( *coughs very loudly after three years* would you all kill me if i wanted to come back and write with the brave soldiers left on tumblr rp? )
will byers stan first human second
Cosmic Funnies
No title available

❣ Chile in a Photography ❣
PUT YOUR BEARD IN MY MOUTH
TVSTRANGERTHINGS
Jules of Nature
Alisa U Zemlji Chuda

Discoholic 🪩
Claire Keane
Today's Document

pixel skylines

shark vs the universe

#extradirty

Kaledo Art
"I'm Dorothy Gale from Kansas"
noise dept.
Show & Tell
Peter Solarz

ellievsbear
seen from United States

seen from Singapore
seen from United States
seen from United States

seen from United States

seen from Norway
seen from United States
seen from Germany
seen from Germany

seen from United States

seen from Germany
seen from United States
seen from Portugal
seen from Saudi Arabia
seen from United States

seen from United States

seen from Hong Kong SAR China

seen from Indonesia
seen from Germany
seen from Germany
@goldmythos
( *coughs very loudly after three years* would you all kill me if i wanted to come back and write with the brave soldiers left on tumblr rp? )
And you, my father, there on the sad height, Curse, bless me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
ofkngs:
It’s come to a time where thoughts become actions - or at least, right now, it was bordering action. Since day one, Seungjun had a little fantasy rolling around in his head about the businessman. It reached to a certain extent that, to keep him from jumping the boat too early and indulging himself in what he wanted, he used a couple of other men to recreate it. At the end, it was never what he expected it to be and eventually split them dry of their life force. He’d play with the blood, imagine it to be Youngkwang’s and get rid of whatever uncomfortable heat he had growing below the waist. If he could get - no, not if, he knows he can, he knows that when he gets the clear opportunity to bag him up and string him down to his own desk that he’d finally be free of his constant mental torture. Youngkwang was, after all, just an inconvenience since he knew Red personally and he hated that. Not to mention, he would feel oh so very satisfied to wipe that clean composure off his face; mess was what Seungjun wanted the most. He wanted a bloody, kinky, mess all over the polished neat desk with important paperwork scattered on to the carpet. So, there he was, sitting - for once - in a seat across from the male that wasn’t the boss’s chair. He had his eyes glued to the male with his fingers slowly digging into the arm of his seat subtly. “What am I here for, puppy?”
A door opens---Youngkwang doesn’t lift his head from the papers. Instead he’s calculating numbers and more numbers, writing sloppy notes onto the backside of each one. Finally, he does look up after he’s finished speaking, layers it with one of those faux commercial smiles. A slight nod to his head, before returning to his papers. “I’d guess something along the lines of cutting me open---blood. That’s generally your thing, no? Oh, Seungjun, you have such a wild fantasy.” He speaks slowly; lowly. His voice is but a mere whisper, yet he can’t wipe the smile off of his face, no matter how hard he tries. Is he losing control? Indeed, he does put the papers aside, watches the latter with some kind of interest.
“I’m not to much use if you’re planning on fighting me, though. I have the ability to do you a lot favors, but what would I win out of that? Nothing. You have nothing to offer besides threatening me with our red lady. And we both know you won’t actually get rid of her.” Seungjun seems interested in pushing at Youngkwang’s buttons, so he’d ought to do the same. Find hard spots and soft spots---like a little mystery of its own. “Or should I just touch her for you, maybe? Is that better? How much about her do you actually know?” By now, his focus is completely on the other, to the point that he does get out of his chair, leaning forward over the table until he’s just a few centimeters from a ghastly looking face. “You’re wasting your time here, as always. Am I really that intriguing, darlin’?”
RULES: YOU CAN ONLY SAY GUILTY OR INNOCENT. YOU ARE NOT ALLOWED TO EXPLAIN ANYTHING UNLESS SOMEONE MESSAGES YOU OR ASKS YOU. REPOST DON’T REBLOG!!
Tagged by: @kabonvi & @modernholmes
Tagging: @poklok @theseelenine @ethervl @jcaecus @ofkngs @adamonite
Asked someone to marry you? Innocent. Kissed one of your friends? Guilty. Danced on a table in a bar/tavern? Innocent. Ever told a lie? Guilty.
bottled inertia,
the man’s voice penetrates the barrier constructed from distilled emotions. a mixture: a pint of wariness, a pinch of trepidation, and a grain of too many sighs. instructions knuckle against the base of his skull – to fight or flight. chooses neither. chooses stillness.
saturating the background is the caustic burn of quiet. personal, subjective. he brands the moment with the spherical silence that drowns, a stomach deep ocean that soaks with too much salinity. in the waves, the water scorches with its carried kerosene. he’s all drenched yet ablaze. he isn’t certain as to what singes more: the fact that he spoke or the fact that the man answers.
