piccrew challenge, squad 312 version
(created by me so pls only repost by reblogging this post <3)

pixel skylines
Cosmic Funnies
sheepfilms
dirt enthusiast
Lint Roller? I Barely Know Her

#extradirty
NASA
Alisa U Zemlji Chuda
Keni
Game of Thrones Daily
Mike Driver
YOU ARE THE REASON
Misplaced Lens Cap
let's talk about Bridgerton tea, my ask is open

tannertan36
Stranger Things

Kaledo Art
h
almost home
One Nice Bug Per Day
seen from Germany
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seen from New Zealand

seen from United States

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seen from China

seen from Türkiye
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@loverofreading
piccrew challenge, squad 312 version
(created by me so pls only repost by reblogging this post <3)
[ID tweet by Sofie Hagen @ SofieHagen: ‘Diets are a cure that don’t work for a disease that doesn’t exist’ was one of the slogans said by the first fat activism movements in the 60s. This is not new information.]
finally got around drawing more of these two! ❤️💙
☆ prints
@lilyginnyblackv2 - RE: "Is Sk8 actual good representation or is it bait?"
So that's actually a contentious question? Because whilst there is no explicit representation, they also don't make it nearly as baity as something like Free! Does. So it's more a case of "if you want you can read this as queer" rather than "Ooooh! They MIGHT be gay! Here are some jokes about them BEING GAY! But oh-ho-ho! That's not the case they're clearly heterosexual!" There's maybe one joke that goes down this line? Where Langa's Mum assumes he's talking about a girl when he's actually talking about Reki? But that's no where near the level you got with Free.
It's more that these characters are all very queer coded. Not in a Yuri on Ice way, but just in a general "Hey! This story could be gay if you want it to be." kind of a way, if that makes sense???
I will say that with the DUB, 3 of the VAs are openly Queer, and have states that they are playing their characters as such.
So whilst in the JP Adam comes across as a evil gay stereotype who preys on young men, in the DUB David Wald played him as an omage to the Theater Queen's who would flirt with him as a young gay man because it was the 90s in America and that was how they showed you you were not wrong or bad for being attracted to boys. Same lines, different type face. If that makes sense? (Honestly, I feel like that's David's new role at Funi. "Hey! This guy is a border line offensive gay stereotype! Please come in and help make that NOT the case!")
Cherry and Jo are also played by queer VAs. Daman is Gay, and Jonah is Bi. They have said time and time again, they are playing those two characters as if they are romantically involved (or rather -- once were and might be again).
As for Reki and Langa, I don't know the sexualities of Matt and Howard other than they are both married to women. However, with 3 openly Queer men playing the other main characters I think it is safe to assume they have taken that mantra into their roles.
So again, I wouldn't call it BAIT? It's more CODED? And that coding is even more obvious in the Dub than in the Sub.
Dub also says that there are 3 Genders "Bitch, Bro and Non-binary Hoe" and you can do with that what you will. Lol
more renga headcanons!
head empty just renga thoughts. pre-relationship and mutual pining this time
- (based on the OP) langa and reki dance together sometimes when they’re alone listening to music, just being goofy. they slow danced once late at night and blushed a LOT
- since they’re often alone eating lunch on the roof langa worked up the courage to grab reki’s free hand while they were eating. he couldn’t look reki in the eyes and reki is so so fond. he gives langa’s hand a tiny squeeze and now they just. hold hands a lot
- they both are kind of touchy-feely because they’re crushing mad hard and since they’re idiots they both just wonder if it’s the culture difference. maybe in canada it’s normal to brush your hands together all the time and pet your bestie’s head and maybe in japan it’s normal to play with your friend’s hair and cradle their face
- while reki has more of them on his phone than langa, both boys look through their photos and videos of them together frequently when they’re pining harder than usual. there are plenty related to skating, but they also just take pictures of each other when they do things like going out to eat, burger in one hand and doing a peace sign with the other
- the rest of the crew as well as langa’s mom and reki’s mom and sisters know that both of them are in love and tease them about it, more subtly when they’re both present with the exception of miya being miya. they’ve been referred to as lovebirds far more than once
- langa isn’t super talkative of course, but when he starts complimenting reki the redhead has to physically make him be quiet out of embarrassment. langa loves telling reki how important he is and reki admittedly loves hearing it because it’s langa (which is pretty much canon anyway)
tattoo artist who can encode magic into tattoos but doesn’t want people to know she can so she just puts low-level luck spells on her clients’ bodies without telling them
jeweller who makes body jewellery and pendants which have amulet properties and draw love and luck and happiness to their wearers without them realising it
piercing artist who keeps the remnants from her piercings and puts them all in little jars in the back of her shop to work sympathetic luck spells on all her clients
and then all three of them slowly realise what the others are doing and end up in a poly relationship living in a little shop in the shitty end of town, which gets curiously less shitty the longer they stay, and people think it’s just the development of the area but the three artists know
and they’re never rich and they’re never famous but they’re always happy because they have everything they need
