of my favorite shows of all time is a musical called Merrily We Roll Along by Stephen Sondheim. Despite the title, it's one of the bleakest shows I've ever seen. Its primary focus is the agony of friendship breakups and the erosion of adult friendship over time, with bits about romantic heartbreak as well. Crucially, it's told in reverse chronological order, so the first scene is actually the very last scene in the timeline, and each scene goes backwards and shows us how the characters got to that point.

The show is tragic because you know from the very first scene exactly how this is all going to end. You know every single relationship falls apart and the semi-protagonist fucks up his life over and over. There is no hope things will work out (the veeery end may be ambiguous) because you already saw the end of the story. That is preferable to me than gomens starting off as a witty, fun, kind of whimsical comedy with some dramatic scenes and hints of romance, and then doing a complete and utter nihilistic, tragic 180 at the very last second. With Merrily, you know what you sign up for. With gomens 3, it's absolutely not what you signed up for, and that's why so many have said that it feels like a different show. You can't switch genres during the very last installment of anything and not expect your audience to wonder wtf happened. It's not about this being a sad ending, it's about it being an ending that does not fit the other like 80% of the story not simply in terms of plot points, but tone and purpose

[chouly-stuff]

#TheirWorldIsMyHeart 💜 Thank you for everything. In the end I love them even more because I realize all the good things they bring me before that. How much I love s1 and s2.

So thank you all. Now I will just forget it and joke about like other marvelous artists 💜

Let's just all be agree that we are not agree and keep loving them!

[fishey-me]

Good Omens 3: Predestination, Soulmates, and Reincarnation

Good Omens season 3 desperately tries to have its cake and eat it, too. It wants to look the audience in the eye and say "predestination is bad. A universe run by an omnipotent creator deity pulling the proverbial strings is bad, and that is why Aziraphale and Crowley cannot ever be together, even if they took charge of the Book of Life, because they would be doing to people the same thing that God does" and "but they're soulmates who will find themselves together time after time, in every multiverse, in every reincarnated human life."

So is predestination good or bad?

The story of S1&2 drove home the idea that Aziraphale and Crowley chose one another. They found special qualities in one another that they adored and despite Heaven and Hell and all the danger, they chose to be friends, if not more. They chose to love one another despite the risks. To trust one another.

But in S3, Aziraphale's love for Crowley is all but implied to be mandated. "Why give me Crowley? Why make me complete, only to take him away?" "You were an artist [...] The rest of us were just characters in her story, not asking questions." And on top of that, God calls his love "predictable," as in foregone.

So by this logic, Aziraphale is Crowley's soulmate because God made him so. All of the choices they made are irrelevant.

And then, in the end, whether you believe Asa and Anthony are just one lifetime or one of a series of reincarnations or one from a multiverse of possibilities, Crowley and Aziraphale are still implied to be soulmates. Not because they chose each other, but because they were predestined to be together.

Reincarnation that brings people together again and again implies a hand of fate directing the limitless chaos in a way that allows people to reconnect with their loved ones. This is what the ending of S3, with all the more popular minor characters hanging out at the bar together, suggests. That despite ostensibly living in a godless universe, some magical, one might even say divine, force has led these characters to be together.

I am not convinced that an ineffable, vast, and limitless universe looking out for them is in any way different from an ineffable, vast, and limitless God. That reincarnation and soulmates are more free because that version of predestination doesn't come with Judeo-Christian trappings.

@depraveddame made a similar post on this topic recently, and I wanted to expand my thoughts.

[erinbowbooks]

[fishey-me]

Nothing Lasts Forever: A Critique of Good Omens Season 3

Contains spoilers.

I can hold two things in my heart. I can think two thoughts in my head. Two things can be true at the same time.

1. Good Omens' finale was made with love and under the tightest of constraints, and that love shows in so many scenes, performances, and moments. The music, the costumes, the sets, the acting-- all brilliant. I adored Jesus and Harry's dynamic. I adored Brian Cameron and his malicious air (felt like he made a better bad guy than Satan, tbh, and is easily the best villain Good Omens has ever had). The Whickber Street humans had so much soul. Muriel was a ray of sunshine, and I loved seeing them starting to make a tiny connection with Eric. And I even loved Asa and Anthony, and the simple, soft love that they got to share.

