Product Placement
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Mike Driver
Jimmy Eat World
Show & Tell
sheepfilms
hello vonnie
Cosimo Galluzzi
I'd rather be in outer space 🛸
Sweet Seals For You, Always
h
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Aqua Utopia｜海の底で記憶を紡ぐ
2025 on Tumblr: Trends That Defined the Year
NASA
if i look back, i am lost
YOU ARE THE REASON
PUT YOUR BEARD IN MY MOUTH
𓃗
ojovivo
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@myrantplace
Wow this is the MOST horrifying thing I have read in, uhhhh, YEARS
Me: oh this is gonna be a cute story about a kid sneaking food
Me: oh no his dad is sneaking the leftovers too
Me: it’s not his dad???
Me: WHAT THE FUCK
this terrified me so much
Its fine I didnt wanna sleep tonight anyways :)
Thank God my home is tiny.
What do i do all quarantine you ask? Well I listened to Welcome to Night vale from the very beginning and went through all the ao3 Carlos/Cecil tag fanfics and read them all. Finished and unfinished. I now i feel lost.
Tom Holland does Rihanna’s “Umbrella” on Lip Sync Battle
I’m literally zendaya reacting like he didn’t have to go that hard and yet..
every time i watch this when the reveal hits and he starts dancing i’m like “oh ok that ain’t a big deal he’s just another celeb doing a gimmick” but somehow by the end of this video without fail i am filled with respect for him and zendaya for being like…a powerful gen z couple who both give off chaotic bisexual vibes
i think it’s the irreverence with which he splashes the water
that was a classic that was a classic
It’s a good time to remember that Tom Holland is a trained dancer and that initself is a gift
He’s trained in ballet, too, which is what makes this even funnier. I saw a video (also with Zendaya in it) of him doing like, fifteen fouettes in someone’s basement. GET A MAN WHO CAN DO BOTH.
I FOUND IT!!
Omg! So good, so talented! Thanks heaven for this man.
Day who know of the quarantine, my work place is slowly integrating me back to a full day of work and I'm having some mixed feelings about coming back. For on one side I was going crazy alone at home on the other side I get anxious leaving my home and cats alone. Earlier this year someone broke into our home and took some electronics, but luckily the cats were locked in a room so they were safe.
Wow, don't remember the last time I posted anything. Can't remember the last time I was on Tumblr. Let's remedy that.
OK to make a font out of your own writing
go here
http://www.myscriptfont.com/
instead of printing it off just use this blank thing that way you dont have to scan it or anything
so fill that out by pasting it in any art program and whatnot
then save it and upload it to that site
and itll give you an option to download it
so do that and then install it BAM
I JUST GOT THIS ON MY TABLET IT’S SO COOL OH MY GOD
for some reason it refused to recognize the third page of my letters but they were all pretty unnecessary mathematic things anyway so I’m not too worried. still something to keep in mind though, I hope it doesn’t happen for you!
paintfont.com would be a good place to go to quickly make a custom font for your comic!
ehh
It looks just as horrible in real life..even worse with the letter attached…
I’ll try this later.
you can also use alternative alphabets
Welp. Guess I know what font I’m gonna be using for comics from now on. B)
Welp. Looks like I have to do this now. So I can use this for Tengri’s asks.
For some reason there is no apostrophe in my set, but it still looks cool.
NEAT THING ALERT
The site is now called https://www.calligraphr.com/en/ but it’s basically the same!
Now please excuse me while I make a crapload of fonts.
The director of cybersecurity from the Electronic Freedom Foundation is offering to help women who have been threatened with compromise of their devices.
