I’ve been meaning to make a sequel to this post (https://www.tumblr.com/jvanrynart/784525607821279232/idk-where-this-came-from-tbh-just-felt-like) for a while now, and finally had the motivation to actually sit down and draw it lol.
The CEO of this account does not accept canon deaths, sorry
I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?
Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.
Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).
But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?
The answer is so simple I don’t know why it didn’t occur to me sooner:
They just BUILT the models and painted them white with black outlines 🤣
That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.
That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.
As someone who has struggled with depression, anxiety, and most likely undiagnosed ADHD just about my whole life, there are so many lyrics in this whole movie that hit different for me. It’s World Mental Health Day, so I just wanted to let you know if you’re struggling, you’re not alone 🫰
Just finished this and now I’m gonna go take some Tylenol and hope this monster iPad-induced headache goes away in the next 40 minutes before the album drops 🤓
Are you from the 16th century? Are you a whaler? Are you a Basque whaler? Yeah, me neither. But would you like to look like one?
Saw this post. Thought, I want that hat. Made it. Wrote the pattern. Bon appetit.
PATTERN ↓
From 1530 until the early 1600s, Basque whalers annually crossed the Atlantic Ocean to Canada. During the ice-free months of June to January, scores of workers established a semi-permanent station dedicated to processing the harvest on the shore of the Strait of Belle Isle, a narrow channel on the whales' migratory route between Newfoundland and the mainland of Labrador.
In the winter of 1577, the sea ice set early, trapping ships. Unable to return to their homeland in northern Spain and southern France with a full hold of processed whale oil, many were forced to stay in Labrador, where they died of exposure and scurvy.
In the 1970s, the site was rediscovered. More than 62 graves and the remains of 140 whalers were found in the cemetery. Some of the graves contained textile fragments.
(Piecework Magazine, Jan/Feb 2014)
NOTES I am still a beginner knitter. I started this hat without a plan, I just looked at the pictures and tried to make something that looked kind of similar. Used a ball of mystery yarn from my nan. And it turned out great! And then I blocked it. And it was too big (the guy who never knits swatches finally got bit in the arse, who would've thought). My tension is okay-ish but on the tighter side, so if your head is bigger than mine, you'll be grand. Also, I've never written a pattern before, so I hope it makes some sense.
YOU WILL NEED
≈ 80g of DK weight yarn
A set of 4mm (US 6) double-pointed needless
Darning needle
A piece of cardboard (or something else to wrap the yarn around to make a tassel)
Scissors
SIZE ↕ 31cm (12”) (without the tassel) and ↔ 25cm (9.5”) (my head is 55cm (21.5”), and it fits quite well, but it could stretch a bit more and still look good)
DIRECTIONS
SEED STITCH STRIPES
Cast on 84 stitches and join in the round
Work in seed stitch for 11 rounds (round 1: *K1, P1*; staring with round 2 you just P the knits and K the purls)
Purl 1 round
Knit 8 rounds
Purl 1 round
Work in seed stitch for 7 rounds
Purl 1 round
Continue in stocking stitch (*K*) until the hat measures 11-12cm (4.5”) from cast on edge
CROWN DECREASES AND PURL STRIPES
(It's a lot, I know. But I like the look of these better than the usual crown decreases, they're a bit less visible)
Dec#1: K5, *K2tog, K10* × 6, K2tog, K5 [77]
Knit 4 rounds
Dec #2: K5, *K2tog, K9* × 6, K2tog, K4 [70]
Knit 3 rounds
Dec #3: K4, *K2tog, K8* × 6, K2tog, K4 [63]
Knit 3 rounds
Dec #4: K4, *K2tog, K7* × 6, K2tog, K3 [56]
Purl 1 round
Knit 1 round
Dec #5: K3, *K2tog, K6* × 6, K2tog, K3 [49]
Knit 1 round
Dec #6: K3, *K2tog, K5* × 6, K2tog, K2 [42]
Purl 1 round
THE CONE (idk what to call it)
Knit 2 rounds
Work 5 rounds of *K1tbl, P1* rib (you don't have to twist the knits if you can make the 1×1 rib look neat. I can't, so…)
Continue in stocking stitch for 7-8cm (3”) (or more, depending on how floppy you want your hat to be)
Dec #1: K3, *K2tog, K5* × 5, K2tog, K2 [36]
Knit 3 rounds
Dec #2: K2, *K2tog, K4* × 5, K2tog, K2 [30]
Knit 2 rounds
Dec #3: K3, *K2tog, K3* × 5, K2tog, K1 [24]
Knit 2 rounds
Dec #4: K1, *K2tog, K2* × 5, K2tog, K1 [18]
Knit 1 round
Dec #5: *K2tog* [9]
Cut yarn and thread it through the remaining 9 stitches, pull tightly (I usually do it twice), secure on the wrong side
TASSEL
Make a tassel (I used a paint brush case instead of a piece of cardboard and wrapped yarn around it 45 times)
Attach it to the hat
FINISHING
Weave in all ends
Block the hat
CONGRATULATIONS
You can go whaling reread Moby-Dick and rewatch The North Water in style!
Short self-indulgent story with semi-effort put into it. Please bear with me, fellas. I just want to practice writing stories, but I can't write. :']
The timeline takes place between S2E3 and S2E12.