roma★
Not today Justin
2025 on Tumblr: Trends That Defined the Year
pixel skylines
$LAYYYTER
macklin celebrini has autism
PUT YOUR BEARD IN MY MOUTH
izzy's playlists!
TMBGareOK. The Official They Might Be Giants tumblr
@theartofmadeline
art blog(derogatory)
Misplaced Lens Cap
No title available
No title available
I'd rather be in outer space 🛸
Game Changer & Make Some Noise
No title available
let's talk about Bridgerton tea, my ask is open
Cosmic Funnies
official daine visual archive
seen from United Kingdom
seen from Netherlands
seen from Singapore
seen from United States
seen from Türkiye
seen from United States
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from Malaysia
seen from United States
seen from Spain
seen from United States
seen from United States
seen from Colombia
seen from Moldova
seen from United States
seen from Vietnam
@lord-kyjax
Introducing the long for asked, and special little guys,
The Cavern Elves~
These smol ones look like JoCat gobbos. Intentional?
Coincidental
I was looking at Bull Terrier Dogs as reference since I used to own one as a kid that I loved to nickname Goblin
I see the bull terrier influence now.
Related, you're an amazing artist and it's been excellent watching you progress since I stumbled across you.
Introducing the long for asked, and special little guys,
The Cavern Elves~
These smol ones look like JoCat gobbos. Intentional?
Ok ok hear me out cyana is obviously a druid, your obviously a warlock, Kevin is a monk of some variety, grape is the healer/cleric. And andy is the dm,
You made Grape the healer??
Silly of them to assume a fire domain cleric with heavy prankster tendencies is going to heal anyone.
Kingdom Hearts TTRPG Beta Release: July 30th, 2022
Ever wanted to play Kingdom Hearts as a roleplaying game? Ever thought, “Hey, Union Cross would’ve worked way better as an MMORPG, if only I had the skills to make that happen?” Ever thought, “Well, the next best thing would be a tabletop game set in the Keyblade War?” I sure did! Repeatedly. Constantly. And that’s why we’re here!
KHTTRPG is, as it sounds like, a tabletop game based on the Kingdom Hearts series. It uses a d4 to imitate the Kingdom Hearts games’ use of combos as a major part of combat, and provides means of creating all sorts of characters from the KH series. It’s completely free, and always will be.
As a beta release, this does not include all of the content that a polished TTRPG might have, nor does it have all the content it will eventually gain! However, to progress this point, the game requires playtesting, something that I, as a single Game Dev ready to mingle (with players for my game), am not capable of doing without help.
As such, if you are interested in KHTTRPG, please keep an eye out for further updates on the game - in particular, for the release of the core rules & several classes on July 30th!
D&D Worldbuilding: Cities
Planning
There are a few ways to plan out a city for your D&D campaign and they can be as detailed or as specific as you need. Figure out what you need the city for.
Main Hub: If the entire campaign revolves around this city, it’s important to flesh it out with detail so you can answer PCs’ inevitable questions and let them do what they want to do. Create complex relationships between NPCs, factions, economy, religion, and politics for the PCs to unravel each time they return to the city.
Major Location: This won’t be the only city the PCs visit, but they will spend some time here. Flesh out the city with its various districts and some relevant plot hooks and NPCs. Flesh out the city by working from vague to specific as players spend more time there. You don’t want to develop the place too much if the players end up leaving for another location.
Just a Visit: If the PCs are only visiting the area, you only need to plan or map out the relevant parts of the city and create the NPCs they need to encounter or are likely to encounter (like shopkeepers when they go to restock supplies). Plan out a description of the city with a few key landmarks and interesting features that give the city character if they wish to revisit it later.
Passing Remark: The players will likely never reach this city unless they work toward it. Come up with an elevator pitch with a one-sentence description of the city so the campaign world feels larger and maybe you will even entice them to go. What is the city famous for? What is its most prominent landmark? What are its relationships to other cities (trade/politics)? Once you answer these you don’t need to go any further until the PCs say “We want to go there”
Once you know how detailed you need to be, there are two ways to plan a city (two that I use, anyway). I will either create a list of traits to inform how the city looks, or create a map and use it to inform what’s in the city. Often, these methods end up playing with each other and lead to map reworks or second drafts, and that’s okay. Trust me, your first idea is never your best!
