i want women and girls to be safe so bad

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i want women and girls to be safe so bad
Donna Jordan Appreciation Post🧡
I believe a big reason for "GNC FTMs" (self-identified "trans guys" who don't transition and are very feminine, usually heterosexual) is because it allows them a placebo of mental disconnect from the female social role.
I think it can feel very humiliating to seem "like a normal girl" especially when you want to be feminist and you're surrounded by cool interesting GNC women. "Girly" hobbies and styles are indeed frowned upon because the system is set up to where women are still treated as inferior for femininity, even as they are forced into it.
A lot of these kinds of female people combine GNC positivity with trans rhetoric and think "If I'm actually a boy, it's okay if I'm girly". So once they settle into the "man" identity they throw themselves into the most feminine hobbies, behaviors, and styles of dress. These types of FTMs are almost all heterosexual and enjoy the "gay man" identity, because being a straight girl is "basic", therefore humiliating.
When people say "porn is necessary to prevent men from raping women in real life," they are implying that:
1. Women in porn act as a lightning rod for deviant sexuality; they take the hit so that women in the real world don't have to.
2. Masturbating to violence is an acceptable practice, as it helps a man refrain from raping women in reality.
3. Women in porn are not the women whom men rape in real life.
4. Pornography, as a phenomenon, is a tool for the mass management of male sexuality.
The most interesting part is the underlying assumption: that masturbation is a way to "process" rage and serves just as an "eco-friendly outlet" for the desire to rape someone.
There is no way that masturbating to pornography reinforces healthy sexuality or one's relationship with their own body. To me, 'healthy sexuality' is defined by both partners being recognized as subjects of action, rather than one (woman) being reduced to a mere object for the other to let off steam against.
I never got over anything. I miss everyone and everything. nostalgia and grief kill me every day. oh and I also love going on walks.
𝐎𝐍𝐋𝐘 𝐀𝐃𝐔𝐋𝐓𝐒 𝐀𝐑𝐄 𝐏𝐄𝐑𝐌𝐈𝐓𝐓𝐄𝐃 𝐄𝐍𝐓𝐑𝐘 𝐈𝐍𝐒𝐈𝐃𝐄.
𝐄𝐍𝐓𝐑𝐘 𝐂𝐑𝐈𝐓𝐄𝐑𝐈𝐀
interaction matters! interaction is fun! send asks. comment on ao3. reblog on tumblr.
✄┈┈┈┈┈ ( blank blogs and bot blogs will be blocked )
𝐀𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐦𝐞𝐧𝐭: I'm always always happy to hear your latest fascinations, obsessions, and theories! 💝 I love talking!
𝑰𝑴𝑷𝐎𝑹𝑻𝑨𝑵𝑻 𝐍𝐎𝑻𝑰𝑪𝑬! This is my "main blog" which is technically my side blog @palettesofrenaissance
🕊🏺🪐🖋🎨
.𖥔 ݁ ˖ 𝐀𝐋𝐒𝐎 𝐅𝐎𝐔𝐍𝐃 𝐎𝐍: wonderful and enthusiastic ship blogs about loving women:
• fleurdelouve
• pantherheart
• attoye
♡ (˶˘ 3˘(❛◡❛✿) ♡
GO FOLLOW HERE TOO!
💜❤️🔥💙🎉
𝐎𝐍𝐋𝐘 𝐀𝐃𝐔𝐋𝐓𝐒 𝐀𝐑𝐄 𝐏𝐄𝐑𝐌𝐈𝐓𝐓𝐄𝐃 𝐄𝐍𝐓𝐑𝐘 𝐈𝐍𝐒𝐈𝐃𝐄.
𝐄𝐍𝐓𝐑𝐘 𝐂𝐑𝐈𝐓𝐄𝐑𝐈𝐀
interaction matters! interaction is fun! send asks. comment on ao3. reblog on tumblr.
✄┈┈┈┈┈ ( blank blogs and bot blogs will be blocked )
𝐀𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐦𝐞𝐧𝐭: I'm always always happy to hear your latest fascinations, obsessions, and theories! 💝 I love talking!
