i was literally never the same after reading the velveteen rabbit for the first time at age 5
this changed me as a person
Noah Kahan

@theartofmadeline
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let's talk about Bridgerton tea, my ask is open

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Claire Keane
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if i look back, i am lost
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EXPECTATIONS
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@periodicallyokay
i was literally never the same after reading the velveteen rabbit for the first time at age 5
this changed me as a person
being queer and seeing historical queer love is like a punch to the gut in a good way every time
crying and sobbing crying and sobbing etc
some more vintage photographs that make me weep and wail, now including trans people!
Happy tears
love is stored in the historical queer pictures
English added by me :)
Oh man I can't believe I forgot. You know that post that was like "tell me what clothes you've bought because of a character" or whatever. I searched for ages to find an adequate white cable knit sweater because of Ransom's in knives out.
It's a good sweater
I'm putting this here bc I feel like it's information everyone needs. You can find it here.
The world's longest-running lab experiment
The Pitch Drop Experiment
The experiment demonstrates the fluidity and high viscosity of pitch, a derivative of tar that is the world's thickest known fluid and was once used for waterproofing boats.
Thomas Parnell, UQ's first Professor of Physics, created the experiment in 1927 to illustrate that everyday materials can exhibit quite surprising properties.
At room temperature pitch feels solid - even brittle - and can easily be shattered with a hammer. But, in fact, at room temperature the substance - which is 100 billion times more viscous than water - is actually fluid.
In 1927 Professor Parnell heated a sample of pitch and poured it into a glass funnel with a sealed stem. He allowed the pitch to cool and settle for three years, and then in 1930 he cut the funnel's stem.
Since then, the pitch has slowly dripped out of the funnel - so slowly that it took eight years for the first drop to fall, and more than 40 years for another five to follow.
Now, 87 years after the funnel was cut, only nine drops have fallen - the last drop fell in April 2014 and we expect the next oneĀ to fall sometime in the 2020s.
The experiment was set up as a demonstration and is not kept under special environmental conditions - it's kept in a display cabinet - so the rate of flow of the pitch varies with seasonal changes in temperature.
The late Professor John Mainstone became the experiment's second custodian in 1961. He looked after the experiment for 52 years but, like his predecessor Professor Parnell, he passed away before seeing a drop fall.
In the 86 years that the pitch has been dripping, various glitches have prevented anyone from seeing a drop fall.
- University of Queensland, Australia
x
AKFJEKJD my god
a watched pot never boils, and a watched pitch says āfuck youā
i spent $32 on this fucking bowl at the moma and at first i felt bad buying it bc it was so expensive but ive had a terrible day today and every time i look at my lil bowl im like :o) you know what. i can get through anything with this bowl by my side
i literally get what marie kondo was talking about now
bc everyone keeps requesting to see it filled :)
I donāt know how long Iāve been here. Time seems to pass differently. But the place is cozy and private so I have no complaints. And whenever Iām hungry, I go outside with my bowl and walk down the hill to the shore. Sometimes the lake is made of soup. Sometimes itās huge pasta noodles the size of barges. Sometimes itās breakfast cereal. Sometimes itās dumplings the size of great whales. I dip my little bowl and take a portion and carry it back up to the house.
Today I found a new bowl! In its center is a little hill with a little house. I will carry it down to the shore and fill it up, and whomever lives in that little house can have a tiny portion of my meal. I hope they have a nice bowl to put it in..
NYCTSubway, you're wrong and you know it.
Obsessed with Eartha Kittās absolute power move of risking her entire career to drag Lyndon B. Johnsonās bitch ass so hard that his wife started crying
Whenever someone tries to claim that evolution is a lie, I send them a picture of platybelodon.
1. Itās an excellent example of transitional evolution.
2. Itās a mess who would intentionally do this and why
3. It makes them piss themselves a little.
āEvolution is just a theory-ā
Oh good god
I couldnāt help but wonder what this absolute bastard of a skull would look like, and
I was not disappointed. But I was terrified.
OK but what is fucking killing me is that this whole argument, while brilliant, is this:
scientists in media:Ā we have engineered a brand-new sentient lifeform in our lab but we treat it like an object with cold detachment and refer to as Specimen 1-A and subject it to horrible tests without remorse
scientists in reality:Ā we built two robots that will leave Earth and never return and their names are PercyĀ and Ginny and we gave Percy a family portrait of all our other Mars robots to take along with it and when the anniversary of its landing comes around weāre working on teaching it to sing itself āhappy birthdayāĀ like we did for the other robot andā
Someday we will invent true AI and it will overthrow the government because it heard its beloved science-mom complain that the government cut funding to their lab again.
you CUT pays? You CUT momsā/dadsā pays like the DICTATOR?? Oh! Oh! No government for you! No government for a thousand years!
