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Aqua Utopia｜海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her
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@himintungl
so metropolitan museum of art has a register of books they’ve published that are out of print and that you can download for free! they’re mostly books on art, archeology, architecture, fashion and history and i just think that’s super useful and interesting so i wanted to share! you can find all of the books available here!
hot artists don't gatekeep
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
for all the artists out there, here are my favorite resources i use to learn!
Files
The Complete Famous Artist Course
Art Books and Resources
Art, Anatomy, and Color Books
PDF Files of Art Books
Internet Archive
YouTube
My YouTube Playlist of Tutorials
How to Draw Facial Features
Drawing and Art Advice
Drawing Lessons
Art Fundamentals
Anatomy of the Human Body
2D Animation
Perspective Drawing
Websites
Pinterest Board for Poses
Another Pinterest Board for Poses
Pinterest Boards for References
Reference Angle
Figurosity
Sketch Daily
Line of Action
Human Anatomy
Animal Photo References
Humanae - Angélica Dass
Fine Art - Jimmy Nelson
Character Design References
CDR's Twitter Account
iamagco's Twitter Account
taco1704's Twitter Account
takuya_kakikata's Twitter Account
EtheringtonBro's Twitter Account
Drawabox
Color Wheel
Color Palette Cinema
Free Images and Pictures
Free Stock Photos
FILMGRAB
Screen Musings
William Nguyen Light Reference Tool
SketchFab - 3D Skeleton Model
Animation References - sakugabooru
Animation References - Bodies in Motion
love shakespeare. did a hamlet run tonight, looked someone dead in the eye to say “am i a coward?” during a speech and the fucker shrugged and nodded
we literally ruined society when we invented the fourth wall. let’s bring back call and response. heckling, even. fuck you hamlet you dumb piece of shit kill your uncle or shut up
"When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side… there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.”
And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."
Oskar Eustis on ArtBeat Nation
I was in the front row of a Hamlet performance where the "Am I a coward?" was directed at me and I, being a no-impulse-control gremlin, hollered back "Yes!!" (they'd primed us ahead of time that audience interaction was encouraged). Hamlet got right up in my face as he kept talking and just kept going until I gently pushed him back; I forget what line it was on when it happened but he took the direction of the push and reeled away across the stage.
This meant that I had marked myself as someone willing to be fucked with, and so during the graveyard scene later he approached me again. "Here hung those lips that I have kissed--" he booped my mouth with the skull's "-- I know not how oft."
I have stories related to me from those at Blackfriars, the American Shakespeare Center (they play in a replica of the original Blackfriars, with modern safety conventions like lightbulbs in the chandeliers, but a great dedication to the way structure shaped the original work in the original Blackfriars. Their house is only about 45 ft deep (roughly 15 m I think), which is about the max distance two sighted people can be from each other and still make eye contact. They play with the stage and house equally lit, they talk to the audience, they enter from the audience, they whip up crowds from within the audience. It’s fantastic. But anyway, on to the stories.)
Hamlet. There’s a scene where Hamlet sees Claudius praying and debates whether to kill him now or wait (because if Claudius dies praying he will automatically go to heaven). The actor playing Hamlet was genuinely asking the audience the questions in the speech, and when he got to “and should I kill him now?” someone in the audience shouted “YES KILL HIM HE NEEDS TO DIE!” Hamlet took the entire rest of the monologue to that person, enumerating his reservations so persuasively that they started to nod in agreement.
Romeo and Juliet. In this production, the fight between Mercutio and Tybalt happens in several rounds, of which Mercutio won the first. Mercutio’s actor made the choice, upon his victory, to run down the audience with his hand out for high-fives. He decided this in rehearsal, so he had time to plan for the three responses people would probably give him: a) a high-five back; b) being stunned and not reacting; and c) the old “oops too slow.” What this Mercutio did not prepare for was the audience member who panicked and deposited their handful of M&Ms into his open palm. The way I heard it, Mercutio was still processing this when Benvolio came up beside him and stole the M&Ms out of his hand to eat them.
King Lear. Edmund has a speech in which he asks whether he should marry “Goneril? Regan? Both? Neither?” Again, the actor was legitimately asking the audience, and again he’d prepared for the audience to respond in favor of any of those choices. What makes it even cooler was that the next line is “Neither can be enjoyed while both remain alive,” which works as a response to any of those options. One night, though, Edmund got his answer as “KILL THEM BOTH AND TAKE THEIR MONEY!” To which he gleefully agreed, “Neither can be enjoyed while both remain alive!!”
Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version
As you like it: you'll find here an outdoor stage adaptation and here the BBC version
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston
Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.
Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.
Measure for Measure: BBC version here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version.