Map Draft
Let’s start with making a map because it’s more freeform and easier to explain. The first thing you decide when making a map is what the focus will be. This will often be a power center (like a castle or tower) or an identifying landmark (like a mountain, lake, great tree, giant shard of crystal, anything really). Once you have that, work fast and loose to imagine how the city springs up from there. Create masses of buildings (not individual ones) and create districts. Give the map an interesting and asymmetrical silhouette or shape (unless you’re going for a symmetrical look to emphasize a city’s lawful alignment). As you get more detailed remember that everything should highlight the focal point for your city map. As far as specific areas to fill in, here is a handy list of things to keep in mind.
City Defenses: In a world with giant creatures and cloistered kingdoms, some cities opt for walls, gates, towers, siege weapons, or other such things.
Commerce Center: Where does the majority of trade take place in the city? Are there different areas for this?
Districts: Most cities tend to divide into districts, like residential, commercial, industrial, governmental, religious, or military districts. Try to come up with unique districts that let them differ from districts in other cities.
Entry Points: Where do people enter and leave the city? There is most likely more than one way to do so (for the safety of the city).
Landmarks: Besides the focal point, your city should 100% always have something the players will remember to help them visualize the city. There can be other smaller landmarks, perhaps one in each city district.
Lower Class: If you have a lower class district, they will have smaller, more densely-packed buildings. They may exist both inside and outside the city walls, but tends to spread further from the power center.
Power Center: Whoever leads the city is probably going to have a big building or walled district or point of interest to display their station.
Upper Class: If you have an upper class district, they will have larger buildings, more leisure space, more monuments, and possibly be walled off from the rest of the city. They are more likely to be closer to the power center.
Water source: Many cities needs access to water to keep their huge population alive, so don’t neglect this.
City Features/Traits
Cities have a variety of traits that make them unique from one another. Determine the nature of these traits to help flesh out your city. A flavorful city has positive traits and negative ones; strengths as well as flaws.
Power Center/Government: Who holds the power in your city? Look at various forms of government and don’t limit yourself to just monarchy. Cities can have a democracy, republic, military, theocracy, or perhaps an arcane form of leadership. You can get creative with fantasy elements or add complications to your government to make the city unique: perhaps a strange sentient crown controls the queen, or a ghost of a king maintains control of their monarchy beyond death. Perhaps the oligarchy is a sham and a secretive cult really bends the city to its whims.
Complications don’t always means evil plots, but they can make things difficult when trying to influence the city as a whole. The city’s government isn’t necessarily its center of power. If the city’s senate is in the thieves’ guild’s pocket, the PCs may have to parley with the guild instead of the senate.
Economy: Cities aren’t often self-sufficient. They specialize in certain resources and lack in others, which leads to imports and exports. A mining city might have a booming metals and stone industry, exporting raw ores and gems or even refined ones with jewelry, but might lack in wood or food and need to import it from a neighboring town. These help define the city’s relations to other cities nearby. The city’s economy can also differ within its own gates. Consider the disparity of wealth in your city between the rich and poor.
How does the city spend its wealth? An interesting city will prioritize one aspect over others, or neglect one aspect in favor of others. Here are some things a city can spend its wealth on:
Expansion: The city seeks physical growth by buildings structures to expand its borders or establishing colonies in distant lands. Cities that neglect expansion might not suffer as much but may be content with their position on a global scale.
Infrastructure/Transportation: The city focuses on being as efficient as possible with well-maintained systems and structures in place. A city that neglects infrastructure might find themselves at odds with merchants and nobles who frequent the use of roads and bureaucratic systems, while residents are forced to tolerate the city’s difficulties.
Residences: The city focuses on making its housing maintained and affordable and expanding. The city wants people living inside it rather than commuting to the city. A city that neglects this may have slums or shantytowns and may be over- or underpopulated.