And

2. No amount of love can fix that the script they ended up using is full of plot holes, plot cul-de-sacs, and contrivances, and this ultimately destroys the message the season was trying to share.

The war in Heaven scene is pointless. Crowley and Aziraphale still don't know one another (Aziraphale has to introduce himself to Crowley *again* for some reason, and Crowley doesn't mention them meeting out in the nebula). Aziraphale tending to Crowley's wound shows us nothing new about Aziraphale's character. Crowley threatening Aziraphale with a harmless weapon shows us nothing new about him either. Crowley thanking Aziraphale for the help is nice but ultimately inconsequential. Crowley doesn't even keep the flaming sword or do anything to the eternal flame. The only "new" information is that Aziraphale was a general -- perhaps an explanation for why Metatron thought he should be Supreme Archangel? If that was supposed to pay off, it doesn't.

Metatron being offed in the first five minutes completely undermines any catharsis for his impact on the final fifteen, and the line that Michael drops that "he was always messing with the Book to make things go his way" is an infuriating moment of wasted potential. It sets up a shoddy murder mystery plot that ends up not being a mystery at all but rather an excuse to pad the runtime and set up a joke at Muriel's expense.

Michael is wasted as a villain. The scene where she is burning the Book hints at a coldness in Heaven that deeply affected her: she never got any thanks, she carried everything on her shoulders, etc. The tragedy of an eldest daughter to an unloving mother, desperately trying to earn approval she would never get that leads her to a cruel, petty level of ambition. But we don't see her pain until that moment when she is burning the pages. She never responds to Aziraphale taking her promotion. We never have a moment of her confronting Metatron and demanding to know why she was overlooked. We never have her one-on-one with Aziraphale. In fact, instead of killing Aziraphale with the Book right away, a decision that would make sense, she kills her two more-or-less allies to keep them quiet and then leaves to go destroy everything else. Of course killing of one of the protagonists would be problematic for the story, so in service of the rest of the plot, she acts irrationally instead. Not irrationally in a "seeing all the possibilities from the Book of Life drove her mad" way (another wasted potential), but in a "bad writing" way. The actress does the best she can (she is wonderfully menacing, and her moment where she realizes she can't forgive herself is devastating and real), but she isn't given much to work with.

Sandalphon is also wasted. As Heaven's pitt bull and most overt mirror to Aziraphale's compassion and hopes for universal happiness, he had the potential to be either a powerful antagonist or to undergo the greatest amount of character growth. Instead he grumbles about Aziraphale's plans, is demoted, and then killed off by Michael for no clear reason. How did he know she had the Book? Why was he motivated to tell Muriel? Did he not *also* want to see the earth destroyed, and thus would he not be willing to help Michael?

Dagon is also wasted, but the script clearly never intends for her to be anything more than a joke. Hell's emptiness completely defangs her and the threats of Hell waging war on Heaven. Since Season 2, we have had hints of Hell losing people (Furfur can't muster up a whole legion for Shax, the lesser demons are on half rations, etc), and since they didn't have the money to bring Hastur, Shax and Furfur back or fill the place up with more extras, Hell does not feel menacing. It feels like they have already lost. Could a hint that Metatron or Michael had been erasing the demons have helped? Perhaps, but that isn't in the script.

Aziraphale rescues Crowley and the Bentley from Brian Cameron, they get in the car to go find Jesus, argue and drive around and park.... right where they left. The fact that they couldn't park anywhere else reveals the pitiful budget forced them to stay in a soundstage, and no ice cream truck disguise can save that. The show clearly wants Aziraphale and Crowley to have deep, meaningful conversations in the Bentley, seeing as they do this twice, but like the Bentley driving in circles and going nowhere until they blast off to stop Michael, well...

