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Jules of Nature

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Andulka
cherry valley forever
AnasAbdin
Xuebing Du
NASA

Love Begins
Cosimo Galluzzi
dirt enthusiast
Keni
Cosmic Funnies
he wasn't even looking at me and he found me
we're not kids anymore.

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TVSTRANGERTHINGS
todays bird

Origami Around

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@onewhitelie
People gathered around lava, Iceland.
*GROSS SOBBING AT HOW UNBEARABLY BEAUTIFUL THESE ILLUSTRATIONS ARE*
From Bernie Wrightson’s Frankenstein
I Wont Become, by Kim Jakobsson, via ArtStation.
the dubious philosophy of salmon
Vincent van Gogh - Four Swifts with Landscape Sketches
Details of various affections for the sea and the ships, Ivan Aivazovsky, 1817-1900
People often think of fire as a destructive force, and it can be. But fire also rejuvenates the land. Many grasses have evolved root systems that survive fires so they can be renewed, and some trees and other plants have seeds that only germinate after a fire has come through. Plus fires clean out old dead wood and other debris, making it easier for fresh plant life to grow.
This is the hauntingly beautiful Shelley Memorial at Oxford. Commissioned to “depict” how his drowned body looked washed ashore. I hope to view this in person one day. Photo source: http://hcshakespeare.blogspot.com/
Hugo Simberg, The Garden of Death, 1896.
Every time I see this I always wonder what the painter’s intended message was. It looks so pleasant, that middle skeleton looks so happy with its work.
Maybe it’s supposed to be a memento mori, but a comforting and encouraging one.
This is one of the most famous paintings in Finland. There are multiple interpretations of it but they all share the same base idea:
“According to Simberg, the flowers represent people’s souls, the skeletons are aids to Death, and the Garden of Death is a purgatory of sorts for souls waiting for entrance into heaven. This artwork invites the viewer to consider the afterlife, to take comfort in his or her own passing, and to not fear what happens after the body fails to function.”
“It depicts Simberg’s thoughts on afterlife, which is not run by angels but skeletons who take care of the heavenly garden with a gentle hand, while waiting for more “gardeners” to arrive. It is derived from the medieval belief that the dead sleep in a blooming garden.”
“In Simberg’s garden the humble Death-like figures struggle against harsh conditions; the landscape around the garden has burnt yellow, it is dry and barren. The cherished flowers grow in exotic shapes, slowly, requiring constant care. The black-clad figures love their nurslings. The garden is a place where Death is allowed to realize its feelings of affection. The Garden of Death can be seen depicting the impossibility of this love; maybe the flowers are tender and fragile because they can not handle the love of Death. Love has two faces: one of them is the face of devastation.”
First they must catch you by Eran Fowler
All the world will be your enemy, Prince With A Thousand Enemies, and whenever they catch you, they will kill you. But first, they must catch you, digger, listener, runner, prince with the swift warning. Be cunning and full of tricks and your people shall never be destroyed.“
Tamara and Demon, Konstantin Makovsky
https://www.wikiart.org/en/konstantin-makovsky/tamara-and-demon
1. Ugolino and His Sons, 1865–67, by Jean-Baptiste Carpeaux. | 2. Ercole e il centauro nesso • Maxcuo1975 on Flickr
The Grapplers. 1862. Jean Peter Molin. Swedish 1814-1873. parian porcelain. http://hadrian6.tumblr.com