Military/City Defense: The city seeks to defend itself by maintaining its walls and guard towers, ensuring regular and frequent patrols and lookouts. They likely have a standing army that is maintained in case of attack. Perhaps their relationships with other kingdoms are strained. A city that neglects this is either in peacetime or is vulnerable. The streets may be rampant with unchecked crime.
Education/Technology: The city seeks to improve its people and its efficiency. In the case of a fantasy city, this may involve magic and magic items, but could also simply be a city attempting to revolutionize and move beyond other cities with something that improves an existing system. A city that neglects this may have masses that are easier to manipulate and may be stuck in the past.
Food/Health: The city focuses on its people’s wellbeing by ensuring they can get enough food and water to live and enough health care (either through doctors or priests) to persist. A city that neglects this may have very unhappy and unhealthy people. The masses tend to revolt when their society betrays them of these core things.
Extravagance: The city focuses on its appearance or the arts. The city may have a lot of excess wealth to spend on this or might rely on pilgrims and tourists for its economy and presents a gorgeous face to draw them in. Cities often neglect this first unless they are doing well or the rich seek to pacify the poor without giving up their station. Cities that do neglect this are often utilitarian with only a few striking monuments or important structures.
Military: What serves as the city’s military? Try to pick a focus for the city that takes advantage of its position. A coastal city will have a powerful navy to defend its docks and trade routes. A mountainous city may have fantastic archers and catapults to take advantage of their height. A city surrounded by plains will have a good cavalry to make quick maneuvers. A city in a wooded region will have infantry to navigate the terrain better than cavalry, and take advantage of the plentiful cover against arrowfire.
How large is the military? One city might have a daunting and powerful military presence while another might only have a standing militia. It depends on how much conflict the city faces, within and without its walls.
How does the city use its military? Are they actively defending the city? Are they campaigning in foreign lands? Are they attacking another city? Is the military used to keep its rebelling population in line? Consider this, as it will prominently let players know what the city and its leadership will live and die for.
Religion(s): Cities might have multiple religions or just one. Choose which ones feature prominently in the city, if any, and how much city life revolves around those religions. I won’t go into the detail of every deity and religion in the D&D universe, but consider that each has its own specific dogma, style, and portfolio that will influence how its worshipers act. A city that worships a chaotic-evil deity will differ vastly from one that worships a lawful-good one. A city with many deities will be different than both.
Figure out where each religion’s center of power lies in your city, and how much influence they have.
Shops/Taverns: Although they often serve as minor details in the grand scheme of a city, shops and taverns should be interesting and memorable for the players’ experience. Shop owners and innkeepers are an important reflection of the city, demonstrating how the populace views the city in which it lives. Moreover, filling a shop with items to buy and a tavern with quest hooks gives the players easy places to restock and find information when visiting the city. Put interesting characters in there to help characterize the city.
Landmarks: Landmarks define the setting and location and can even serve metaphorical or narrative meaning for the city. They help players visualize the city in their mind and remember it. Landmarks can be manmade or naturally-occurring, as long as it gives players groundwork to know where they are. The bigger and more unusual it is, the more interesting and memorable your city will be. Is there a giant shard of permanently-frozen ice from an ancient white dragon’s attack eons-ago looming as a grim reminder over the city? People tend to remember that sort of thing. Every city should be interesting, but just keep in mind not every city needs to have the same level of intrigue. If you have a main city the plot centers around, then go ham and go weird.
City Story: Cities can have stories just like any character, and when you start treating them like a character, it can have amazing results. Cities have backstories, conflicts, allies, and are filled with unique individuals who all contribute to the city’s traits.
History of the City: Cities aren’t built in a day. What happened to the city in the past to bring it where it is today? Disasters and war are useful historical tools that can be built around. The city recovers from such things but might never be the same. I have a city where a dragon’s attack caused a landslide that revealed an entry to the Underdark, and an entire city district built itself around it years later. History also adds layers to your campaign setting and makes it feel bigger and more unfathomable.
