MOVIN' RIGHT ALONG!
Reference pic below :) ↓
$LAYYYTER
Three Goblin Art
todays bird
almost home
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titsay

izzy's playlists!
Mike Driver

Andulka

tannertan36
Sade Olutola

Product Placement

Kiana Khansmith

Kaledo Art
Claire Keane

❣ Chile in a Photography ❣
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DEAR READER
Cosimo Galluzzi

Discoholic 🪩
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@pastel-cryptids
MOVIN' RIGHT ALONG!
Reference pic below :) ↓
Happy May the Fourth to this tweet specifically
still cant find the time to watch LND properly but i keep seeing that one screenshot from Australian production and it really cracks me up
April 24th - Damian Wayne Day: Time Travel | Different Mentor | Animal Transformation | Canon Divergence
what is wrong with them actually
bar bathroom esnupi
Didn't realize they made emergency thermal blankets for babies
It's scary to think about babies in an emergency but I guess it's a crazy world out there
Emergency baby
[Francisco de Goya]
Pee-Wee Herman and Kermit the Frog in Muppet Magazine, 1987.
whatever happens it’s so important that we’re funny about it. Above all else commit to the bit
“It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out-and come back for more.” ― Bela Lugosi
in the monsterfucking community there are often debates on who is or isn't an "actual monsterfucker" and while i myself have no interest in gatekeeping i do feel like people in the community have a non-functional way of measuring monstrousness. i personally think that "being a monster" is more about the function in the story than about superficial appearance traits. therefore, in my worldview, count orlok from nosferatu (2024) is more of a monster than a hypothetical dragon CEO mafia boss from a romantasy book, despite one being essentially just a really ugly man and the other being, well, a dragon. because count orlok's monstrousness is integral to him, his character's function is being The Monster—he is the hidden, repressed, feared and othered part of the heroine's psyche, that by the virtue of being unintegrated grows an autonomy and unleashes destruction upon the heroine's loved ones and self. while the hypothetical dragon CEO mafia boss could've been a human CEO mafia boss and literally nothing would've changed, because his monstrousness acts merely as an enhancer of his masculinity: he is a monster for the same reason for which he is a mafia boss CEO—because it makes him big, strong and powerful, i. e., it makes him masculine (what patriarchy constructs as masculinity anyway). this is not me judging the booktok women btw, no ethical consumption under patriarchy and all that, but it is something that always made me feel alienated from the typical image of a monster-loving woman, because my desire for the monster comes from a somewhat different place. maybe there is a difference between teratophilia as a kink (something that simply enhances your experience of sexuality) and teratophilia as a kind of psychosexual philosophy, which is how i feel about mine.
NOBODY HELPS ME
We should’ve helped him
The crazy part about pain is that it actually hurts alot
U may thinks its just bad dream but when im hit i really scream
no dude it's so cool how attached you are to that character who is singled out and ostracized due to the external monstrousness that clashes with their internal spark of humanity. and i love how drawn you are to themes of horror and love, nature versus nurture, otherness, isolation, and the abject. i bet you have normal feelings about your own personhood