I better see EVERYBODY reblogging this
Coraline is a masterfully made film, an amazing piece of art that i would never ever ever show to a child oh my god are you kidding me
Nothing wrong with a good dose of sheer terror at a young age
“It was a story, I learned when people began to read it, that children experienced as an adventure, but which gave adults nightmares. It’s the strangest book I’ve written”
-Neil Gaiman on Coraline
@nightlovechild
This is a legit psychology phenomenon tho like there’s a stop motion version of Alice and Wonderland that adults find viscerally horrifying, but children think is nbd. It’s like in that ‘toy story’ period of development kids are all kind of high key convinced that their stuffed animals lead secret lives when they’re not looking and that they’re sleeping on top of a child-eating monster every night so they see a movie like Coraline and are just like “Ah, yes. A validation of my normal everyday worldview. Same thing happened to me last Tuesday night. I told mommy and she just smiled and nodded.”
Stephen King had this whole spiel i found really interesting about this phenomenon about how kids have like their own culture and their own literally a different way of viewing and interpreting the world with its own rules that’s like secret and removed from adult culture and that you just kinda forget ever existed as you grow up it’s apparently why he writes about kids so much
An open-ended puzzle often gives parents math anxiety while their kids just happily play with it, explore, and learn. I’ve seen it so many times in math circles. We warn folks about it.
Neil Gaiman also said that the difference in reactions stems from the fact in “Coraline” adults see a child in danger - while children see themselves facing danger and winning
i never saw so much push back from adults towards YA literature as when middle aged women started reading The Hunger Games. They were horrified that kids would be given such harsh stories, and I kept trying to point out the NECESSITY of confronting these hard issues in a safe fictional environment.
Also, in an interview, he said that Coraline was partially based on a story his not yet 6 year old daughter would tell him
SAGAL: No. I mean, for example, your incredibly successful young adult novel “Coraline” is about a young girl in house in which there’s a hole in the wall that leads to a very mysterious and very evil world. So when you were a kid, is that what you imagined?
GAIMAN: When I was a kid, we actually lived in a house that had been divided in two at one point, which meant that one room in our house opened up onto a brick wall. And I was convinced all I had to do was just open it the right way and it wouldn’t be a brick wall. So I’d sidle over to the door and I’d pull it open.
(SOUNDBITE OF LAUGHTER)
SAGAL: Right.
GAIMAN: And it was always a brick wall.
SAGAL: Right.
GAIMAN: But it was one of those things that as I grew older, I carried it with me and I thought, I want to send somebody through that door. And when I came to write a story for my daughter Holly, at the time she was a 4 or 5-year-old girl. She’d come home from nursery. She’d seen me writing all day. So she’d come and climb on my lap and dictate stories to me. And it’d always be about small girls named Holly.
SAGAL: Right.
GAIMAN: Who would come home to normally find their mother had been kidnapped by a witch and replaced by evil people who wanted to kill her and she’d have to go off and escape. And I thought, great, what a fun kid.
It’s anxious adults who desperately want to “soften” stories. Kids prefer the real thing: with monsters, bloodthirsty ogres and evil murderous stepmothers; where the littlest brother always wins and all the villains are horrendously punished in the end. The world is threatening to the eyes of a child, so they need a fictional universe where the little people have a fair chance against the big and strong.
This isn’t specifically about stop motion but it is about how sad or scary parts of movies aren’t really all that bad- IE the 80′s movies, particularly Don Bluth’s films. (X- The Melancholy of Don Bluth, by Meg Shields )
How the children’s animation of the 80’s made room for sadness, and what that taught us.
There was a time when McDonalds used to give away VHS tapes with happy meals, and by some stroke of luck, one day my mom picked The Land Before Time. It was the first film to etch itself onto me ‐ the way film tends to with kids. I would recreate the plot with stuffed animals and parrot the lines to whoever would listen; I pawed that VHS box until the cardboard went soft.
A couple years ago, I saw that Land Before Time was playing on t.v. and couldn’t remember the last time I’d watched it all the way through. Within five minutes I was completely obliterated and sobbing into a throw pillow. This is a shared experience for children raised with Don Bluth: that as a kid, I could only clock a hazy sense that his films felt different from Disney fare, but that the articulations of this difference, and their ability to emotionally floor me, are something I’ve only become aware of in retrospect.
