WELCOME to hihi-hello, the casual blog of hihi-heart.
If you're more interested in y2k-styled art, here's the link to the blog!
Side note: Call me Hihi. Slapstick's old.

shark vs the universe
I'd rather be in outer space 🛸

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Game of Thrones Daily
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let's talk about Bridgerton tea, my ask is open
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@hihi-hello
WELCOME to hihi-hello, the casual blog of hihi-heart.
If you're more interested in y2k-styled art, here's the link to the blog!
Side note: Call me Hihi. Slapstick's old.
Planetronika's Freestyle & Donut Lips
As voted by my YouTube fans, I'm going to be drawing a speedpaint for Planetronika, a cartoon pilot by Rafael Andaya. I loved 2000s cartoons and this is a solid throwback.
Doing research for my art, however, I learned the character Freestyle has a character design trope called "donut lips", which has racist origins in minstrel shows, where performers dressed in blackface and performed offensively stereotypical acts. This has sparked debate here on Tumblr.
Now, I enjoy Planetronika. I know blackface was not Freestyle's design origins. Nor do I believe Planetronika's creator intended to perpetuate racist stereotypes, especially regarding Freestyle's cited inspirations. As explained in an article interview with Andaya:
...He became what was essentially Gumby crossed with Flubber if he was a total egomaniac mad scientist. My dad came up with the idea for him to be a goo creature to give him an edge and the Bart Simpson spikes and morphing abilities was mine.
I wanted a 2D character that best captured the energy of an Aardman character and I remember being really into Doug Tennapel’s art like Earthworm Jim and Neverhood so I gave him the expressive brows and big mouth. Then I don’t know why, but I started hearing Ben Diskin’s British accent from Code Name: Kids Next Door coming out of his mouth and I asked my friend Beeache “hey man, could you please do your best Nigel Uno impression” and it just stuck.
However, these kinds of actions still have their impact, a feeling I will never truly understand as a non-black person. Still, it would be ignorant and especially disrespectful of me to draw or approve of this design trope with this knowledge.
And yet, I believe this situation can be resolved if Freestyle's donut lips were changed and the mistake acknowledged. Such changes have been done before, like with Garterbelt from Panty & Stocking.
Therefore, I will be omitting Freestyle's lips from my art. For reference:
Honestly, he doesn't look bad without it.
Before this post ends, I want to point people to The Lost Crusader's video on Japan's history with blackface and donut lips. I watched it for my research on this topic and believe it to be a solid overview.
a couple months before he died Alvin Ing did a couple of interviews about being in the original cast of pacific overtures in 1976 and in each one he made sure to shout out the one white guy who lied about being part asian to get into the show. just laying all of this guy's business out there (quite rightly) but it's kind of funny how matter of fact he was explaining the whole thing
*street shot of zohran mamdani clad in nasty lil suit and hard hat* five months ago i was elected mayor of new york city. in that time, we have managed to COMPLETELY defeat the Staten Island Minotaur at no additional cost to the new york taxpayer
Put this in the comments but it needs to be said here too. I am so mad D20 did unsleeping city before Mamdani was mayor. Can you fucking imagine.
Jhonen Vasquez's response to the new Invader Zim comics being made without his involvement
For context, Boom! Studios announced they've acquired the comic rights to Invader Zim and are making new comics and reprinting the old ones.
In response, Vasquez released this response on Instagram.
Do what you wish with it.
Y'all seen the Indian Play That Goes Wrong?
Yes, it's Mischief Theatre's The Play That Goes Wrong done by Naatak, "America's Biggest Indian Theatre", currently playing in Palo Alto at the Cubberley Theater until the 28th. Here's a link if you want tickets! (I'm in no way affilated, I just like talking about cool theatre stuff.)
My favorite part of The Play That Goes Wrong is how customizable the show is allowed to be. And seeing an Indian take is deeply facinating!
You can find more at their Instagram!
Cast History for the Barbican Theatre production of Death Note the Musical!
