Grave Days is a creepy top-down pixel art roguelite zombie survival adventure where you attempt to scavenge, craft and survive in a post-apocalyptic world.
Read More & Play The Alpha, Free (Windows, Mac & Linux)
Aqua Utopia|海の底で記憶を紡ぐ
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hello vonnie

shark vs the universe
NASA

titsay

Origami Around
Sade Olutola
Keni
Three Goblin Art

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JVL

Kiana Khansmith
Today's Document
Claire Keane
Stranger Things
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸

pixel skylines
noise dept.

seen from Türkiye

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@maskimo
Grave Days is a creepy top-down pixel art roguelite zombie survival adventure where you attempt to scavenge, craft and survive in a post-apocalyptic world.
Read More & Play The Alpha, Free (Windows, Mac & Linux)
no human being from any period of history will ever understand this generation’s sense of humor
the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA
That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body.
OKAY BUT HOLD ON THOUGH.
I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.
Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.
Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.
And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.
The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.
Daaaamn, Tony. That’s fucking deep, my guy
I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.
you’ve heard of the swear jar
now get ready for the sin tin
OP? I’m pretty sure this counts as taking indulgences.
Shut up Luther
its a two for one special today folks
cats’ instinct to smack the shit out of anything and everything is honestly one of their best traits
The “how many planks can you replace in a boat before it’s not the same boat anymore” puzzle, except “how many mods can you install on Skyrim before you’re not playing Skyrim anymore”
The Skyrim of Theseus is my favorite philosophical quandary.
Fun fact: you can play the entirety of Fallout 3 inside a mod of New Vegas. It’s called A Tale of Two Wastelands and it’s the best way to play Fallout 3.
If you wonder what it’s like living in America. And this is satire but let’s be honest this could very easily be real
Redacted States of America
from /r/vexillology Top comment: [removed]
I mean…
https://t.co/R1HSfXysJf
Chaos Dwarf sketches from various sourcebooks, courtesy of Warzone Studio.
one of the weirdest ways that language is evolving in response to the internet is that “bad words” just. do not have the same impact anymore. i constantly forget that some people think ‘fuck you’ is a terrible insult
so threats and insults have to start getting really out there if the person wants to even mean anything. if a person told me to die i’d shrug it off but if i opened a post’s tags and saw “op i will sneak into your house and replace all your shoelaces with cooked pasta” do you know how shaken i’d be? do you know how upset i’d be if i saw “op is the personification of the look you share w other people in the grocery store when some dude is causing A Scene™ for no reason”
So you are saying English curses on the Internet are becoming more like Yiddish curses?
I sincerely hope so but I can’t say I’m familiar with yiddish curses and i am begging you to tell me a few
My Personal favorite is:
“May all your teeth fall out, except for one, to give you a toothache.”
“OP is a complete onion.” (their head is in the ground)
“I hope I have the privilege of sewing your shroud” is another one I like.
“May you have a hundred houses, with a hundred bedrooms each, and ten beds in each room. And may the plague throw you from one bed to the other”
“May your death be sweet. Run over by a truck full of sugar”
“May everyone congratulate your widow at your funeral”
Damn these are good.
Yiddish ha d it right
A quick one about the Pokemon Direct trailer, cause you know your boi gotta appeal to that youth market.
Is this British culture?
Karen knows no nationality
The Elder Scrolls music really puts this over the top.
im going to fucking die