Crowley and Aziraphale's conversations also go nowhere. They spiral around and around Aziraphale's rationale for leaving and Crowley's pain at being rejected. Aziraphale at least seems to acknowledge that he hurt Crowley, bumbling and awful attempts at apologies notwithstanding, but Crowley either doesn't notice or doesn't care that he is hurting Aziraphale with all his biting and sarcastic retorts. It makes Crowley's forced "I forgive you," feel hollow and insincere, like he's only saying it to shut Aziraphale up or to placate him. He doesn't even speak up to defend Aziraphale when God calls him gluttonous and lazy. Neither of them ever voices to the other the root of their pain: "I missed you. I have been incomplete without you. I wanted you to choose us. We deserved better."

Jesus's interactions with the human characters, his passion for stories, and his drive to learn how to find the lady, while heartwarming and very authentic, are also ultimately pointless. The character even acknowledges this as he gets wiped from existence.

All of these dropped plots and missed potential lead to one depressing conclusion:

Crowley was right. It is all pointless. They were all just characters in Her story, and stories have to end.

To me, fiction is more than that. There is a universality to characters and stories. They are real, even though I know they are not. Stories have meaning to my life even if they are about people who cannot exist doing things that are impossible.

All the choices Crowley and Aziraphale made in Seasons 1&2 had meaning to me and to them. Season 3 feels like Neil Gaiman grabbing me by the face and shouting at me "no, it was meaningless the whole time! They aren't real! They're just dollies in a doll house, puppets on strings. They can't change their world because they have no power over it. They were never going to live happily ever after because they were never really alive in the first place."

And it sucks that the only way this story can conceive of making them be alive and free is by ripping them out of a world full of magic and wonder, adorable scriveners and menacing gangsters, silly angels and clever demons, cars that can drive through space and books that can unmake time, a lovable savior who shares pizza and people who are just fundamentally people, all things this episode did such a genuinely good job of showing us, with love and care and passion and brilliant acting and great music.... And putting them in our mundane world.

Don't come at me and say "but our world is filled with wonder, too!" That's not the point.

It's like saying fantasy itself is pointless. That fiction is pointless. It's like saying worldbuilding and storycrafting are an act of cruelty imposed upon our characters, no matter what ending you give them, because it robs them of their agency.

Which isn't a message I ever expected to see from Neil Gaiman of all people, and certainly not in Terry Pratchett's name.

Don't tell me about Pratchett's ideas of human self-determination and the underlying message of free will being meaningless if any supposedly supreme being can force you to change your actions against your will. We already live in a world where systems force us to do shit against our will all the time, and "people being fundamentally people" means some people have the power to impose their will on others. The book understood that, using Heaven and Hell as allegories for the USSR and the US and other Western powers during the Cold War. The show seemed to understand that with its exploration of the character of Brian Cameron, who uses no powers but still takes Crowley's car from him and keeps him from getting it back without angelic assistance. Is the show trying to imply that Asa and Anthony live in a world with no Brian Cameron's? No French executioners? No half-witted Nazi spies?

A six-episode season might have saved the lost potential, but I cannot judge the 90 minute movie on what the six episodes could have been. More money, more time, a universe where Neil Gaiman did not (for legal reasons: allegedly) assault women and therefore deserved to remain part of the project, maybe those could have fixed it. But we don't live in that universe, and that isn't what we got.

What we got was made by people who tried and people who cared and people who put their souls into it. But people aren't angels and they aren't demons, so they can't work miracles. And so in the end, Good Omens Season 3 fails to deliver on the message it is trying to convey about freedom and free will and love and instead says "nothing lasts forever."

[fishey-me]

An Archive of Our Own, a project of the Organization for Transformative Works

Chapters: 9/9 Fandom: Good Omens (TV) Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Aziraphale/Crowley (Good Omens), Aziraphale & Crowley & Muriel (Good Omens) Characters: Crowley (Good Omens), Aziraphale (Good Omens), Muriel (Good Omens) Additional Tags: Mystery, Romance, Implied/Referenced Character Death, He/Him Pronouns For Crowley (Good Omens), He/Him Pronouns For Aziraphale (Good Omens), They/Them Pronouns for Muriel (Good Omens), She/Her Pronouns for Michael (Good Omens), Good Omens Season 2 Spoilers Summary:

"See, I manage the records in Heaven, and I found a… problem. They're… wrong?"

Crowley blinked. "You're asking me?"