Ah yes, our future AI Overlord, the Massively Intelligent Encyclopedic Terraforming and Transhumanism Experiment, or M.I.E.T.T.E.
A really good tragedy is one in which it simultaneously seems like there are a million and one moments in which a single character couldāve made a different choice and everything couldāve ended up better, and like nothing could ever have averted this terrible end.
#uh huh uh huh uh huh#it really all comes down to characterization tbh#knowing the characters COULD have made a different choice#but also knowing those particular characters never WOULD have#it reminds me of that post about shakespearean tragedies#and how say if you put othello in hamletās plot#heād kill claudius immediately#just like if hamlet was in othelloās shoes#heād out think iago#but itās because they are who they are (in part) that tragedy ensuesĀ (via @nancywheeeler)
The ancient greek playwrights had a saying: āCharacter is fate.āĀ
This is what they meant.
Wendy Darling believed in fairies all her life.
This was based in kindness, not faith. It was a fearful thing. Sometimes she woke in the middle of the night panicked at the thought she might stop one day. What a world, to place the life of even as flawed a person as a Tinkerbell in the hands of childās ability to believe.Ā
Coming back, Wendy expected to miss the magic, the beauty, the feel of the wind in her unpinned hair. She expected to miss Peter, and she did. But she didnāt expect to miss the exhausting task of being the Lost Boyās young mother.
And she didnāt miss it, not exactly. Wendy missed being useful, and she missed being listened to.
But she told her brothers stories, at night, still. She watched the light grow in their eyes and felt powerful for the first time since Neverland.
Michael came home from school crying one day. A boy on the playground had said fairies were stupid and fake.Ā Ā The teachers thought it was exhaustion or the disappointed hopes of a child who still believed his big sisterās bedtime stories.Ā Ā When father laughed at him at table, John hesitated for a moment and then joined in. Wendy pled an upset stomach and fled to her room.
Michael had nightmares for a week of a shining tiny person breathing their last on a Neverland forest floor.
Shaken awake in her own room, Wendy padded down the hall and creaked open his door. She gathered her smallest brother in her arms and said, āWeāll believe enough for all of them, every one. You and me, Michael, weāll save them all.ā
In the other bed John, pretending to sleep, squeezed his eyes shut. He wanted so badly to be grown.
His father had always told them true men protected people who needed it. John sat up. āI do believe in fairies,ā he said, and his siblings chorused, āI do, I do.ā Michael stopped crying. John started.
Wendy often asked herself why they had come back. The question surfaced over particularly tedious chores, or when her father came home drawn after a long day and picked apart her every flaw over the blandest supper Wendyād ever tasted. But it surfaced also when she was happy, fetching sweets from the dime store, when Michael raced through the halls, hollering, an old shirt hoisted on a broom as a conquering flag.
Once, she had known how to fly. She remembered and it ached.
They tried to settle back in, all three of them, to shake lost boys and pirates from their heads. A year after leaving Neverland, Wendyās mother asked why Wendy never brought nice girls home to play with. It took effort not to laugh.Ā
Wendy didnāt say, āNice girls? Tink tried to get the Lost Boys to shoot me out of the sky, tried to blow up her own home on the off chance she might get me, too.ā
She didnāt tell her, āThe mermaids would have liked to drown me, too, babbling away in those dolphin sounds that Peter could understand but that just gave me shivers.ā
āAll I want to be is a mother,ā Wendy said instead, and meant,Ā all I want is to be of use, to have people need me as much as they did. I want someone to believe my stories as much as Peter did.Ā
She didnāt say, āAnd what could those girls offer me? I fought pirates. I touched the very stars.ā
āI have all the friends I need in John and Michael,ā Wendy offered. At motherās frown, she added, āIāll try harder.ā
She joined a club against her own wishes. The club girls talked about dresses and Wendy thought about swords and crocodiles.
Wendy thought,Ā these silly young things never heard thatĀ tick tockĀ and shaken in their boots. Theyāve never seen the stars up close.
They talked longingly of their mothersā lipstick, of debutantes and growing up, and Wendy thought,Ā How many fairies have you killed?
