GAMING NEWS !!
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TVSTRANGERTHINGS
Aqua Utopia|海の底で記憶を紡ぐ
ojovivo
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macklin celebrini has autism

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occasionally subtle

if i look back, i am lost
Keni
I'd rather be in outer space 🛸
wallacepolsom

bliss lane
KIROKAZE
Stranger Things
🪼

Product Placement
RMH
Misplaced Lens Cap
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@meo618
GAMING NEWS !!
expensive
posts funnier with timestamps on
I'm back to drawing y'all
I might post some drawings tomorrow
Among those drawings are
"wkm, but Celine has a gun"
"Actor is being pathetic as always"
"Wilford AND Dark are drunk"
"Google does Sudoku"
Wait for tomorrow to see which ones I clean up to post
I'm back to drawing y'all
I might post some drawings tomorrow
Another year, another wip for these fellas
can't believe the only options are 30 minutes early or 10 minutes late. if only there were some other way. but what can you do
everybody's got that one homie posting straight from the valley of the shadow of death
I upset a few people in my intro to western philosophy class with this one.
nonlocal area code = hang up. obvious telemarketer
local area code = hang up. this one is also a telemarketer but trying to be sneaky
never answer the phone ever
this is why everyone on this website is a virgin
I’m not gonna fuck the telemarketer man
the ipad brothers. they're rotting.
I’m glad that OP:
1) Figured this out.
2) Shared so others can learn from their mistake.
spiced up some of my warm-up sketches from these past few months
has this been done
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
So how’s the art coming along guys?
why is this post completely broken in every way imaginable
Broken notes… deactivated account… removed image….
Finally, we have them all.
In addition: OP’s name is just… gone. No “[insert username]-deactivated[insert a bunch of numbers]” as is the standard for deactivated blogs.
Just the world “deactivated.” Look upon their post, ye mighty, and despair.
It’ll be almost impossible to find this post unless it wanders across your dash.
It wandered across mine. I shall help it travel forward.
this is not a place of honor
Oh hey post of Ozymandius, good to see you again standing on your feet in a desert where no one remembers you
Forcing myself to post laaaaazy doodles just to keep my tumblr alive #whatever... for The Time Being im stuck in the exam torture dungeon that makes you experiment with art a lot. Yeah.
;p