What drew you to black and white era of filmmaking?
There is something uniquely beautiful about black and white film. It glows away imperfections, its light is otherworldly and strange, and it still communicates a kind of cultural authority to us. Black and white is serious art. Black and white means business. And yet it took such a wild circus of techniques to pull offâthe bit about Virago Studios painting everyone black and white is drawn from real life. Color shows strangely on black and white film sometimes, and George MĂ©liĂšs, ever the perfectionist, had everyone on his lot painted so what he saw would be what the finished film would show. Shooting in black and white was very difficult and still is if youâre not just using an Instagram filter. But it looks instantly like Art to us.
Plus, I was really angry at Thomas Edison.
At this point, I think most people are well aware that Edison was a terrible human being. Though we tend to focus on Tesla and electricity, his underhandedness stretched far further. He really was a proper supervillain, in a way. I was reading a book about old Hollywood, and the men who founded the first four major studios, and became interested in why Hollywood itself had become the center of filmmaking, when it was so far from New York, the cultural and financial center of America.
It turns out, the answer is: California was just far away enough that Edison couldnât do whatever he wanted. He really did own all the patents on color film and sound and video recording, and really did pursue them viciously. Ultimately, filmmakers had to run away to even make and show a film without paying Edison enormous sums of money. I found the idea of what might have happened had that situation persisted, despite such runnings away, fascinating. After all, patents today are used to crush new companies and industries. Itâs not much of a stretch at all. Of course, corporate studios could always pay the price, but that would mean only schlocky blockbusters would have sound. âReal artâ would slowly become silent, and then the studios might chase that authenticity, and give up sound to get the shine of the artiste.
Combine all this with an issue Iâve always been interested in: the idea of what a science fictional or fantasy world produces as art. What is speculative fiction to that world? What is realism? And you have Radiance. Silent films and wild planets.