May the Light of Blessing grant you the strength you seek

izzy's playlists!

No title available
sheepfilms
wallacepolsom

tannertan36
"I'm Dorothy Gale from Kansas"

PR's Tumblrdome
Today's Document
h
NASA
d e v o n

Andulka

祝日 / Permanent Vacation
Show & Tell
Sweet Seals For You, Always
Keni
Peter Solarz

Discoholic 🪩

#extradirty
YOU ARE THE REASON

seen from Türkiye
seen from Canada

seen from United States
seen from United States

seen from Brazil

seen from United States
seen from Tunisia
seen from Nigeria

seen from Türkiye

seen from Ecuador
seen from Venezuela

seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
@getsetrun
May the Light of Blessing grant you the strength you seek
had a dream i found a tape labelled “sex tape” and when i played it in a vcr it was just two fully clothed guys beating the shit out of each other with metal bats
u could never understand a warriors bond
"Hey, Gentaro! Hey! Come over here!"
i just wanted to clarify some things
artists know the risk they are taking when they post their art online. people are inevitably going to take it apart, color edit it, flip it around or otherwise post it uncredited.
saying that an artist shouldn’t post their work if they don’t want it bastardized is probably the stupidest stance on this subject you could take. if all artists followed this line of reasoning, there would be no art on the internet.
when an artist posts their work, they are trusting you to enjoy it respectfully. and when you betray that trust either knowingly or unknowingly, it’s like saying the artist’s time, skills and thoughts aren’t worth anything.
you are NOT entitled to an artists work just because they decided to trust you enough to share it with you.
an artist is within their right to feel upset that someone has used their work in a way they never intended it to be used. they are within their right to ask for it to stop and not happen again.
just because it’s “bound to happen” doesn’t mean it’s any less deplorable.
🐌☕️ ☕️🐛
they’re on a coffee date
Katya / Goncharov
what a good pupper
“I want to Love even if it means I have to hurt others”
“hey, shinra, are we still friends?”
So the other night during D&D, I had the sudden thoughts that:
1) Binary files are 1s and 0s
2) Knitting has knit stitches and purl stitches
You could represent binary data in knitting, as a pattern of knits and purls…
You can knit Doom.
However, after crunching some more numbers:
The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…
3322 square feet
Factoring it out…302 people, each knitting a relatively reasonable 11 square feet, could knit Doom.
Hi fun fact!!
The idea of a “binary code” was originally developed in the textile industry in pretty much this exact form. Remember punch cards? Probably not! They were a precursor to the floppy disc, and were used to store information in the same sort of binary code that we still use:
Here’s Mary Jackson (c.late 1950s) at a computer. If you look closely in the yellow box, you’ll see a stack of blank punch cards that she will use to store her calculations.
This is what a card might look like once punched. Note that the written numbers on the card are for human reference, and not understood by the computer.
But what does it have to do with textiles? Almost exactly what OP suggested. Now even though machine knitting is old as balls, I feel that there are few people outside of the industry or craft communities who have ever seen a knitting machine.
Here’s a flatbed knitting machine (as opposed to a round or tube machine), which honestly looks pretty damn similar to the ones that were first invented in the sixteenth century, and here’s a nice little diagram explaining how it works:
But what if you don’t just want a plain stocking stitch sweater? What if you want a multi-color design, or lace, or the like? You can quite easily add in another color and integrate it into your design, but for, say, a consistent intarsia (two-color repeating pattern), human error is too likely. Plus, it takes too long for a knitter in an industrial setting. This is where the binary comes in!
Here’s an intarsia swatch I made in my knitwear class last year. As you can see, the front of the swatch is the inverse of the back. When knitting this, I put a punch card in the reader,
and as you can see, the holes (or 0′s) told the machine not to knit the ground color (1′s) and the machine was set up in such a way that the second color would come through when the first color was told not to knit.
tl;dr the textiles industry is more important than people give it credit for, and I would suggest using a machine if you were going to try to knit almost 3 megabytes of information.
@we-are-threadmage
Someone port Doom to a blanket
I really love tumblr for this 🙌
It goes beyond this. Every computer out there has memory. The kind of memory you might call RAM. The earliest kind of memory was magnetic core memory. It looked like this:
