buckynat + similar fighting styles because he trained her

blake kathryn

Janaina Medeiros

Origami Around
Peter Solarz
Lint Roller? I Barely Know Her

if i look back, i am lost

❣ Chile in a Photography ❣
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
AnasAbdin
$LAYYYTER
Three Goblin Art
todays bird
almost home
No title available

titsay

izzy's playlists!
Mike Driver

Andulka

tannertan36
seen from Ireland
seen from United States
seen from Malaysia

seen from United States

seen from United States

seen from Germany

seen from Malaysia

seen from Malaysia

seen from United States

seen from United Kingdom

seen from United States
seen from Spain

seen from Türkiye

seen from Germany
seen from Singapore
seen from United States
seen from United States
seen from Malaysia

seen from Iraq
seen from Lithuania
@menatiera
buckynat + similar fighting styles because he trained her
"Maybe it's just stress/anxiety" is so crazy as a Dismissive Statement because even when it *is* anxiety it's such an understatement to be like "how about you just chill out idk" when your body is poisoning itself with its own stress hormones. Like okay sometimes it is anxiety. This is still physically happening to me
"It's probably just stress" and it's like well documented that it can just kill people sometimes
person w adhd experiencing symptoms of adhd: why the fuck can’t I do this thing . I wish there was some explanation for this
Eli Clare, Brilliant Imperfection: Grappling With Cure, 2017
["Normal and Natural
The medical industrial complex pushes normal weight, normal walking, normal ways of thinking, feeling, and communicating as if normal were a goal to achieve and maintain. Sometimes normal is attached to natural; multinational corporations marketing natural beauty, natural strength, natural skin every day, as if natural were a product to sell.
At the same time, white Western beliefs separate human animals from nonhuman nature and devalue the natural world. Coupled with capitalism, these beliefs drive an out-of-control greed for and consumption of coal and trees, fish and crude oil, water and land. Drive the destruction of what is natural. Drive the declaration of cornfields as more productive and necessary than prairie. In short, the white Western world both desires to be natural and destroys what is natural, depending on the context. It makes no sense.
The standards called normal— sometimes in tandem with natural— are promoted as averages. They are posed as the most common and best states of being for body-minds. They are advertised as descriptions of who "we" collectively are— a we who predictably is white, male, middle- and upper-class, nondisabled, Christian, heterosexual, gender-conforming, slender, cisgender. And at the same time, these standards, which supposedly reflect some sort of collective humanity, are sold back to us as goals and products. It makes no sense.
This nonsense couldn't exist without the threat of unnatural and abnormal. Whether focused on repairing disabled body-minds or straightening kinky hair, lightening brown skin, or making gay, lesbian, and bi people heterosexual, cure aims to make us as normal and natural as possible. The pressure is intense, created and sustained by the consequences and dangers of being considered abnormal and unnatural. Inside this pressure cooker, the promise of cure is continually at work."]
Everything I read about recovering from burnout is like “it takes months or even years to fully recover” and it’s like okay…. I have a weekend before I gotta clock in on Monday
Middle-aged magical girl.
She's been defending the Earth since the early 90s and she's very tired.
My name is Tominaga Haruka. I was chosen by a magical talking animal, and for the last 29 years I've been Earth's one and only... Wonder-Sparkle Princess.
she's been fighting the same villains for three decades and they are also tired of it. Most of them aren't giving it their all. Half of them are in a groupchat they've added her to where they schedule their evil plans to make sure they don't interfere with each other, or more importantly, with *her* Xalkrax the space demon from outer space decided to attack the city when she was taking her vacation time once, and now he's dead, because even the power of friendship and redemption can't save you if you interrupt her rare vacations
Demon Queen Eluria: Gonna fill the city people's hearts with hatred on thursday to cause mayhem and discord.
Wonder-Sparkle Princess: Can't, got a PTA meeting.
Demon Queen Eluria: Friday?
Wonder-Sparkle Princess: A birthday party.
Demon Queen Eluria: Damn. How about I fill just the mayor's heart with hatred then?
Wonder-Sparkle Princess: That'd be redundant, lol. Maybe fill his heart with a desire to fix the fucking potholes?!
Demon Queen Eluria: LMFAO love you, bitch. Stay strong.
Wonder-Sparkle Princess: You too, gurl. How's the husband? Still dead?
Demon Queen Eluria: Yep. Thanks for that, btw.