Factions: Cities draw people together, and people tend to group into communities. Those communities often have different goals that can come at odds with one another. This is where factions come in. Decide which factions are the most prominent in your city, establish their goals and ideals, and perhaps find a way to identify them. Figure out how they relate with other factions and what actions they have taken or plan to take to achieve their goals. Players love joining factions and it can give them an important stepping stone into the story of your world. Factions can include guilds, religious organizations, noble families, consortiums, or many such things.
Districts: Separating the city into more digestible portions can help players get to know it better and diversify it by forcing you to come up with unique areas of the city. Of course, don’t limit your city to such divisions. A commercial district can have a residential building, and an upper-class area can have an abandoned building housing squatters. The districts can even just be divisions in name only, much like street names. They may even be more memorable if they bear a unique name rather than simply “Merchant Ward” or “Warehouse District.”
What’s more interesting is creating something visually or culturally different for each district. Perhaps a district of a city named Towerhamme was built by giants from ages past and the colossal buildings have been subdivided by the humans now living there. Another district might consist of predominantly Thri-Kreen who worship Bralm (the goddess of insects and industry) and all speak a different dialect that mixes Thri-Kreen and Common. A district might lie in the dark underneath another district, with pillars as thick as trees holding up the buildings and streets above it, and come to be called the Night-Stone Forest. Not every district needs to be a didactic description of what’s in it.
NPCs: You don’t need to list everyone in the city, but make sure you know who the important people are. Name the people who are in power; those leading the government, religions, and factions. Name those important to your storyline. Think up interesting NPCs for the taverns and shops in your city. And most importantly, keep a list of random names handy so you can come up with them on the spot when PCs talk to people you didn’t prepare for. It may even be helpful to come up with interesting characters complete with backstories that the PCs can meet as allies or enemies. Just be careful with this, because you don’t know which NPCs your characters will become invested in until they do. The random throwaway character might be their favorite person to talk to while the most unique character that you delved into the deep history of was too boring for them. Make characters like crazy, but make backstories when you have to.
Foreign Relations: In terms of a city as a character, these are your city’s “bonds.” How does the city deal with other places? Economics and trading can be a large influence on how a city feels about another city or territory. If they rely a lot on each other they will tend to help each other out. If not, they might be indifferent or even enemies. Members of cities might feel differently than the city as a whole, but the city’s leadership most definitely will take some sort of diplomatic stance against other cities or territories.
A city’s diplomacy can be important to a storyline and add to the tone for the campaign. If two cities dislike each other, players will feel the tension if they travel between them. Friendly cities will be a different experience that carries less tension and more of an exploratory tone as the PCs wonder what awaits them.
City relations can also create opportunities for players to get involved, letting them ignite wars or resolve them can be important if that’s what the PCs want from the campaign.
A good day to fight crime.
*starts singing group name to the tune of "Sonic Heroes"*
Are you suggesting that... What goes up, must come down?
Yeah. My feet don't touch the ground, after all.
Salt is known to be able to repel or even contain evil spirits. As companies start to drain the dead sea of salt to sell as a novelty, they unwittingly unleash that which the dead sea was meant to contain.
My kink is having someone tenderly stroke my hand with their thumb as we hold hands,,
i support you. and this list is not all-inclusive. you are loved and supported here.
just felt this was really needed in the fandom right now
MY TEAM, I STAN!!!!
This post saved my day!
And this blog despises Nazis and capitalism
if you’ve ever wondered what it’s like to live in the midwest, this is it.
You missed some of the best ones
the best part about it is that the art installation isn’t actually called the Bean. It’s called Cloud Gate, and artist Anish Kapoor (yes, THAT Anish Kapoor) hates that we call it the Bean.
But i mean, look at it. It’s a bean.
How could you forget this one though
I HAD NO FUCKING IDEA THAT THE BEAN WAS CREATED BY ANISH KAPOOR.
someone help me why is anish kapoor important what did he do?
Alright sit down for some Art World Drama bcause this is what I live for.
