what's the casting like for your headcanoned TOS amateur production of The Mikado? any other headcanons about it?
@makingshortstorieslong Thank you so much for asking!!! :D ❤️
The casting is as follows:
Kirk is Nanki-Poo. Now, I know he's not a himbo but he can play one very well. And this way, he gets to be the hero but also the crew get to laugh at him (second trombone, "imperfect ablutioner"). And I think "to your humours changing/I tune my supple song" reflects Kirk's actual modus operandi of altering his behaviour to adapt to the crisis of the week.
Uhura is Yum-Yum. We know she can sing well, which is essential to pull off "The sun whose rays...". Also, she is beautiful — and has the required "raven hair". Now it might seem unfortunate to have her and Kirk do the kissing song (after what happened in Plato's Stepchildren) but I think it will let them work through that trauma by doing it on their own terms.
Scotty is Pooh-Bah. Self evident. He would have such fun with this role.
Chekov is Pish-Tush. Pish-Tush is self-centred and doesn't mind being irritating. Q.E.D.
Chapel is Pitti-Sing: ship's nurse cheerfully singing about cutting through cervical vertebrae = funny.
Rand is Peep-Bo. I can see her and Uhura and Chapel having a great time as the Three Little Maids.
Sulu is the Mikado. He's Japanese. He's got that deep George Takei bass voice. He would ham it up like anything and have a marvellous time lording it over everybody.
and here's where it gets REALLY interesting (to me)...
McCoy is Ko-Ko (the Lord High Executioner): it's perfect. He's born to be a comic baritone. He would write his own version of the Little List based around the Enterprise and everyone would be in stitches. He would bounce off Scotty and Chapel and Kirk in all their interactions. He would even have the highly appropriate sincere line "I can't kill anybody!"
Spock is Katisha and he completely steals the show. With his famously devilish looks, he easily plays the role of the villain that the audience loves to hate... and then he turns it around with an incredibly sensitive rendering of "Hearts do not break" and suddenly the audience is weeping for him.
And of COURSE the ultimate pairing up of Spock and McCoy's characters is hilarious for the crew. "There's Beauty in the Bellow of the Blast" has real spones energy (to me, anyway). And if I may be permitted to include an actual spones moment at the end, I propose that at the very end of the show, when the "couples" are taking their bows, Katisha (Spock) unexpectedly kisses Ko-Ko (McCoy), which did NOT happen at the rehearsals, and it leads to much catcalling from the crew and McCoy goes on wild face journey from shock to confusion to a dazed grin :)
[and I've just checked my copy of the script and found this line from Ko-Ko: "True it is that, under a poor mask of disgust, I have endeavoured to conceal a passion whose inner fires are broiling the soul within me!" ... tell me that's not spones]
I've been saying for literally years that I will illustrate all this some day... I am trying to get better at drawing the characters first... one day it will happen. I hope.