𝑰𝑴𝑷𝐎𝑹𝑻𝑨𝑵𝑻 𝐍𝐎𝑻𝑰𝑪𝑬! This is my "main blog" which is technically my side blog @palettesofrenaissance
🕊🏺🪐🖋🎨
.𖥔 ݁ ˖ 𝐀𝐋𝐒𝐎 𝐅𝐎𝐔𝐍𝐃 𝐎𝐍: wonderful and enthusiastic ship blogs about loving women:
• fleurdelouve
• pantherheart
• attoye
♡ (˶˘ 3˘(❛◡❛✿) ♡
GO FOLLOW HERE TOO!
💜❤️🔥💙🎉
Sumire's magical girl outfit
𝔞 𝔟𝔩𝔞𝔫𝔨𝔢𝔱 𝔬𝔣 𝔪𝔬𝔰𝔰
𝐎𝐍𝐋𝐘 𝐀𝐃𝐔𝐋𝐓𝐒 𝐀𝐑𝐄 𝐏𝐄𝐑𝐌𝐈𝐓𝐓𝐄𝐃 𝐄𝐍𝐓𝐑𝐘 𝐈𝐍𝐒𝐈𝐃𝐄.
𝐄𝐍𝐓𝐑𝐘 𝐂𝐑𝐈𝐓𝐄𝐑𝐈𝐀
interaction matters! interaction is fun! send asks. comment on ao3. reblog on tumblr.
✄┈┈┈┈┈ ( blank blogs and bot blogs will be blocked )
𝐀𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐦𝐞𝐧𝐭: I'm always always happy to hear your latest fascinations, obsessions, and theories! 💝 I love talking!
𝑰𝑴𝑷𝐎𝑹𝑻𝑨𝑵𝑻 𝐍𝐎𝑻𝑰𝑪𝑬! This is my "main blog" which is technically my side blog @palettesofrenaissance
🕊🏺🪐🖋🎨
.𖥔 ݁ ˖ 𝐀𝐋𝐒𝐎 𝐅𝐎𝐔𝐍𝐃 𝐎𝐍: wonderful and enthusiastic ship blogs about loving women:
• fleurdelouve
• pantherheart
• attoye
♡ (˶˘ 3˘(❛◡❛✿) ♡
GO FOLLOW HERE TOO!
💜❤️🔥💙🎉
Get your pussy up get your money up. You’re gorgeous btw
get my pussy up,,,,,,, get my money up,,,,,,,,,
In the summer of 1944, Catherine Dior was taken to 180 Rue de la Pompe in Paris—an elegant building in the 16th arrondissement that had been turned into a Gestapo torture center run by French collaborators.
From the start, the interrogators demanded names. Who was in her Resistance network? Where were the others hiding?
Catherine refused.
They beat her, kicked her, and slapped her. When violence failed, they stripped her, bound her hands, dragged her to a bathroom, and held her under icy water until she nearly drowned. Her head was yanked back up, the questions repeated. She lied when she could and revealed nothing of value. The ordeal lasted forty-five minutes.
Two days later, it began again—this time with hours of immersion in freezing water.
She never gave up a single name.
This was Catherine Dior—the woman who would later inspire one of the most famous perfumes in history. Yet the scent now associated with Parisian elegance began with something far darker: a French Resistance fighter who endured torture and concentration camps rather than betray those she loved.
Born Ginette Dior on August 2, 1917, in Granville, Normandy, she was the youngest of five children and twelve years younger than her brother Christian Dior. Their father, Maurice, ran a successful fertilizer business; their mother, Madeleine, tended lush gardens filled with roses and jasmine. Both siblings inherited her love of flowers—a passion that would shape their lives.
That childhood ended abruptly. Madeleine died of septicemia in 1931, and the 1929 financial crash had already ruined the family business. By seventeen, Catherine was living in Provence with her father, their fortune gone. Christian left for Paris to pursue fashion, while Catherine stayed behind, growing vegetables to survive and dreaming of flowers.
Then came the war.