So, sometime last year (?) science invented Vantablack, which is the darkest possible shade of black. Art world got incredibly excited. But as it needs to be very carefully made in a lab, it’s hard to get a hold of, and is extremely expensive. Enter Anish Kapoor, aka FuckFace McGee. Anish Kapoor buys the rights to Vantablack. He is the only human being on the planet that can legally use it, and he’s kind of a prick about it.
Art world is not thrilled with that.
Enter Stuart Semple.
Stuart Semple is an artist, and also makes pigments to sell in his free time. Stuart Semple is astoundingly pissed about this Vantablack nonsense, and Anish Kapoor’s dickery. Stuart Semple makes a new pigment, the brightest shade of pink ever, called Pinkest Pink, and puts it for sale on the internet. To be bought by everybody except Anish Kapoor. Literally, to purchase, you need to confirm that you are not Anish Kapoor, do not associate with him, and will not sell or give the pigment to Anish Kapoor or his associates. Art world has a good laugh, everyone buys Pinkest Pink because it’s awesome, and damn it we deserve something.
Anish Kapoor however is a penis, and will not take this lying down, because HOW DARE he not have literally everything.
Anish Kapoor gets his London associates to buy him a thing of Pinkest Pink, and being such a classy human being, posts a picture to instagram of him with his middle finger covered in Pinkest Pink, captioned with “Up yours. #pink”
Everyone flips shit, because. Y’know. Fuck that guy. Especially Stuart Semple. For context here, Anish Kapoor is one of the richest artists on the planet, and has repeatedly been referred to as everything wrong with the art world, and the epitome of the art worlds elitism problem. He’s a giant douchebag. Meanwhile Stuart Semple makes pigments just to get them out there. He turns 0 profit from his now enourmously popular pigments.
Stuart Semple launches an investigation as to who the fuck leaked Pinkest Pink, and plans to strike back. He does so by releasing two new products. First is Diamond Dust, which is a glitter made from glass, so that a painting is still visible after it’s applied, but glitters like a mofo. It’s the most reflective glitter out there, and is available to everyone who isn’t Anish Kapoor. And it being made of glass, if you stick your finger in there, it’s going to hurt quite a bit, so that was Stuart Semple’s way of saying “shove your middle finger in this, asshole, see what happens”. Except without saying that, because he can get an insult across while still being fucking classy.
He also releases Black 2.0, created with the help of over a thousand artists worldwide.
Black 2.0 is the answer to Vantablack. Black 2.0 is a slightly less black black, but looks functionally the same to the human eye. It’s completely safe, smells like cherries, and costs four pounds. Vantablack is highly toxic, potentially explosive, needs to be applied in a special laboratory and sealed properly, can’t be moved across borders, can reach 300 degrees celsius if you’re not extremely careful, and costs thousands of dollars. Anish Kapoor is the only human being who can use Vantablack. He is the only human being who cannot use Black 2.0.
So I think we can guess who got the better deal.
And thus the feud ends, Kapoor defeated.
…But not quite.
Kapoor, in this entire afair, has made exactly two comments to the public. The first being his charming message about aquiring Pinkest Pink, the second being claiming to Buzzfeed that he and his small army of lawyers will be suing Semple, an extremely poor artist who cannot afford a lawyer.
No lawsuit has been made yet, fyi.
The point is, Kapoor is a prick, and doesn’t like talking to the lower classes. So one day in July 2017, he decides he needs another floor on his London studio apartment, and starts making arrangements to have it built. His neighbors are fucking pissed, because this will ruin the light of their apartments. They call to Semple to save them, or at the very least piss Kapoor off some more.
Semple answers to the call, and releases two new paints, Phaze and Shift, as always, banned to Kapoor. They change colours, Phaze with temperature, and Shift is just iridescent. Shift needs to be painted over Black 2.0 to work, and Phaze just works on its own.
So that’s been the art world for the last two years.
Basically, get fucked Anish Kapoor your bean sucks and so does your vantablack.
Stuart Semple is organising a bean-kissing event for Anish Kapoor’s birthday.
