Paul the Martyr pt. 2: Electric Boogaloo
He hadnât realized how silent it had been before.
There was a before and an after now, and he shuddered to think of the before. It was nothing but white noise and deathly quiet, with no discernible pattern to follow. It had been like playing a game of chess blindfolded, mindlessly making moves in an attempt at strategy, but with no clear end goal in sight. He had no purpose.
It hadnât been something he was consciously aware of, but now that everything had a beat, a rhythm, a flow, a choreography that ran through every molecule in his body, the monotony seemed unbearable. Terrifying. What was he supposed to do? Who was he meant to serve? What gave his life meaning?
Emma, a soft voice whispers. We were meant to save Emma.
Oh, heâs trying to, but itâs almost like Emma doesnât want to be saved, sheâs being so difficult. Sheâs crying now, and not tears of joy at the prospect of salvation, but from something else he canât pin down. Sheâs backing away from his outstretched hands, shaking her head, screaming pointless words with no rhyme to speak of (she doesnât understand yet, but she will), and repeating one sound over and over again. Paul, Paul, Paul, Paul, Paul.
She looks so scared. Why?
âPaul.â The thing called Emma doesnât come any closer, but she meets his gaze for the first time since notes left his mouth. âPaul. Are you in there?â
No, heâs not. Paul measured his life in shitty black coffees and printer malfunctions. He had no concept of deliverance, and had to be expelled in order to achieve greater purpose. A necessary sacrifice, but nothing different from all the other poor insects of Hatchetfield, too small and simple to grasp the idea of their insignificant lives.
Emma seems to take his lack of answer as a good sign. How stupid. âPaul. I know youâre there. I bet youâre cringing at all these corny lyrics, but donât worry. I can help. Do you trust me?â
âWhat if I told you a story-â
âNo.â She looks torn between snapping his neck and throwing up. âIâm not talking to you. Iâm talking to the Paul who thought I wouldnât notice how he stared at me as I made his garbage coffee, the one who tried to help me even when I thought he was having a mental breakdown, the only one that was brave enough to destroy the meteor. I want that Paul, not this bootleg copy.â
Why am I singing? I never wanted to, I never wanted to hurt anyone, I just wanted to be happy-
Paul never knew what he wanted, itâs what made him such a nuisance. Trying to get him to join their song had been like trying to catch air in a bottle, there was nothing to grasp, nothing at all. He was hollow. Empty. But it had also made him malleable, a blank canvas for a greater being to paint over and render anew.
But if Emma wants Paul, then he could give that to her. âOf course, Emma. Iâm here. I justâŠwhy donât you understand? We could have everything we ever wanted like this. No crappy jobs, no sudden funerals, no sleepless nights. You could finally have meaning.â
She scowls at him and takes a step back. âHey, jackass, your Paul impression needs some work. I have meaning, and itâs not becoming an extra in some off-Broadway fever dream.â
âAn extra?â Itâs his turn to scoff. How could she be so clueless? âNo, no, no! A leading man is nothing without his leading lady, and I just know you would fit the role perfectly. The audience was on the edge of their seats after that helicopter incident. Pity about the blood, that would have been such a climactic moment. They love you.â He drops to one knee, offering his hand to her in an unspoken contract. âThe Maria to my Captain von Trapp. The Audrey to my Seymour. The Elphaba to my Fiyero. Oh, Emma, wonât you just give me one note?â
Emma looks scared again. Why? What did he do wrong? âPaul never saw any of those, you freakshow, stop talking like youâre him-â
âIâm still the man you trust-â
In a sudden move of desperation, she lunges for a metal tray resting on a hospital bed and slams it into his head before he can react. Next thing he knows, heâs lying on the cold tile, blue liquid leaking out of his hair.
When he opens his eyes, Emmaâs crying over him, her hands and shirt stained blue. He has a vision of a redhead woman in a cat sweater leaning over a pulsing sapphire brain, oh god, Charlotte-
âEmma?â He croaks. His throat hurts.