There was a regime change in animation during the 80’s. Quite literally in the form of Bluth’s official break with Disney in ’79, but in a more elusive sense with the landscape of what children’s animation during that decade felt like. For whatever reason, be it Bluth’s departure or a diseased managerial ethos in the wake of Walt’s passing, the 80’s were a mixed bag for Disney. Don’t get me wrong, they’re amiable and charming films, but The Fox and the Hound and The Great Mouse Detective are not classics. And for all its ambition, The Black Cauldron cannot be redeemed on technical merit. Disney would eventually yank itself out of its slump in ’89 with The Little Mermaid ‐ but animation during the 80’s, along with the childhoods of a slew of millennials, were definitively shaped by Bluth.
That there is a dark tenor to Bluth’s work has been thoroughly, albeit perhaps vaguely, noted, often citing individual moments of terror (cc: Sharptooth, you dick). While I don’t doubt that frightening and disturbing scenes contribute to an overall sense of darkness in Bluth’s work, I’m unconvinced that they’re at the root of what distinguishes his darker tone. There is, I think, a holistic sadness to Bluth films; a pervasive, and fully integrated melancholy that permeates his earlier work.
These stories are full of crystalline moments of narrative sadness; specific story moments at which I inevitably mutter a “fuck you Don Bluth,” and try not to cry. There’s Littlefoot mistaking his own shadow for his dead mother; Fievel sobbing in the rain (a Bluth mainstay) convinced that his family has abandoned him; Mrs. Brisby shuddering helplessly after she and the Shrew temporarily disarm the plow. Other plot points are less tear-jerking so much as objectively miserable: the cruelty of the humans in The Secret of NIMH; An American Tail’s intelligent allegory for Russian Jewish pogroms and immigration; Carface getting Charlie B. Barkin drunk and murdering him at the pier.
You know — FOR KIDS!
Thematically, there is an ever-present air of death about Bluth’s work that is profoundly sad. Bones litter certain set-pieces; illness and age are veritable threats (shout out to Nicodemus’ gnarly skeleton hands); and characters can and do bleed. Critically, Bluth films don’t gloss over grief, they sit with it. From Littlefoot’s straight up depression following the on-screen death of his mom, to Mrs. Brisby’s soft sorrow at finding out the details of her husband’s death.
There is a space for mourning in Bluth’s stories that feels extra-narrative, and unpretentious. Critically, this is distinct from, say, wallowing. Bluth’s films have a ridiculously productive attitude towards mourning, most lucidly articulated through Land Before Time’s moral mouthpiece Rooter: “you’ll always miss her, but she’ll always be with you as long as you remember the things she taught you.” Disney meanwhile, tends to treat death as a narrative flourish, or worse, a footnote. And in comparison, even notable exceptions like Bambi and The Lion King seem immaturely timid to let palpable grief linger for longer than a scene, let alone throughout a film’s runtime.
Look at all the fun times they’re missing.
Musically, James Horner and Jerry Goldsmith’s impossibly beautiful scores are laced with a forlorn undercurrent. In particular, Horner’s tonal dissonance in The Land Before Time theme punches the Wagner-lover in me in the throat (admittedly, a good thing). Further to this, the first half of Goldsmith’s “Escape from N.I.M.H,” is reminiscently Tristan and Isolde-y. And while I’m here, I would also like to formally issue a “fuck you for making me cry in public” to American Tail’s “The Great Fire,” which when combined with visuals, is nothing short of devastating.
Speaking of visuals, backdrops of grim and vast indifference dot Bluth’s work; from the twisted Giger-esque caverns of the rats’ rosebush, to the urban rot of a thoroughly unglamorous New York and New Orleans. That these landscapes are in a state of decay is particularly dismal; there is a tangible barrenness, a lack of the warmth our characters are desperately hoping to find by their film’s end. These are depressed and morose spaces ‐ and that they are so seemingly unnavigable and foreboding makes them all the more compelling, and narratively resonant.