this feels almost like a black and white film playing in reverse. ( a masterpiece of cinematography. )
in this piece of script, he’s still pulled downwards, ankles tied to anchors. allusion to a night that might or might not bode well: cryptic to the core that there’s no way to foresee.
but between his teeth is the grenade pin, and the explosion has occurred seconds ago. it’s too late to step back now, when his skin has corroded from all the flames. rippling in the flesh: the reminder of a day filled with a carousel of static dreams. sometimes nightmares. sometimes nullified.
men from around the world – solar was a part of global projects. fear is instilled with ease.
did not expect the man to talk at all.
he is beyond his own query; pulverized thoughts gathered on the floorboards of the mind. steps on them and they creak. steps on them and they screech. when he’s posed with a question in return, the train whirs to life, all cogs and oil itching to prove themselves. “too many men come from montreal,” he eventually replies, edges acerbic. he takes a swig of his drink, then another. “too many of them are greedy, too. and cruel.” once he enunciates those words, he doubts that he wants to stop. a boned tongue with its autonomy – a spined curse to the owner. “you met them. two of them were your company. i was expecting you to know more about their sad little lives.”
Youngkwang’s eyes are brought back to the rim of his frosted glass, his fingertip making the circle whole. His head doesn’t lower in defeat, it’s mostly just the disinterest in the same incessant discussion. Various methods to bribing, blackmailing and otherwise speaking of matters that require his hand to stir the stew. It’s gone stale far too long ago. His hands don’t hold the same power they used to, or more so, the blood is overflowing the influence he carries. Maybe he’s drowning himself in it, maybe not. It’s a state between alive and dead, sometimes he’s not sure which one he’s leaning towards. Guns no longer oppose a threat, nor do blades. Silver cuts iron, no one ever comes close enough. Until now.
This might be the day he’s lulled into sempiternal sleep---or ephemeral. The question remains; which would he prefer?
Everything moves in slow motion. In the corner of his eye, he can see a hand sliding slightly to the right, but that’s it. Nothing further, there are no advances yet. Ah, this could be one of those who like talking about mindless blubber before actually coming to any type of conclusion? Unfortunately so. Youngkwang happens to be patience engraved in mankind, yet he doesn’t like wasting time. How does this go hand in hand? Answer is simple---it doesn’t. He tastes another bittersweet sip, lets it sit on his tongue until it’s lukewarm. What awful fucking whisky.
Interruption, it happens quicker than he can register himself. “Now, kid, look---” This time, his head turns, his eyes are brought to a sunlit complex which is all to serious and somber for what seems like a youth; younger than someone of rich caliber should be. There’s no emotion in his voice, no attempt to sound polite. Instead, weary eyes are stuck looking at the edge of the male’s sleeve, without thinking he moves forward. He corrects it, it’s just a tad crinkled. “I do not care for men from Montreal, or anywhere else. Nor, unfortunately, do I have the time for your antics. I do appreciate the attempt to sound like a mysterious character from far-away lands---but I’d appreciate it enormously if you could come a little closer and tell me what you want.” It’s sloppy, not properly sought out. He hasn’t calculated the words on beforehand (a mistake on his behalf).
“Indeed, I do not care for their sad little lives. I do care for why their existence seems to be so crucial to yours. Friends of yours, perhaps?” A brow lifts, a weak smile following like marching in a parade. Youngkwang is tired, tired of all the circus tricks and rolling of tongues. “I’m sure you already know my name, so I won’t bother to introduce myself. You’d understand, no?” The most insincere of laughs, and eyes still not averting from the latter. It’s a face he’s supposed to memorize for future use, he’s sure of it.
A human mad with desire is far more dangerous than any demon.
Ogre, Mad Father
❛there are certain moments where I consider you someone with brilliant ideas and a good future. this is not one of those moments.❜
+ not accepting! / bad idea starters / @aelligos
Of course he agrees. Yet, he wears a gentle smile and a too tightly pulled tie along with this so called madness. He might be choking, or it might just be liberating to at least pretend like he has a sense of humor and a set of impulses he can bring out on command. “I didn’t think I’d ever find someone of stiffer sort than myself. You, you do take the prize, Elliot.” An emphasis to each word; it’s a way of evading the situation they’re actually in. They’re lost. Sure, he could take his phone out and actually find the right way—but where’s the fun in that? Another, shorter party besides him isn’t having any of it. “I don’t quite comprehend why they’d host anything here, in the middle of the woods.” He mumbles, if even audible. Every building is the same, pale dirty dim-grey color, with barely any significant details to them. Past them, and somewhere a path decorated by certainly not native trees to this country.