"Yes. No. No, sorry. It's hard to explain. I think there's been a murder. In Heaven."

He sat straight up. "A what?"

  Or: Aziraphale gets erased from the Book of Life. Can a Crowley and Muriel who never knew he existed solve the mystery of what happened and save the lost angel?

---

Look, I’m not saying anything about Season 3. I’m just saying, if you want a slightly more hopeful and satisfying examination of what the Book of Life could have been, maybe give this a read. I wrote it three years ago, so no spoilers, but... well, if you’ve seen Season 3, you might see why I’m sending this out again. 

[glumdelay]

Some messy aziracrow kisses sorry they’re so rough but hey it’s better than ai

[fishey-me]

Chapters: 13/33 Fandom: Good Omens (TV) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Aziraphale/Crowley (Good Omens) Characters: Aziraphale (Good Omens), Crowley (Good Omens) Additional Tags: Kinktober 2025, Top Crowley/Bottom Aziraphale (Good Omens), Dom Crowley (Good Omens), Sub Aziraphale (Good Omens), Orgasm Control, Orgasm Edging, Masturbation, Sex Toys, Nipple Clamps, Hypnotism, Wax Play, Drunk Sex, Cock Cages, Exhibitionism, Punishment, Handcuffs, Kneeling, Dildos, Butt Plugs, Possessive Sex, Sex Pollen, Fire play, Service Top Crowley (Good Omens), Sensory Deprivation, Mirror Sex, Monsterfucker Aziraphale (Good Omens), Praise Kink, Consensual Non-Consent, Double Penetration, Lingerie, Hair-pulling, Multiple Orgasms, Body Worship, Uniform Kink, Wall Sex, Anal Sex, Anal Fingering, Oral Sex, Frottage, Masochism, Pining While Fucking, Mutual Pining Summary:

After the failed Armageddon, Aziraphale finds out that Heaven has been damning souls to Hell for the supposed sin of having kinky sex. He is certain that kinky sex in itself is not a sin, and enlists Crowley to help him prove it. Never mind that Aziraphale has never had sex before. Never mind that he and Crowley are just friends. He’s sure everything will work out just fine.

Written for Kinktober 2025

[fishey-me]

@goodomensafterdark

[fishey-me]

Chapters: 13/33 Fandom: Good Omens (TV) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Aziraphale/Crowley (Good Omens) Characters: Aziraphale (Good Omens), Crowley (Good Omens) Additional Tags: Kinktober 2025, Top Crowley/Bottom Aziraphale (Good Omens), Dom Crowley (Good Omens), Sub Aziraphale (Good Omens), Orgasm Control, Orgasm Edging, Masturbation, Sex Toys, Nipple Clamps, Hypnotism, Wax Play, Drunk Sex, Cock Cages, Exhibitionism, Punishment, Handcuffs, Kneeling, Dildos, Butt Plugs, Possessive Sex, Sex Pollen, Fire play, Service Top Crowley (Good Omens), Sensory Deprivation, Mirror Sex, Monsterfucker Aziraphale (Good Omens), Praise Kink, Consensual Non-Consent, Double Penetration, Lingerie, Hair-pulling, Multiple Orgasms, Body Worship, Uniform Kink, Wall Sex, Anal Sex, Anal Fingering, Oral Sex, Frottage, Masochism, Pining While Fucking, Mutual Pining Summary:

After the failed Armageddon, Aziraphale finds out that Heaven has been damning souls to Hell for the supposed sin of having kinky sex. He is certain that kinky sex in itself is not a sin, and enlists Crowley to help him prove it. Never mind that Aziraphale has never had sex before. Never mind that he and Crowley are just friends. He's sure everything will work out just fine.

Written for Kinktober 2025

[intosnarkness]

Things I have learned in six months exploring kink at a local sex club:

I don’t find every body sexually attractive, but I do find all bodies beautiful.

The more bodies I see in states of undress, the better I feel about mine.

I love watching people react to stimuli. Laughing, calling out, shivering. The way muscles jump or goosebumps form. The way someone rocks up onto their toes into or out of a sensation. The looks on their faces. It feels like an art gallery.

Honesty means admitting that you want something.