Wonder-Sparkle Princess: Don't mess with my time off :p
Why are people tagging this '#wonder sparkle princess' like that's a thing and not a name I made up exclusively for this post?
Congratulations on inventing a new tumblr deity!!
She isn't 29 years old. She's been a magical girl for 29 years. If she started at 14 (typical magical girl protagonist age) then she'd be 43.
God I needed this.
thinking about how the avengers and the thunderbolts are heroes for very different times. maybe it's just me as someone who was young enough to still be considered a kid when the first mcu films were coming out, but it really feels like the avengers represent something we can't get back to. everything felt fresh and optimistic back then; we knew they would defeat the bad guys, because the bad guys always lose! that simple. heroes like thor and captain america were inherently good people: sure they'd made a few mistakes, but those were mostly personality flaws. they were pretty much just caring, brave, honest-to-God good human beings, and that's what heroes were to us back then. they made being a hero look easy. we basked in the glorious light of their innocence and goodness and believed that a golden future awaited us.
fast forward to 2025. we're adults now, and so tired of asking where that golden future we were promised is. we've seen too much of humanity's wars, oppression, death, our own greed and selfishness, a frikkin pandemic for heaven's sake. our youthful optimism has been replaced by a hope fragile and barely alive; we don't feel the same reassurance that the bad guys will lose because there have been so many times in real life that they've won. we know now that heroes are not just 'good people.' so what is a hero?
enter the thunderbolts, a bunch of self-proclaimed losers with terrible pasts. they've all messed it up: killed people, abandoned loved ones, been abandoned by loved ones, seen too much to ever completely stop suffering and done too much to ever be looked at in the same light as the inherently good heroes of the past. they can't stop themselves from being sarcastic dumbasses. they seem irredeemable. they feel irredeemable. and yet that is exactly what we need.
because when it comes down to it they choose to be heroes. they see people in danger and they step up, even though it's hard, even though it's not natural to them. they throw themselves into the battle because that is what they have always known and they'll be damned if they sit this one out when they finally have a chance to do something good. they look at one another in their pain and hopelessness and say i know, me too, so let's figure it out together, even though they follow that up with i still hate you btw, you're still a dumbass because that's how we say i love you these days. they show us, jaded and struggling, that you don't have to feel good to do good--that you are good anyway, that you are more than what you have done or felt or been, that there is always a hope for tomorrow. there's a reason the plot is a great big metaphor for mental illness and self-worth, a reason redemption flows through the veins of that film.
in the end i think the avengers affirmed our belief in the goodness of people and the world, but the thunderbolts? they reawaken that hope. maybe their story touched us so deeply because they are responding to the hope that there's some good in this world and it's worth fighting for.
I miss when everyone on my dash listened to Welcome to Night Vale so there’s be a good chance that on any ole day someone would reblog a quote that would grab me by the throat and forcibly ascend me to a higher plane where I understood myself and the universe better and with more kindness but also a little spook
“The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first and settles in as the gentle present” are you kidding me this quote has propelled me through at least three emotional crises
“The desert seems vast, even endless. And yet scientists tell us that somewhere, even now, there is snow.” That quote literally got me through grieving my brother like WTNV goes HARD
A List of Some of My Favorite Quotes From This Insane Podcast:
"You are beautiful when you do beautiful things."
"The present tense of regret is indecision."
"We understand so much, but the sky behind those lights-- mostly void, partially stars-- that sky reminds us we don't understand even more."
"Be proud of your place in the Cosmos. It is small and yet it is."
"Believe in yourself. You are an ancient, absent god, discussed only rarely by literary scholars. So if you don't believe, no one will."
"Death is only the end if you assume the story is about you."
“Whisper a dangerous secret to someone you care about. Now they have the power to destroy you, but they won’t. That’s what love is.”
"Are we living a life that is safe from harm? Of course not. We never are. But that’s not the right question. The question is are we living a life that is worth the harm?"