He’s been here before. They should be in a hurry, and normally (he assumes, considering the occupation of a teacher) are in time for most thing. Youngkwang doesn’t like being late or too early, but today it doesn’t seem to matter. It’s nothing major or crucial either way, it’s just another way to build new contacts. He has a tendency to tag along at these events. The school system is a fascinating structure, even if he isn’t personally a fan of it. Children rarely learn, they memorize and forget. It’s not a discussion he necessarily is going to bring up with Elliot, because it’s none of his business. What is his business though, is finding the way. “Are you not being a bit dramatic today? It’s indeed an interesting side of you.” Gravel beneath his soles, and eyes meeting with deer-like ones---like struck in a headlight. “Southwest of the right building, perhaps?”
self-knowledge questionnaire.
below the surface, everyone is pretty complicated. based on your answers, you will find out that three traits are important strands in your personality.
tagged by: @hyejvng @aelligos tagging: @xnoctuary @godsqeed @adamonite @xinanlide @inhyelation
INDEPENDENCE
You don’t set out to be different for its own sake; you are more easily guided by what interests and moves you. You are more concerned about what is right for you than about the pressure to fit in. In sex you are more aware than others of impulses which are not entirely conventional. You know the value of selective irresponsibility, of forgetting occasionally about being ‘good’.
ORDERLINESS
One part of you dreams of giving yourself up – perhaps just for a while – to a hero or mentor. In the right circumstances you can flourish by letting go of your ego. In your inner life, reverence plays out as a willing submission to your own conscience. In the outside world, you might get frustrated searching for something worth believing in – a country, a person, a company – but you will always be open to feeling respect, admiration and wonder.
RESILIENCE
You love it when everything is neat and tidy: when there is a proper way of doing things, and you can tick things off the to-do list and know where everything is. So others, at times, are to you unbearably sloppy and messy. And you run into things that can’t be ordered (a child, a partner, a colleague at work) which drives you slightly nuts. But your desire for order is a good one when it is focused where it is needed and when you’re okay with a bit of mess.
trigger warning: mention of abuse ( @goldmythos· )
he’s only five when he gets his finest taste of hell: it isn’t a touch, isn’t a breeze, rather he’s submerged in its fire, exists within its burn. he’s too young to understand what actually happens, though, each time his stepfather takes him by the hand and leads him to his room when no one is at home; too innocent to understand why he can’t tell anyone. he’s too young to understand why he’s covered in such horrid, ugly bruises after a few hours of pain, or what it means when he runs into his stepbrother’s arms while his mother ignores the situation with such a precise and practiced manner that it’s almost elegant.
and even though it’s been going on for so long, she still claims that she loves him, always has, always will. that the hurt, she says, is out of love.
yet minkyu is much too young to understand much beyond the comfort of his brother’s arms and the soft lull of his words that pull him to sleep after. today is no different, it seems, except that his father has chosen to start the process while someone is home – he’s left minkyu a shaking mess, his posture small, his figure frail. the bruises have started to darken as he finds himself in that familiar comfort of his brother’s embrace, unsure of why he cries, of why he grips onto his brother’s shirt as though without it he might fall. murmurs spill like water, faded sounds that splash around him.
❛ i want this to stop, i-i want this to stop. ❜
Youngkwang has barely entered any type of teenage by the time he can only remember screaming, crying and after that---utter silence. Such silence can make him see red, burning flames and ashes. He imagines the ashes at least. This is the last time he’s going to run home from school in hope that his younger brother doesn’t have any new bruises or wounds. A five year old shouldn’t have any scars. And he has seen too much for being such a young boy. Arms wrap around a small, fragile frame---tightly, maybe too tightly. He’s hunched over on the floor, face buried in his brother’s dark brown hair. His stepmother pays them nothing but a glance, father storming off somewhere as per usual. He’s a scum, and he hates that shared blood runs through their veins.
