why didn't they invite king richard ii of england (1367-1400) to the met gala
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why didn't they invite king richard ii of england (1367-1400) to the met gala
Mad At You Island is where the events of William Shakespeare's The Tempest take place
Sobbing, shaking, crying
What do you mean there's no fandom for the Shakespeare play Henry V
obsessed with this bookshop in stratford-upon-avon having WILLIAM SHAKESPEARE listed as a ālocal authorā
Cate Blanchett as Richard II in The War of Roses
But Tumblr says this will build engagement; and Tumblr is an honorable site.
(feel free to reblog this any way you want, if you want.)
Friends, tumblerinas, feigalach of all kinds, lend me your ears. I come to mourn the reblog chain, not to praise her
The good that features do, is mentioned after them. Their frustrating parts are oft intered with their bones, so let it be, with the reblog chain
The noble tumblr hath told you the reblog chain denied engagement. If it were so, it was a grievous fault, and grievously hath the reblog chain paid for it
Here, under leave of tumblr and its @staff, for tumblr is an honorable site, so are its @staff, honorable in their help, come I to speak, at the reblog chain's final moments
She was a good feature. Simple, and engaging to me, but tumblr says she denied engagement and tumblr is an honorable site
She had brought many memes to the world, who's sharing did the userbase grow, did this, in the reblog chain, deny engagement?
When that the meme did flop, the reblog chain had not notes! Engagement denial should be made of lesser stuff, yet tumblr says she denied engagement and tumblr is an honorable site
You all did see that in the last 3 years thrice users of other sites flocked to it, and thrice they had not stayed because opening Tumblr for the first time sucks, and absolutely never for the reblog chain, but tumblr says she did deny engagement, and Tumblr, is an honorable site
I speak not to disprove what tumblr spoke, but here I am to speak what I do know.
You all did love her once, not without cause: What cause withholds you then, to mourn for her? O judgment! thou art fled to brutish beasts, And @changes have lost their reason. Bear with me; my heart is in the coffin there with the reblog chain, and I must pause till it come back to me.
my name is Casc and wen the day is ides of march the king must pay with all my frends (but firstly me) i do the stab i set us free
the prequel:
my name is Casc and in the nite wen sway of erth doth shayk with mite wen tempests flaym and portents sho i run away to cicero.
my name is Cass and wen it storms with fyre and portentous forms and other romans tayk their rest i walk outsyd i bare my brest
My nayms unnown
And wen itās sprynge
I go to warne
The wuld-be kynge
Though heāll not heede
Mine dredful truthe
I shoute āBewayrā
I saye the sooth
"Out of this wood do not desire to go: thou shalt remain here, whether thou wilt or no."
lupita nyong'o moses sumney sandra oh and peter dinklage in twefth night available for FREE until new years day everyone must watch.
The Shakespearean comedy of mistaken identity tells the misadventures of Sebastian and Viola.
My former uncle is my future stepdad. The holidays are going to be interesting this year
Have you considered attending a play
would hamlet say six seven: a study
arguments for:
six seven itself has no actual meaning and originates from a clip of a viral song on tiktok, so hamlet's way of pretending to be "mad" could be repeating something widespread but meaningless, like how he quotes song lyrics and idioms (2.2, 430-432; 3.2, 306-310; 3.2 371-372)
hamlet often uses nonsensical, surreal humor, usually ones that appeal to the youth and confuse the older generation, to cope with his despair (2.2, 190-199; 5.1, 204-207)
he puts on the antic disposition partly to confuse claudius and gertrude, which this absolutely would
i don't think hamlet would ever have gen alpha humor, which is the point. he's changed to the point of being unrecognizable in his madness (2.2, 4-1; 316-321)
polonius would try to find meaning in it and come to an entirely incorrect conclusion
arguments against:
hamlet may not have tiktok or even know of this meme in the first place, because he's said to be a stable and well-liked individual prior to the play (4.7, 18-20)
it's actually rosencrantz and guildenstern who would keep saying six seven until hamlet decides to kill them
Shakespeare dramatists have zero chill:
(x)
I saw a production of Taming of the Shrew where the characters were gender-swapped, the aesthetic was 80s glam hair rock, and Petruchio was the lead singer of a band that played original songs between scenes.