"When we talk about teenagers, we adults often talk with an air of scorn, of expectation for disappointment. And this can make people who are presently teenagers feel very defensive. But what everyone should understand is that none of us are talking to the teenagers that exist now, but talking back to the teenager we ourselves once were – all stupid mistakes and lack of fear, and bodies that hadn’t yet begun to slump into a lasting nothing. Any teenager who exists now is incidental to the potent mix of nostalgia and shame with which we speak to our younger selves."
"We are not history yet. We are happening now. How miraculous is that?"
"Wednesday has been cancelled due to a scheduling error."
"We have nothing to fear except ourselves. We are unholy, awful people."
"A million dollars isn’t cool. You know what’s cool? A basilisk."
"There's nothing under your bed. There's nothing in your closet. Nothing waits in every darkness. Nothing is the most terrifying thing of all."
"The night sky is ten miles wide, eight miles deep, and floats three miles up. Its favourite food is grape jelly. It wants to be a drummer."
"Look to the sky. You will not find answers there, but you will certainly see what everyone is screaming about."
"Ignorance might not actually be bliss, but it is certainly less work."
"And now, a special report. Crocodiles: Can they eat your children? *YES.*"
"Lie down and look up at the ceiling and breathe with those curiously fragile lungs of yours and remind yourself: Don’t worry. Don’t worry. All is as it was meant to be. It was meant to be lonely and terrifying and unfair and fleeting. Don’t worry."
"As long as I’m reminding myself things, I’m a good person, worthy of love – both from myself and others."
"Guns don't kill people! It's impossible to be killed by a gun. We are all invincible to bullets and it's a miracle!"
"Everything is exciting! Particularly existence. Existence is the most thrilling fact of all."
"There is a monster under your bed. A monster at your window. A monster any place you imagine one. You project your monsters on the world."
"You miss 100% of the bank robberies you don't commit."
"I like my coffee like I like my nights. Dark, endless, and impossible to sleep through. "
"A friendly desert community where the sun is hot, the moon is beautiful, and mysterious lights pass overhead while we all pretend to sleep. Welcome to Night Vale."
"And now, the weather."
I discovered this podcast at the beginning of high school, and let me tell you, it rewired my synapses.
Not only was it my first experience with positive LGBT representation, it was the show I clung to when everything else went to shit. Whatever was going on in my life, I knew I had this show in my corner, making me laugh, making me cry, making me feel okay about my place in the universe.
I owe the creators of this podcast more than I could express.
"the lights over the Arby's" is such an intrinsically queer piece of writing that it hits me *hard* every time.
"We will never be the same again. But here's a little secret for you: no one is ever the same thing again after anything. You are never the same twice, and much of your unhappiness comes from trying to pretend that you are. Accept that you are different each day, and do so joyfully, recognizing it for the gift it is. Work within the desires and goals of the person you are currently, until you aren't that person anymore, and everything changes once again." (from Episode 75)
"The universe is vast. You are also vast. So is an ant. There are different sizes of infinity."
KRISTEN BELL?????
feeding her stuffie must live on....
fuck it. be creative even if you never really *make* anything. write out plot synopses of stories and then move on. design OCs you'll never use. make mood boards and concept art and don't do anything with them. life's too short to forget everything that inspired you and creation doesn't have to be "complete" to be worth the time you put into it.
I deadass think steve rogers ending was character assassination and conservative rhetoric (send the progressive man back to the decade epitomes with traditional values for a white picket fence life) but it was also just cruel to steve and bucky. “oh ur just mad ur ship didn’t go canon” no im mad the friendship that was the most important thing in both of their lives was tossed aside and the audience was gaslit into believing it didn’t matter despite three films proving otherwise. steve dropped the shield twice for bucky and would have died rather than live in a world where bucky didn’t remember him. bucky broke thru 70 years of brainwashing at the sound of steve’s voice. their catchphrase was essentially “til death do we part”. the fuck
