PUT YOUR BEARD IN MY MOUTH
The Stonewall Inn
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Jules of Nature
Noah Kahan
untitled
Fai_Ryy
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Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
Misplaced Lens Cap
Claire Keane
KIROKAZE

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$LAYYYTER

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oozey mess
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@knife-em0ji
Basel Rathaus, March 2013.
The Getter is going to Get You type film
The Grabber
being escorted out of town
the important thing to remember about corporations is that they are so so stupid
this post brought to you by my ex employer claiming that they can't have done disability discrimination against me because there's no proof I had PTSD in January 2025, although they do admit I had it both four months before and six months after that
asked my lawyer if this was the dumbest thing she'd ever seen and she gave me the ol' dead eyed stare that has watched a thousand civilisations fall
My painting, "AAAAAAA with a Side of Eggs"!
Definitely been feeling this lately!
For a book that purports to be about combating the British Empire's exploitation of foreign resources and labor and examining the role language takes in those processes, the fact that Babel does not once mention Ireland really goes to show that the entire narrative is operating under a presumption of 21st century American notions of race
Okay I was gonna put this in the tags, but actually -- given the eponymous Babel Institute's whole schtick, I'm honestly shocked that there doesn't seem to be any use of Irish to power their silver bars. That would have been SOOOOO fucking juicy tbh, the appropriation of a language they're actively trying to suppress and eradicate among the colonized masses in order to prop up the empire, but alas. I genuinely think that either R.F. Kuang does not know about this or it does not fit within the rigid, quasi-childish paradigm of the narrative's central metaphor, considering that the Irish are now deemed racially "white" within a 21st century framework. But what can you expect from a novel that absolutely refuses to engage with the mutability of race as a tool to categorize people nor of how such imposed categories may affect established within-group hierarchies and lead to lateral violence. Also not to mention that many of the characters hailing from colonized territories seem to self identify in ways that echo the sort of nation-state based identities that categorically did not exist in 1840.
My best conjecture is this novel is a result of Kuang having gone to Cambridge and Oxford and pretty much only interacted with upper echelon English cunts, which has left her with a stunted and simplified view of British views on race and class and the erroneous impression that British society as a whole is/was largely homogenous. Like. Girl. London has had a thriving Chinatown in one way or another since the EIGHTEENTH CENTURY. Like I get the protag is a shut in but wdym he hasn't seen another Chinese/East Asian person in the decade he's lived IN LONDON !!!!
Idk I don't think I would be so heated about this if not for the book's generally smug and didactic tone and Kuang's fucking... author's note in the beginning of the book which sort of humblebragged about how much research she did. Like. Play stupid games win stupid prizes ig.
Adding again, the fact that this is a novel about how turbo-racist the British Empire is/was but does not once acknowledge the shrimp colors of racism the average Victorian Englishperson/Western European was capable of (i.e. viewing the Celts and the Irish as "less evolved" than Anglo-Saxons; the xenophobia that continues to this day regarding European immigrants from the Mediterranean, Balkans, and Slavic countries; the tragedy that was Rwanda in the 90s that occurred entirely because the Belgians artificially lumped people into "tribes" based on physiognomy) just goes to show how little thought Kuang put into the historical context of the story she wanted to tell, with only superficial lip service paid to things like intra-community divides and the way class complicates everything. I stg after I'm done I'm throwing my kobo out the window.
truly unreal amount of cunt being served here this is so serious to me
A few weeks ago one of my historical pet peeves was activated when I heard about a new Robin Hood movie that takes the groundbreaking, unprecedented, bold and visionary step of suggesting that the Middle Ages were a time of brutality, cynicism, and lawlessness.
Sarcasm alert. Everything I've heard about this movie sounds like it was created specifically to annoy me, so I'm going to try to ignore it and just talk about my pet peeve, which is this pop culture myth that the medieval period was particularly filthy, brutal, misogynistic and lawless.
Which is simply not the truth, and here's a true story from 1348 that shows the real Middle Ages.