Here, Xander Pang plays Light Yagami, previously playing Luke in London's production of The Lightning Thief: A Percy Jackson Musical.
Colin Ryan will play L, previously known to Hades 2 fans as Apollo.
Stephanie Zaharis is Misa, who played Mary Magdalene in Goodspeed's production of Jesus Christ Superstar and played Moana for live Disney stage productions.
Biggest names of the production are Telly Leung as Ryuk, Grace Mouat as Rem, and Paolo Montalban as Soichiro.
In the previous English concert of Death Note, the Shinigami were played by famous white actors Adam Pascal, known for RENT and CHESS, and Aimee Atkinson, known for Six and Pretty Women. No disrespect to those two, they did amazing jobs. It's just nice to see these particular Asian actors being treated with similar levels of respect when their casting was announced.
Telly Leung has starred in many big Asian-based Broadway shows like Pacific Overtures, Alligence, Flower Drum Song, and Yellowface. He has also played Aladdin and the Phantom of the Opera. Leung also originated the role of Boq in Wicked in Chicago.
Grace Mouat originated Karen in the West End production of Mean Girls and has played Ella in Roger and Hammerstein's Cinderella. She has also been in Six as a swing and dance captain. Ironically, she has also played Katherine Howard, the same role previous Rem actress Aimee Atkinson had.
Lastly, Paolo Montalban is best known as playing Prince Charming in various productions and movies, first starring alongside Brandy in the 1997 Disney TV adaptation of Roger and Hammerstein's Cinderella. What a coincidence for our next Misa actress, who had previously played Ella. He has also been in the 2004 Broadway revival of Pacific Overtures alongside Telly Leung and various productions of The King and I.
Last principal credit I can find stuff on is Chloe Saracco, who played Mary in the Donmar Warehouse production of Natasha, Pierre, and The Great Comet of 1812, and was in Bridge Theatre's Into The Woods.
pleaseeee tell me i am not the only one distressed by the octet news. why the fuck are they all major celebrities. why the FUCK is velma skinny. lmm what are we doing
Regarding Velma, Rachel Zegler isn't the first actress for Velma who isn't fat. That would be Mia Pak from the Hudson Valley production, which Miranda attended a performance of.
The thing with Velma isn't that she's fat. It's that she's insecure with her body and appearance. Body dysmorphia can affect anyone of any body type, have the issue be real or imagined. And I think making such a role exclusive for plus-size actresses can be problematic as it implies only fat people experience these struggles and devalues everyone who does. And making such judging people based on their body, saying they don't have the right body, can worsen people's body dysmorphia.
I also don't want to hate Rachel Zegler for her casting. That has happened with practically everything she's been in, most infamously Snow White, which caused her enough mental distress to required anxiety medication. I just want to avoid contributing to that kind of discourse.
The issue can be brought to the underrepresentation of plus-size women in mainstream media. This is a valid desire. But to me, the fight for this representation loses the point when the effort becomes less about promoting plus-size women and more about devaluing other women.
Subs for the Original Japanese production of Pacific Overtures!
I love this version of the show. However, due to the language barrier, the closest thing people had to watching this production is the later, subjectively inferior Broadway revival. So, I edited English subtitles made by @weareallangry to fit this recording!
Click here for the zip file!
This contains a specifically made video including recorded footage and more professional clips. It won't sync to any other version.
To watch the video:
Download and open the zip file.
Open the video in any video player that includes subtitles. I suggest VLC Media Player since its free, open source, and you can scale the subtitles down.
Apply the subtitles file to the video. In VLC, for example, click "Add Subtitle File" is under the "Subtitle" option.
Watch Pacific Overtures.
DISCLAIMER: This is based on the 2004 Broadway revival script. Anything not found in the script needed to be interpreted. However, my understanding of Japanese isn't good. So please don't take anything with an asterisk (*) as entirely accurate.
I've made these subtitles partly to fuel interest in making a real Japanese-to-English fan translation. With my limited understanding, I probably can't be involved in such a process. At the very least, the fun facts section of "Next" needs translation:
If you can translate this, please message me!