“They’re cowards, Min. Don’t worry, you won’t have to be scared anymore.” His fingers curl against his palms, forming tight fists. His teeth bite together, jaw tensing up. He slowly lets go of his stepbrother, as carefully as possible. Broken bones and broken souls. Soon, the little boy might break into a thousand pieces. No more. No more. Too many times has he watched those big, wondrous eyes look at him with despair and confusion. Youngkwang rises, hurries into the kitchen. There’s a knife in his hand now.
He hears a faux-motherly voice call for him when he’s going for the door, but he silences her by meeting her eyes. She looks down---quickly. “This is the last time, I promise.” A murk mumble roars from his lungs, seemingly filled with anger to the point that he can barely breathe. He runs, runs faster than he thought he could. His father hasn’t gone far, luckily. A sad, sad man sits on a bench in the yard with a beer can. Youngkwang doesn’t think, breathe or see. Yet somehow he ends up in front of the man that has ruined their whole family, stabs the knife as hard as he can where he thinks the heart is. “You’re not my dad. You’re a monster, and I hope you never, ever come back.” By now, he’s screaming---a monstrous creature which coughs blood, looks at him with the same despair and confusion Minkyu has looked at his older brother all these years. “See you in hell. I’ll kill you again when we meet.”
aidonaea:
He was a familiar face, one she had often seen brushing shoulders with conglomerates at fancy galas, like the one they are invited in. She too, have mingled with the powerful though their power could only go so far. Perhaps it was the distress in her face that made him think so. The goddess had to step out, the ballroom was becoming stuffy. Nothing but talks of money, boasting how they got more money and women flaunting wealth they’ve depended on their spouses. They say times have changed yet they still talk about the same one thing.
“Trouble?” Yue offered him a smile, her attention going from him while her champagne flute is left empty on the balcony. He’s dressed like money, just like them, built like man with his rich baritone beckoning for her attention. She was sure it had help him swoon over an innocent little thing more often than not.
“I think the only trouble here is you.”
By now, Youngkwang finds these gatherings nothing but futile and repetitive. Nonetheless, he has to withhold a reputation---after all he has a brand to maintain. He smiles, he bows, presents himself in the same, robotic manner each time. A firm handshake, and then he at some point thinks it all too much. He’d rather be outside on his own, smoke a cigar or two and go back in and battle them with iron fists, but it seems like luck isn’t on his side today. It’s someone who is the acquaintance of an acquaintance; he does recognize her features. Memorable, somehow. Of course, he notices that she doesn’t appear fully comfortable with this situation. In one way or another, he has to start a conversation that is not just about his brand. Enough of that.
He doesn’t fish out any cigars, nor a lighter. Rather, he opts to have warm fingers tap against the cold metal railing of a decorate baroque-style balcony. It’s too show-off for his taste, but for now he doesn’t mind it. There are ghosts luring him back in, but he merely casts a glance back inside. It’s packed, like a room full of rotting, egoistic sardines. Just like him. “Oh, is that so? Well, that would be nice for a change. I do believe I’m usually one to hand out trouble, receiving it would be something else.” A pause, a study of the woman that stands before me. Perhaps it’s a feigned expression she wears, Youngkwang doesn’t care enough to find out for now. “If you’re not in trouble, do tell me what kind of trouble I’m in. Or is it a surprise? I’m not a huge fan of surprises, to be honest.”
---- plot call! with the influx of new followers and the resurrection of my muse, i’ll deem it appropriate to ask for some plotting, but i don’t know where to start, so let’s start here! like this post if you’d be interested in plotting and i’ll pop up in your IMs. new and old followers are welcome to like this, but i’d really prefer us to be mutuals.
the heart is a very strange thing, @goldmythos.
there’s a steady procession of people moving in and out of her line of sight, each one glittering beneath crystal lights. familiar faces she couldn’t put a name to, like puzzle pieces that never quite fit. her cheeks hurt from having been pulled into a taut smile for the past hour, throat running dry from the seemingly endless cascade of greetings and aimless exchanges that were requisite for evenings such as these.
but it isn’t all bad. the galas often bring with it some of the city’s more colorful figures, people she wouldn’t have met in any other capacity, painting surrealist pictures in her head and filling it with daydreams enough to last her for months on end. “mercado de sonora, that’s the name. it’s where you can get your salad ingredients and cast a spell on someone– for more or less the same price.” says the elderly woman with peacock feathers in her hair. emerald greens and gold, swaying each time she motions her head. she’s a regular to these events, though haneul has never seen her watch any of the ballets.