We know this story because it's a very important moment in the development of common law - that is, the facts and the conclusion of the story were written down and became the basis for how similar cases would be decided long into the future. This 1348 judicial decision (citation: I de S et Uxor v W de S (1348) yb 22 edw iii f 99) is still read by law students today when studying the tort (or wrong) of assault. That's nearly seven hundred years of judges and lawyers looking back at a medieval judicial decision and saying, "Yes! That was a good and just decision!"
To set the stage, it's the 1300s - a century famous for the Black Death, the Hundred Years' War, the Peasants' Revolt, and the Babylonian Captivity of the Church that saw the papacy moved to the French town of Avignon as puppets of the French monarchcy. But that's not the only thing that happens in the 1300s. This century also sees the publication of Dante's Divine Comedy; the Clockwork Revolution in which intricately designed clocks tracked everything from the hours of the day (which were measured in variable lengths) to the phases of the moon and the Sun's path through the zodiac; the creation of gorgeous books of hours and tapestries; the career of Christine de Pizan, the first woman known to have made a living from her pen; the writing of Geoffrey Chaucer and the radical social and religious reforms proposed by John Wyclif and his followers.
About the middle of this century a man known to history as W de S came in the night to the house of I de S and M, his wife, looking to buy some wine. The door to the taven was closed, so W pounded on the door with a hatchet, which he had in his hand. At this, M, the tavern-keeper's wife, put her head out the window and told him to stop. W responded by throwing the hatchet at M, narrowly missing her.
The tavern-keeper and his wife, contrary to what pop culture will tell you, responded exactly the way a couple of pub owners might respond today: they took the offender to court and argued that W had made an assault on M. W argued, in response, that he had committed no crime because the hatchet had not in fact struck M.
You might now be thinking that of course W would have won the case, since no actual physical harm was done to the woman he'd attacked. But you would be wrong! The judge in the case declared that the assault itself was harmful, and that W was liable to pay compensation for the fright he had caused M.
"Ever since then," states my old Torts textbook, "the tort of assault has extended protection to a person's right to be free of emotional disturbance brought about by intentional threats of physical violence."
Law did exist in the middle ages. Women, as well as men, could expect to be protected by the law from assault. And not only physical, but even emotional damages could be awarded for assault...all the way back in 1348.
It wasn't a perfect time, but it was far from the callous brutality depicted on our movie screens.
"get him pregnant" well thats not my thing but to each their own
"get her pregnant" *takes up my sword and shield* i wont let you do that to her. ......................
i do in hindsight really love the concept of complaining about adaptational changes in a 3000 year old oral tradition of which there isn’t really a definitive version so much as a surviving one that is also the most adapted story of all time. my chud forebears in Roman Britain throwing rocks at a bard going nah nah nah the last one said some different other shit at that part you gotta do it again is a comforting image to me
Almost one thousand years ago a woman with my exact face and probably better bangs in rural Morgannwyg was defending to the whole village the latest iteration of the marchog gwyrdd where Gwalchmei ap Gwyar is called Gawain and gets a little gay with it even though it’s different than the tale we have earlier heard from a previous bard so that I can fight the same battle on letterboxd today. God bless complaining the worlds oldest activity
it’s talking heads kermit friday
Uhhhh..I think I just wanted an excuse to make the Eridian baby trebuchet
okay already i desperately need u.s. americans to practice the phrase, "not where i'm from, but maybe in other parts of the u.s."
because it's genuinely insane the things i've heard americans say 'america doesn't have' when it's just factually incorrect.
for some perspective: during my longest move i did by-car in the u.s., i drove ~3,000 miles. That's ~4,800 km. It took nearly 50 hours drive-times alone. Meaning, if I could have driven without stopping once, it would have taken nearly 50 hours. Of course I split that up over several days.
Driving that same distance here, If there's a ferry+road from Rabat (in Morocco) to Kyiv (Ukraine), I could take it and keep on going another several hours.
So you can understand how silly it is for someone from the u.s. to be asked to answer a question on behalf of the entirety of the u.s.—geographically, culturally, etc.
So now that we've said all that, I need you to know that I listened to a guy from Idaho tell an Irish person today, "yeah, we just don't really get snails much in America."
Snails.
Next. Even if someone does say, 'not where I'm from,' you might still want to check that out for yourself:
Creepy Bee Witch