Don't know about this version of Pacific Overtures? Want some clearer visuals? Read below!
Erika is Rika!! (Dropout to Pokemon)
They've been cast as the English dub voice for the gender Pokemon character! Let's go!!
From their Instagram:
The very first game I ever owned was Pokémon Red on GBC. Now I’m absolutely blown away to join the Pokémon world in this season of Netflix’s Pokémon Horizons as my favorite Elite 4 member, Rika!! LET’S DO THIS, KIDDOS!
YOU CANNOT GRASP THE TRUE POWER OF GAP MOE SHIZU-KARANE
Shizuka isn't any more of a floof now than Karane normally is. It's not like she had time to restyle Karane's hair!
The line isn't referring to Shizuka's Karane hair or appearance. It's more-so her behavior. And yeah, it's something that doesn't really have a solid English translation.
The line in Japanese, from what I can tell, was "小動物唐音" or "Shōdōbutsu Karane". The former word meaning "small animal", referring specifically to tiny prey animals like rabbits, which Shizuka has been akin to before.
I guess it was translated to "smol floof" since "small animal" doesn't convey as much adorableness or the kind of animals being referred to. Like, technically, insects are often small animals too and those are far from the right animal.
East West Players' Pacific Overtures 2024
(Pictures, video, and personal notes)
Poster featuring Jon Jon Briones and Gede Watanabe. Briones plays The Reciter while Watanabe here is the Shogun's Mother. The latter is Pacific Overtures alumni, having played the original Boy during "Someone in a Tree".
Another look at John John Briones as The Reciter.
The Shogun's court. Interesting things to note here:
There are several on-stage musicians at the left balcony. They're dressed in traditional wear, akin to musicians found in Kabuki. They seem to have taiko drums and a koto. The percussionist likely has other instruments on-hand.
The top half of the set is used to project images. Here, it displays the palace setting.
Here, Manjiro is wearing makeup. In later scenes, we see him without. Perhaps this is to better show the ongoing westernization? This production is also the first in a long while to have actors wear Kabuki makeup. No, all-white productions do not count.
The visual design is uses traditional motifs like screens and traditional patterns. The set resembles a sunrise over the ocean. However, it is relatively modern, compared to other Pacific Overtures sets. Sometimes, they use various high-saturated colors, colored lights, and projections. This is pehaps to keep interesting visuals and help bridge the gap between the past and present Japan. Of course, there are other reasons...
The Shogun's chambers.
His wife is seen playing her koto. In some productions, they have her with a servant who plays the koto for her singing.
Kayama Izaemon (Right) and John Manjiro (Left) during "Poems".
I'm assuming this is during Poems since Manjiro holds what appears to be Tanzaku, japanese cardstock often used to write wishes or poetry.
Manjiro is also wearing a haori over his old western outfit, showing his budding re-assimilation into Japanese society and culture.
Madam and the Girls during the song "Welcome to Kanagawa".
Here, the Girls are portrayed by both men and women equally. Previous productions have done all men (Original), most women with one guy as the most chastised one (Original Japanese & Broadway Revival), and all women (2nd Japanese and West End revival). This is the first recorded time when there's an equal amount of men and women for the Girls.
The girls have distinctly cartoonishly extravagant outfits and wigs. Other outfits have been much more grounded. Recent productions have made the Girls' appearances intentionally silly, as to better convey their comedic and over-the-top personalities.
Also I choose to call them "The Girls", as written in the script. The official page lists them as "Geisha". I'm against this, as these characters are clearly prostitutes and Geisha are commonly misidentified as such, leading to misinformation and misbehavior towards the profession.
The Reciter and the Old Man at the start of "Someone in a Tree".
The old man here wears a flat cap with his kimono. Prior versions have the hat be a bowler or a boater hat. This is to show that the man grew up long enough to see the early 20th century Japan.
In the 1st Japanese production and Broadway revival, the old man instead held a wooden stick staff and a long head of hair and beard. I guess the idea was to give the man an otherworldly feel, since there, he's more heavily implied to be a ghost.
