Enough about favorite books. What’s a book you read and absolutely hated? The book you’ve got a bone to pick with.
Show & Tell
almost home
sheepfilms
will byers stan first human second

bliss lane

izzy's playlists!

@theartofmadeline
ojovivo
he wasn't even looking at me and he found me
Noah Kahan
PUT YOUR BEARD IN MY MOUTH
Claire Keane
The Stonewall Inn

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
untitled
taylor price
todays bird
$LAYYYTER
macklin celebrini has autism
seen from United States

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@gorgeouslyuncoordinated
Enough about favorite books. What’s a book you read and absolutely hated? The book you’ve got a bone to pick with.
Hey, don’t cry. Free online database of Japanese folk lore
Might I add, free database of mostly European folklore and myths
A Book of Creatures by @a-book-of-creatures doesn't update these days but is another thing along these lines, really huge, fully illustrated all by the author and cites all sources
Look, it's simple. If a person has to actively work to make money, they're not "the rich" and they're not the problem. A surgeon making $200k a year still stops making money if they stop showing up to do surgery, because they're still selling their labor. The radical discrepancies in how we value different skills are certainly a problem, but the guy who makes money when he doesn't even get out of bed is the one making money on the value of other people's labor.
one of my friends in a discord server was talking about how they were nervous about their first scheduled acupuncture appointment. another friend offered to do a tarot reading for them. sent this picture.
today i'm thinking about how dave malloy inverts the theatre proverb of when emotion becomes to strong for speech you sing; when it becomes too strong for song you dance by having the single moment of spoken dialogue in great comet be the one moment where pierre is too overcome to either sing or dance when he tells natasha that he loves her. like he can't even move he's so struck by the gravity of the emotion he's experiencing and his voice breaks not just because of the emotion in it but because he's trying to express himself in a way that is completely foreign to the world he lives in, that singular declaration of love and the resignation that it cannot yet be brings the whole show to a stop like a breath caught in the throat and then we're back to singing we're back to dancing as if the whole world hasn't been remade on a new axis as if pierre didn't effectively create a new form of communication because the only ones available to him were so full of artifice and spectacle that he had to create something new so he could tell natasha how he feels. it's really such an incredible moment that makes my heart fall out of my ass every time. In This essay I will
truly there are some people that you just want to seize by the collar with your big big hands and shake them from side to side (until their face shows a sufficient degree of terror) because like. they must understand that besides their pleasure there is such a thing as OTHER PEOPLE and THEIR happiness and peace???
see i think when a Final Girl kills a Slasher she should automatically inherit his mantle
the sequel should reveal that the previous movie's Final Girl is the sequel's Slasher. like a curse
wait. make it a metaphor extended allegory for transitioning
going from being seen as the all american teen to being viewed as something violent and dangerous and not quite human. your very existence a threat to civilized society. the only acceptable outcome your death or imprisonment. treated like you murdered someone (the version of you that existed in other people's minds) by giving into your monstrous nature (trans). maybe do a Carrie with it and kill the transphobic bullying classmates
Cooking up that good soup to get me through the night
isnt it maddening how one day ur 9 and u go to middle school and cub scouts and all the kids are cursing and making dirty jokes and drawing dicks and repeating offensive shit they got from watching south park and family guy on their bedroom tv after their parents have gone to bed (on the same channel that shows kids cartoons during the day) and playing horrifically violent games on newgrounds and a handful of the kids u know have straight up told u they do coke, then next thing u know ur an adult and the ppl around u expect u to act like even the slightest exposure to potentially objectionable content or depictions of the human body will instantly and irreversibly shatter any childs fragile innocent mind
and theyre like "prove to me this wont traumatize my children!" and even the ppl who agree w u go "well u see, in other cultures, and in the ancient past, and if u look at this study-" but like. my source is every child whos ever grown up at any point in human history. open ur eyes. we have never been able to stop kids from seeing and repeating adult stuff and we never will, and its always just been fine
Dear lord. Deliver unto me some cool shit. Some cool-ass shit. Thanks.
due to popular demand you can now stream the Slur Song for free without Spotify, using my new streaming service slurify.co
Pretty amazing that the website dedicated entirely to streaming slurs is somehow more ethical than spotify
hope is a skill
hope is a weapon you are trained to wield
favourite additions
You cannot hide this in the tags, bestie. This is too lovely to keep a secret.
World Heritage Post
there is no single argument against including trans women in sports that doesn't boil down to "women aren't supposed to be good at this" and it's fucking insane to me that every woman in the world isn't up in arms about the way this issue has laid institutional misogyny bare to the bone
Nothing in the world has made me more weird about owning a regular amount of worldly possessions than moving internationally. "I have too many books," I say. "An abnormal amount! That's too much weight!" I have ten books and five of them are play scripts and I'm still lying in bed at night worrying that the people at the TSA are going to look through my bags and laugh at me for taking multiple dolls with me. I KNOW that that is a perfectly innocuous thing and I'm somehow more stressed about that than moving away from my childhood home.
Drawing some kind of fucked up frankenstein and giving it finer stitching so everyone knows it's a girl fucked up frankenstein.
"there's a guy in the walls" movies exist in a universe that I fucking WISH was real. imagine how easy it would be to install stuff in walls if the space behind a wall was not 3.5 inches/8.9 cm deep and I could get my whole self in there. of course that would mean a guy could get in there too, but what are the odds.
<currently blogging from inside this idiot's walls>
PLEASE help me feed these ethernet cables downstairs or I'm gonna kill myself before you get a crack at me
thread it down here champ, we'll get this installed come hell or high water
you are the best scary murderer who could have ever crawled into my walls
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
Hang on a minute. I recognize the name “penwiper”. Let me check– Ok, yeah, I’ve heard of this person.
OP also invented armsocks.
Y'all might have noticed that your friendly community moderator has been slacking a bit lately. No updates. No organizing. What the heck was
OP I have been thinking about YOUR IMPACT since 2011. Do you know what you did for Homestuck lmao
Another example of a foundational internet text that millions of people don’t know was so influential.
[Image IDs. For OP, three-post twitter thread from emotional support catgirl @arkadycosplay| on November 20, 2019:
Every cosplayer should say thank you to this 2003 tutorial because we literally wouldn’t make armor the way we do today without it and we all owe our lives to the mysterious Penwiper whether we know it or not. entropyhouse.com/penwiper/costu…
And 17 years later, it’s still not a bad tutorial at all. We have better access to upgraded materials but the base of it is SO SOLID that it still works and has been a launching point for almost all innovations in cosplay armor. It’s insane.
Hot Take: Penwiper is the single most influential cosplayer of all time, far outstripping all of our current big name cosplayers who stood on their shoulders and built off of their work. And we don’t even know who they are. An icon.
For reblog by pellaeas: Image 1: Screenshot of a Livejournal notification(?) showing penwiper337 wrote in crafty_tardis on September 4 2008, 14:43 a post entitled ‘Beware the Weeping Angels’ (post linked below the image). Image 2: Screenshot of a section of the article with text “But once on, the illusion is very convincing.” above a photo of a grey hand, wrist, and lower arm. /end IDs]