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version
Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)
Romeo and Juliet: here's the 1988 BBC version.
The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
Oh, I have additions!
A Misdummer Night Dream: Here’s the 2013 globe production (the one with The Kiss, you know it)
Romeo and Juliet: Here’s the one that was going to be a stage show and then lockdown happened so they filmed it! Stars Josh O’Connor and Jessie Buckley
Richard II, Royal Shakespeare Company feat. David Tennant
never let anyone tell you that trawling through mediocre victorian poetry isn't worth it. we just happened upon an absolute BANGER of a worm poem. go read it or else 🪱🪱🪱
the reviews are in... glad everyone's enjoying song of the worm
[id: tumblr tags reading 'dude This Fucking Rules', 'holy fucking shit! that was legit so cool?', 'holy shit that is fucking metal', 'oh this fucks severely', 'yeah no this fucking SLAPS', 'yo this RULES']
i do think theres something sad about how largely only the literature that's considered especially good or important is intentionally preserved. i want to read stuff that ancient people thought sucked enormous balls
Time to take this post entirely too seriously:
I often wonder if this is why you so commonly see the sentiment that we are in an era of uniquely bad literature, or at least that the fact that most books don't have artistic aspirations and are not aiming to be anything other than mindless entertainment is new. In fact what's new is the idea that everything is worth preserving (and also the internet making it easier to preserve it). The dumb artistically unambitious trash books of the past have survived only sporadically, because people thought of them as literally disposable.
When I was in college I had a professor who was an expert on detective fiction. He had a longstanding beef with the idea that "Murders in the Rue Morgue" was the first detective story. He thought that it seemed way too polished to be inventing a new genre, and also that the whole orangutan business had the vibe of someone subverting preexisting audience expectations and maybe engaging in a bit of stealth parody. With the help of some student volunteers, he went trawling through old magazines and newspapers and found hundreds of detective stories from the early 1800s that just hadn't garnered enough individual attention to be remembered. This was because most of them sucked balls. He created an online archive of them, so you too can read these mostly terrible stories.
towards a gentle academic
be up front and honest about the things you do not know
acknowledge the intrinsic value of others’ knowledge bases, even if they do not seem important to you from your institutional context
do not feign mastery where you have none
respect the gaps in others’ knowledge bases
be generous, not only with others
but also with yourself
you overwork yourself at the risk of legitimizing a culture of overwork
privilege voices and perspectives that have historically been left out of the academy
nothing is ever neutral or apolitical
support the progress of other scholars
collaboration over competition
Masterpost of Free Gothic Literature & Theory
Classics Vathek by William Beckford Wuthering Heights by Emily Brontë The Woman in White & The Moonstone by Wilkie Collins Carmilla by Joseph Sheridan Le Fanu The Turn of the Screw by Henry James The Monk by Matthew Lewis The Phantom of the Opera by Gaston Leroux Melmoth the Wanderer by Charles Maturin The Vampyre; a Tale by John Polidori Collected Works of Edgar Allan Poe Confessions of an English Opium-Eater by Thomas De Quincey The Mysteries of Udolpho by Ann Radcliffe The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson Dracula by Bram Stoker The Castle of Otranto by Horace Walpole The Picture of Dorian Gray by Oscar Wilde Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley
Short Stories and Poems An Occurrence at Owl Creek Bridge by Ambrose Bierce Songs of Innocence & Songs of Experience by William Blake The Rime of the Ancient Mariner by Samuel Taylor Coleridge The King in Yellow by Robert W. Chambers The Legend of Sleepy Hollow by Washington Irving The Yellow Wallpaper by Charlotte Perkins Gilman
Pre-Gothic Beowulf The Divine Comedy by Dante Alighieri A Journal of the Plague Year by Daniel Defoe Faust by Johann Wolfgang von Goethe The Tragical History of Doctor Faustus by Christopher Marlowe Paradise Lost by John Milton Macbeth by William Shakespeare Oedipus, King of Thebes by Sophocles The Duchess of Malfi by John Webster
Gothic-Adjacent Northanger Abbey by Jane Austen The Wendigo by Algernon Blackwood Jane Eyre & Villette by Charlotte Brontë Lyrical Ballads, With a Few Other Poems by Coleridge and Wordsworth The Mystery of Edwin Drood by Charles Dickens The Idiot & Demons (The Possessed) by Fyodor Dostoyevsky The Man in the Iron Mask by Alexandre Dumas Moby-Dick by Herman Melville The Island of Doctor Moreau by H. G. Wells