The projection displays a wooden house on a beach, with a cliffside tree looming over it.
This was a preview performance of Someone in a Tree by East West Players, featuring Gede Watanabe. Interestingly, none of the other actors are in the production. Perhaps they were brought in just for this performance or they ended up dropping out.
Commodore Mathew Calbraith Perry during "The Lion Dance".
Well, he has a long, wild, lion-like wig. Otherwise, his outfit is completely different from anything prior.
Perry usually wears an navy officer's jacket, commonly with kimono-like sleeves. But here, he's in a body stocking with a painted-on torso. His bottom half has a fringe...something barbaric, probably. He's wearing some more modern shoes. Am I forgetting anything...?
Oh yeah. His freaking BUSTER SWORD!?! Like, that's just straight-up Final Fantasy's Cloud Strife's giant ass sword!! He also seems to have leather straps around his arms. I guess a holder for the sword???
My guess is that they're not only showcasing Japan's westernization but also its modernization and future, our modern day. They will create Final Fantasy and everything we have today!!
...Insane new direction and I'm all for it, for as weird as it is!
The Imperial Court in Kyoto. Going from left to right, Manjiro, Kayama, the priests, the Emperor, and Lord Abe.
It took me a while to figure out which of the two guys was Kayama and Manjiro, due to the lighting and that they're both dressed in samurai dress. But I figured out that Manjiro's wearing a more torn and wrinkled outfit. It's not as smooth and the shoulder's are more droopy.
Now with a decently closer look, Lord Abe is played by a woman, Kerry K. Carnahan! This falls in line with the recent Japanese and West End production.
The stage projects an painting of the sun goddess Amaterasu, referencing the imperial family claiming her as their ancestor.
The Emperor puppet has no face, only two indents for eyes. He's also on a pedestal, I suppose so the actors don't have to sit down and to give room for The Reciter's reveal as the grown-up Emperor Meiji.
The fencing master's daughter during "Pretty Lady".
She's played by Ashley En-Fu Matthews, the same actress as Tamate and the Merchant's son.
Ensemble during the final song "Next", all dressed in modern clothing. We have a whole bunch of references here! Going from left to right:
Ash Ketchum or Satoshi from the Pokemon anime, complete with a Pikachu doll.
Tanjiro Kamado from Demon Slayer: Kimetsu no Yaiba. I'm assuming the two are meant to be cosplayers and not the actual anime characters.
Gede Watanabe as Yayoi Kusama, a Japanese contemporary artist known for her dot motif and signature bright red hair.
A race car driver, wearing a jumpsuit displaying the motorsport division "Toyota Gazoo Racing" and several sponsers. Can't identify a specific driver.
Shohei Ohtani, a Japanese player for the Los Angeles Dodgers of Major League Baseball. Either that or a big fan of the player.
I'm assuming that's Kayama and Tamate projected above, in place of the common ending of them coming on-stage to fish.
Got any photos or additional changes you've seen of the actual proudction? Any additional observations? Please share them with me!
It's time for Princess Elise to return in the games
Closest she has gotten, a probably non-canon art piece and a cookbook lore blurb.
Immediately thought of this dropout bit.
Cook w/ Shiv!
its honestly kind of impressive how we all collectively had zero brain cells
@theclodofclods
The style of glasses Auchi wears are way too modern, glasses back then were almost always circle or oval frame and NEVER had thick frames, those didn't become popular until the late 40s
I think it’s so that the entire Payne family has a central and recognizable identity. That being their stupid ass glasses
Oh yes I know. It makes sense from a character design pov but from a historical fashion pov then it's. Ough.
they actually mentioned that in the art commentary! the artist tried using glasses more according to the time but ultimately decided to go with the same glasses the modern paynes wear
OH that's so cool :D the circle glasses doesn't make it not look like Payne though, I feel like they could've kept them
yea i thought so too but i think the other ones work better for the joke that all paynes look exactly the same