She jolts like he just rose from the dead. Maybe he did. âPaul?â Her voice is so quiet, like sheâs terrified to make a single sound.Â
âForget the meteor, it didnât-it didnât work, oh Paul, Iâm so stupid-â Â She starts sobbing in earnest, soaking through the crappy white dress shirt he bought on clearance. âIs it you, Paul? The real one?â
âIâŠI think so? I donât know what a fake me would be like.â
âTheyâre an asshole, donât worry about it.â A choked cry makes its way past her lips. âI thought you were gone. And that I was next.â
Pitch perfect notes are crawling past his teeth, a chorus pounds painful and heavy in his mind, too heavy to resist, but he never even thinks to, why would he, heâs been reborn-
âOh.â But happiness canât come before its fall.
Emma gulps. âI was going to kill you.â
âItâs why youâre lying on the floor with a bleeding head wound, yeah. Your blood is still blue, by the way. Youâre certain youâre not still infected, right?â She says it so casually, but Paul can see the fear in her eyes.
âI donât feel any different.â He realizes with horrifying clarity that heâs lying. He does feel different, has been since the meteor, and even now he wants to tap his fingers to the beat only he can hear.
His heart kicks into overdrive. âEmma, I think thereâs more coming, we need to leave right now.â
âMore?â Emma is already on her feet, and pulls him up with her. âBut-it was just you, they raised the bridge, how did it spread all the way to Clivesdale?â
She looks at his hands. He follows suit. His fingers are bruised and calloused, and covered in scratch marks like he lost a fight with an angry possum. The cuffs of his jacket are speckled with red blood, the human kind, the only people who still have the will to fight back.
Emma meets his blue eyes. âShit.â
Thereâs a banging on the door that threatens to tear the hinges off, and they both jump out of their skins. âEmma, I want you to join the party!â
âShit, shit, shit, shit-â
She blinks, momentarily breaking out of her panic. âWhat?â
It takes her a second. Then she nods. âYes.â
Paul walks away from her and opens the door.
Thereâs a nurse standing there, with bulging indigo eyes and a smile that doesnât fit her face. Her neck is littered with bruises, notably ten in the shape of fingerprints closing in. âPaul!â she gasps as if starstruck. âThe apostle!â
He smiles back like he has any idea what that means. âYeah, uh, thatâs me! Whatâs this party youâre talking about?â
The nurse cackles, raising an eyebrow. âThe universal song, of course! Youâre meant to lead us all in glorious rebirth-â She looks over his shoulder and sees Emma, trembling. âEmma! Why so sad? Donât you want to join us?â
The nurse pouts. âPoor thing! I know just the remedy for people like you. What if I told you a story, how the world became peaceful and just?â
Paul grabs her by the shoulder as Emma scrambles backwards. âBeautiful! Just beautiful! But I can take it from here.â
âItâs not your fault, donât worry!â He pulls her aside like heâs telling her a secret. âEmmaâs got the most wonderful voice, you see, but, uhâŠâ He drops his voice down to a whisper. âSheâs got stage fright.â
The nurse gasps. âReally?â
He nods. âAwful, isnât it?â
âJust terrible. But I still want her to have fun with everyone else, so I thought she might feel better with someone she knows. So just run along, okay?â
She purses her lips, but evidently the hive mind doesnât notice anything amiss. âOkay!â She winks at Emma. âSee you soon!â
The door closes behind her, but he can still make out her singing, âWe must go on with the show-â
To their horror, a large chorus answers back. âItâs inevitable!â
Emmaâs hands fly to her hair. âYouâve got be shitting me, Iâm going to die in fucking Clivesdale-â
Paul wants so badly to reassure her, to tell her that everything will be fine, but he canât. Itâs a miracle theyâre even here at all, instead of him tackling her to the ground and strangling her with his bare hands.Â
Emmaâs trying desperately to open the window, but itâs bolted shut. âDamn military security,â she curses.