The way Bluth uses color is also notable, with dark, earthy tones prevailing throughout only to be blown out quite literally with the golden light characteristic of Bluth’s hard-earned happy endings. Before Littlefoot and friends reach The Great Valley, an event marked by gradually illuminating god-rays, they must slug it out through the parched browns, blues and pitch of their prehistoric hellscape. Like Charlie’s final ascendance into heaven, Fievel must endure similarly muted shades until he is finally (finally) reunited with his family and soaked in glitter ‐ a level of Don Bluth conclusion-sparkles perhaps only rivaled by the radiance of Mrs. Brisby’s amulet as she Jean Grey’s her homestead to safety at the end of NIMH. Because Bluth leans into darker, less saturated tones, these effervescent conclusions are all the more impactful, which speaks in part to the methodology of Bluth’s melancholy.
The plucky leads of Bluth’s early films are all fighting for the same thing: family. From Mrs. Brisby’s persistence to protect her children, to Charlie’s (eventually) selfless love for Anne-Marie, these are characters in search of home. Invariably, each of these characters gets their happy ending, but they have to go through hell to get there, literally in Charlie’s case. In a recent interview, critic Doug Walker asked Bluth if there was any truth to the rumor that he thinks you can show children anything so long as there’s a happy ending, to which Bluth replied:
“[If] you don’t show the darkness, you don’t appreciate the light. If it weren’t for December no one would appreciate May. It’s just important that you see both sides of that. As far as a happy ending…when you walk out of the theatre there’s [got to be] something that you have that you get to take home. What did it teach me? Am I a better person for having watched it?”
Melancholy isn’t just a narrative device for Bluth, it’s a natural part of navigating life, of searching for wholeness, and becoming a better person. Bluth acknowledges sadness in a way that never diminishes or minimizes its existence; he invites melancholy in, confesses its power, and lets it rest. Sadness is, for Bluth, an essential characteristic of the world and living in it. That is a wholly edifying message for kids, delivered in a vessel that is both palatable and unpatronizing. For this reason, among innumerable others, Bluth’s work has immense value as children’s entertainment…even if it means crying into a throw pillow twenty years later.
How to make a pumpkin head
Since I defs didn’t want to carve a real pumpkin to put on my head and get nasts pumpkin insides all over my hair I decided to paper mache one. Unfortunately there was no good tutorials anywhere so I will share my trial and error knowledge.
First I got some supplies: 1 Punch balloon (they’re rounder and larger they regular balloons), some paper mache stuff in a bag, cardboard, a glue gun, paint, sculpey clay, tape, some news paper and some water and flour mixed together.
I then put at least three - five paper mache layers of newspaper with flour water on the balloon. I also measured my head and left an opening at the bottom. (NOTE: Don’t put tape on the balloon and try to peel it off after you’re done paper macheing, RIP)
After that’s all dry I put glue gunned some cardboard onto it to give it some pumpkin like ridges.
Then I filled the gaps between the cardboard and the newspaper with the paper mache in a bag stuff. Wait for it to dry. (Note: Don’t pop balloon until the paper mache in a bag stuff is dry cause it holds a LOT of water and your paper mache project will sink, RIP) After that I popped the balloon and lightly dampened the top with a sponge and water until it was wet enough to slowly press down into more of a pumpkin shape.
After it’s all dry I taped a stem I made out of card board on the top and put another layer or two of newspaper mache over top.
More drying wait time (you can use your oven on the lowest setting to make it dry faster) then I sanded it down and cut out a face with an exacto blade.
I added a little bit of backing behind the face on the inside with the paper mache in a bag to give it more of a 3D look which wasn’t that noticeable but oh well, it kidna worked… After all that stuffs done I painted it all white otherwise the newsprint would bleed through and make my colours not as bright, I also added some sculpey clay to the brow area to give it some more emotion in which I used an iron to dry it with cause it was too late to put it in the oven with paint all over it (Note: Put clay on before painting).
I sprayed it with a sealer before painting colours on it cause I find acrylics do weird things sometimes. After it was all dry I begin to paint.