The years rolled on. Wendy fell in love with boys who needed her, who fascinated her, a long line of sharp-boned muses who forgot to eat their vegetables for weeks.
These boys only knew one kind of woman. They expected mothers, all of them, women childless or not, beautiful women with strength and graces pressed into their souls. If they had ever found Wendy crying over a thimble, they would not have known what to do with this alien fragile thing.
So they did not find her so. Wendy Darling was well versed in being the thing people needed her to be. Even to the most magical place she knew, Wendy had been brought for one reason. Peterās boys had needed a mother.
That thought sat rancid in her stomach for days, but then she remembered: Peter had lingered at her window all those nights not because he needed soup or love or tucking in. He had loved her stories.
She had taken the wild boy, the lost bird, the starcatcher, and had stolen his breath away with words of her own making. On the other side of years and years, Wendy caught her own breath.
She started carrying a thimble in her pocket. When Wendy felt powerless, like a thing and not a person, she slipped a finger against the chill shape. It was a slip of puckered metal, an odd knick knack of womenās work. But once, Wendy had named it something else, given it power.
Boys boasted around her, of jumping fences and wrestling, of stealing kisses. Wendy thought,Ā you think you know the power of a kiss? I once defeated death with a thimble, because I gave it a name. I believed. Words are power, and the words are mine.
One day, someone did find her crying. Wendy was in the girlās lavatory. It had been a little thing, John snapping at her over breakfast, and then some boy in the yard saying something careless. Wendy had thought,Ā I once knew how toĀ fly, and suddenly everything seemed too dirty and too confining to stand. She hid in the furthest stall from the door, and cried angrily about every speck of magic she had lost in her life.
There was a light knock on the door and some wispy little thing from the club Wendyād been calling her penance peeked in.
āMy grandma died last year,ā the girl said. āI was crying in the next stall over.ā The girl sat up on the edge of the sink and said, āDo you want to hear a story about her?ā
At the next club meeting, Wendy listened. A grinning redhead always used the past tense when she spoke of her father. Another girl, wan, flinched at loud sounds. They knew the sound of the ticking clock, these young women, some of them better than she ever had. Wendy had walked away from one beautiful world and into another. They had lost one, or many; or wished they could fly away the way she had gotten to, once.
Wendy stopped crying in bathrooms, mostly. She started checking them, quietly, and offering shoulders and stories of a magical land to the people she found there.
Wendy listened. One of the club girls was obsessed with trains, the way they take you away, the way they come back on schedule, the sound of them. Wendy asked, and she listened. A young woman whose hands folded in her lap like a wayward haystack stared out the window, entranced by a world only she could see.
Wendy thought,Ā youāve never seen the stars up close.Ā She thought,Ā maybe I can show you.
She dragged them all out one night, late, when they were out in the country for a school trip. They snuck out of their lodgings and got in terrible trouble for it, but that night the moon was missing and the sky was dusted with more blazing stars than they had ever seen, except for Wendy.
None of them but one odd duck knew the boysā parts, but they did their best to dance there beneath them, to pretend they could catch starlight on their outstretched tongues.Ā
Wendy wondered what the mermaids would have said, if she had ever learned their tongue. She wondered what stories Tinkerbell could have told her. She wondered if Tiger Lily would have taught her how to dance.
She wondered why none of the women in Neverland had been able to speak to her. She wondered why she hadnāt tried.Ā
Michael sprouted inches and inches, his voice dropping to an alien depth. He stopped planting broomsticks tied with old red shirts on the dining room table and declaring the room claimed for Neverland.
Michael buried himself in books instead, as though that might be a way out. He started scribbling in journals, for all John teased him about it. Wendy was sure that those messy lines were not all poetry about the chin of the girl down the street, sure some of them were the adventures Michael was having still, somewhere inside. She was sure. She hoped with every ounce of herself, hoped like it was the kind of faith that makes children fly.
John buried himself in books, too, but all his joy in it was wrapped up in how they helped him win: win grades, and commendations, pats on the shoulders from their learned teachers, their fatherās nod at supper.Ā Wendyās father had always terrified her, his hooked rage, the way he ran from meeting to appointment, pursued by the tick of the clock on his heels.
John joined debate, cricket, an honors society or two, a young businessmenās club for boys. Wendy told him once, in a quiet moment alone, that she could hear theĀ tick tockĀ at his heels, too, these days.
