trying on a metaphor
Sade Olutola
AnasAbdin

Discoholic 🪩
occasionally subtle

@theartofmadeline
Misplaced Lens Cap

oozey mess

if i look back, i am lost
Lint Roller? I Barely Know Her
KIROKAZE
No title available
ojovivo
Monterey Bay Aquarium

Janaina Medeiros

Love Begins
let's talk about Bridgerton tea, my ask is open

izzy's playlists!

JBB: An Artblog!

Kaledo Art
seen from Malaysia

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@inkpretzel
Czeslaw Milosz, from "Ars Poetica?"
pekka jylhä
not photogenic but i probably look sooo good as a distant memory
My toxic trait is that no matter what I need three hours to myself at the end of the day to do absolutely nothing.
what they dont tell you about those little hand baskets in the grocery store is if you put enough things in them they get heavy
I understand that you were aiming for a morally grey protagonist, but in practice what you've ended up with is more of a moral beige.
@ancient-tree-with-deathwish replied:
how do you distinguish grey from other colours beyond black and wite?
Distinguishing features of moral beige:
The protagonist is constantly agonising over Hard Choices; however, circumstances always conspire to prevent them from actually having to make those choices, so in practice they're just angsting over stuff they might have done.
The text exhibits a recurring pattern whereby the protagonist seems to to have made a Hard Choice, but new information is reliably revealed shortly thereafter which retroactively establishes that whatever they did was the morally upright course after all.
The protagonist's moral impulses are straightforwardly heroic, except in one specific context which lacks any clear real-world analogue; for example, being prejudiced against telepaths.
The protagonist's actions are consistently reasonable based on the information available to them – they're merely operating on bad information basically all the time due to a bizarre conspiracy and/or a series of increasingly implausible misunderstandings.
The protagonist always ends up doing the right thing (for some fuzzy value of "right"), but, like, they're really grumpy about it.
Oliver Johnson (b. 1948, American) ~ Black Velvet, 1985 (Pastel on sandpaper © Oliver Johnson, Artists Rights Society, New York)
[Source: whitney.org]
i will not lie, friends in my phone, i have been imagining affection from time to time
aw what the hell change my leitmotif to a minor key im not driving
you've met me at a very "yeah i'm trying to work on that" time in my life
via cozyvu