Reblogging for “By attending this event you confirm that you are not Anish Kapoor, you are in no way affiliated with Anish Kapoor, you are not attending on behalf of Anish Kapoor or an associate of Anish Kapoor. To the best of your knowledge, information, and belief this event will not be attended by Anish Kapoor.”
ALSO HE JUST POSTED THIS!!!!!! LIGHTEST LIGHT!
I know this isn’t my art blog but this entire post gives me life
im sorry is that man holding a real actual miniature star in his hands
Y’all missed the best part about the lightest light, called aptly ‘Lit’. This is from their product page:
Two things:
1. “Anish Kapoor is however a penis” is the best line in this post.
2. I wish to be half as petty and half as awesome as Stuart Semple
I hope Stuart Semple is making a lot of money. What a good person.
Go support him the paint’s are pretty cheap and you get the added bonus of being one of many to help piss off Anish Kapoor
He is my fucking role model for pettiness oh my god
It got better! I’m also excited because he just released biodegradable glitter in non plastic containers! How amazing is that?! Stuart Semple, good guy for the planet and artists, fighter against the rich elite artist like asshole Kapoor.
An older project, but he also did this:
(x)
oh dude hes metal as fuck
Every addition to this post is better than the last.
Me, being gay and having my blood drawn: so…what do you need my blood for again?
Stuart Semple: gonna make an anti-government t-shirt with it.
Me:
Me: :)
Be a Stuart Semple in 2020. Use your petty to inspire and drive you.
That last reblog did not age well, but the rest of the post did.
How threatening would that shirt be if you didn’t know the context though
He now has Black 3.0 out - even blacker and more matte than 2.0
AND he has ‘LIT’ which are ‘glowiest glow’ pigments - They are charged with a blacklight or sunlight and glow bright enough to look like electric glow lights in a normally lit room. It’s ridiculous.
i love in fantasy when its like “king galamir the mighty golden eagle and his most trusted advisor who would never betray him, gruelworm bloodeye the treacherous”
When my sister and I were kids we had this one action figure, who was actually a brutalized batman doll without his cape (the dog chewed half his head, too), who we dubbed ‘Evil Chancellor Traytor’. The idea was that in the fictional society of our toys, ‘chancellor’ just came with the word ‘evil’ in front of it, as a matter of ancient tradition. Like ‘grand’ or ‘high’ or something along those lines.
Anyway, the running gag was that the king (an old Power Rangers knock-off doll) had absolute and unwavering faith in Evil Chancellor Traytor, who basically comported himself like a mix between Grima Wormtongue and Jafar from the Aladdin movies. Everyone was always sure that Evil Chancellor Traytor had something to do with the nefarious scheme of the day. The dude even carried around a poisoned knife called ‘the kingslayer’.
The additional twist on the joke, though, was that he never was behind anything. The king was actually right. Evil Chancellor Traytor was the most devoted civil servant in the entire Action Figure Dystopia. He spent his nights working on writing up new legislature to ensure that broken toys had access to mobility devices, was always on the lookout to acquire new shoeboxes for expanding city infrastructure, and drafted a proposal that once got half the ‘settlement’ in my sister and I’s closet moved to the upper shelf so that vulnerable toys were less likely to be snatched up by the dog.
The knife, as it turned out, was as symbolic as the ‘evil’ in his name. See, Action Figure Dystopia had a long history of corrupted monarchs getting too big for their thrones and exploiting the underclasses. The job of the Evil Chancellor was to always remain vigilant, and loyally serve a good ruler - or, if the regent should became a despot, to slay them on behalf of the people.
But since killing the king would be a terrible crime, the Evil Chancellor had to be the kind of person who would willingly die to spare the people from the plight of a wicked leader; because the murder would be pinned on them, in order to keep the ‘machinery of politics’ working as smoothly as ever.