I also painted the inside a red and added a kinda head rest thing on the inside since when I pushed the top down it made an uncomfortable point at the top when putting it on your head. Then once it was all dry I sprayed it with some more sealer, added some cool stuff like stitches with some ribbon and blood which I used nail polish for a shiny effect and put in some lights which weren’t very effective when my head was in the pumpkin but that’s okay, it still looked cool.
And that’s that!
Hope this helps some people, Enjoy!
My stunning commission from @mirthandstar!!
I got the idea from a theater play I saw this summer and knew it fit Steve and Tony perfect! It turned out even better than I imagined!
I feel so lonely, i rarely speak with anybody all day, i don't know were are all my friends that promised forever.
Women In History
I grew up believing that women had contributed nothing to the world until the 1960′s. So once I became a feminist I started collecting information on women in history, and here’s my collection so far, in no particular order.
Lepa Svetozara Radić (1925–1943) was a partisan executed at the age of 17 for shooting at German soldiers during WW2. As her captors tied the noose around her neck, they offered her a way out of the gallows by revealing her comrades and leaders identities. She responded that she was not a traitor to her people and they would reveal themselves when they avenged her death. She was the youngest winner of the Order of the People’s Hero of Yugoslavia, awarded in 1951
23 year old Phyllis Latour Doyle was British spy who parachuted into occupied Normandy in 1944 on a reconnaissance mission in preparation for D-day. She relayed 135 secret messages before France was finally liberated.
Catherine Leroy, War Photographer starting with the Vietnam war. She was taken a prisoner of war. When released she continued to be a war photographer until her death in 2006.
Lieutenant Pavlichenko was a Ukrainian sniper in WWII, with a total of 309 kills, including 36 enemy snipers. After being wounded, she toured the US to promote friendship between the two countries, and was called ‘fat’ by one of her interviewers, which she found rather amusing.
Johanna Hannie “Jannetje” Schaft was born in Haarlem. She studied in Amsterdam had many Jewish friends. During WWII she aided many people who were hiding from the Germans and began working in resistance movements. She helped to assassinate two nazis. She was later captured and executed. Her last words were “I shoot better than you.”.
Nancy wake was a resistance spy in WWII, and was so hated by the Germans that at one point she was their most wanted person with a price of 5 million francs on her head. During one of her missions, while parachuting into occupied France, her parachute became tangled in a tree. A french agent commented that he wished that all trees would bear such beautiful fruit, to which she replied “Don’t give me any of that French shit!”, and later that evening she killed a German sentry with her bare hands.
After her husband was killed in WWII, Violette Szabo began working for the resistance. In her work, she helped to sabotage a railroad and passed along secret information. She was captured and executed at a concentration camp at age 23.
Grace Hopper was a computer scientist who invented the first ever compiler. Her invention makes every single computer program you use possible.
Mona Louise Parsons was a member of an informal resistance group in the Netherlands during WWII. After her resistance network was infiltrated, she was captured and was the first Canadian woman to be imprisoned by the Nazis. She was originally sentenced to death by firing squad, but the sentence was lowered to hard lard labor in a prison camp. She escaped.
Simone Segouin was a Parisian rebel who killed an unknown number of Germans and captured 25 with the aid of her submachine gun. She was present at the liberation of Paris and was later awarded the ‘croix de guerre’.
Mary Edwards Walker is the only woman to have ever won an American Medal of Honor. She earned it for her work as a surgeon during the Civil War. It was revoked in 1917, but she wore it until hear death two years later. It was restored posthumously.
Italian neuroscientist won a Nobel Prize for her discovery of nerve growth factor. She died aged 103.
EDIT
jinxedinks added: Her name was Rita Levi-Montalcini. She was jewish, and so from 1938 until the end of the fascist regime in Italy she was forbidden from working at university. She set up a makeshift lab in her bedroom and continued with her research throughout the war.
A snapshot of the women of color in the woman’s army corps on Staten Island
This is an ongoing project of mine, and I’ll update this as much as I can (It’s not all WWII stuff, I’ve got separate folders for separate achievements).
