Margaritte's Place

Random ramblings about whatever fandom I'm focusing on at the moment // Right now: SPN

[cheaphalloweencostume]

not to be insensitive but some of the salem witch trials were so funny bitches like “i saw her at the devils sacrament!!!” girl… what were YOU doing at the devils sacrament 👀

[altospaceangel]

If ANYTHING is a heritage post it’s this.

[velinxi]

Death will not free you of your duties, Jason Grace

[xiegray]

Is this anything

[bumblebeebats]

I feel like some people need to relearn Genre Expectations... "Man, this tragedy sucks!!! Why didn't they just do XYZ, then everything could have ended happily!!" well, then it wouldn't be a tragedy, would it. "Man, this lighthearted teen romcom is terrible, it's so sappy and unrealistic!!" Well, yeah. If it had been gritty and dark, it wouldn't have been a lighthearted romcom, would it. Is the writing actually bad or are you just trying to order a milkshake from a Home Depot

[katherynefromphilly]

Reblogging for

“Is the writing bad or are you just trying to order a milkshake from a Home Depot”

I feel like that should be the canned response to anyone who complains in your fic’s AO3 comments about the [thing] when the [thing] is clearly tagged.

[whereareyourightnow]

#soulmatism

[frissdraws]

~ I have fought so long to be here, I am never going back ~

[eddiesmustache]

8x11 scenes I can't stop quoting

[bilosan]

madney // buddie + parallels (part four) 💌

[bye-bye-sugar-blue-eyes]

911 Text Posts 11/? (Eddie Diaz)

[littlegreen]

ok everyone hold my hand. let’s do an episode recap. so buck is failing to accept his reality (eddie moving to texas) and failing to cope with all the special feelings of abandonment it’s filling him with. he’s taking it so bad that he’s actively trying to prevent eddie from moving. this results in a whole montage of buck “helping” (not helping) eddie get the house rented where he tells people various things about the neighborhood like this is His House and He Lives Here. all of these potential renters think they’re a gay couple, this isn’t explicitly stated but we can infer this based on it’s the obvious conclusion anyone with eyes would come to. then buck overhears eddie lying to potential renters about not having ties to los angeles. this makes him feel crazy. additionally, throughout the episode there is a stray dog that they are using as a vehicle to Say Things about how both buck and eddie are feeling about having to separate. buck adopts the dog, feeling a kinship to something abandoned by its owner. all of this results in buck trying to make eddie jealous by replacing him with the dog. which works and when buck says he’ll just move into a place that allows dogs eddie says “you’re gonna move for a dog?” the subtext here revealing that eddie wants buck to come to texas with him and is kind of sad that buck hasn’t offered. in a passive aggressive back and forth, buck reveals (“outs him”) to the rest of the 118 that eddie is moving. they are all sad he’s going but understand this is what’s right for his family. buck has a slight coming to god moment where he realizes the way he’s reacting to this whole thing is Not Normal at all. then when buck has to give the dog back to its owners he gives a sad speech about how the dog shouldn’t abandon its people because of how hard it is on them. eddie watches him somberly. later, buck shows up at eddie’s house and eddie initially believes he’s come to sabotage another potential renter and tries to frustratedly explain to buck, in what is not a normal thing to have to say to a friend, that this move is not about him and he has to do what’s best for chris. to which buck is like. absolutely eddie that is so true so that is why i will Live In Your House:) to Help You. actually ive already Broken My Lease:)) which opens the door for many possibilities to destroy buck’s sanity. lest we forget, this is literally what he did with abby. meanwhile maddie is telling a guy who is being framed for child murder that god will forgive him if he kills himself. this is real and it’s all happening on 911 on abc every thursday.

[fedzzzart]

first kiss💕

[jayhsketch]

Eddie Diaz: I'm gonna keep on dancing at the pink pony club

Available for free (ko-fi)

[amerlcanapparel-deactivated2020]

when she says she doesn’t send nudes

[straighthater]

when guys objectify women and expect them to send nudes

[timelordpillbug]

when someone asks you about your nuclear plans for russia

[hikingnerd]

When Russia sends you nudes

[dr-thackery]

[dismantlerepaired]

[ilovepretzelrods]

[thegingerbalrog]

[onwardwall]

[miss-jaxon-flaxon-waxon]

#what the fuck happened here

[her-eyes-dared-me-with-danger]

This is my favorite post in all of tumblr

[kyloschuyler]

reminder that this post is now illegal in Russia

[tree-of-blue-squirrel]

reblog it, because Russia can´t

[maradaisykat]

Thanks Obama 

[my-sisters-eyeball]

Wtf

[roomba-with-knives-taped-to-it]

When Russia makes this post illegal

[earthnicity]

I HAVE ONLY SEEN THIS IN SCREENSHOTS

[bellefoxs]

Dani Clayton in the Haunting of Bly Manor || Eddie Diaz in 9-1-1

[russellradio]

buck sneaking his way into bobby's heart like

[dioptre-hertz]

I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:

I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.

That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!

But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?

Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…

[asymbina]

If we shadows have offended

Think but this and all is mended

[riversongg]

I saw someone point out that Captain Gerard is at this ceremony and will watch watch a black lesbian woman, an asian man, a hispanic man and two queer men getting medals for being firefighters and I think that’s called divine retribution or something and I love it