“love potions are common. not that you would need one, dear. besides, they are very dangerous concoctions.” a thin, bejeweled finger reaches for her cheeks and the ballerina flinches involuntarily, eliciting laughter from the elderly woman. “dangerous?” haneul repeats, her gaze briefly moving to one particular person in their circle. once, twice. surreptitiously. quickly turning away each time she thinks he’s caught her. why would it matter if he did? they weren’t strangers, though it might seem that way.
they weren’t strangers, but was he still the same person from before?
months can blur into each other and it’s easy for her to forget time when each day is spent inside the theatre. the mornings, evenings– most hours in between. how long has it been? her hands may have forgotten what it was like to hold him close, but she remembers everything else. the good things. always the good things. his voice, the way he’d look at her– how it felt being around him. safe, despite the words they had left each other with. time. she wonders just how much it has changed things between them. it has certainly changed her.
the older woman had begun yet another story when haneul abruptly excused herself, offering quick apologies to each person she passes. in the midst of it all, her hand finds his and she holds it tight, though fleetingly. making sure the act remains unnoticed by those around them. it is a beckon for him to follow, the boldest she can be given the circumstances– with her every move placed under scrutiny, she couldn’t risk adding fuel to the rumors. there were already one too many.
It’s always the same. A plastered smile to each and every set of people nodding at him, or perhaps a slight bow if the counterpart is considerably older. Youngkwang does everything accordingly to autopilot: whoever is inside his head they’re doing quite well. Shaking hands, gently placing a warm touch to a female’s shoulder, laughing along with the distasteful wit of older, foreign men. Yet he doesn’t wish to leave, this is good distraction, even if he has difficulty focusing on anything but how dirty every hand he shakes seems. He wipes them in between each person---discretely behind his own back.
At some point he finds himself discussing the illegal weapon trade that has increased at an alarming rate in China. He doesn’t smile, rather keeping a stoic expression with stale nods; his brows are even burrowed. Beneath the surface, he’s smiling. Surely, he does like the fact that he can influence something to the point of people in his country chattering about it. The man speaks of how they are plotting against the Democratic Republic of Korea, his blood appears to be rushing with such excitement over the topic that it spills over into him spitting saliva at everyone he’s directing this speech towards. It’s his cue to leave.
Correcting the seam of his vest, straightening the sleeve of his tuxedo. The dim lights aren’t helping with his unwillingness to shake any more hands, everyone looks so dark and sickly under the crystal crowns which embed the faux-Michelangelo painted ceiling. A sloppily detailed angel shoots from one end of the hall to the other. His eyes lower once again, but this time to something completely else. The skies open, heavens resurrect behind opaque clouds and ash grey rain. Skies that are always changing, developing. Today, she looks the same as her fragile self, but with a much unsuited stiff posture.
He doesn’t even try to look away, not in the slightest. She’s much more human than she is, she actually cares about all this (even if he’s very good at acting like he does). He does remember her face being rounder in the past, softer. They grow up so fast---she’s rightfully in that age when you morph into another being. Is she something else? Studying her movements, he deems it that his presence is somewhat of a fire alarm going off over the slightest of smoke. He doesn’t try to make his way to her. There’s only two ways this can go. She’ll ignore him, go on about her night and act like it never happened. Eyes didn’t meet, souls didn’t catch each other’s disease.
Rightfully so (but he has a feeling this isn’t the way it’s going to be---these skies have a strong mind, stronger than they appear [pale pastel blues]).
It’s the second option, although it moves so quickly Youngkwang isn’t completely sure it’s her hand. The more he thinks about it, the more feels its size, softness and slight chilly temperature---he knows. It’s her. He, of course, doesn’t do anything to fight it. Instead he moves slowly, perhaps a tad too slowly as following her. “If you walk that fast, you’ll draw attention to yourself. It looks like you’re running away.” His voice is calm, but loud enough to be heard. A whisper doesn’t come far in these crowds of people. He purposely puts himself to a halt, pulls her by the hand. They’re already outside. Slowly, his grip slips in between her small fingers, and he realizes it’s not the canopy he’s used to seeing. This one holds too many thunder storms ahead. “Son Haneul,” He begins; presents it with a bleak smile. “It’s been a while.”
