
Origami Around

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Sweet Seals For You, Always

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oozey mess
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@gadarene16
I took a lot of Shakespeare in school. I love Shakespeare. When someone knows how to perform it, and not just recite it, wow. It gets me in the guts.
Knowing that, my wife sent me this video, and holy hannah, did it hit hard. For those who don't know, this monologue was from a play called Sir Thomas More. The monologue itself is attributed to Shakespeare, the play though, had many authors due to repeated censorship, impracticality and revisions. This play was rarely performed because there's something like 50 speaking roles, and not a lot of them were easily recycled characters, so you couldn't just chuck on a different costume and be someone else. Just for reference, I think most Shakespeare plays capped out at around 20 max, with several of them able to be swapped actors.
But that is just context. What Ian McKellen performs in this scene is magic. Absolutely. I was in tears watching this. He knows and loves these words and is able to derive meaning and understanding.
And of course, it is incredibly timely.
The idea is that the "strangers" (or immigrants) are unwelcome in England, but Englishmen have the expectation that they should be welcomed elsewhere. Not only that, but the speech demands empathy for the immigrants and the rejection of the lawlessness of the civil unrest of a mob.
I have watched this clip probably ten times today.
I live in Canada. We like to think of ourselves as opposed to ideas like immigration intolerance and ultra-conservative beliefs. And compared to some, that may be true.
Truth is, we aren't immune. So many people out there are in that mob, shouting "the strangers should be removed," just as other nations in this world are doing.
And I'm sorry for it.
I just want people to open their hearts and hold people close. Nobody is a stranger. Everyone should be welcome.
'A gathering in the woods' by Mariachiara Di Giorgio.
nothing makes me feel dumber than being introduced to a boardgame with more than three rules
i love pitting classically trained magic users against self-taught magic users in sci-fi/fantasy but it shouldn’t be snobbish disdain for them it should be terror
“WHO TAUGHT YOU LIGHTNING BEFORE BASIC TELEKINESIS. LOSING MY MIND WHAT DO YOU MEAN YOU JUST DID IT. WHAT DO YOU MEAN YOU CAST WITH YOUR BARE HANDS”
WHAT DO YOU MEAN THAT YOU’VE ‘HACKED’ MANA DRAIN
WHAT DO YOU MEAN ‘DRINK SOME JUICE’
WHAT IS ‘LOW BLOOD SUGAR’
WHY IS THIS WORKING
I HATE YOU SO MUCH
Okay but other direction can ALSO be a lot of fun
“What do you mean I don’t have to burn half my blood to create a fireball?”
“Why can you teleport more than once without vomiting? WTF is ‘quantum displacement awareness’???”
“You know HOW many spells? HOW? ... What do you mean ‘my spell book’?”
“Ooooh, you’re just summoning water portions from the Plane of Water... Lol I thought I HAD to combine hydrogen and oxygen molecules to generate water in small amounts. That’s so much easier then what I was doing!”
Tags via @mia7437
Niko stalked in the door in a swirl of robes and steel-colored hair. “What is the matter with you four?” he cried, black eyes flashing. Daja, Sandry, and Tris drew closer together.
“Have you no hold on yourselves?” Niko continued furiously. “Can’t you tell when you’re about to pass your own limits? You could be dead at this very—”
“They were hurting Briar and Rosethorn.” Sandry forced herself to meet Niko’s blazing eyes. “We thought they were killing Rosethorn.”
“She is a senior mage who knows the difference between momentary discomfort and true danger, which none of you seem to understand! Have you not learned that you simply cannot throw yourselves into the great magics as if they were bathtubs?”
“We’re just kids,” snapped Tris, lips trembling as she fought tears. “We haven’t had time to learn hardly anything!”
“We’ve learned some,” Daja added quietly. “But not huge things.”
“At least they did help,” growled Briar. He had followed Niko from the gate, determined to get home under his own power. And he had managed it—just. When Sandry helped him to the table, he couldn’t bring himself to object. Once seated, he glared at Niko. “They didn’t stand there like a bag of bleaters, waiting for mamma’s leave to romp.”
“Those bleaters, as you call them, are mages who know better than to enter a pattern-magic without the primary mage’s permission.” With a sigh, Niko sat on the bench next to Tris. “They wouldn’t have been able to.” Looking at each of the girls, he said wistfully, “You shouldn’t have been able to.”
Niko rested a hand on Tris’s shoulder. She yanked away and turned her back to him, still fighting tears.
“I’m sorry I lost my temper,” Niko murmured. “You frightened me. I didn’t know if you would be alive when I got here.”
