New obsession; the big shaky breath Scott takes just before he just fucking goes for it.
François' acting is just *chef's kiss*
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YOU ARE THE REASON

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@goodsongnever
New obsession; the big shaky breath Scott takes just before he just fucking goes for it.
François' acting is just *chef's kiss*
I like the idea of a Vulcan character who constantly does very reckless things so her human crewmates think she's strange but then she always has a logical explanation she delivers with absolute confidence.
"No, it was perfectly logical for me to jump out of the shuttle at that time. I had a breathing apparatus, and I was certain I could seal the subspace rift by hand before the Romulans opened fire. This was the only solution that would result in zero casualties. I might have died, but giving up is illogical."
She's known as one of the most fearless members of the crew.
Other Vulcans try not to acknowledge her.
"I eliminated all the threats with ruthless efficiency. To do any less would be illogical."
An absolute menace.
that’s his little guy!!
Hudson Williams and Connor Storrie compete in a Compliment Battle for Teen Vogue
OH MY GOOOOOOOOOD
The quilt!!! The Good Luck quilt !!!! just there on instagram with 60 likes on it!!!!!!!!! oh man i was looking SO HARD. i've started to do a guide to all the good luck symbols that were on it but my quest is basically over!! The edges of it aren't clear, but this is basically everything we DON'T see in the film! oh man, I feel lightheaded.
Stratt, standing in front of a room of Important People TM: What we are about to watch for the first time is recordings from the Project Hail Mary. These videos may very well save humanity. Press play.
Grace, on recording: I HAVE ABSOLUTELY NO CLUE WHAT I’M DOING.
Voice from back of room: welp, we’re fucked, it was nice having life on Eath while it lasted.
Stratt: Please remain silent. I assure you he has this under control. He’s got this.
Grace, on recording: THE WAY IN WHICH I DON’T GOT THIS.
heart-shaped balloon stuck to the ceiling in grand central terminal
the opposite of this image. love this one fish in particular.
yknow I'm feeling a bit brave so I will venture to say what this blighted essay's pitch actually is: reading project hail mary (novel and film) as a ravishment fantasy. in both main threads of the narrative grace is brought wildly out of his element and pulled into the orbit of a mysterious foreign stranger who is significantly stronger / richer / more powerful than him, forced to accept unsolicited lavish gifts and personal praise despite protests and discomfort, and made to live in isolated locations in extremely close proximity to these people with no say in the matter, all of which are common motifs in ravishment fantasies. on her own, stratt also brings in other common motifs of restraints, drugging, being above the law, multiple kidnappings (I'm doing crazy things with the classical definition of "rape" as in "abduction" and its shared etymology with "rapture" as in "being taken to the heavens"), and the very specific yet still common motif of "otherwise trustworthy partner goes too far and doesn't take 'no' for an answer." rocky on his own brings in the overprotective flavor common to a lot of dark romance novel heroes, i.e. "I make sure you sleep and I like to watch you while you do it, I make sure you eat enough even if you've got baggage about it, I make inhuman displays of strength when you're injured, and as long as I'm around I'll make sure nothing bad ever happens to you ever again."
the issue I was running into with researching this a few weeks ago is that almost all of the scholarly writing on the content of people's forced-sex fantasies focuses solely on women's fantasies and starts with the research question of "why would women enjoy imagining such a horrible misogynistic thing?" despite surveys often showing that men have force-fantasies (where they are the one being forced) at very comparable rates to women. my hypothesis for a bit was "either men's fantasies are exactly the same as women's or they're completely different in [x] way," which was disproven interestingly when I did finally find something about men's force-fantasies: in content they are almost exactly the same as women's fantasies but the emotional motivations are often different in [y] way, which I hadn't expected. and [y] also super applies to my buddy ryland, perhaps even more than my original [x] hypothesis.
my hopes for writing this are twofold: a) to address the question I sometimes see phm audience members come away with of "if grace likes his life by the end and doesn't seem that mad about all of that, is the message supposed to be 'violation of bodily autonomy is good, actually?'", and b) to lightly resist one of the prevailing notions in the study of forced-sex fantasies, that ravishment fantasies are solely abstracted and fantastical and pleasurable and are completely 100% separate from fearful paranoid imaginings of / flashbacks to realistic sexual violence.
oh also: the most common interpretation of why people have ravishment fantasies is that it allows the fantasist to disavow a desire they feel ashamed of because, in the fiction of the forcing, they don't *want* it at all, they're being made to do whatever it is and can't be considered at fault. as I allude to in my final paragraph of the original post, I think it's a tad more nuanced, but there's definitely a lot of truth to that. grace can tell stratt that he's not smart or important or capable or brave or selfless enough to do what she wants, but she'll ignore it, make him do it anyway, and kit him out with skilled staff members and expensive lab equipment and coffee just the way he likes it. it's a fantasy of being respected and heroic and good whether he likes it or not.
with rocky, the fantasy is of being forced to be loved and protected. rocky decides to initiate contact, he decides that he's moving into the hail mary, he decides that he's always going to watch grace sleep even if grace says he doesn't need it, he decides to gift grace the fuel to get home even when grace pretends he doesn't want it, and he decides he's not going to let grace die to save him even when grace says he's made his choice. the two scenarios allow grace to experience the rewards of being selfless without needing to be so gauche as to ever say he thinks he's that good of a person AND to experience the rewards of being selfish without saying he thinks he deserves to be cared for.
grace turns briefly back into his pebble self due to uhhh. tasting a new experimental taumoeba strain
rocky’s turn to be pebble-fied
everyones got that fic they chip away at like michaelangelo sculpting david. and brother? its penis month
asked my friends if they knew what i was referencing and they said no. we all know that post where someone divided how long it took michelangelo to sculpt david by it's size and went "yuuuuup. whole month spent on penis" right. sure, my search history is full variations upon "michelangelo penis month tumblr" to no avail, but we all know it. right.
Hi, that was a MBMBAM bit. But i see you and i hear you and i dont know if someone already said something
oh my god youre right.
[ID: Screenshot of a transcript.
Travis: Yeah. It well--but it's seventeen feet tall divided by twenty-four months means that every month he crafted point seven--so like about three-quarters of a foot. Right? So, nine inches. So yes, I could say that just statistically speaking, there was a wiener month.
Griffin: Okay. "So how was your September, Michelangelo?" "It was, it was intense."
/ID]
Guess what I saw in theaters a second time 👎👎👎
simon and his biological papa
so how many times do we think grace has tripped down these stairs
rocky noticed he never ties his damn shoelaces and decided to teach him a lesson via lived experience