I honestly don’t think I can tell whether I’m depressed or not anymore
Then why are you WORRYING about it. Go out and have a single scoop of vanilla ice cream.

shark vs the universe
YOU ARE THE REASON
taylor price

izzy's playlists!
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ojovivo
sheepfilms
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Stranger Things
NASA
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art blog(derogatory)
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Noah Kahan

Discoholic 🪩
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
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@idunnothiseither
I honestly don’t think I can tell whether I’m depressed or not anymore
Then why are you WORRYING about it. Go out and have a single scoop of vanilla ice cream.
#me sending this to everyone I know who’s from Toowoomba
So like four people
Says the person from Mt Gambier
Hey we're the second largest population centre in the entire state
Don't look up how populated our state is overall that's not important
For anyone confused according to the 2021 Australian census Toowoomba has 6x as many people living there as Mt Gambier. 162,059 to 26,878.
Oh sure if you want to do NUMBERS about it
Looks like this post is starting to do numbers, eh?
#at this rate this post might to do more numbers than Mt Gambier
Hey,
posts that have 26,879 notes to me
A strange thing about stories -- Though this all happened so long ago and so far away that words cannot describe the time or the distance, it is also happening right now. Right here. It is happening as you read these words.
- Matthew Stover, Revenge of the Sith
hello google chrome refugees
don't use any of these browsers, they're also chrome
Here are my favorite firefox plugins for security/anti-tracking/anti-ad that I recommend you get
please get off chrome google is currently being investigated for being an Illegal Monopoly so get outta there okay love you bye
Sound on
He always fits
"" "" "" "" "" ""
Little 20 min doodle. Idea from Bug_On_The_World_Wide_Web on ao3 whose comments on my fic had me in stitches. The puppy eyes worked
Thought hey I should probably chuck some art on here for once so here's some of my recent coursework:
I'm kind of exploring identity (or lack of) and the idea that identity comes from other people, or the world around you, but no matter how many pieces of identity I steal I still feel like there's nothing actually there. Hence the silhouettes. And the three colours, with the idea that light (red, blue, and green) when pointed at the same place make white. The more colour you add the less you end up with. The text in the shadowbox mock up is negative things people have said to me that stuck. I'm considering how we remember negative experiences better than positive ones, and the idea that (because everything i remember from childhood is negative words) healing, or trying to remove those negative ideas, leaves nothing else behind.
Very angsty, not everything I feel at all. I try to be positive, but this was a particular feeling of constructed emptiness that I really wanted to get across.
I am learning to imagine the future:
My sycamore tree began life in the gravel at the edge of a parking lot. If trees can feel pain, that is a painful, unlucky death. I carefully dug it up and put it in a pot I made out of a disposable cup.
Hello small one. This world may be cruel, but I will not be.
I decided to take care of it, not expecting it to survive, and when my sycamore tree unfurled one tiny leaf and then another, it chiseled a tiny foothold in my terrified brain, the kind of brain that doesn't remember a world before the atomic bomb and before 9/11.
I googled the lifespans of trees. My neurons had to stretch and expand to accommodate what I learned: My sycamore tree may live five hundred years. It's hard to think something so big. In twenty years, my baby sycamore tree will be three stories tall, and the home of many creatures. In five years, my sycamore tree will be taller than I am. In one year, it will be summer.
There's this concept called sense of foreshortened future where people who have lived through trauma can't conceptualize a future for themselves because deep down they don't expect to survive, When I look forward, all I see is fire and death, melting ice and burning sky. We were raised Evangelical. All we see is Judgment Day, except there is no heaven.
But now there is a tiny gap in the wall, a crack in the door of my cell
and on the other side, I see a tree
There is, in the future, a great old sycamore tree, full of clean winds and the stir of a thousand wings. A hundred years from now. Fifty years from now. There will be forests in that world. There will be a world.
It takes courage, but we have to imagine it.
Most tree species can live in excess of three or four hundred years. I think I'm learning something. I think there are ancient voices saying hello small one, touch the dirt and the leaves, for now you are part of something that cannot die
in 2030 I will be thirty years old and the world will not have ended and there will still be hummingbirds, and we will have photos of the stars more beautiful than we can now imagine.
I planted an Eastern Redcedar; they may live nine hundred years. There will be nine hundred years. The people in that time will remember us. Maybe we will meet the aliens (hi aliens!).
I will blow out the candles on many birthday cakes in a world where there are wolves in dark forests far from home. I am learning to imagine the future. I learned recently that elk were reintroduced to the Appalachian Mountains after over a hundred years of extirpation, and that they are expanding their range.
That tiny crack I can see through now opens a tiny bit more:
Maybe elk will pass through my hometown, maybe there will be a forest where the pasture is on the high hill that I can see from my home
say it, say it, say it: ten years, thirty years, a hundred years from now
I am learning to imagine the future. There is a crack in the wall of this prison, of this machine, of this darkness, and through it, I see a tree.
So this comic I'm doing is a whump comic, based on writing i did for whumptober last year, and I thought y'all might like this wip screenshot from one of the panels
very not finished, but also... y'know... kind of our thing? and before you all worry, there is more blood to come. this is only from the second page that she's on
she's called Eris and i love her very much (aka she suffers)
So I'm using @abimee as a style study for art class right now, and my next step in this project is basically just drawing a comic til I run out of time and the exam projects are released. I started with a piece of writing I did for whumptober last year, and drew 7 sides of a comic based on just the opening as a practice, originally in my own (?) lazy style. I then did some work based on abimee's art, and he very kindly gave me feedback on that, which my art teachers were soooooo excited about, so I went back to those first seven pages and redid them (over the same sketch) trying to follow abimee's feedback.
