DON'T SCARE US LIKE THAT!!!!!!
YOU ARE THE REASON

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@j-gaff
DON'T SCARE US LIKE THAT!!!!!!
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Let's talk about misdirection.
Misdirection in storytelling, through foreshadowing and other techniques, is a powerful tool that can enhance suspense, surprise, and engagement in your narrative and make plot twists more unexpected.
Remember to maintain coherence and avoid contrivances that may undermine the integrity of your storytelling.
Here are some techniques you can use to effectively misdirect readers:
Red Herrings: Introduce elements or clues that suggest a certain outcome or plot direction, only to later reveal that they were misleading. These false leads can divert readers' attention away from the true resolution.
Selective Detailing: Highlight certain details or events in a way that implies their significance, while downplaying or omitting others that might be more relevant to the actual outcome. By controlling what information readers focus on, you can steer their expectations.
Character Misdirection: Use characterisation to mislead readers about characters' true intentions, motivations, or identities. Create multi-dimensional characters who may behave ambiguously or inconsistently, leaving readers unsure of their true allegiances, motivations, or goals.
Foreshadowing: Employ foreshadowing to hint at future events or outcomes, but do so in a way that misleads interpretation. Provide clues that could be interpreted in multiple ways or that lead readers to expect one outcome while delivering another. (See my previous post about foreshadowing for more!)
Misleading Narration: Utilise an unreliable narrator or perspective to present events in a biased or distorted manner. Readers may trust the narrator's account implicitly, only to discover later that their perceptions were flawed or intentionally deceptive.
Subverting Tropes: Set up situations or scenarios that seem to follow familiar narrative tropes or conventions, only to subvert them in unexpected ways. This can keep readers guessing and prevent them from accurately predicting the story's trajectory.
Parallel Storylines: Introduce secondary storylines or subplots that appear unrelated to the main narrative but eventually intersect or influence the primary plot in unexpected ways. This can distract readers from anticipating the main storyline's developments.
Setting: Manipulate the setting or environment to create false impressions about the direction of the plot. For example, presenting a seemingly idyllic setting that harbors dark secrets or dangers.
Timing and Pacing: Control the pacing of your story to strategically reveal information or developments at opportune moments, leading readers to draw premature conclusions or overlook important details. (See my post on pacing for more tips!)
Twists and Reversals: Incorporate sudden plot twists or reversals that upend readers' expectations and challenge their assumptions about the story's direction. Ensure that these twists are logically consistent but sufficiently surprising to catch readers off guard.
Happy writing!
Fucked up how humanity discovered electricity and radiation and made machines and learned to make airplanes and cured diseases and our takeaway isnt that "Some Magic Is Real And Here's Why", but that magic is fake this is big boy science and it's totally not magical
Me upon being isekaid to a fantasy world: you say you dont have magic but you conjured up that frog the other day whats with that
Wizard who spent decades mastering his craft, understands how and why it works, and processes it entirely as a regular part of his day to day life: did you just call creature conjuring magic
Works the other way around too in isekais.
that wizard: and you said you don't have magic in your world but there are lights that come on, that do not use candles or flames or emit any heat at all, the moment that you walk into a room? you don't even have to say anything?
me, squirming uncomfortably: for a while there an earlier version ran off of two claps
the wizard: an earlier version of what? the spell? the spell you use to make the lights come on?
"we don't have a drop of magic in our world", I say, and then I explain how I have flown across oceans, and carry a portal to all the world's knowledge in my pocket, and have domesticated lightning piped to my house along with the water, and it becomes clear to the wizard that what I mean is, "in my world, we only work magic through tools".
character who;s doomed form the start but not because of tragedy or anything but because they're a woman and their writer is a misogynist
I think one of the starkest illustrations of how incoherent Hasbro's goals for Dungeons & Dragons are is that they made the writers take out all the direct references to dragon-fucking in 5E in a bid to render the IP more advertiser-friendly, but still insisted upon keeping a bunch of stuff whose narrative context strongly implies dragon-fucking front and centre in the brand identity, so now the Player's Handbook has gotta play coy about where dragon-blooded sorcerers come from.
"Perhaps one of your ancestors [MADE A BARGAIN] with a dragon, or perhaps you're the first of a new sorcerous bloodline as a result of a [BARGAIN] with a dragon". Yeah, I bet it was quite the "bargain".
I could recognize her by discourse alone, by typing style; I would know her blind, by the way her bad takes came and her fingers struck the keyboard. I would know her under any username. i would know her irl, at the end of the world
Halloween 2023 mood board
I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.
I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.
Then she had a “miserable” 3 more miles to walk to the inn.
Babes she would not MAKE it to that inn.
Are there any other particularly egregious examples?
This book already exists, sort of! Or at least, it’s a biology textbook but I bought it for writing purposes:
It starts with a chapter about freezing to death, and it is without a doubt the scariest thing I’ve read in years (and I read a lot of horror fiction).
This book can be downloaded for free on Researchgate, posted there by the author himself:
The Biology of Human Survival: Life and Death in Extreme Environments
i think you should create things badly and out of your skill range and fail spectacularly at them
You’ve been getting abducted by aliens at night for months now with the aliens performing all sorts of medical examinations on you. But, hey, it’s cheaper than health insurance.