Wires going through magnets. This is how all of the important early digital computers stored information temporarily. Each magnetic core could store a single bit - a 0 or a 1. Here’s a picture of a variation of this, called rope core memory, from one NASA’s Apollo guidance computers:
You may think this looks incredibly handmade, and that’s because it is. But these are also extreme close-ups. Here’s the scale of the individual cores:
The only people who had the skills necessary to thread all of these cores precisely enough were textile and garment workers. Little old ladies would literally thread the wires by hand.
And thanks to them, we were able to land on the moon. This is also why memory in early computers was so expensive. It had to be hand-crafted, and took a lot of time.
(little old ladies sewed the space suits, too)
Fun fact: one nickname for it was LOL Memory, for “little old lady memory.”
I mean let’s also touch on the Jacquard Loom, if you want to get all Textiles In Sciencey. It was officially created in 1801 or 1804 depending on who you ask (although you can see it in proto-form as early as 1725) and used a literal chain of punch cards to tell the loom which warps to raise on hooks before passing the weft through. It replaced the “weaver yelling at Draw Boy” technique, in which the weaver would call to the kid manning the heddles “raise these and these, lower these!” and hope that he got it right.
With a Jacquard loom instead of painstakingly picking up every little thread by hand to weave in a pattern, which is what folks used to do for brocades in Ye Olde Times, this basically automated that. Essentially all you have to do to weave here is advance the punch cards and throw the shuttle. SO EASY.
ALSO, it’s not just “little old ladies sewed the first spacesuits,” it’s “the women from the Playtex Corp were the only ones who could sew within the tolerances needed.” Yes, THAT Playtex Corp, the one who makes bras. Bra-makers sent us to the moon.
And the cool thing with them was that they did it all WITHOUT PINS, WITHOUT SEAM RIPPING and in ONE TRY. You couldn’t use pins or re-sew seams because the spacesuits had to be airtight, so any additional holes in them were NO GOOD. They were also sewing to some STUPID tight tolerances-in our costume shop if you’re within an eighth of an inch of being on the line, you’re usually good. The Playtex ladies were working on tolerances of 1/32nd of an inch. 1/32nd. AND IN 21 LAYERS OF FABRIC.
The women who made the spacesuits were BADASSES. (and yes, I’ve tried to get Space-X to hire me more than once. They don’t seem interested these days)
This is fascinating. I knew there was a correlation between binary and weaving but this just takes it to a whole nother level.
I’m in Venice, Italy several times a year (lucky me!) and last year I went on a private tour of the Luigi Bevilacqua factory. Founded in 1875, they still use their original jacquard looms to hand make velvet. Here are the looms:
Here are the punch cards:
Some of these looms take up to 1600 spools. That is necessary to make their many different patterns. Here are some patterns:
How many punchcards per pattern?
This many:
Modern computing owes its very life to textiles - And to women. From antiquity weaving has been the domain of women. Sure, we remember Ada Lovelace and Hedy Lamarr, but while Joseph Marie Jacquard gets all the credit for his loom, the operators and designers were for the most part women.
I’ve seen this cross my dash a few times, but I’ve never watched the video before. Maybe I just didn’t pay attention when I was a kid, but I don’t remember ever seeing just how the Jacquard loom works. I just knew that the punch cards controlled which threads were raised. It’s cool to see the how, not just the what.
Don’t hide this in the tags, @drylime :D
You’ve peaked a special interest of mine as a Woman in STEM. I could go on FOR DAYS about how instrumental women (particularly Black women) were instrumental to the development of modern computer science. Starting with how binary (the code that computers run on) literally comes from knitting.
I’m currently listening to the audio book Hidden Figures about how Black women were instrumental to the Space Race. Also there’s a movie based on the book.
-fae
do you ever form close relationships with people in your dreams and then feel a little sad when you wake up
NEO TOKYO ‘迷宮物語’
rat king
This vegan baking show is unreal…
what on earth omG
is this a cult
IM GONNA FUCKING PISS MY PANTS
I was watching this thing with the sound off wondering what on Earth the audio could be to cause this kind of reaction and nothing could have prepared me for this
That last comment made me watch it with the sound on and I regret it
cursed post
Giving up early on something just because you think you’re gonna fail anyways is like killing yourself just because you’re gonna die anyways
I will reblog this every time it crosses my dash.
People who don’t get this infuriate me
“wtf no thats flawed”
YEAH
IT IS