I want to start a natural dye youtube channel where I gently talk about my favorite plants........ I already beg everyone in my life to let me show them how to make an indigo vat lol

JVL
Monterey Bay Aquarium
KIROKAZE
🪼
he wasn't even looking at me and he found me
Three Goblin Art
Cosmic Funnies
Cosimo Galluzzi
PUT YOUR BEARD IN MY MOUTH
trying on a metaphor
let's talk about Bridgerton tea, my ask is open
EXPECTATIONS
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will byers stan first human second
Aqua Utopia|海の底で記憶を紡ぐ
Stranger Things
Claire Keane

Kiana Khansmith
d e v o n

izzy's playlists!
seen from Israel
seen from South Africa
seen from Kenya
seen from Libya

seen from Australia
seen from Canada
seen from Kenya
seen from United States
seen from India
seen from Venezuela
seen from Nepal

seen from Germany
seen from Brazil
seen from Sierra Leone
seen from Iraq
seen from Venezuela

seen from Bangladesh
seen from Tunisia
seen from Uzbekistan

seen from Qatar
@mattbuttface
I want to start a natural dye youtube channel where I gently talk about my favorite plants........ I already beg everyone in my life to let me show them how to make an indigo vat lol
No wonder death grips fucking hate their fans, relistening to their music, it's so visceral and personal for it to be boiled down to "haha funny black guy scream xd" is insulting
People thought they're in on the joke that is not there and to refuse to engage with death grips on any level beyond that seemed ridiculous because how can anything that sounds like this be serious, Mc ride, the alterego he created for his stage name has replaced him and it's sad. People refused to see him as anything beyond "one dimensional black guy who screams about nonsense to crazy synths"
Anyways here's Stefan Burnett
He's an artist, he is a person he is not just Mr grips and a lot of people seem to forget it.
Here is his work.
Wish people could engage with black art without boiling the artist out of the stew
My oil painting of an Uncrustable
You want to call your House rep now and tell them Trump needs to be impeached immediately for defying a Supreme Court order (re: Kilmar Abrego Garcia), which functionally voids our constitution and means no one in America has rights anymore.
I am not exaggerating.
As of now, anybody can be disappeared, no due process, no recourse. Trump is openly disregarding a Supreme Court order and says he’ll send US citizens to El Salvador.
This is not a drill.
Call your House rep and tell them they must impeach. Tell them if they cannot bring themselves to impeach, they must resign. A more open and shut case to impeach is not possible. Trump and his administration are saying openly, in public, that anybody can be kidnapped by ICE, even in error, and disappeared permanently.
Call your senators, too, and tell them to support impeachment (it goes to them once it passes a majority House vote).
Find your representatives. Learn how to find and connect with them. Stay informed about their bills, committees, and contributions.
"Hello, my name is _______ and I am a constituent from _______. My address is ________.
I am reaching out today to urge Representative ______ to call for the impeachment of President Trump due to his refusal to comply with the Supreme Court's April 10th decision regarding Kilmar Abrego Garcia, who was unlawfully deported and has been charged with no crime. As Justice Sotomayor stated, this inaction implies the government's ability to 'deport and incarcerate any person, including U.S. citizens, without legal consequence, so long as it does so before a court can intervene.' This precedent is unconstitutional, highly illegal, and grounds for impeachment. Every individual, regardless of immigration status, must be guaranteed a right to due process.
Representative _____, I urge you to stand on the right side of history today by calling for President Trump's impeachment. This administration can not be allowed to continue unilaterally defying the checks and balances that are intrinsic to our government."
You can also find your representative and senators and their phone numbers on https://5calls.org/
Please don't be afraid of calling. Your job would just be to be a data point, not to sound perfect. Here's some info on why calling is effective.
A comic based on this poem
^
This man is getting pet a whole lot lately
@creatures-in-posts
dandelions deserve more respect than they get
you say “weeds” I say “widespread non-native edible plant and early-blooming pollinator resource that is not considered invasive because it behaves politely and does not cause deleterious ecological consequences”
The dandelions aren’t gonna fuck you bro
they have and they will
Sparkle on! It’s wednesday! Don’t forget to be yourself!
Miku day
🏳️⚧️happy tdov! 🏳️⚧️
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What the fuck
This is absolutely fascinating. I've now been looking at Alex Colville's paintings and trying to work out what it is about them that makes them look like CGI and how/why he did that in a world where CGI didn't exist yet. Here's what I've got so far:
- Total lack of atmospheric perspective (things don't fade into the distance)
- Very realistic shading but no or only very faint shadows cast by ambient light.
- Limited interaction between objects and environment (shadows, ripples etc)
- Flat textures and consistent lighting used for backgrounds that would usually show a lot of variation in lighting, colour and texture
- Bodies apparently modelled piece by piece rather than drawn from life, and in a very stiff way so that the bodies show the pose but don't communicate the body language that would usually go with it. They look like dolls.
- Odd composition that cuts off parts that would usually be considered important (like the person's head in the snowy driving scene)
- Very precise drawing of structures and perspective combined with all the simplistic elements I've already listed. In other words, details in the "wrong" places.
What's fascinating about this is that in early or bad CGI, these things come from the fact that the machine is modelling very precisely the shapes and perspectives and colours, but missing out on some parts that are difficult to render (shadows, atmospheric perspective) and being completely unable to pose bodies in such a way as to convey emotion or body language.
But Colville wasn't a computer, so he did these same things *on purpose*. For some reason he was *aiming* for that precise-but-all-wrong look. I mean, mission accomplished! The question in my mind is, did he do this because he was trying to make the pictures unsettling and alienating, or because in some way, this was how he actually saw the world?
omf i never thought i'd find posts about alex colville on tumblr, but! he's a local artist where i'm from & i work at a library/archives and have processed a lot of documents related to his art. just wanted to give my two cents!
my impression is that colville did see the world as an unsettling place and a lot of his work was fueled by this general ~malaise?? but in a lot of cases, he was trying to express particular fears or traumas. for instance, this painting (horse and train) was apparently inspired by a really tragic experience his wife had:
iirc she was in a horrible automobile crash, as the car she was in collided with a train. i find it genuinely horrifying to look at, knowing the context, but a lot of colville's work is like that? idk he just seems to capture the feeling you get in nightmares where everything is treacle-ish and slow and inevitable.
Tim Curry with his GameBoy on the set of The Three Musketeers (1993)
cunt levels off the charts
throb with his real hair in drag 🫶🖤
I just realized that many many people have jobs
Rb with your job, wtf do you people do while offline???
Hehe I'm a bartender