— Tris’ Book (Circle of Magic #2) by Tamora Pierce
[note: I have lightly edited this quote for length]
the teen titans powersets are so crazy because it’s like. girl whose father is the devil, from the bible. girl who can make the earth swallow you. alien princess with laser beams. boy who can do a backflip
#he does really good backflips
oh okay that clears it up. thanks
Hey. Why isn’t the moon landing a national holiday in the US. Isn’t that fucked up? Does anyone else think that’s absurd?
It was a huge milestone of scientific and technological advancement. (Plus, at the time, politically significant). Humanity went to space! We set foot on a celestial body that was not earth for the first time in human history! That’s a big deal! I’ve never thought about it before but now that I have, it’s ridiculous to me that that’s not part of our everyday lives and the public consciousness anymore. Why don’t we have a public holiday and a family barbecue about it. Why have I never seen the original broadcast of the moon landing? It should be all over the news every year!
It’s July 20th. That’s the day of the moon landing. Next year is going to be the 54th anniversary. I’m ordering astronaut shaped cookie cutters on Etsy and I’m going to have a goddamn potluck. You’re all invited.
Hey. Hey. Tumblr. Ides of March ppl. We can do this
This is a scheduled post for two days before the anniversary of the moon landing. Please get your moon themed items and foods sorted now in anticipation.
@kiki-or-bouba
watching my promised afternoon thunderstorm slip from a 90% chance to a 20% chance.... baby come back i can change
Sabriel (1 of 2) - Anna Christenson
Of all the redemption arcs in popular fantasy media, I feel like Theoden's in The Lord of the Rings is the most overlooked.
The movies emphasize the magical control that the evil powers exercise over Theoden, but in the books, it's more obviously a depiction of bad kingship, in the British medieval sense. Theoden takes bad advice; he neglects his family; he fails to reward his knights; and he leaves his people vulnerable to attack. He also does not honor his kingdom's promises to help nearby kingdoms, as we can tell from Boromir's account of what Gondor has been going through.
Gandalf doesn't just cast out the curse and magically fix everything. He encourages Theoden to free himself from his bad advisor, but Theoden has to take all the subsequent steps. And those choices are not easy; after so much neglect, his knights are scattered, and his only option for defending his people is to gather them at Helm's Deep. The siege does not go well. His people are afraid and despairing. But nevertheless, he holds firm and charges out to meet the enemy -- and Gandalf literally meets him halfway, bringing with him the lost knights, whom Theoden welcomes and rewards after the battle.
Theoden could have just gone home after that. But when Gondor calls for aid, Theoden proves his worth by honoring his promises. He keeps his oaths not only to his people but to his allies.
And the climax of his redemption in the book is not his death, but his leadership. The ride of the Rohirrim against Sauron's armies is described in lavish detail, with an uncharacteristically heated pace: Theoden leads the entire line of Rohan, his banner streaming behind him in the wind as they race toward their foe. And that's the end of the chapter.
I love Theoden's arc so much, and especially that moment so much, because the message is not that he has to win battles or seek power. He just has to keep fighting. Theoden's greatest enemy isn't really Sauron: it's despair. And over the course of the book, he keeps choosing hope and action over despair and hesitation, until finally he can lead his people with courage.
As someone who struggles a lot with despair, I really needed to hear that story.
and it’s contrasted against Denethor’s arc; who also struggles against despair, and doesn’t overcome it.
yooooo. so I literally wrote a 20 page english paper about the Hope/Despair theme in Tolkien’s work once. It was like ten years ago and I don’t think I have it anymore, but oh boy do I have feeeeeeelings about this topic. And I have drunk a little bit of wine tonight! So here are my unasked for thoughts:
Yes, Theoden’s greatest enemy is despair! Everyone’s greatest enemy is despair. It’s the biggest fucking theme of the series IMO and it makes me crazy how often it gets overlooked.
lord of the rings is a story written by a man whose experience of war was crouching in the bottom of a trench. People like to make a lot of hay about the charge of the light brigade and it’s similarity to the ride of the rohirrim, but no. Tolkien’s experience of war was getting fucking trench fever, not watching cavalry charges. Tolkien’s experience of war was listening to the shells fall around him, knowing that death could come at any moment. He experienced war in a way where the soldiers on the other side of the line were a faceless threat, and the closest and most present enemy was his own fear.
this is the hill I will die on. This is why I hate it when people talk about LotR as a morally cowardly story about fighting mindless orcs that exist to be cannon fodder. No. Lord of the Rings is about seeing the dark coming on the horizon, and fighting yourself. Fighting the fear and despair that rise up inside you. Struggling with your own terror and powerlessness, knowing that you are small, and nothing you do will matter in the face of this massive conflict— you’re just here, one more meaningless soul to feed into the machine guns. Lord of the Rings is about taking a deep breath, and bracing yourself, and deciding that if nothing you do matters, all that matters is how you do it. The ring can’t possibly be destroyed— we choose to form a fellowship anyway. Helms deep will surely fall by morning— we still choose to fight. The quest can’t possibly succeed— and yet we choose to march into the teeth of mordor to distract the enemy. It’s not hope, exactly? But’s it’s not not hope.
