TWILIGHT (2008) dir. Catherine Hardwicke
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tannertan36
KIROKAZE
DEAR READER
Sade Olutola

❣ Chile in a Photography ❣
Three Goblin Art
almost home
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year

Origami Around
One Nice Bug Per Day
trying on a metaphor
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dirt enthusiast
taylor price

Kiana Khansmith
Jules of Nature

⁂

if i look back, i am lost

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@like-adog
TWILIGHT (2008) dir. Catherine Hardwicke
a slightly stoopid x ghost cover band called groocifix
‘cause darlin i’m a Nightman dressed like a Dayman
— ee cummings
[taps on your screen like the glass of a fishbowl]
HI FISHY!!! HEY FISH!!! DID YOU KNOW????
[Shakes you until you float]
A closer view of the service tower at Glenkerry House on the brownfield Estate in Poplar, London
leonard cohen's farewell letter to marianne ihlen on a shirt
why do you think it's so common for writers to insert themselves into their stories?
I don't know.
babe wake up...i need to tell you multiple thoughts that don't corelate at all that i had in the span of five minutes..
We genuinely need to kill and eat anyone who likes music
Botanical illustration of a sunflower with assorted yellow flowers by John Hill.
Taken from 'The Vegetable System' (London, 1759-75).
From the British Library archive.
Anna Campbell, After Anne Carson, After Sappho, 2015
This pick – or plectrum, which the lyric poet Sappho is credited with inventing – is foil-stamped with a fragment of Anne Carson’s translation of Sappho’s Fragment 31, also known as the Poem of Jealousy, sourced from If Not Winter: Fragments of Sappho (Vintage, 2003). Each pick is set into a laser-cut mount that still bears the tendriled smoke patterns of its production, pointing back to the burning energy that fueled the poem.
source
Curiosity is a form of love.
The most basic, intractable fact about mental illnesses is that you simply cannot willpower your way out of them. The only exceptions to this rule are the ones I have, which continue to disable me due to lack of determination and other grave personal flaws
The personalities of children with C-PTSD develop in the shadow of trauma and they appear to never make the developmental leap from amygdala to cortical executive functioning. Their lives are lived in a survival-based, amygdala-centric manner, and they are less connected to the consensual realities of the group mind. They are, in essence, constantly vulnerable to takeover by a more primitive version of the modern human brain—yet are tasked to live among others whose brains are organized in a different way. Day-to-day life is stressful, threatening, and difficult to navigate
Louis Cozolino, The Neuroscience of Psychotherapy