In November 1941, while shopping in Cannes for a radio to hear Charles de Gaulle’s broadcasts, Catherine met Hervé des Charbonneries, a married father of three and a founding member of the French Resistance. They fell in love—and Catherine found her purpose.
She joined the F2 network, a British-funded intelligence unit, using the code name “Caro.” Her work was dangerous: tracking German troop movements, compiling reports, and transmitting clandestine messages to London. During one Gestapo raid in Cannes, she calmly hid and smuggled incriminating documents out under German noses. Her superiors praised her composure and nerve. The intelligence she helped gather contributed to planning D-Day.
By early 1944, the Gestapo was closing in. Catherine received orders to flee to Paris and moved into Christian’s apartment on Rue Royale, continuing her Resistance work and hosting underground meetings. Christian sheltered her and her colleagues, risking his own life.
On July 6, 1944, she went to Place du Trocadéro to meet a contact. It was a trap. A French collaborator had betrayed the network. Twenty-seven people were arrested that day, including Jean Desbordes, the head of her circuit, who would be tortured to death.
Catherine survived Rue de la Pompe and was transferred to Fresnes prison, then Romainville. Prisoners hoped Allied troops would reach them first—American forces had already taken Avranches. Instead, on August 15, 1944, just ten days before Paris was liberated, they were loaded onto a train. The journey lasted a week with no food, no water, and no sanitation.
She arrived at Ravensbrück concentration camp on August 22, assigned prisoner number 57813. Built for 6,000 women, the camp held nearly 40,000 by then. Over its existence, about 130,000 women passed through; an estimated 50,000 died. Twenty-three other women tortured at Rue de la Pompe were imprisoned there alongside Catherine—some never survived.
From Ravensbrück she was transferred repeatedly: to Torgau, forced to make explosives in a disused potassium mine; to Abteroda, a Buchenwald satellite camp where starving women worked twelve-hour shifts producing BMW parts; and later to an aviation factory near Leipzig. The torture left permanent damage—Catherine could never have children.
In April 1945, as Germany collapsed, prisoners were driven on death marches. Catherine was liberated near Dresden by American soldiers and hospitalized for a month. She returned to Paris on May 28, 1945. Christian met her at the Gare de l’Est—and didn’t recognize her. She was so emaciated he looked past her. He had saved rations to make a soufflé; she was too sick to eat it.
Slowly, Catherine rebuilt her life. She reunited with Hervé, and together they started a flower business, rising at four each morning to sell blooms at Les Halles. She became one of the first women in France licensed to sell cut flowers.
Meanwhile, Christian Dior changed fashion forever. On February 12, 1947, he unveiled his first collection—dubbed “The New Look.” That same day, he launched his first perfume, asking for something that smelled like love. According to legend, when Catherine entered the room, Mitzah Bricard exclaimed, “Ah, there’s Miss Dior!” Christian answered, “Miss Dior—that’s the name.” Whether literal or not, the link was unmistakable: the fragrance honored the sister who had survived the unimaginable.
In 1952, Catherine testified against fourteen Gestapo members from Rue de la Pompe, naming victims—some of whom never returned. She received the Croix de Guerre, the King’s Medal for Courage in the Cause of Freedom, the Combatant Volunteer Cross of the Resistance, and was made a Chevalière of the Legion of Honour.
Christian later bought a château in Grasse, near their childhood home. Catherine became an expert grower of centifolia roses, jasmine, lily-of-the-valley, and lavender, supplying Dior and other perfume houses. When Christian died suddenly in 1957, Catherine safeguarded his legacy, arranging vast floral tributes for his funeral and helping establish the Musée Christian Dior in Granville.
Catherine Dior died on June 17, 2008, at ninety, having spent her final decades surrounded by flowers. Asked once how she survived, she replied simply: “Love life.”
Every bottle of Miss Dior carries her story—of silence over betrayal, survival over despair, and the determination to cultivate beauty after devastation. The perfume was never just about glamour. It was about endurance, love, and the refusal to let cruelty have the last word.
A Solo Traveler