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Poem @chucktaylorupset
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@imaginarydromedary
Original post
Poem @chucktaylorupset
(nods sagely) (nods basily) (nods rosemarily) (nods saltly) (nods star anisely)
The original flag, by Gilbert Baker, June 25, 1978.
Hello bisexual community
Begin killing
Pocket size
Beyblade heavyweight division
This is the most unsafe thing I've seen in a while
@osha-unofficial
back in the 60s they let you do this on airplanes
Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.
While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.
On some of the uncredited dialogue and story revisions for Star Wars:
On some of her work in Star Wars:
On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:
On her uncredited work in The Empire Strikes Back:
On how her input changed the ending of Raiders of the Lost Ark:
On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:
On editing the climactic ending in the Throne Room in ROTJ:
in Finland, it is illegal to kill a bear when it’s hibernating. If you ask a hunter why that is, a number of them will tell you it’s wrong simply because it is the law, and they don’t make a distinction between what is right, and what is legal. Most people like that are perfectly normal, decent and respectable people, just like the rest of us.
But if you ask people who think about things, the answer is vague. Killing a hibernating bear would just feel… impolite? You can’t fucking shoot a man when he’s sleeping, that’s just fucking rude. It’s just not the right thing to do.
Long before hunting laws were established in Finland, you couldn’t kill a sleeping bear, and what commands you is something older than law: tradition. Even at a time when hunting was a matter of life and death, and a bear fighting for its life is mainly a matter of death, you just didn’t kill a hibernating bear, you have to wake it up first. Hunters risked their lives, the lives of their brothers and everyone in the hunting party, who were friends, family and men that they loved, to give the bear a fighting chance.
In the modern time, the hunting season of bears is in the summer, for the warmest summer months. There are many reasons for why they are allowed to tread safely in autumn and to sleep in peace through the cold months, almost all of which are rational and scientific, and do not touch the old traditions.
Old faith says a living thing has many souls - henki, luonto, itse. Plants only have one - the one that wills them to grow. Animals have two, both the spark of life and nature that enables them to act. A human being also has the third, one that makes them a person, personality, itse, literally “self”. But the soul that travels in your dreams is not the soul that defines a human - animals have that one as well. When your dog runs in her sleep, her soul is elsewhere, where a dog is needed.
One’s waking soul is elsewhere when they sleep and dream. A bear’s soul is somewhere else when they are hibernating - there are two words for “hibernation” in finnish, one of which is talviuni, “winter sleep”, and that is the one that bears have - and if you kill a sleeping bear, their soul is not in the body, it is still out there, and it can find you, and as a revenge for killing its body, Ghost Bear will kill your entire fucking family.
WET BEAST WEDNESDAY
one of my favorite wet beast for this wednesday
#mybal
RIP to the legend
This goose fucking rocks and had a crazy life!
I really just have to summarize Thomas's entire life:
He was in a committed relationship with a male swan named Henry for 18-24 years before a female swan named Henrietta showed up and mated with Henry.
Thomas was initially jealous of the pair and attacked them, breaking 2 of the 5 eggs Henrietta had laid. However, once the remaining eggs hatched, Thomas warmed up to them and helped raise them.
Henry couldn't fly because of an injured wing, so Thomas taught the cygnets how to fly.
When they needed to reduce the goose population in the pond where Thomas and the swans lived, they dyed Thomas's feathers red so he wouldn't be separated from Henry.
Henry, Henrietta, and Thomas remained in their happy throuple for years and raised 68 cygnets before Henry died in 2009. After Henry's death, Henrietta found another swan and flew away, leaving Thomas alone.
Thomas finally met and mated with a female goose in 2011 and had his own babies. However, another goose named George stole them and raised them himself.
As Thomas grew elderly and blind, he was relocated to a wildlife center where he raised orphaned cygnets.
His caretaker at the center described him as "pretty high maintenance."
Thomas died in 2018 at the age of around 40. He had a funeral that included a small coffin and a procession that was led by a bagpiper. He was buried under the stone where Henry was buried, the two finally reunited in death.
Before and after his death, Thomas has been celebrated as an icon of the LGBTQ+ community for obvious reasons.
I had this freshman tell me she “couldn’t” audition because she was too scared of the stage, and might have a panic attack. I asked how she felt about walking around onstage in costume and not saying any lines. That was fine. I was like okay awesome let’s lay some groundwork now and maybe senior year you can have like three lines!
I remember this kid who came into an audition and froze up, just couldn’t speak. Competent reader and speaker but when people were watching she couldn’t do a thing.
We cast her anyway, in a chorus role. Offered her lots of support and encouragement and kindness and grace.
At the next audition she whispered. Anyone who had never seen her before would have thought she was the most nervous kid there. But the directing team was abuzz afterward. Did you see? She did it! Once or twice I could actually almost hear her! Amazing.
Got cast again, in a chorus role. She’d been making friends with the other kids, and they offered her encouragement too.
And the next audition we said wow I can hear her! She’s speaking! Let’s give her a handful of lines! She can do it!
Anyway as a mentor in the performing arts these things are huge wins for me. Some kids are competent and confident performers at 7 or 8 almost by nature. Others, even much older kids and adults, have to make progress by inches. But progress is exciting! The only place to go is up!
If a student is encouraged properly, theatre is one of the best sources of self-esteem, self-reflection, and both spontaneous and rehearsed eloquence/comprehensibility that there is. It truly could be considered a cornerstone for communication disciplines of all kinds if it just attracted the right people to teach it. (Unfortunately a lot of people are attracted to directing for a sense of power over others, and not an interest in mentoring and coaching.)
for whatever reason im not so sure
I don't care if they're the highest grossing movies on planet freakin Earth, you say "Avatar" and everyone and their mom still thinks that bald little bitch and his magic cow. Soggy James can keep his millions, he'll never have the streets.
I love that opera sits in this limbo where it's extremely well-known but not really beyond a surface level recognition, so you get commercials for makeup or whatever to the tune of the I Hate Women So Much It's Unreal aria
#in the first bridgerton book daphne describes her crush feelings as if her heart is playing the queen of the night aria from the magic flute#which i can totally see if you have never found out what the words mean. very high and fluttery.#but the lyrics are along the lines of THE VENGEANCE OF HELL BOILS IN MY HEART. IF YOU DON'T MURDER THAT MAN I WILL DISOWN YOU.#and i laughed so hard i had to put the book down
via @tophatandboots
oh my god??
@lymeandcoconut
#lmaooooo #my fave is that episode of white collar where neil is doing a theft #and the music they play over it is leporello's 'here's the list of all the hundreds of women my boss has fucked' aria from don giovanni #it's supposed to just sound grand and sophisticated but the guy is singing about how DG fucks tall women short women #fat women skinny women princesses and peasants he fucks them all! #and here's the numbers broken down by nationality! #he's fucked over 1000 women in spain you know!
#oh and he's singing all this to a former conquest who tracked DG down because he promised to marry her then ditched her #anyway it's a lot
This doesn't work on ducks because they can always get in a quack