Cosimo Galluzzi
RMH
dirt enthusiast
will byers stan first human second
Jules of Nature
"I'm Dorothy Gale from Kansas"
art blog(derogatory)
we're not kids anymore.

shark vs the universe

@theartofmadeline
PUT YOUR BEARD IN MY MOUTH

blake kathryn

JVL

Discoholic 🪩
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
i don't do bad sauce passes
🪼
todays bird
Three Goblin Art

seen from Türkiye
seen from Germany

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seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

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seen from United States

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@forbiddengrimer
peter benton + season seven appreciation
“Lucille took it. Lucille suffered. She didn’t cry out or rebel or fight back. She took every beating as if it were her due. Billie on the other hand… she took on the power. And for one moment at least, she won.”
CPTSD constantly has me acting so cartoonishly stupid. hello my partner of 4 years who has literally never so much as raised their voice in my direction, i heard you doing dishes a little louder than usual in the other room. are you going to kill me?
*looking at bentoncarter* BDSM and gay sex could have saved them
got a friend to watch the ER pilot with me today : )
ER (1994-2009) 7.02 • Sand and Water
i'm not a lesbian as far as i know and i already have a wife but thanks tumblr
man what did i click on that tumblr thinks im gay
the sign in button?
i rewatched carter's intervention and i can’t stop thinking about how much work the blocking is doing, so here’s a very brief summary of some of my favorite details.
first: benton
the second carter walks into the room, the camera cuts to benton. he's probably the most important person in the room to him, the one he respects and loves likes the most, and he's almost completely removed from the confrontation. he's standing on the other side of the room, out of scrubs, head down. he barely even looks at carter, and i don’t think he says a single word until they’re alone. everyone else is participating in the intervention, but benton really doesn’t need to say anything, because his mere presence is enough for carter.
this very short silent exchange is so amazing, you can feel how betrayed carter feels:
then, as the intervention goes on, he gets up and starts looking more directly at carter and becomes harder to ignore. i don't know if "denial" is exactly the right word, but there's a shift. at the beginning he seems unwilling to engage with what everyone is there to say, and by the end he's forced to confront it along with everyone else. notice how he goes from trying to stay low and far away to fully getting higher, bigger, and eventually running after carter. obviously his words and his physical presence ended up making the most impact. there’s something so fucking devastating to me about seeing your mentee that you love and care for so much, who almost died in your arms, in a situation like this. the choice to keep him silent and distance until they’re outside is brilliant imo
kerry:
she spends the entire scene by the door. every time carter tries to leave, she's the person who stops him. what stands out to me is how little force is actually involved. and objectively, if carter had really wanted to leave, he could have. he is bigger than her, stronger than her, and kerry is physically the smallest person in that room. he probably would’ve knocked out anyone else guarding the door (just two mins later he punches benton). but she’s somebody that he likes and respects (and fears) enough to not make it physical. she opened her door to him one year ago and now she’s keeping another door closed to help him.
after carter storms out, kerry turns toward the door and away from the room. it's a tiny blink and you’ll miss it moment, but i've always noticed how she doesn't want anyone to see her face. maybe i'm reading too much into it, but just like in the stabbing, she once again seems much more affected than she's willing to show in front of everyone else. she spends the whole scene holding her ground, even raising her voice at carter, and the second he’s gone she turns away.
carter:
and then there's carter himself. the scene keeps literally backing him into dark corners, so whenever he moves, he's running into another obstacle. when you watch carefully, you’ll notice that in almost every shot in this scene you’ll see the edge of someone’s head or shoulder or arm, all meant to make it feel like he’s trapped.
later, when he turns on jing-mei, he immediately starts using his height and physical presence. he gets into her space and tries to intimidate her, and he’s so desperate that something she did six years ago is the only leverage he has against her. god knows how many mistakes he made while she was away
and again, after kerry asks him about his wrists, instead of moving her out of the way, he walks to the other side of the room through all his mentors, all the people who care about him, who’ve been there from him since day one, and storms out.
so yeah i just love how carefully staged this whole scene is. each character has a very specific job in every frame, and you can learn a lot about their relationships just by watching where they're standing, their body language, everything. 10/10 scene.
A daily game that challenges our understanding of human cultures. Ten objects. 5,000 years of human history. Guess where and when each artif
An interesting game where you are presented with 10 artifacts from the MET. You have to place where the artifact is from and what time period it is from. Each artifact scores up to 10,000 points, and you lose points the further away your guess is and how far off in time you are. You can only play once a day. Thanks to @baebeylik for showing this to me.
Today I scored really well. Yesterday ... not so much.
Anthropeum.com · Jun 8 2026 🟩🟦🟦🟩🟩🟩🟥🟦🟦🟩 79,001 · top 3% of players today!
oh this is extremely fun. i did NOT do all that well but i can see myself getting good. i will be doing this regularly.
Anthropeum.com · Jun 8 2026 🟩🟦🟦🟨🟨🟦🟥🟩🟩🟦 68,088 · top 12% of players today!
ER (1994-2009) 8.16 — Secrets and Lies
homicide life on the street: “three men and adena” → brooklyn 99: “the box”
peter benton in episode 01x06 "chicago heat"
ER 5x04 "Vanishing Act" - Kerry Weaver's interview outfits
Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.
«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain
1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels
ER text posts 1/_