Rules: Spell out your URL in song titles and tag 10 people! Do not reblog!
GOLD LIME by Glass Animals ODD LOOK by Kavinsky LOVE AND FEELING by Chet Faker DARK NECESSITIES by Red Hot Chili Peppers MAN O TO by Nu YOUTH by Daughter TAKE ME SOMEWHERE NICE by Mogwai HERE BEFORE by Fever Ray ONLY FOR YOU by Heartless Bastards SMALL HANDS by Keaton Henson
Tagged by: @modernholmes Tagging: @consilian @aelligos @wrcyter @hyejvng @taekef @ixiv @inhyelation @anticedes
`` water lilies,
Joon has missed Youngkwang more than he can say.
The way that Youngkwang walked out of his life simply left too many things unresolved, and for someone with persistent abandonment issues it was a terrible, terrible thing to do. But he was given no say in the matter. No amount of phone calls, even knocks on the door would amount up to anything, because all he received was silence. Endless, endless silence, because Youngkwang has always been a creature of patience and self control. Eventually there was no choice for him left but to give up. His time was up.
So it is his last thought that Youngkwang would show up in his untidy apartment so suddenly, entirely uninvited after so much time has gone past already. The creaking door already pulls at his consciousness, luring him out of his sleep, and then the shifting of the mattress. The familiar voice is all he needs to finally wake up but he thinks it has to be a dream, a hallucination of sorts. A weakness of his fractured mind longing for things he has already lost forever. But then something pulls at his mind, again, and he sits up and jerks back as he takes in the tall, broad figure looming at the end of his bed, his imagination jumping into conclusions before his tired eyes properly focus and he recognises that face.
But still the erratic beating of his heart doesn’t calm down. How could it? Because even if their deal was ‘no attachment’, Joon still had been hurt, still was pained by the loss of a friend, and to see him appear like so is not only confusing but also almost heartbreaking. He’s shaking, his hands curled tight into the bedding material, and seconds pass before any words at all come to him. Even then it’s just five words and probably foolish because Youngkwang has always done what he likes with no explanations given. “What are you doing here?”
Youngkwang knows that he’s purposely left the boy in the dark, leaving with question marks scattered along the path. He hasn’t explained nothing, but he’d be surprised if Joon hadn’t figured it out by now. There’s no reason why he should just stand by and watch when people whom he finds comforting to be around---crushed by a boot to their skull. He’d rather just move on with his life in that case. At times, he has imagined both blood and screams. It’s just not worth it, even if he would’ve liked to opened that door and swooped Joon right into safety. It won’t hold, the walls will burst---yet he’s here. There are still question unanswered for the both of them, and Youngkwang does have a tendency to let his curiosity drip out, peek around the corner.
While hasn’t been here much because of Joon’s unwillingness to show it off (and if he’s going to be honest he can understand why---Youngkwang’s place isn’t exactly modest), he does remember the feeling of the walls closing in on him. Maybe it’s just because he’s generally a tall man, or because he associates the place with another soul’s anxiety. Empathy is far from his strongest senses, but with Joon he does recognize it vaguely. Maybe. His fingers dip into the sheets, the other hand reaching into the breast pocket of a deep navy dress shirt. He skillfully reaches two fingers into a packet to bring out a cigarette and a zippo lighter. While he does place the cigarette in between his lips, he doesn’t light it, not yet. The amount of common courtesy he possesses is shown at this moment.
“I think it’s better if we go outside and talk. I do apologize for waking you up. Fresh air is always better for the mind.” A lullaby-like voice, lower and deeper than when daytime. It’s raspy, even. He probably is a bit tired without realizing. It’s been a long day, and it’s chaotic to see a face he associates with closeness and touch be a distant memory. Youngkwang doesn’t like touches unless they’re asked for. “I think you know why I’m here.” He stands up, fixes the sheets he has made irregular, patting them out flat. Then he looks at a much far away boy, which he isn’t sure he knows anymore. Who is it? Now the room is filled with silence once again, as he exits it just as quickly as he arrived. He knows Joon will follow---if the person in the bed is still him. He can’t be guaranteed. Out the door and into the street, and only once he’s ignited smoke and nicotine, does he look behind him.
Memories sometimes work in funny ways. Some truths ruin people. Do you still want to know the truth?
화이트 크리스마스 (White Christmas)