Also, Petruchio was played by an incredibly hot Asian actress, and she winked at me.
i got a fucking. advertisement on youtube. from google ai. saying. without sarcasm and with complete sincerity. "if shakespeare is too hard for you, you can always have our ai explain it to you." im gonna throw up. im gonna throw a molotov cocktail. if i see that ad again im reporting it for hate speech. how fucking dare you. i will kill you with my bare hands. with my exit pursued by a bear hands. i will tear google headquarters down brick by brick. im going to start biting people.
day 4: question - this took an absurd amount of time to write down (just text below !)
Thereās a realistically nonzero chance that this will be a conceptually novel and thought-provoking reinterpretation of the themes and symbolism of a tragic casualty of vengeance and circumstance within a complex classic but Iām scared
This Woman Has Not Read Hamlet
Okay so again I donāt know what I was expecting and Iām not surprised so this feels a little unfair but it seems Iām actually a little mad about this actually
Ophelia as a character is shown to be restricted as women were in her environment to her relationships with men. Her father, her brother, and her romantic interest. She isnāt just The Girl in this story- she can easily be interpreted as any woman of her standing at this time.
And because of this- as women were, and still often are- her personhood was reduced to the context in which she served others: a daughter, a sister, a lover. She is nothing else because all she is allowed to be, all she CAN be, is what she can offer, what she can PROVIDE, the esteem in which she is held by those men.
So we see a person whose personhood is, in effect, a shadow cast by the relationships in which she belongs. āBelongsā in the possessive sense, because she has no agency, no worth or value beyond those relationships, and it doesnāt matter if she is happy or not because she couldnāt live any sort of meaningful life apart from them.
In this circumstance in which Ophelia has been raised, in this society, in this position, the Existence of Ophelia is a shadow cast in the light of three candles. Her father, her brother, her lover, who can shine their lights and cast as many shadows as they wish while she cannot.
Her brother is leaving. He is no steady pillar. If she is not sistered, she is not a sister.
And then her lover, he loses his mind. He goes hot and cold, loving and then cruel and then kind and then completely nonsensical. If she is not loved, she is not a lover.
And then her father is killed. And if she is not daughtered, she is not a daughter.
She is a construction of otherās perceptions, and when she is no longer perceived in a way that is stable, she loses her stability. Sheās never been truly alone in herself- never seen herself outside the eyes of those who see her, patronize her, value her, and so her fate is tied to their perceptions. Her value is what they find her value to be; her personhood is what they find her personhood to be.
Ophelia dies covered in flowers, singing in a river. A nonsensical caricature of what a girl should be- beautiful, whimsical, lighthearted, young. Desperately grasping to fulfill the role she was shaped into despite no longer possessing the context in which it has function. Like post-traumatic stress, all thatās left of her is the flinch-and-run response to the bang of a gun you hear on the radio a hundred miles from the battlefield. A reaction to an action that is no longer happening.
She is reduced to Madness as Madness truly is- the rational, logical, straightforward actions of a hero suddenly dropped into the wrong story, giving the right answers to the wrong questions.
Iām not an academic, so my interpretation might be way off, but I love Ophelia because broadly speaking she is an answer to the question of what makes us who we are. If a tree falls in the forest, and nobody is around to hear it, does it make a sound? If a tree is not perceived, is it even a tree? If your only value is to others, what are you when there are no longer others to value you? What happens when their value of you wavers? Fluctuates madly without reason? What are you then?
But yeah, Taylor, girls should stay slay. Hashtag girl power
none of those words are in the first folio
My friend Colin Gorrie, a professional linguist, has posted a brief, straightforward guide to writing accurate-sounding Elizabethan English on his Substack. Useful for everything from Hamlet fanfic (as Colin suggests) to doing a bit on Tumblr!
How to sound like Shakespeare
as a trained early modernist I endorse this. Conjugate your second/third-person singular verbs correctly and get thou/thee/thy/thine right and you're like 95% of the way to not setting my teeth on edge.
(Of course the pronouns are sometimes tricky because people don't understand grammatical case in modern English either)