NOSFERATU: A SYMPHONY OF HORROR (1922) dir. F. W. Murnau NOSFERATU THE VAMPYRE (1979) dir. Werner Herzog NOSFERATU (2024) dir. Robert Eggers
Aqua Utopia|海の底で記憶を紡ぐ
h
YOU ARE THE REASON

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let's talk about Bridgerton tea, my ask is open

Discoholic 🪩
he wasn't even looking at me and he found me
we're not kids anymore.
Game of Thrones Daily
Stranger Things

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almost home

Kiana Khansmith
Sweet Seals For You, Always
$LAYYYTER
Monterey Bay Aquarium

⁂
hello vonnie
I'd rather be in outer space 🛸
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@greenandsummery
NOSFERATU: A SYMPHONY OF HORROR (1922) dir. F. W. Murnau NOSFERATU THE VAMPYRE (1979) dir. Werner Herzog NOSFERATU (2024) dir. Robert Eggers
Halsey performing at the American You(th) Tour, New York // April 2, 2015
That's just an innocent nun, out for a pleasure cruise.
I hate it when actors talk about an animal they had to work with on set and it’s obvious they were not patient with the animal at all. You especially see this with non cat people who had to work with cats and are like “Working with that cat was the bane of my existence, never on cue, scratched me once, always seemed afraid of me.” Like yeah, she’s a cat. She could probably sense you hated her. It’s hard enough to be an animal in the entertainment industry without some guy being a dick to you. Are you that uncharitable with human costars (and particularly child actors) or do you just hate animals?
Conversely, it’s so heartwarming when an actor speaks positively about an animal they worked with and/or there are behind the scenes stories of the crew genuinely trying to make the animal comfortable and giving them grace.
One of my favorite examples of this is Mad Max 2 (1981) which was made on a budget of $4.5 million AUD (about $13.5 USD in today’s money). They ended up casting a dog from the pound that was scheduled to be put down and by all accounts the dog was a nightmare to work with. But most of the cast and crew loved him. The dog’s name was Dog so his character’s name was also Dog. He was difficult to train but super food motivated so they kept writing dog food into scenes for him. He kept freaking out on set and they couldn’t figure out what was wrong. Eventually they realized part of the reason he kept acting out was because he was terrified of the sound of cars and motorcycles so they had special doggy earplugs made. His character was supposed to be aggressive but real Dog was very affectionate and could not be made to behave aggressively so they had to use selective editing to make him seem more menacing. When filming was done multiple crew members wanted to adopt him because he was such a good bad boy. He was adopted by one of the stuntwomen and got to live out the rest of his life doing actual blue heeler things. That was his only film role.
SIGOURNEY WEAVER as ELLEN RIPLEY ALIEN 1979, dir. Ridley Scott
Jimmy Page on stage with Led Zeppelin at Madison Square Garden on their 1977 North American tour. New York, June 14, 1977.
TWIN PEAKS S01E03“ZEN, OR THE SKILL TO CATCH A KILLER” (1990) dir. DAVID LYNCH
COSTUME APPRECIATION Jessica Brown Findlay as Lady Sybil Crawley
/ folie a deux
Stevie on stage at the Pavillon de Paris in Paris, France - 12 April 1977.
November morning. Värmland, Sweden (November 8, 2020).
Howl's Moving Castle | ハウルの動く城 (2004) dir. Hayao Miyazaki
ワンドロ4 昔のゼルダが好きなんだ
Half of the fashion was garden theme, half of it is reawakening...
Picture this: it’s the dead of night, you’ve woken up and the powers out, it’s silent, uneasily so, you can hear your own breath, and then, from right outside your door you hear it: one loud, wet, SLAP!
A slap so wet it can only come from one place: The Twilight Zone
Rene Magritte, Memoirs of a Saint, 1970 /// Twin Peaks, 1991
Rene Magritte, La Belle de Nuit, 1940 /// Twin Peaks: Fire Walk With Me, 1992
Rene Magritte, The Pleasure Principle, 1937 /// Twin Peaks: The Return, 2017
Rene Magritte, The False Mirror, 1929 /// Twin Peaks, 1990
Rene Magritte, Image Not to Be Reproduced, 1937 /// Twin Peaks, 1991