I did at one point have twenty pages written about this. Tolkien was a deeply christian man— he believed in eucatastrophe. Salvation. A better world to come, after suffering, if you bore your suffering well. But he was also a world-class Beowulf scholar with a kinda viking-warrior-type view of the world. And do you know what the vikings believed? (Pls don’t anybody @ me for saying viking, I know it’s a verb and not a culture). The vikings believed that the time of your death was preordained, and that all you had control over was how you met it.
And that is some seriously Rohirric shit!! Like, we’re all mortals doomed to die, Ragnarok is coming, and this whole world is an inevitable grind down into oblivion… but if we’re fighting a long defeat, all the more reason to fight it gloriously!! That’s epic. Eomer approves the hell out of that message.
I’m gonna be a real nerd now, and quote from a poem called the Battle of Maldon.
“Courage shall grow keener, clearer our will,
More valiant our spirits, as our strength grows less.
Here lies our good lord, all leveled in dust
The man all marred. True kinsman will mourn
Who thinks to wend off from battle play now?
Though whitened by winters I will not away,
But lodge by my liege lord that favorite of men;
By my dear one and ring giver intend I to lie.”
That’s a translation from an Old English poem that’s literally a thousand years old, but it always gets me how much it sounds like something Tolkien would write. Theoden and Eowyn are practically leaping out of that poem: We’re all going to die, I choose to meet my end fiercely. We’re all going to die, so I want to die beside my king.
It’s an acceptance of death, and even of failure, but not of defeat. Because— to get back to what I was talking about earlier— Lord of the Rings isn’t actually a story about battlefields. It’s a story about being at war with your own heart. Despair or faith? Hope or defeat? Tolkien wants you to know that even if your city is overrun by orcs, or you’re killed in a meaningless push for another 50 feet of french mud, you can still hold on to your courage with both hands and not cede up your soul to despair-- and that’s the battle Tolkien thinks is really worth writing about.
It’s a battle that every major character in the story fights. Frodo, Sam, Gandalf, Theoden, Denethor, Merry, Pippin, Boromir, Galadriel, Eowyn, Faramir, Eomer, Saruman, Gollum, Aragorn. Some of them hold onto hope through everything. Some of them break utterly. Some of them are defeated, and then with help find their footing again, and make a redeeming last stand.
But the point that Tolkien hammers home again and again is: Death and failure are natural parts of life, and should be accepted. Despair shouldn’t be.
Tolkien says: hope is hard, actually. Fuck that Game of Thrones grimdark bullshit. Hope is hard fucking work. And even if you don’t have hope? Fight like you do. Because the world needs people working to make it better. Do the best you can with what you have, and whether you can see the mark you’re making on the world or not, the simple fact that you’re trying means the world is a better place.
Anyway, I fucking love these books. I am going to stop drinking wine, and go to bed now. :)
Not Madhouse having some pro animators doing simple hand wringing the likes of which has never been seen on screen. And then the weight of Stark's coat and later when Fern yeets hers...
Incredible.
That entire POV. Imagine sitting in a room and being paid to brainstorm that entire series of event?
I'm also thrilled by the way they aren't sacrificing small things for the sake of battle. It's bonkers we can have a fight this good that retains character moments like Fern's delicate stepping aside because she's way ahead of poor Lugner.
His cold and succint analysis of the situation was really superb lol He realised exactly where their differences lay and why he was getting owned.
a sluge 😔
nosferatu? no. tuferatu. no es mi problema.
momentos despues de escribir esto vi otro post con el misma chiste pero en frances joder mi estupida baka vida.
bestie... el español es de europea...
Rebecca Sugar cooked with "Character whose entire existence is devoted to the service of another character who's now dead and now they have no idea what to do with themselves except live." I love that shit. I forged myself into a tool for you and now you're gone. I'm sniffing this like a bloodhound
"I swore I'd die for you but now you're dead and I have no conception of what it's like to live outside of my devotion to you but now I've no choice but to learn" is already so delicious. But giving that character "Fumbled a BBW and now has to raise her kid" is so much better. There's umami in this