Frambically Scrantling

Alex/29/USA | they/them | | sometimes nsfw | do not follow if you are a minor

[transparent-plastic-robotgirl]

smonking 🖐️ this many joints: "we're doing dugs"

[transparent-plastic-robotgirl]

Steve Harvey omorashi:

Thought About Pissin' MYself

[cal3ris]

is this gonna get me fired you think

[catboytitty]

belongs in the post too in my opinion

[twinklecupcake]

Suddenly thinking of 1989’s The Little Mermaid and you know what, give Eric some props here because he had the weirdest fucking hour of his life—

Wakes up from hypnosis where he was about to marry a woman he’s never seen before with his mystery girl’s voice, the instant he wakes up then the cute girl he’s actually fallen in love with now has that voice. Then she drops to the floor and has a fish tail, and then the first girl is suddenly cackling “too late!” and bursting out of her skin. So it turns out she’s actually an octopus woman who drags herself over to the real mystery girl - who’s a mermaid?! They’re real?! - and taking her back into the ocean. And Eric has no idea what’s going on here but okay, one of these women is clearly evil and he needs to go after his mystery girl.

And all of this happens/he realizes what he has to do within like, a single minute.

Prior to this he was just living out a sweet romance after having a Meet Cute with a shipwrecked girl, but okay, guess he’s involved in whatever the fuck this is. Acting first, questioning later.

And this is all before the kaiju attacks.

[twinklecupcake]

And let's also remember that Eric is one of the few Disney heroes who actively, deliberately murdered the villain.

He went "Okay then" and killed.

[disgruntledexplainer]

I would say killed the villain, not murdered. Murder implies that it was premeditated and out of malice. Eric was defending his girlfriend's life while Ursula was attempting to murder her. He was well and fully justified in his actions.

[angelfishcake]

In legal terms, 1st degree murder is any murder that is premeditated, even if the premeditation was only for a minute. 2nd degree murder involves no premeditation but resulting in a deliberate action to cause harm. 3rd degree/manslaughter is purely accidentally and/or a result of gross negligence.

With this in mind, it's safe to say that Eric did murder Ursula, as he deliberately steered the ship to impale her with the bowsprit, but would be pardoned on account that he was defending the life of another (Ariel).

[twinklecupcake]

THIS IS ALSO TRUE.

[pokemontheywouldhave]

Would Anakin Skywalker from Star Wars have a Cubone?

Yes, they would

No, they would not

see results :3

Remaining time: 6 days 3 hours

Please reblog for larger sample size and discuss below :)

Propaganda : Sixth time's the charm?

[kosmogrl]

oooh I get it it’s always gonna be because of the environment I grew up in

[aceofpans]

it’s because of the curse

[pymq]

cringe dinner

[lineofdivision]

[lineofdivision]

[theabigailthorn]

AWESOME NEWS

The Prince in Los Angeles sold out within 48 hours

SO WE ADDED A SECOND SHOW

31st July, Dynasty Typewriter Theater in Hollywood, tickets available NOW

can't make the show? It'll be livestreamed! Tickets available through the same link!

PLUS the rest of our fabulous cast just got announced too!

The Prince

at Dynasty Typewriter

[balaclava-trismegistus]

Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb : Stanley Kubrick : Free Download, Borrow, and Streaming : Internet Arc

Stanley Kubrick’s painfully funny take on Cold War anxiety is one of the fiercest satires of human folly ever to come out of Hollywood. The

YOU NEED TO HAVE WATCHED STANLEY KUBRICK'S 1964 NUCLEAR SATIRE MASTERPIECE DR. STRANGELOVE, OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB, NOW.

[bamfspock]

Bosses and Coworkers: you've got a great work ethic, going above and beyond

Me: I am literally just doing my job. Everyone else is slacking off.

Everyone Else: (magically knows somehow the secret amounts of work the boss is actually asking of them, which the boss cannot tell anyone for Reasons)

[bamfspock]

There always seems to be a gap in instructions (from bosses, parents, teachers, friends, whoever) between 'required' and 'expected', and this gap is:

invisible

never explained

always a different size

you have to guess the size

if you guess wrong you either get Praised or In Trouble

[bamfspock]

At least on 'the price is right' you know (because someone *actually told you*) that you are playing a guessing game and that there is an over/under mechanic and that the conquence of guessing wrong isn't a punishment or damaged relationship or getting fired

[bamfspock]

On an unrelated note my psychiatrist has given me a referal for a formal ASD evaluation

[bamfspock]

This post is about the neurodivergent frustration of having to deal with neurotypical authority figures who don't say what they mean but I love the pro-union labor-rights energy I'm seeing in the notes

[grand-theft-carbohydrates]

stop using chatgpt!!!! take a bronze pin and carve your questions onto an ox scapula, then toss it into the fire!!!! use the cracks to divine the gods answer!!!!

[grand-theft-carbohydrates]

citations still have to be APA 7th edition though. if you plagiarise, the gods will flood the yellow river again. and you'll lose your academic standing.

[dkpsyhog]

(The Gods, personal communication, July 18, 2024)

[notesbyash]

think that everyone has their own personal theme in life

[notesbyash]

every nolan film is about time. it winds its way through his filmography; it is fractured in memento, distorted in inception, expanded in interstellar, reversed in tenet.

every hopper painting is about stillness. it is found in every brushstroke; at dusk in automat, at dawn in morning sun, at noon in office in a small city, at night in nighthawks.

i have a friend who orbits ideas of power, another who delights in the prosaic and the plain. one weaves around systems and structures, another returns always to wonder at the sea.

there are other elements of course - our lives cannot be measured by single concepts no matter how large they may be - but time and again i think we return to the things that fascinate, the things that intrigue, the things we cannot quite tear ourselves away from. the themes of our lives.

[superchat]

kill the necrophile in your head

[charl0ttan]

what do i do next boss

[superchat]

[scoutology]

#crysobbing

[phorusrhacidae-lesbian]

"i suffered abuse in a situation superficially similar to your consenting relationship between legal adults so i have epistemic authority to call you evil and disgusting" sure is a distressingly common position on here that people love to support uncritically

[derrickwildsun-deactivated20250]

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

[sci-fantasy]

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

[ivy-michaels]

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.