Historical Theory and Background The French Revolution of 1789 by John S. C. Abbott Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. Bradley The Tale of Terror: A Study of the Gothic Romance by Edith Birkhead On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle Demonology and Devil-Lore by Moncure Daniel Conway Ancient Pagan and Modern Christian Symbolism by Inman and Newton On Liberty by John Stuart Mill The Social Contract & Discourses by Jean-Jacques Rousseau Feminism in Greek Literature from Homer to Aristotle by Frederick Wright
Academic Theory Introduction: Replicating Bodies in Nineteenth-Century Science and Culture by Will Abberley Viewpoint: Transatlantic Scholarship on Victorian Literature and Culture by Isobel Armstrong Theories of Space and the Nineteenth-Century Novel by Isobel Armstrong The Higher Spaces of the Late Nineteenth-Century Novel by Mark Blacklock The Shipwrecked salvation, metaphor of penance in the Catalan gothic by Marta Nuet Blanch Marching towards Destruction: the Crowd in Urban Gothic by Christophe Chambost Women, Power and Conflict: The Gothic heroine and “Chocolate-box Gothic” by Avril Horner Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage by Maria Antónia Lima ‘Thrilled with Chilly Horror’: A Formulaic Pattern in Gothic Fiction by Aguirre Manuel The terms “Gothic” and “Neogothic” in the context of Literary History by O. V. Razumovskaja The Female Vampires and the Uncanny Childhood by Gabriele Scalessa Curating Gothic Nightmares by Heather Tilley Elizabeth Bowen, Modernism, and the Spectre of Anglo-Ireland by James F. Wurtz Hesitation, Projection and Desire: The Fictionalizing ‘as if…’ in Dostoevskii’s Early Works by Sarah J. Young Intermediality and polymorphism of narratives in the Gothic tradition by Ihina Zoia
In Defence of Scottish Gaelic just reached 3K views!
How class is that?!
Chaotic academia is
1.) Intense obsessions that last maybe two weeks but consume your soul
2.) Spacing out in class but loving to learn
3.) Swearing and slang while discussing deep academic topics
Literally the only three things you need to know about Jane Austen
1. Her first major novel (Northanger Abbey) was written solely because she was so salty about how dramatic and cliche and formula Gothic novels were. You know what I mean. Every castle is foreboding. Every villain is awful but can’t bring himself to kill the heroine because she’s Too Pure. Every middle-aged female companion wants to do the heroine in. The heroine is Pure and Perfect and Is Good At Everything Young Women Should Be and recites quotes and/or the Bible whenever she’s in danger and that makes everything better. All butlers are evil. Jane Austen wrote a book specifically to go “THIS is how NORMAL people react to things!!!”
2. “She never changed her opinion about books or men”
3. “As a girl she wrote stories, including burlesques of popular romances” and you know what that means. Jane Austen started off writing smut fanfiction. If that’s not writing reassurement that you can be great no matter what you choose to write, I don’t know what is.
(Both quotes from the Penguin Classics version of Northanger Abbey)
I don’t really know how to describe this feeling other than stressful, so I decided to draw it
Please let me draw and “sketchnote”
Ugh I know it
“If you’re drawing you’re not listening.” Absolutely untrue!! It’s ‘optimum arousal’. It’s why people can sing along to the radio while their driving to work and not worry about missing turns, but they need to turn down the music to navigate to a brand new address. Driving to work has become muscle memory and you actual need an outside stimuli to keep you’re brain paying attention. You need more brain power to navigate something new, so the music is now a distraction.
Same thing with people who listen better while doodling. If you’re an auditory learner you need something to occupy your vision and kinestics to optimally listen to what you’re supposed to learn. Auditory learners listen better when doodle- fact!
(fyi- I’ve been a teacher for 16 years. I know what I’m talking about.)
Someone in facebook also posted this too
Omg
Mediglyphics
This shit’s infuriating
Oh, this is a type of shorthand!
There are 3 main types, but from my research, this looks to be American Gregg Shorthand.
As you can see, there are set symbols for every letter.
Let’s break one of the words down:
Using the Gregg Alphabet as reference, we can see most of the letters in “atrophied” are present. But why no “o” vowel, and why is “ph” written as “f”?
Simple. In shorthand, you cut out all vowels in a word when writing it down, with the exception of words that BEGIN or END with a vowel (hence the “a” at the start being present), or like in the “i” in “atrophied”, to make it more readable when the sound could be harder to distinguish if it isn’t written. In “atrophied” if the the “i” isn’t written, it could be hard to tell if the writer meant a “fud”, “fad”, “fod” or “fid” sound, for example.
Also, since Shorthand is a phonetic writing system, you are encouraged to write down the phonetic sounds of words rather than the actual letter blends - in this case, write an “f” instead of a “ph”.
