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@m1ssal0t
Day 285#: Blunt-Headed Tree Snake
Today's animal of the day is the Blunt-Headed Tree Snake (Imantodes cenchoa)!
Photo credit: Geoff Gallice
Also known as the fiddle-string snake, this species of arboreal snake can be found in the tropical rainforests of Mexico as well as both Central and South America. They can reach a maximum size of 4 ft 11 in long and are known for their long, slender bodies with comically large heads. Their eyes are also incredibly large compared to the rest of their bodies, and take up nearly 26% of their total head space. While this might look really goofy, it actually helps improve their vision significantly compared to other species of snakes, which are known for having very poor eyesight. Most other snakes rely mostly on their sense of smell as well as vibrations to detect predators and prey, but since the blunt-headed tree snake needs to be able to clearly see the branches of the trees it's climbing, they need to have better vision than the average snake. The slitted shape of its pupil even allows it to look down without moving its entire head, which most snakes are unable to do.
Photo credit: Max Hofmann
Blund-headed tree snakes are active mostly at night, which is another reason they need good eyesight, and will forage through the vegetation in search of prey. Their diet consists mostly of lizards, but they'll also often go after frogs and have been known to eat eggs when the opportunity presents itself. Females tend to be larger than males, meaning that they can take on larger prey. Size isn't the only difference between the sexes. In fact, the populations in the north and south actually seem to exhibit two very different types of sexual dimorphism. Northern males tend to have longer tails than southern males and both types of females, while southern females tend to have much larger heads.
Photo credit: Laurent Hesemans
These snakes are members of the Colubrid family, which also includes hognoses, garters, kingsnakes, and many other species of snakes. Like many of its cousins, the blunt-headed tree snake is technically venomous, but they are rear-fanged venomous instead of front-fanged. This is a useful adaptation when a good portion of your diet consists of frogs and toads, but it isn't really well-suited for injecting venom into humans, since it would require letting the snake chew on you for a good while before it could envenomate you. Luckily, even if you did let one chew on you, their venom is pretty mild, and they're not considered dangerous to humans.
Guy who is being evil: Well what is "evil"
THE BUTCHER / THE BUTCHERED
Hi my mutuals and followers, sorry for backrooms posting on main. Movie that did something to me. If you haven't seen it and intend to, be aware that I just reblogged like 5 million posts about it, many of which include spoilers. Forge ahead at your own risk
Backrooms Movie Sketchbook Spread :)
“and the best part! you can eat it!”
“They’ll get some parts, but not everything”
can we take a moment for this gorgeous diva with the only ounce of survival instinct. i love her, she’s gf now
Can I just say that with the release of Iron Lung, Obsession and The Backrooms. It's been so nice to hear the phrases "$50 million smash hit" and "$100 million dollar phenomenon" when talking about box office numbers. I'm so sick of hearing about movies that manage to make hundreds of millions of dollars and still somehow lose money because Hollywood studios can't budget their blockbusters in a reasonable way. It's just really great to see a bunch of YouTubers come in and show Hollywood how it's done. I also think it's possible that with the frequency with which we're getting these hits, big studios might actually be paying attention and start change their budgeting strategies.
There's also an irony to the fact that these low budget films are (at least in Iron Lungs case) paying and treating their crew better than companies worth billions.
Real images from The Backrooms Movie Set (30,000 Square feet Practical set) Movie is 90% Real Practical Set/10% CGI/Blender @shelbyv89
I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape
the window within
It's interesting how, culturally, we've gone from workplace comedy (The Office) to workplace existential dread (Backrooms and Severance). Can't imagine why.