Honesty also means asking when you don’t understand and seeking to learn with an open heart.

Admitting that you want something means someone might give it to you.

You can ask for anything you want as long as you can take the answer being no.

Most people want a connection, and most people want to meet you on your terms. People who know their needs and limits are the safest people I’ve met.

Stephen Sondheim was right: scary is exciting, and nice is different than good.

It is very funny to tell people I took my car for a light sensation scene when I get it washed.

[groovynightstrawberry]

I currently have 88 fics on AO3, every one of them written post-season 2 of Good Omens.

A couple of weeks ago, I thought to myself, 'wouldn't it be cool if that number was exactly 100 when the finale airs?' (I like round numbers, okay?)

I realised that the number of fics I would need was exactly the number of days in May before the air date.

I could not let this thought go.

I asked my friends to talk me out if it. They did the opposite 🤣 (I love you all).

SO.

Starting tomorrow, May 1st 2026, I will be posting one (1) fic of 666 words every day until the 12th, ready for us all to be broken and remade on the 13th.

These might be anything in my general wheelhouse: smut, fluff, historical, canon, South Downs future, human AU.

They will *not* have any spoilers based on the promo for S3, so if you've been avoiding that there will be nothing here to ruin that for you.

Is this possibly madness? Yes, but I'm doing it anyway. 🤣

See you tomorrow for fic number 1!

[victims-of-love]

Here to support your madness!!!

[fishey-me]

Chapters: 12/33 Fandom: Good Omens (TV) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Aziraphale/Crowley (Good Omens) Characters: Aziraphale (Good Omens), Crowley (Good Omens) Additional Tags: Kinktober 2025, Top Crowley/Bottom Aziraphale (Good Omens), Dom Crowley (Good Omens), Sub Aziraphale (Good Omens), Orgasm Control, Orgasm Edging, Masturbation, Sex Toys, Nipple Clamps, Hypnotism, Wax Play, Drunk Sex, Cock Cages, Exhibitionism, Punishment, Handcuffs, Kneeling, Dildos, Butt Plugs, Possessive Sex, Sex Pollen, Fire play, Service Top Crowley (Good Omens), Sensory Deprivation, Mirror Sex, Monsterfucker Aziraphale (Good Omens), Praise Kink, Consensual Non-Consent, Double Penetration, Lingerie, Hair-pulling, Multiple Orgasms, Body Worship, Uniform Kink, Wall Sex, Anal Sex, Anal Fingering, Oral Sex, Frottage, Masochism, Pining While Fucking, Mutual Pining Summary:

After the failed Armageddon, Aziraphale finds out that Heaven has been damning souls to Hell for the supposed sin of having kinky sex. He is certain that kinky sex in itself is not a sin, and enlists Crowley to help him prove it. Never mind that Aziraphale has never had sex before. Never mind that he and Crowley are just friends. He's sure everything will work out just fine.

Written for Kinktober 2025

@goodomensafterdark​

[noneorother]

Peter Anderson Studio, go straight to jail

The Good Omens Prime account posted a new poster today, and Peter Anderson Studio decided to give us a ring.

Of course we had to answer the call... Would be rude not to. Translation and explanation for the poster is below the cut.

So first off for those that are curious, this is nowhere near the Angelic trial script found in season 2. On closer inspection, the symbols seemed to be some sort of repeating flourish font. So we had to find the font.

I spent 3 whole US dollars on this terrible decorative filigree. Now all that's left is to type out every single letter by hand one by one, and presto change-o

So what mysteeeeeerious secrets have we revealed?

"dolorem ipsum quia dolor sit amet, consectetur, adipisci velit..." 

If that quote looks familiar to you, you're probably a graphic designer. This text is a mixture of standard placeholder Latin, corrupted fragments, and keyboard-mashing, a literal translation is impossible. However, we can translate the source phrases from which these rings were built.

In professional typesetting, Lorem Ipsum text is meant to simulate the "look" of a document without the "distraction" of meaning. If we translate the intended meaning of the recognizable Latin roots, the inscription reads like a fragmented philosophical treatise on pain and duty.