So in actuality, these aren’t just meaningless scribbles - it’s Gregg Shorthand, a writing system developed to take down notes more quickly than when written out in full, which is very useful in a medical or journalistic environment.
Some people can even write over 100 words in a minute! And, it’s been in use since John Robert Gregg invented it in 1888! Wow! So old!
Isn’t language amazing~?
GRIAN-STAD AN T-SAMHRAIDH
’S e Grian-Stad an t-Samhraidh a th’ ann an-diugh.
[It is Summer Solstice today.]
🎧 Faidhle-Fuaime le Learn Gaelic: http://bit.ly/2WX7uFj
#GrianStadAnTSamhraidh #Gàidhlig #UairÀirdeNaGréine #GrianStad #2019 #AnTÒgMhios #BliadhnaEadarNàiseantaNanCànanDùthchasadh #Cànain #Languages #InternationalYearOfIndigenousLanguages #IYIL2019 #EndangeredLanguages #IndigenousLanguages #Languages #ScottishGaelic #Gaelic #SummerSolstice #Solstice #Midsummer #Canva #CanvaLove
Are there any options for me if I wanted good quality poems but I don't have the money to subscribe to lit mags?
I’m not sure what you mean by good quality since that is subjective but here’s a list of online lit mags and some pay lit mags with free online content. Also, some poem of the day/week sites & some big sites that post work from the books of contemporary poets and poetry from lit mags.
Lit Magazines/Journals
The Felt
The Offing
Winter Tangerine
The Adroit Journal
BOAAT
Black Warrior Review
DIAGRAM
ANMLY
Tinderbox
Auburn Avenue
Asian American Writers’ Workshop
The Rumpus
Cosmonauts Avenue
wildness
Triangle House
Poetry Northwest
SWWIM
The American Poetry Review
The Baffler
AMP
Blood Orange Review
Glass: A Journal of Poetry
Figure 1
The Puritan
Guernica
Nat. Brut
Big Other
Blackbird
The Pinch Journal
Four Way Review
Scoundrel Time
Lunch Ticket
Thrush
Sixth Finch
Inverted Syntax
Bennington Review
Small Orange
Tupelo Quarterly
Quarterly West
New Delta Review
Literary Hub
AGNI
Vinyl
Underbelly
Underblong
The Poetry Society
Puerto del Sol
Aster(ix)
Blush
jubilat
Kenyon Review
Parenthesis
West Branch
Granta
Waxwing
The Boiler
Washington Square Review
The New Yorker (articles/poems limited)
The White Review
London Review of Books
Poetry
32 Poems
Third Point Press
The Indianapolis Review
Duende
The Brooklyn Rail
Pidgeonholes
Southeast Review
Burning House Press
Queen Mob’s Tea House
Alegrarse
HEArt Online
tenderness lit
The Believer
Hairstreak Butterfly Review
Frontier Poetry
Yes Poetry
Nashville Review
New England Review
Columbia Journal
Gigantic Sequins
Territory (seizure warning)
Entropy
Whale Road Review
Kissing Dynamite
Rascal
Quiddity
Honey & Lime
Yalobusha Review
Harana Poetry
Passages North
The Threepenny Review
Homology Lit
Rogue Agent
Poem of the Day/Week, Etc.
Split this Rock
The Slowdown
Poetry Daily
Poetry Society of America
Griffin Poetry Society’s Poem of the Week
Poem-a-Day
poets.org
Poetry Foundation
The Missouri Review’s Poem of the Week
Dusie’s Tuesday Poem
Vandal Poem of the Day
Poem of the Day
Love’s Executive Order
How to study when feeling overwhelmed
Overwhelmed has been my surname for the past week and a half. I feel like I’m drowning in all the information I have to study in a very little amount of time (thanks @ past me for procrastinating like there was no tomorrow ha! get it?), so I wanted to share with you the little mental trick I use to be able to focus and study when my brain feels like it can take no more.
1. Stop. Worrying. Adopt a pragmatic point of view: worrying is not going to help at all (it might even hinder your progress), so just take a moment to acknowledge your feelings and then shut them down or toss them aside. Write it in a piece of paper and then crumple it and shred it if you need a more physical feeling. Just let go of those thoughts.
2. Grab the first page of the material you have to memorize/work on. Just that first page. If a page is still too much, divide it into smaller chunks (half a page, one quarter, a paragraph, even a sentence will do).
3. Memorize it.
4. Cheer for yourself and the little time it actually took.
5. Keep on studying.
The reason I think this works is because of two reasons. First, it lets you focus on a manageable task, and second, it gives you a sense of accomplishment that lets you continue and staves off your worries.
Of course, the ideal situation is to never find yourself in this situation, but oh well, life happens.
Happy studies!