File this under: The History I Wish I’d Been Taught As A Little Girl
Part 2
Annie Jump Cannon was an american astronomer and, in addition to possibly having one of the best names in history, was co-creator of one of the first scientific classification systems of stars, based on temperature.
Melba Roy Moutan was a Harvard educated mathematician who led a team of mathematicians at NASA, nicknamed ‘Computers’ for their number processing prowess.
Joyce Jacobson Kaufman was a chemist who developed the concept of conformational topology, and studied at Johns Hopkins University before it officially allowed women entry in 1970.
Vera Rubin is an astronomer and has co-authored 114 peer reviewed papers. She specializes in the study of dark matter and galaxy rotation rates.
Mary Sherman Morgan was a rocket scientist who invented hydyne, a liquid fuel that powered the USA’s Jupiter C-rocket.
Chien-Siung Wu was a physicist who worked on the Manhattan Project, as well as experimental radioactive studies. She was the first woman to become president of the American Physical Society.
Mildred Catherine Rebstock was the first person to synthesize the antibiotic chloromycetin.
Ruby Hirose was a chemist who conducted vital research about an infant paralysis vaccine.
Hattie Elizabeth Alexander was a pediatrician and microbiologist who developed a remedy for Haemophilus influenzae, and conducted vital research on antibiotic resistance.
Marie Tharp was a scientist who mapped the floor of the Atlantic Ocean and provided proof of continental drift.
Mae Jamison is an astronaut who holds a degree in chemical engineering from Stanford University and was the first black woman in space.
Ada Lovelace was a mathematician and considered to be the world’s first computer programmer.
Patricia E Bath is ophthalmologist and the inventor of the Laserphaco Probe, which is used to treat cataracts.
Barbara McClintock won a Nobel prize for her discovery that genes could move in and between chromosomes.
That’s it for now, part three will be on its way. (Josephine Baker was requested in the first installment, just know I did not forget her! She’s in a different folder, titled ‘famous people you didn’t know were complete badasses, and she, along with Hedy Lamar and Audrey Hepburn will be in the next installment :) )
Part 3
Josephine Baker, though today remembered for her dancing, singing, and larger than life personality, actually played a significant role in WWII. She joined Women’s Auxiliary of the Free French Air Force, got her pilot’s license in 1933, and by 1944 she raised 3,143,000 francs for the war effort. She entertained the troops, which was a doubly whammy of justice. She refused to entertain segregated troops, so the French military was forced to integrate the troops for all her performances. She also smuggled secret messages in her music across countless borders.
Audrey Hepburn is known as one of the most beautiful and talent actresses of the 1950′s, but her contributions to the world started far before her first film and continued until well after her cinematic heyday. In WWII stricken Austria, Audrey, then an aspiring ballerina, would give secret ballet performances to raise money for the Austrian resistance. She even helped smuggle secret messages for the resistance. On one such occasion, she was stopped by an enemy soldier. He asked her what she was doing and she, pretending not to understand, presented him with a bouquet of wildflowers she’d been absentmindedly picking. She was let go and the message was delivered safely. It was her experience in the war which would later prompt her to become one of the founders of UNICEF.
Hedy Lamarr was an actress well known for her piercing gaze and deadpan wit. What she’s less known for is being a brilliant mathematician who invented the frequency hopping spread spectrum. Without her invention, we wouldn’t have bluetooth or wifi.
Ching Shih was one of the world’s most successful pirates. At the death of her (pirate) husband, the former prostitute took command of his ships and started her pirating career. At the height of her career she commanded 1800 ships and more than 80,000 male and female pirates. She became powerful enough to challenge every empire’s naval forces in the world and her Red Flag Fleet was feared from the Chinese coast to Malaysia. Unable to defeat her, the Chinese government caved and offered her amnesty. She surprised everyone by taking it and became one of the few pirates in history to retire. She also took care of her crew even after her retirement; most of Ching’s pirates were pardoned. She died a respectable millionaire.