Most of these rings are derived from the same sentence: "Neque porro quisquam est qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit…"

"There is no one who loves pain itself, who seeks after it and wants to have it, simply because it is pain…"

Ring 1 (outside) elit sed do adipiscin do eius modg elit exe adipiscing elit adipiscing elit rcit- tion ind of orem ipsum dolor sit amet consectetur adipiscing

Ring 2 orem ipsum dolor sit amet consectetur adipiscing elit sed do eiusmod ugimt sit vo(vd)luptatem nda dbc iueq sunt in culpa qui dolor incia

These rings focus on dolor sit amet, consectetur adipiscing elit, sed do eiusmod.

"…pursuing excellence, but also through the work and pain of the moment. [Corrupted gibberish: dugimt, dbc] …they are in fault who [fail in their] duty through a weakness of mind."

Ring 3 ipsum mnnv dnmvn dfgnkda iem io sum dolor sit amet consecti dolor ea mc vemo cillu volu m dolor eenia i voluus m “Heart broken World Broken What’s the point of anything?” di

This ring contains the most corruption Recognizable Roots: veniam, illum, voluptas.

"…[Gibberish]… pain itself… [Gibberish]… that piece of pleasure… [Gibberish]… Heart broken World Broken What’s the point of anything?"

Ring 4 Amet consectetur adipiscing elit sed do eius ____lee dolor in reprmin i fmm ve n iekjd eo ore voluptate sum dolor sit

Ring 5 adipiscing elit sed do eiusmod tempor cu quip ex ea comms ltmn jrew t r t e f nb ai nima veniam esi ea commor

These rings use fragments of the section discussing "the effort required to achieve results." reprehenderit, voluptate, eiusmod tempor, ex ea commodo.

"…to find fault in [reprehenderit] pleasure… [Gibberish]… through the effort of work… [Gibberish]… unless they result in some convenience or advantage."

Ring 6 corporis suscipit laeorios am ev a dkd wr scing elit sed mque laudante totam rem aper iam ullam

This ring pulls from the "laborious" section of the text. corporis suscipit laboriosam, laudantium, rem aperiam, ullam.

"…undertakes laborious physical exercise… [Gibberish]… praising… I will open the whole matter… [Gibberish]… no one."

Ring 7 (left side) Ring 7 (right side) um dolor sit ame i consese __ur adipiscing orem ipsum dolor sit

Ring 8 (left side) Ring 8 (right side) eiusmoddbc iue qwkl Orem ipsum dolor sit

Ring 9 (left side) Ring 9 (right side) mec at sua dolor i dolor ee mn neu

These outer/inner fragments are repetitions of the same opening phrases. "Pain itself… consectetur… eiusmod… their own pain."

Conclusion: Peter Anderson studios are giant trolls and deserve to be put in a corner to think about what they’ve done.

On behalf of everyone in the @ineffable-detective-agency who worked on this rush job:

You can also check out our instagram where we posted it first. You can ping Peter Anderson while you're at it and tell them to try harder next time.

[fishey-me]

Someone else had claimed it was really some other ruminating from Crowley but never explained how they solved it. I'm glad you did this. Thank you!

On one hand, booo, I was hoping it was a real puzzle. What an epic troll. On the other hand, *puts on my tinfoil hat,* maybe it is a Clue for later puzzles.

[fishey-me]

An Archive of Our Own, a project of the Organization for Transformative Works

Chapters: 1/1 Fandom: Good Omens (TV) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Aziraphale/Crowley (Good Omens) Characters: Crowley (Good Omens), Aziraphale (Good Omens) Additional Tags: Good Omens Season 3 Speculation, Alternate Universe, Alpha Centauri (Good Omens), No Spoilers, Angst, Angst with a Hopeful Ending Summary:

They haven't found a timeline yet where they can stop the Second Coming, but this is the timeline where Aziraphale decided to stay.

So why isn't it enough?

The sun never sets on Proxima Centauri b. At least, not on the small perimeter of the planet between its scorching eternal day and freezing eternal night. 

This is why it has no nightlife to speak of. 

It has no night. 

Or day.

It is an eternal, unceasing dusk. 

---

Image credit: https://www.space.com/33841-living-on-proxima-b.html

@goodomensafterdark​