YOU ARE THE REASON
Jules of Nature
ojovivo
untitled
EXPECTATIONS
he wasn't even looking at me and he found me
Not today Justin

shark vs the universe

tannertan36
hello vonnie
let's talk about Bridgerton tea, my ask is open

#extradirty

if i look back, i am lost
we're not kids anymore.
trying on a metaphor

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š
occasionally subtle
todays bird
taylor price
seen from United Arab Emirates
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@fluffypastelfae
The problem with studying the deep ocean is that humans need light to look at things, the depths of the ocean are extremely dark, and what lives there is accustomed to spending most of its time in that darkness. So when we go down there with submersibles and turn on Big Lights to see, we invariably and dramatically alter what's going on, in the same way that it's generally difficult to observe the natural behaviors of terrestrial animals if you whip out a megaphone and shout HEY GUYS WHAT ARE YOU DOING at them first.
A humble snubnose eelpout on its way to the whale fall buffet when some nearby humans give it a quick, unintrusive study:
I put this in the comments but feel it needs a reblog- Check out some of Dr Edith Widderās work on light in the deep sea! Among other things, she used the bioluminescence of stoplight fish to deduce wavelengths which most deep sea animals canāt perceive and used that to create light filters to be able to film with minimal disturbance! And thatās how we got 25 minutes of giant squid footage!!!!
Because I was watching carebears with friends, something evil overcame me
A few years ago I purchased one of the gems of my āRise of the Guardiansā collection on Ebay. AĀ book withĀ concept art and concepts for merchandise. Well, we all know the merchandise never happened ( *sobs* ), but I wanted to share the best pages of this wonderful book with other fellow RotG-fans. <3
Wh-what do you mean itās from a birthday cake
We could have been eating him
kneading with all four paws
Wacom recently asked me to talk about why I make queer comics, and given there are multiple bills right now floating around in congress that are effectively "we will kill your livelihood if we get a sniff of queer" I had some pretty strong, simply feelings to relay.
You can read the interview here, you can buy my graphic novel featuring a gay vampire here, and you can call your congressmen about rejecting HR 2616, HR 8705, HR 7661 using 5calls.org (they don't have these specific bills listed as things to call about, but luckily you can talk about whatever you want on the phone)
short kings
A fight for the right to exist
redraw
The Prince and The Beast
Soooo, I wanted to examine the Beast and the Prince's design. It's well known that the Prince's design is viewed as pretty underwhelming, especially when compared to Beast's much more striking design.
Even the creative minds behind the movie knew, before it released in theaters, that no matter what they designed, people were going to prefer the Beast over the Prince. The audience spent the entire movie endearing themselves to the Beast, and the Prince feels like a stranger comparatively.(They say as much during the commentary for the movie.)
And, honestly, the disappointment is very understandable.
But, I wanted to take a closer look and discuss why they were designed the way they were, bc I've never seen anyone bring up these particular points before, and I thought it'd be fun to share my thoughts
So.
First off, why does his design look so different from the Beast?
The only thing that stays the same after the transformation are his eyes. Even his hair and fur color are different. Why is that?
Well, the reason for that is bc the Beast is a hybrid chimera of different animals.
Glen Keane describes the Beast's design here:
I said, āI like the massiveness of this buffalo headā, and I sketched out the weight, āand of this buffalo headā, I said, āBut the brow of the gorilla,ā and I drew the brow there. āBut then the muzzle of this wild boar,ā and then the mane of a lion but the body of a bear, and then the legs of this wolf.
As I did it, it just all came together. And like I was telling you before, thereās this moment where you recognize the character. And I looked at it, and I said, āThatās him. Thatās what he looks like, like that, Bruce. Thatās what ā thatās the Beast.ā
One of the most prominent animals in Beast's design is that of a bison. So his coloration correlates moreso to the animal, not the person. We also have a rainbow of other shades of brown mixed in, likely coming from the wild boar, bear, and whatever else.
The Beast's design was never meant to match what the Prince's design actually looked like. It's just building off the animals the Beast is made from. It was meant to be a cool monster design that contrasts what the Prince actually looks like.
The eyes are the only thing that stay the same, as a visual cue to tell the audience/Belle that he and the Beast are the same person.
Secondly, his human design makes so much more sense when you realize that he was likely heavily based off of Michaelangelo's David.
The Prince is supposed to be unbelievably beautiful and handsome. It ties back to the themes of the story - despite his beauty, and having everything he ever wanted, he had no kindness or love in his heart, which is why he ended up cursed.
Knowing that, it makes sense that they would choose to base his design off of something as magnificent as one of the greatest sculptures ever created.
However, given it's a beautiful sculpture, specifically a highly detailed and realistic one depicting the complexities of the human form, it makes trying to capture that beauty in motion... extremely difficult.
And, even if he wasn't based on David specifically, he was definitely inspired by this era and style of art, which shares all of the previously mentioned problems.
Which is why, in practice, the Prince looks... off.
The transformation sequence was one of the very last pieces of animation done on the movie, and that includes animating the final design of the Prince.
Beauty and the Beast was made in basically 2 years time. Most films around this period took 4 years to produce, but halfway through production, they were told to rewrite the entire story from scratch and start all over. So it was already starting off at a disadvantage.
Glen Keane only had so much time to work on this part, and not nearly enough time to familiarize himself with the Prince's design enough to make animating him feel natural. And that goes for any of the other artists working with him, including cleanup and assistants.
Knowing that, the Prince's occasional awkward animation near the end becomes much more understandable.
The unfortunate part is that, because the Prince has such a classical, high art inspired design, and so few scenes that properly showcase it well enough for the audience to understand the reference and endear themselves to it, it's become difficult for people to recreate it in any meaningful way.
In fact, most of the official books have art of the Prince that vary from decent...
.... To just plain awful.
In fact, the bad far, far outways the good here. Half of them don't even look like the Prince.
It's rare enough to get official art of the Prince in the first place, bc most of the merchandising is focused on the Beast since that design is more iconic. But it's even rarer to get good art of him.
The poor guy has it rough.
(I do wonder if this could've helped fuel dissatisfaction for the Prince's design. bc the movie came out at a time where getting good visuals of films was a much more difficult task, and so the only way to really get a good, long look at him were through the associated picture books...
... Which, clearly, did him absolutely no favors.)
But all that aside, it's not impossible to make use of the Prince's design as originally intended. The potential is there.
One of the best examples is from the Mirrorverse manga.
He's drawn consistently handsome, while keeping his original design in mind.
Which proves that the design absolutely can work, if given a little tweaks and wiggle room.
The manga even gives us this cool half-Beast design, giving the Prince horns, tusks, claws, and animal ears (at least for one panel on that last one).
It's honestly such a cool design concept, that I wish we saw more of it outside of this manga.
Anyway uhhhhhhhhh idk how to end this, I just kinda wanted to ramble about this topic lol
Uhhhh bye
I make art about grief again
This is how it must feel to have the gift of prophecy