they have the shop and they have their customers and they have each other
and when their customers are happy and content, they pack up and move on, all together now, to find another space with skin to be coloured and jewellery to be made and magic to be done.
this is beautiful
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.
“Hello, God of Every Humble Beauty in the World,” called a familiar voice.
The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.
“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.
“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”
“No,” Arepo smiled.
“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”
“No, I will not go there, either,” Arepo shook his head and chuckled.
“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.
“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”
The other god was struck speechless. “…. Why would you want to live here?”
“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”
I reblogged this once with the first story. Now the story has grown and I’m crying. This is gorgeous, guys. This is what dreams are made of.
This is amazing!
Kiki’s delivery service (1989)
Password sharing is not piracy any more than loaning your friend a DVD or watching a movie with your family is piracy. The service is already paid for. Execs just consider sharing to be eeeevil because they can’t exploit every individual person.
if they tried to invent libraries today it would get shut down
good morning naps
Sk8 breaking tropes by having the quiet icy dude with whitish blue hair being the reckless adrenaline junkie that never realizes when his life is in danger and having the fiery energetic red haired dude be the overly cautious guy that tries to keep the other from dying and has a heart attack every time the other one does weird shit
rekis the kinda guy to stop and pet every cat and dog that he sees
Pardon my French, but you are being a douchebaguette
World Heritage Post
Are you available?
No sold out
Discontinued
Recalled
I think exclusionists, people who want to exclude specific groups from the queer community, are operating based on a misunderstanding of the community's purpose. (I'm speaking specifically of people who don't think of themselves as TERFS or reactionaries or conservatives, and may not be acting out of malice, but out of ignorance. Certainly some people are acting maliciously and deliberately, and they're probably beyond reaching.)
So I'll be very clear: the goal of a large, inclusive queer community is to form a political bloc that is big enough and strong enough to get anti-queer laws overthrown and anti-queer policies (at schools, in workplaces, etc.) changed. As long as we are separate, no individual letter of the LGBT+ alphabet will be able to enact real changes. When we narrow who can be part of a movement, we weaken its political strength.
Treating the queer community like it's primarily a social club is a luxury, to some extent, born of increasing rights (in some places and for some people, anyway). It's not primarily about finding a place to make friends, hook up with people, or to be a support group or to organize parties. It can include those things under its umbrella, and often does, but that's not the main purpose. You don't have to be best friends with everyone there, or understand all their experiences, or share their interests. You just have to have each others' backs (in a fight and at protests and in the voting booth). That's what exclusionists are undermining. I care more about whether someone will have my back or that of my friends if they're at risk, and whether they'll vote for or against the politicians who want to destroy my way of life, than how they dress or who they fuck or don't fuck, to put it very bluntly.
“humanity is inherently selfish and bad” bbbrrrghuhjfkg. humanity is seeing a stranger’s grocery bag break open on the sidewalk and harvesting fruits and veggies from the branch-like cracks of the asphalt for them, just because you can. humanity is helping a lost child find their mother on a crowded beach, looking for the ladybug-patterned parasol with their hummingbird-small hand in yours. it’s an elder’s fingers wrapped around your arm as you help them up the stairs because the elevator is broken, and feeling like you’re doing exactly what you’re supposed to be doing, like this is what you would’ve been doing had you been alive centuries or even millennia ago. there will always be a heavily pregnant woman who will smile at your when you give up your seat, a nice blind man in the fruit aisle who will ask you to please pick the riper plantain for him, a tired cashier whose face will light up when you compliment their tattoo sleeve. humanity is connection
The “humanity is inherently selfish and bad” trope is yet another iteration of propaganda meant to blame innocent masses for problems that are directly caused by the top percentage of obscene wealth-hoarders. It is born from a probably subconscious rationalization for their extreme greed, ie “anyone would do what i’m doing if they were in my position because it’s just human nature.” Anyway it’s total bullshit and the truth is that human beings are love in motion.
bring back the habits that made you happy as a child. there’s no reason you should ever have to give up harmless things that bring you joy. you don’t have to age out of having fun. finger paint. write mediocre fanfiction and questionable poetry. put chocolate chips in your waffles. sing in the bath, and while working in the yard, and while washing your hands. hammer tunelessly on a piano. spin in circles until you fall down. climb a tree. just because you’re now in charge of your life doesn’t mean you’re expected to give up on the things that make life feel worth living
If I could impart one thing to a young adult - it would be this. This is literally the secret to being okay your entire life.