Vintage Fashion NOT Values

Cute, classy, & handsome bisexual trans masc. Into music, art, and vintage style | 20s | block my #hmmm tag if you don't want nudity on your dash

[beardedmrbean]

perfection

[fluxephemera]

sniles so sneetly at you

[dramatic-dolphin]

and if i said nolan's odyssey starring no greek actors and with no recognizable aspects of greek culture or involvement by greeks, is the direct legacy of white supremacist colonialism that treated ancient greece as not just the pinnacle of ancient culture, but of an artificially created "european" culture, which white western europeans and their settler descendants, as the new pinnacle of culture, were the sole spiritual inheritors of.

[to-find-out-what-happens]

I would agree and so would Fariya Faraji in this good youtube video

[meltingelphie]

i miss them

[notgaybuckybarnes]

STACY CLAUSEN Thrash (2026)

[mabellonghetti]

Joan Chen, 1990’s

[vileidol]

leviticus (2026) is about how loving someone, especially when you’re closeted, means giving them all the tools with which to hurt and destroy you and leviticus (2026) is about perpetrator trauma and leviticus (2026) is about parents who love their children and enact horrific acts of violence on them nevertheless and leviticus (2026) is about sara ahmed’s ‘happy objects’ and how when a father says to his queer child “I want you to be happy” he means what he says but his concept of happiness is suffocating and cruel and leviticus (2026) is about how men are taught violence instead of tenderness and leviticus (2026) is about gay panic and the gay panic defence and leviticus (2026) is about how it doesn’t matter whether there’s actually a monster or if it’s just the boy you love or some bigot on the street or your own parents, the threat of violence is ever present and leviticus (2026) is about how they want us to be divided and they want us to be afraid

[hystericalend]

just watched this interview where joe bird calls naim an observer and explains that the cinematographer tyson perkins purposely shot certain scenes to make it look like you were viewing something you weren't supposed see. naim's pov being characterised by him as an outsider..

[gnawu]

look at the light

[galacticstvr]

theyv move to france or somewherr And they adopt a bunch of kids and have 2 cats Anf live happily ever after

[estpolynesianmary]

naim dosen't talk about it, but in the days since they left town ryan watches as bruises start to appear around his mouth...

[hystericalend]

the idea of both of them being unable to tell the other specifics of what the entity did to them bc of how horrific and violating of an experience it was, until months or years later when the other does something that unintentionally triggers that memory and it comes spilling out. like they're making out against a wall and ryan has his hand on naim's jaw, he pulls away for a moment, thumb slipping past naim's lips, and naim is seized by suffocating panic. He shoves ryan away trembling, and in the aftermath is forced to open up abt what exactly the entity did to him that night

[avauzz]

Leviticus was so good, y’all should all watch it!!

[gnawu]

[gnawu]

here’s the entire bus scene, for the one who asked

[iheartblondetwinks]

something about confessional booth imagery

[dannmolloy]

"If I'm going to live with this thing. I want it to look like you."

[clockmakers-muse]

thinking about naim's "fuck you, cause you were scared too."

we always talk about how ryan poking the snake is a metaphor for his indulgence in queerness/"sin," juxtaposed by how naim was too scared to even go near it, but do we ever talk about how ryan was actually scared too... and that naim knows that? "ryan" doesn't deny it, and even tho it's not exactly trustworthy bc it's the entity in that scene, i do think it's telling

[brownsoblueedits]

All That I'll Need - Golden Age by Ethel Cain

See my other Leviticus edits here