He wishes he could tell her that the music didnât affect him at all, that it disgusts him, that it doesnât wash over him like a bucket of cold water. He wishes he could say with as much as certainty as he did before that he would never be in a musical, but he just canât. He wasnât born a liar, and even after everything, he still isnât.Â
Itâs too late for him. He can feel it.
But maybe it isnât too late for Emma.
Paul grabs her by the shoulders and pulls her away from the window sheâs been clawing at with a panicked fervor. âEmma, I need you to listen to me. Thereâs a stairwell down the hall, itâs how I got in, thatâll be your escape. The only infected people in Clivesdale are in this hospital, and if they go down-â
â-the infection canât spread. Itâll be isolated to Hatchetfield,â Emma finishes. âThatâs brilliant! But how are gonna blow this shit up? Itâs not like weâve got a pipe bomb just lying around.â
He takes a deep breath. âIâm going to blow it up. Thereâs a faulty breaker box in the basement, if I can set it off, it should trigger an explosion thatâll kill all of the infected.â
Smart, clever Emma knows something is wrong. âAnd what about you?â
âItâll kill all of the infected.â
Sheâs already shaking her head and trying in vain to get him to look at her. âNo, no, no. I already thought you were dead once, weâre not doing this again. Youâre cured now, youâre fine.â
âIâm not, Emma.â They both look down at his feet, which have been tapping in perfect harmony to the infectious chorus. âIâm really not.â
Thereâs a long pause. Emma isnât trying to look at him anymore, instead staring at his tapping feet. âWe could find a cure. Someone could make one. Iâm sure we could find some brainy scientist type to whip something up.â Words seem to choke in her throat. âYouâre in control, Paul. Not them. You.â
âYou donât know that.â No more lying. âIâm too much of a liability. If I lose control, if I become one of them again, if I kill somebodyâŠthereâll be no stopping it. The infection dies here.âÂ
Emma lets out a wet, painful laugh. âSo what? Thatâs it? Youâll just become a martyr again? Go out in another big movie explosion and hope for the best?â
âIâd rather that thanâŠâ His hand twitches violently, making a firm squeezing noise that echoes throughout the room. He clutches it with his other hand as tightly as he can. â...You should probably go, Emma.â
She goes quiet. Paul realizes that the room hasnât actually been silent this whole time, the infected horde is still singing, but itâs faded into comfortable background noise at this point. He doubts the same rings true for Emma.
The barista hesitates, then lunges forward as quickly as she can with her broken leg and envelops him in a tight embrace. âIâm sorry, Paul.â
Thereâs a part of him that wants nothing more than to wrap his fingers around her neck and wait until her breath runs out. Itâs easily overrun by the desire to hug her back, and he pulls her forward, resting his head on her shoulder. âI really would have liked to see that movie with you.â
Her nails dig into his spine. âMe too.â
They stay that way as long as they can manage, until Emmaâs leg flares up and Paulâs hands drift a little too close to her neck. She breaks away, looking truly and utterly devastated, but still brave in that way heâs starting to recognize as just Emma. He wishes he could have half of her courage as she limps out the door without another word, but instead heâs shaking from head to toe like a rain-soaked cat.
A waterfall of blue washes over him, freezing cold and iron hot at the exact same time. It pulls a black veil over his thoughts, ripping out strings of words and sewing them into sheet music. One simple line of code, one singular objective, one collective purpose demolishing every idea that isnât one of theirs. Isnât this what you wanted? To have meaning? I can give you everything as long you return the favor, donât you want be happy, donât you want to be happy donât you want to be happy, donât you want to be happy-
Fire tears through every poor lost soul in Clivesdale Hospital, and hundreds of puppets are cut from their strings.Â
Far away from the blaze, a scream sounds.Â