Anywho, here they are:
I focussed on adding texture (side #2 is my favourite for that) and letting my lines go where they wanted to rather than sticking really close to my sketch or anatomy.
Overall, I'm pretty happy with how they turned out! I think I'm gonna keep working on texture as I continue with this comic, and make sure I keep referencing abimee's art in terms of how the linework looks. I recon this is about halfway between where it was and where I wanted it to be
opens box that reads "i wanna draw again". inside lies a note. the note says, "mental illness and difficult circumstances have taken years of interest, accessibility, and skill away from me. i want to forgive myself for that. i want to heal my relationship to my hobbies. i want to feel connected to something that once made me feel good, but the cyclic discouragement is difficult to overcome." i turn over the note. on the back it reads "wannta drawe sexy bodies awooga"
seems like this one really resonated with the artists who dont do art fandom
Idk man it’s so easy to get bogged down in all the bullshit online but when my then-6 year old cousin found out I was trans he said “ok” then corrected my grandma when she misgendered me. I was once the third between a gay man and a lesbian. Two lesbians once invited me back to their place when I presented as a man. I met an AMAB nb butch who looked strikingly to outsiders like a cis man and it was one of the more sapphic experiences I’ve had. I nervously wore a boydyke shirt to pride and got 3 different cis-looking femme folks tell me they loved my shirt. I once told a trans group at a protest that any pronouns were fine for me and one person said “wow, I’m impressed and intimidated by people like that. I don’t know that I could be that chill with pronouns.” I once told a GNC friend I wished I could wear a type of “opposite” gender clothing after I had already transitioned and so it would be associated with my AGAB and he said “You could just do it.” I’ve had cishet men fight cops for me before. The first time I had a doctor ask me if my name was different than what was on my forms I had to try not to cry. Last week, a phone call with a doctor’s office where I am generally cis passing asked unprompted if my name listed is what I want to be called. It touched me then too. I told a lesbian friend once I felt like my attraction to men AND women both felt gay. She said “makes sense.” And we moved on. I go by different pronouns in different circles. I’ve had gay women love my facial hair. I’ve had gay men like my tits. It’s all out there, I promise. It can be hard to find it but I promise there is community like you and community who likes you. And it’s more messy and beautiful than tumblr discourse makes it out to be.
These are from the last 8 hours only. And not all of them.
We're here! We're here we're here we're here!
Check the notes! There are so many of us and so many who love us.
Queer love, baby!
Check the notes! There are
so many of us and so
many who love us.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
thinkin thoughts! this one’s called “niche market”
seeing everyone’s tags on this over the years makes me so emotional. I made this when I was 22 and just starting hrt, and I was so worried I’d be single forever because I wasn’t an easy fit. I’m happily married now and very glad I am who I am. sending endless love to all the other basement ska shows
Finally got to the point in my project (I'll get around to uploading photos eventually) where I'm doing a style/colour study of @abimee 's art
These first two are in progress transcriptions of two of his pieces
And the others are my first sketches attempting to follow his style. In definitely going to do more, and am moving on to colour next, but for first attempts I'm happy with how they're going so far!
If anyone has any feedback/recommendations, I'd be really happy to hear them!
oooo i really love this !! im super honored to be the person you wanted to a style study on, andwhile i have no technical form of art training and so a lot of it goes over my head, if it helps i can give some insight on my own style if it helps in your study :---D
the first part i like to focus on is the construction of the hair; rather than look at the hairstyle as a whole body that flows within itself I take it from the root/hairline and out/down depending on the cut of the hair. I put a lot of emphasis on giving the hair a sense of depth and thickness by defining strands of it or seperating out chunks, and typically go from a front-to-back line so that hair that should be from the back doesnt seem to be ''melding'' into hair from the front. You got the idea down wonderfully, and if you want to recreate my style even more you can focus on making a noticeable hairline and making a few marks for sideburns (the hair that grows in front of the ear!)
you also got how i draw folds down really well, I really like giving clothes folds while also focusing on a relaxed shape for them -- rather than molding clothes to the body I like to focus on a mix of sharp and soft edges, of folds and billows. The middle image I really like because you got that down, the flat front with no shading or creases besides some small ones near the sides looks really good
and the only other thing I can really talk about without going really in depth in the ''skin'' of my art style --- i really like using lines and marks to give people a texture in my style, something I never really saw a lot of other people doing back when I was making art, so I think that's what really helped me stand out. It doesn't even really have to be for specifics like acne, I use hatching on the body to show where even the slightest of blush or texture could end up, especially on the elbows, cheeks, it could be for hair or scrapes or even just to add a little shadow to that area. I think that's something that really defines my style, and even gravitates towards clothes and hair in my art to give it this like, worn, carved feeling i think
above all else a big definer of my art is that i do not sketch out the skeleton of the piece before drawing, but go straight into the shapes of everything (including details), so there's no like ''structure'' or ''support'' to my pieces
I look at everything by its shape and how those shapes touch/fold/gather over each other, and I like to build off of that in broad strokes --- it shows a lot with the way my lines flows, how there lacks a rigidty or defining ''flow'' to the pose and is more like a melty quality if i can put it in a weird way. Fingers elongate in weird ways and thighs are a lumpy shape, bumps and rolls appear all over.
broad strokes and lots of use of ''gooey'' shapes really defines my style I think, even in my traditional penciling it looks a bit different from digital but you can still see this raw, one-take look to it with all
i hope this made any sort of sense and helps in your study!!! and i wish you all the best!!!!!!!!!!! :-------------------------D
Oh!! That's so helpful!!! Omg thanks so much!!!