i love this guy

Game Changer & Make Some Noise
KIROKAZE
untitled

Product Placement
★
todays bird

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
No title available
Show & Tell
hello vonnie

Love Begins
No title available
Xuebing Du
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
Jules of Nature
Claire Keane
EXPECTATIONS
seen from Türkiye
seen from Canada

seen from Singapore

seen from United States
seen from France
seen from United States

seen from Canada

seen from Poland
seen from Chile
seen from Germany
seen from United States

seen from Bangladesh
seen from Canada

seen from Argentina

seen from Italy

seen from United States
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seen from United States
@furtherfromland
i love this guy
Let July be July by Morgan Harper Nichols
Hell yeah CLRG!
do not go gentle into that good night
be a bit of a bitch about it
can't in good conscience leave this out
by Arthur Getz
that is the face of a man worried he will be next
Good news, he was not next! In fact, she accepted him as her mate, he learned the crane mating dance and now every year, he artificially inseminates her with crane semen to expand the very endangered crane population. True story.
Sorry, he WHAT? Imagine being this man's boss and having to sit him down like. Listen. Brian. We need you to fuck the bird. You have to act like you're excited about it.
crane husband.....
this is the diametric opposite of all those awful swan wife stories and i love it.
(WalWaPo makes you jump through like three separate hoops before you can read the article, so I will share some of the highlights:
Walnut was born in a species-recovery breeding program in the 1980′s. The program had crane chicks hand-raised by human volunteers, and at that time they did not fully understand the measures necessary make sure that the chicks do not imprint on humans and retain their identity as cranes.
As a result, her keepers believe, Walnut does not recognize other cranes as members of her own species.
It has not been proven that Walnut killed her previous suitors; however, there is a persistent rumor in the white-naped-crane-conservation community that she did.
Because this species is highly endangered, and the gene pool of the captive population is small, it’s pretty important for the survival of her species that Walnut A) mate, and B) not kill a bunch of other cranes.
The actual name of the keeper is Chris Crowe.
They both arrived at the Smithsonian Conservation Biology Institute in 2004.
Walnut immediately began paying special attention to Chris--and ignoring the eligible male crane in a nearby enclosure.
Walnut initiated their courtship, performing the opening moves of a mating dance.
Chris realized that if he reciprocated the mating dance, it might be possible to artificially inseminate Walnut with her participation and consent. (The process normally involves restraining the bird.)
It worked!
Chris and Walnut have had five children, who were raised by other crane couples at the facility--sometimes the biological dad and his mate--both because it’s unclear whether Walnut would accept the chicks as her own, and because Chris is not equipped to be a Crane Dad.
However, the Institute provides her with artificial eggs to sit on, and Chris takes his turn looking after them. (This would not work with real eggs because he can’t sit on them properly, but Walnut seems to feel that he is on the job if he just stands over them.)
Chris accepts that he is pretty much married to this bird. White-naped cranes live to be about 60, and they mate for life, so he knows he can’t retire while Walnut is alive. (At the time of the article, Walnut was 36, and Chris 42.)
Legit cannot pick the funniest part of this
she has not been PROVEN to have killed her exes, but there is a PERSISTENT RUMOR (really officers she's simply DEVASTATED, she sobs, wearing a new feather boa unfortunately resembling her most recent deceased husband)
His name is Chris CROWE. (Mrs. Walnut Crane-Crowe?)
the mental images of a whole human man learning and performing the crane mating dance, and "sitting" on artificial eggs so she thinks he's performing his duties as a husband and father (and apparently OBJECTS if he does not?)
"chris, buddy, you gotta marry the possibly-murderous crane lady for the GOOD OF THE SPECIES." (alternately: "chris, my man! good news! we found you a very interested lady! She's 36, she's very spirited and independent, she holds a very important and rare status in her society! ...Is there a downside? WELL...")
chris sits any potential human partners down, like "my love, you must understand before we wed,,, i am already... Attached" (camera drifts wistfully to the above photo) "Lady Walnut and I have an,, Understanding... the relationship is open, but very committed"
just had to explain this post to my father bc he thought my stifled laughter was a signal of illness.
well done, everyone, good game. hit the showers.
Not only is he 'married' to walnut, this has apparently happened SEVERAL times, so he has MULTIPLE crane wives, none of which know about any of his other crane wives. This man is, for some unknown reason, irresistible to cranes
the “this content has been removed for violating Tumblr’s Community Guidelines” notice really adds a lot of flavor to this post and somehow makes it MORE obscene than whatever that actually was
World Heritage Post
I regret being the bearer of bad news, but I thought it should be shared that Walnut passed away in January of this year (2024). There's a lot of mixed info about the lifespan of cranes (due to people misunderstanding what a median is...) but the average for most species I know of is 20-30 years (in the wild if nothing eats them/they don't die young), and 30-45 in captivity, with the oldest known white-naped crane having loved to be 46. Given that she was 42, this old gal did good, and I'm certain she will be missed by folks here.
Fly on forever Walnut Crane-Crowe
Meanwhile, via Bluesky...
(See also the video here from ITN.)
The Pearl With The Girl Earring by Olaf Falafel
Your 30s aren't too late. Don't let nobody tell you that stupid shit.
Your 40s aren't too late. Don't let nobody tell you that stupid shit.
#as long as you're alive it's literally never too late
from let July be July by Morgan Harper Nichols
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
the horrors persist but so do books, art, hot chocolate, winter nights, the moon, the sea, the stars, sunsets, literature, libraries, cats, flowers, stories, love and the wistful feeling you get when you finally return home
Comics by Rose Anne Prevec.
I always thought Reddit was a place where people could share things they created.A few days ago I posted one of my original paintings. People loved it. We had wonderful conversations about art, emotions, and how everyone saw something different in the same sunset.
About two hours later I was permanently banned from r/MadeMeSmile for “self-promotion.”
I accepted that different communities have different rules.But then something even stranger happened.Soon afterward, a moderator from r/pics started going through my account. Not just the new post—many of my older painting posts disappeared as well. One after another. Then I was permanently banned there too.
Maybe it was the same moderator. Maybe it wasn’t. I honestly don’t know.
What surprised me wasn’t even the ban itself. It was realizing how much power individual moderators have over what millions of people are allowed to see. One decision can erase years of posts from a community and instantly cut off your ability to participate, even if those posts had been happily sitting there for months or years.I’m not saying moderators shouldn’t have rules. Communities need moderation.But it does make you wonder where the line is between protecting a community and allowing a single interpretation of the rules to completely reshape what people can share.
The funny part?
I wasn’t advertising anything in those posts. I wasn’t posting prices or asking anyone to buy anything. I was simply sharing my original paintings because I enjoy discussing art with strangers from around the world.
Anyway…
Here’s the painting that apparently caused all the trouble. 🎨