marvel for ten years: these guys have been best friends since they were six (w steve having no one but bucky after his mom died). their bond is unbreakable and they would die for each other. steve doesn’t believe in ever turning a blind eye to injustice and would sacrifice his body time and time again to do what’s right
endgame: after bucky comes back from the dead steve says “see ya” to his best friend and his morals
I think that Xena, for all of its ridiculousness and cheesiness, did a better job of conveying the allure of evil than just about any other series I've ever seen. Like it understands that violence, no matter how justifiably it starts out, is addictive, and that hatred poisons you until you can't feel real joy anymore, and it's strange to me that I've never seen it laid out so simply elsewhere.
...so THAT'S what sleeper cell activation feels like. Because yes, YES, LET'S TALK ABOUT THIS, because Xena is such an interesting lightning-in-a-bottle-case study! While I would never discount the work done by the writers, Xena as a show is almost perfectly positioned both historically and structurally to consistently explore that theme.
The first puzzle piece is that Xena was a syndicated show at the tail end of syndication's total dominance of a distribution model. For those too young to remember a time when ongoing plots and prestige dramas weren't the norm, syndication is big part of why older television shows almost entirely kept plots contained to one or two episodes rather than having them span seasons. See, when a show is syndicated, it is licensed out to individual television stations/affiliates to be aired as reruns. The individual station chooses when to air them and in what order, and whether to just skip episodes they don't like in favor of the ones most likely to draw eyeballs, etc etc. The more a show is licensed, the more money you make on it, so there is an incentive to make each episode standalone to make them appealing to each station by enabling them to toss on whatever episodes they like without it being a problem for the casual viewer. Also, before streaming, easy access to dvds and episode recording, and the like, a show could not assume that even its fans would have necessarily have seen every episode. "Catching up" was not an easy thing, and reserved for the most dedicated, doing shit like physically mailing bootleg tapes! Therefore, shows needed to have a consistent formula that didn't lock out the person who couldn't watch last week for whatever reason. Characters remained within more of a status quo. Xena is a "monster of the week" style show, like X-Files. I mention X-Files intentionally, because it was one of the first to really break that no-ongoing-plots structure, and that shift affected its contemporaries, like Xena, who also started to follow suit.
That alone doesn't account for Xena being so primed to explore those themes, of course. Even staying within the same fictional universe, Hercules (which Xena is a spin-off of) and Young Hercules don't even come close to Xena's complexity on the subject. But that's because Xena's premise is perfectly positioned to interact with those practical constraints for this outcome in a way those shows aren't. The status quo that syndication demands remain mostly in intact is that 1) Xena was evil and really good at it, 2) she is trying to do good in the world now as penance but can never undo what she has done. Every episode is about Xena trying to save people while dealing with the consequences of her actions as a warlord. The fact that she was evil cannot be changed or diluted nor can the fact that she must continue trying to redeem herself, otherwise the show is over or is unrecognizable to the casual viewer. But this is also an action show, sometimes cartoonishly so, so she must also be fighting consistently! The core spectacle is violence and the core story is why violence is often evil. There is an inherent tension there that the writers either needed to interrogate earnestly or ignore, and they chose the honest, interesting route. They gave Xena a costar who is innocent and principled but loves Xena, and had her always asking why and trying to understand how Xena could be that person, while being put under similar pressures herself. They had Xena continue to use the tools she has, including violence, for good ends, and wrestled with the answers as to why that was ok, why the violence she did then and the violence she did now were different—and sometimes decided they weren't. They showed Xena struggling with falling back into those old habits because they are seductive and easy.
If someone asked "are there so many episodes of Xena where you find out someone tried to get her to change her ways many years ago and failed because that is a really great standalone premise, or because violence as a tool and power and vengeance as motivators are corruptive and hard to stop using once you start," the answer is yes. The show is cyclical because violence is. But also because it is syndicated.
It's fucking rad and interesting.