Sophie School was an active member of the White Rose non-violent resistance group in WWII Germany. In 1943 she, along with her brother and the rest of the White Rose were arrested for passing out leaflets encouraging passive resistance. She and her brother were beheaded by guillotine just a few hours later. Her last words were “How can we expect righteousness to prevail when there is hardly anyone willing to give himself up individually to a righteous cause. Such a fine, sunny day, and I have to go, but what does my death matter, if through us, thousands of people are awakened and stirred to action?”
(Written by Emporer-of-nerds) Constance Markievicz (was a) Very important figure in the Irish independence movement, first woman elected to the British House of Commons, and one of the first women to hold a cabinet position in government (Minister for Labour of the Irish Republic (which was a short-lived revolutionary state predating the current Ireland/Éire))!
Lady Mary Wortley Montagu was an English ambassador to Turkey in the early 1700s, and documented her experience carefully. When she saw the Turkish perform an early method of small-pox vaccination, she urgently wrote home. She is responsible for the first variolation small-pox vaccinations in Europe.
Marie Curie is fairly well known. Unfortunately she’s often known as the ‘assistant’ to her husband. She was a pioneering physicist and chemist, who’s work with radiation was groundbreaking. She was the first woman to win a Nobel prize and the only one to win one in two fields for her discovery of polonium and uranium. It’s also notable that she was the first woman in Europe to receive a doctorate degree. Her discoveries made the x-ray machine possible, and Curie immediately put it to work. She invented a small, mobile type of x-ray machine and worked with her daughter at casualty collection points in WWI, using the machine to locate shrapnel and bullets in wounded soldiers. She died of pernicious anemia, a result of years of radioactive exposure. Many of her notebooks are still too radioactive to be read.
Margherita Hack was an Italian astrophysicist and became administrator of the Trieste Astronomical Observatory, bringing it to renowned respect and fame. She was a prolific science writer and was awarded the Targa Giuseppe Piazzi for the scientific research, and later the Cortina Ulisse Prize for scientific dissemination. Asteroid 8558 Hack, discovered in 1995, was named in her honor.
(This installment was a little all over the place as far as achievements go, and short, since it was mostly requests! Hypatia of Alexandria was also requested but she, along with Sappho and others, are getting their own installment. The next installment will center around women of the literary world!)
Great respect for this!
Note that there were many many more, both before and after photography was invented.
Don’t ever let some fuckboy tell you that women just cleaned and cooked until very recently.
So important.
It’s finally happening, after a great period of procrastination. I’m editing the pages for printing. The first volume will be available in late September or early October (tentative date).
Spread the word, get hyped~
Coming from a state champion baker:
If y’all use a decent box mix and use melted butter instead of vegetable oil, an extra egg, and milk instead of water, no one can tell the difference. I sure as hell can’t.
Also, if you add a little almond extract to vanilla cake, or a little coffee to chocolate cake, it sends it through the roof.
This concludes me attempting to be helpful.
yo I can vouch for this I’ve done this for the last few cakes I’ve made and holy crap it makes suuuuch a difference the cake is still fluffy, but it also seems more dense, and it doesn’t dry out like at all you can leave it uncovered on the counter all day after being cut into, and it won’t get all crusty and dry this is an amazing way to take your cakes to the next level
Does this count as cake hacks?
cake: hacked
*hacker voice* I’m in
all i wanna do
is make sure you live through
this giant woman THIS GIANT WOMAN
I really should post a little more often. I will work on it, but hey! Look at my wonderful boyfriend Cosplaying with me as Greg Universe!
For artists who have problems with perspective (furniture etc.) in indoor scenes like me - there’s an online programm called roomsketcher where you can design a house/roon and snap pictures of it using different perspectives.
It’s got an almost endless range of furniture, doors, windows, stairs etc and is easy to use. In addition to that, you don’t have to install anything and if you create an account (which is free) you can save and return to your houses.
Examples (all done by me):
Here’s an example for how you can use it
Great find, thanks!
OMG HEAVEN!!
Bless you!!!!