Anyway, Evil Chancellor Traytor had a diary, in which my sister I would take turns writing out the most over-the-top good shit he’d done behind the scenes. Usually after everyone else had finished talking shit about him. I don’t know why but we got the biggest kick out of being like:
Barbie With the Unfortunate Haircut: Oh that Evil Chancellor Traytor! Why can’t the king see how wicked he is?!
Charmander From the Vending Machine: Char!
Jurassic Park Toy of Jeff Goldblum With Disturbingly Realistic Face: At least if someone puts a knife in the king’s back, we’ll know where to look!
Evil Chancellor Traytor’s Diary: Today I was feeding ducks at the park when I noticed another legless action figure sitting by the benches. I put a hundred dollars into his bag while he wasn’t looking. I really need to increase budgeting to the medical treatment centers. If only we had enough glue, I think we would see far fewer toys trying to get by without limbs… *insert iconic evil laugh*
Anyway, Evil Chancellor Traytor eventually fell victim to one of my mom’s cleaning sprees, and she decided he was too busted up to keep and tossed him out. My littler brother, who tended to follow my sister and I’s games like he was watching a daily soap opera, cried so hard that we had to do a special ‘episode’ where one of the toys found the Evil Chancellor’s diary, and so he got a big huge memorial and the king threw himself into the empty grave and then ordered the toys driving the toy bulldozer to bury him so that ‘Traytor’s grave would have a body’ (this seemed very important for some reason).
And then we had the Quest For a New King. Somehow or another that ended up being a giant rubber snake called ‘Tyrant King Cobra’.
::closes tab, shuts off computer, and proceeds to have the best day ever just by knowing this exists::
i will always reblog Evil Chancellor Traytor
tbh that’s some A-grade worldbuilding and use of tropes, these kids should be hired to direct movies instead of crusty idiots like Michael Bay
This has more plot development than anything else I have ever seen or read
My writer brain is very pleased with this story.
Concept: a D&D campaign that borrows the format of a Pokémon journey: the party is a bunch of goofy teenagers going on a road trip to brave the strongholds of legendary exemplars of the twelve core-book character classes and win tokens of their esteem. Each stronghold would be themed around the character class of its master: e.g., the Wizard would have a puzzle-filled dungeon under their tower; the Fighter would require the party to participate in a four-on-four tournament against other adventuring parties for the right to face them in battle; the Rogue would refuse them out of hand, but leave the badge in a conspicuous-but-secure location as an unspoken challenge to steal the dumb thing if they want it so badly; and so forth.
(This post is absolutely an invitation to come up with your own stronghold formats, whether they’re for classes that haven’t been done yet, or alternative suggestions for ones that have. For reference, the twelve core-book classes are Barbarian, Bard, Cleric, Druid, Fighter, Monk, Paladin, Ranger, Rogue, Sorcerer, Warlock and Wizard.)
Have some QR scans for Animal Crossing 💙
Does the Spanish Dub voice of Kirby say "Chicken"?
I am contractually obligated to say that I hate this.
An Englishman and an Irishman go to a bakery. The Englishman steals three buns and puts them into his pockets and leaves. He says to the Irishman: “That took great skill and guile to steal those buns. The owner didn’t even see me.”
“That’s just simple thievery,” the Irishman replied. “I’ll show you how to do it the honest way and get the same results.”
The Irishman then proceeded to call out the owner of the bakery and says: “Sir, I want to show you a magic trick.” The owner was intrigued so he came over to see the magic trick.
The Irishman asked him for a bun and then he proceeded to eat it. He asked two more times and after eating them again the owner says: “Okay my friend, where’s the magic trick?”
The Irishman then said: “Look in the Englishman’s pockets.”
Scooby-Doo has the most incompetent police force in any TV show.
The Powerpuff Girls police beg to differ.
Excuse you, the city of Townsville has to deal with kaiju, the chimpanzee equivalent of Lex Luthor, and literally Satan. What's a cop car going to do against Godzilla?
Clip Studio: Here’s a 3D model you can use to help you reference poses that can be done by the human body, use it wisely
Me:
Also Me:
Kevin Y
That's a fucking Joestar right there with the pose and all
What have I done....
God's work.