“I think there’s been a mistake. Maybe you’re new here. Can you tell the receptionist that you have Heather Martinson in examination? Or you could just ask Mil’kan’it if she’s here.”
The insectoid alien stared at me for a long moment. It was funny how a look of stunned confusion was so often similar across species. All it included was a strange lack of movement and their eyes, whatever form they took, examining what was in front of them as if it might change into something more sensible. “I… What?” Their chittering translated back to me, as my English had to them.
“The straps aren’t necessary,” I told him, giving him finger waves from both immobilized hands. “Everything goes a lot faster if it’s easy to move the patient, right? And muscle relaxants and anesthesia mess with results. Plus, Mil’kan’it said some of the stuff they use on humans gets put on backorder so often.”
The alien glanced at the data on their tablet and then looked back to me. “If you’ll…excuse me.” With a final glance, they left the room through the automatic doors.
Leaning back into the headrest with a sigh, I stared at the smooth metal ceiling of the examination room in the alien spacecraft, feeling as if I were at the dentist. The biggest difference being that the lights in here weren’t shining directly into my eyes. One of the scientists had laughed when I told him about that issue. I guess when you’ve got a certain level of tech, needing sunglasses to have work done on your teeth would seem hilarious.
They had actually done a couple scans on me over time that took a while, leaving me laying down with nothing to do, but unlike the dentist, the folks here were delightfully generous in entertainment. I’d been able to see two movies so far that had hadn’t even been released on streaming services yet, projected on the ceiling above me. When I explained it was no problem for me to lay there for two hours if I had something to watch, they’d immediately asked me for my to-watch list. Apparently, there was even one special request from their psychology department for a brain scan to be done specifically while I was watching a movie, and the more complex and emotional it was, the better.
The doors smoothly opened, and I heard a familiar voice say, “Heather! How are you?”
“Ixira,” I said in surprise. “I thought you were heading back home?”
The scientist’s antennae flicked in what I recognized as irritation as she came over and used her graspers to unlatch the straps on my wrists, ankles, and forehead. “I did. Then I came back, because apparently this place falls apart without me. It’s a whole mess, forget it.” I sat up, stretching. “I’ll be off on my vacation for real soon enough.”
“All right then. Introduce me?” I asked, motioning to the alien beside her.
“Right. This is Unkiwar. He’s been with us for…about seventeen…Earth days? I think that’s accurate.” She motioned to me. “Unkiwar, this is Heather. She’s a regular here. We pick her up once every {six weeks} or so, ever since that first abduction when we worked out she’s fine with it.”
“Fine?” he echoed. “That’s not the typical…reaction.”
I chuckled. “This is free healthcare, my alien friend,” I said. “Free hyper advanced alien healthcare. You know what that means to an American Earthling?”
Ixira gestured her agreement. “Where she lives on her planet, the health issues she struggles with cost an extraordinary amount of currency. So, she’s happy to donate time to our research when she also benefits. It was an easy deal to make. Being able to pick up the same subject for repeat examinations, with full cooperation? It’s been fantastic. Two other humans have the same deal and we’re working to increase that number. Heather advised us to go to certain territories on the planet, where healthcare is sparse.”
“Yeah, and as soon as you explain the whole colonoscopy thing, you get a much less pervy reputation.”
“Pervy?” Unkiwar exclaimed. “It’s an examination of where your waste exits your body!”
I grimaced and glanced to Ixira. “Just tell him later.”
“Yeah,” she said dismissively.
“Teeth health is a big deal too,” I said, clacking my jaws together twice. “I lost the genetic lottery, and even brushing and flossing like it’s a religion only does so much.”
Unkiwar turned to Ixira. “I don’t understand. Why are the bones in her mouth difficult to maintain?”
“They’re not bones,” she explained. “Human skeletons are protein collagen and calcium phosphate. Teeth are dentin, enamel, and cementum.”
The male alien shifted in a way that indicated an irritated dismissal. “So?”
“So,” I sighed, “they need maintenance because they can’t heal themselves. If they get infected under the tooth, it can be agony. And if they get damaged it costs somewhere between my cell phone bill and a new car.”
“I…don’t know what that means,” Unkiwar said slowly, “but it doesn’t sound pleasant.”
Ixira looked down at her tablet to poke and swipe at it. “It’s all in this seminar lecture I watched a while ago,” she said absently. “There. You should watch that one and…this one. Human biology is fascinating, despite the nonsense their evolution has put them through.”
“Anyway,” I said, drumming a beat briefly on my thighs, startling Unkiwar, “what’s on the agenda today?”
“Let’s see… Standard examination,” Ixira said with a nod, reading something on her tablet. “We’ll also need four blood samples, because not only have the labs not gotten their act together about sharing yet, but we have a fourth lab that just qualified to assist in research.”
Grinning, I chuckled. “Ah, I’m just too popular.”
“Indeed. Today is Muscle Day, so we’ll be taking those samples as well,” she said slowly, “and it’s time for another full body scan.”
I sat up straight. “Do I get a movie?”
Ixira’s body language shifted to haughty delight. “I got you the new Mean Girls movie.”
My jaw dropped. “That’s not even in theaters yet!”
“Apparently stealing a film is not as difficult as stealing a human,” the scientist chuckled. “Go figure.”
/r/storiesbykaren
Strahd to Ireena