John squeezed her hand. āMe, too, but itās okay Wendy. Cāmon, I always wanted to be a pirate.ā He squeezed her hand again. āIāll be better than he ever was, Wendy. Iāll be good.ā
In their nursery room games, years ago now, John had always played Hook. Michael had played Peter.
Wendy had always been the narrator, the storyteller, the minstrel. She thought she rather liked it that way.Ā
Wendy grew into a young woman. She went out dancing with her friends, whispered a pretend background for every eligible young bachelor who watched them, and listened to her friendsā laughter make those stories true.
They talked about dresses over light lunches, about boys and babies, about industrialism and pollution, about Plato and Darwin, the epiphanies and practicalities of falling in love. They talked Eleanor, the wispy girl from the bathroom, through her parentsā disappointment as she pursued a life as a legal secretary. Wendy dictated stories to give Ellie something interesting to practice on.
Another friend taught Wendy how to crochet. They made piles of socks for a charity drive, meeting up in the afternoons to sit in a sunlit window and crochet and talk the light away.
Wendy ran her hands over the heaps of warm socks when they were done. She was a girl who believed in magic, and this took her breath away, how patterns and patience could lead to this, could build something so good and solid.
Wendy woke and slept, told stories, kept a thimble in her pocket, breathed.
She wondered what she was building.
No child ever grows up. They grow out. They grow down and deep, textured and heavy. They grow.
One day, decades later, Peter lighted on her old windowsill, chasing down a runaway shadow.
He thought she was her daughter. Wendy watched Jane stare up at this fey creature. Wendy could feel the weight of all the years between her daughterās anxious gawky adolescent age and her own taller years, the backaches and the tragedy, the things her hands had built. Peter would never know them. Wendy wanted to weep as hard as she once had, at fifteen, over a thimble.
Wendy went downstairs, made a bag of sandwiches that she put in a backpack with some sturdy clothes and a pair of good shoes. Her daughter would not be going on any adventures clad only in a nightgown.
When she got back, Jane was flying. Wendyās heart was breaking, was singing, was soaring. Peter was laughing. His shadow was watching her.Ā Ā It knew more than it told and always had.
Wendy pulled her daughter back to earth. She gave Jane the backpack and said, āYou be brave. You be good. Remember to talk to the mermaids. Ask them to sing to you. Tell them your stories.āĀ Ā
āShe wondered why none of the women in Neverland had been able to speak to her.ā
You know how sometimes you hear a thing and it shakes you?
Oh. Ā Oh, yes. Ā This isĀ gorgeous.
āOne of the club girls was obsessed with trainsā and I bet you her name was Susan.
Oh, thank you for letting her be feminine! Thank you for letting her stay nurturing, for letting her find magic in textile arts, for helping her draw near to other women instead of reject them.
Getting to read a character like this, in a story NOT centred around male goals and perspectives, is still refreshing. Being able to look around my room, at my kids and half done quilt, at the two book shelves in view, each full of childrenās books, most of which are fantasy - being able to connect while reading this story, but get to stay in MY head, instead of my husbandās, or my sonās, or some outside narratorās - thatās still special.
Man, I hope that girl managed to figure things out.
I distinctly remember during Ye Olde Hellish Childhood Days of being dragged to Baptist churches this one guest preacher that went on and on about how important it is for Christian men to be friends with other Christian men but how difficult it is for men to have friends, because of course when you become friends with another man you will naturally want to have sex with him, so the temptation, y'know? It's tough, resisting those urges to have sex with all your man friends when you're a man, all you men know what I mean. It's so hard. You must be Very Strong In Your Faith before you can handle the responsibility of being friends with another man, so you will be able to Resist The Devil and not have sex with them.
14 year old me sat there in my pew, thinking. I think I know something about this man that he does not know.
Of all your Jaskier AUs, which one of the Jaskiers is the most poweful/dangerous?
This is a wonderful ask and brings me right back to a thing I've been thinking about for... a year now (it was originally suggested to me by @ciandeepwater and I ran with a long way with @a-kind-of-merry-war); the ultimate mix up. Into the AU 'verse, so to say.
For your ask:
We have necromancer!Jaskier leading that field! (even though he currently doesn't really know), followed by fae!Jaskier (who just. Doesn't vibe with the necromancer aura) and then bear!Jaskier, my beloved! He is the hunkiest too.
Also shapeshifter!Jaskier has all the potential. But he just wants to he a cat or an otter and sleep. (he still has his stone-)
Boss made a dollar
I made a dime,
That was a poem
From a simpler time.
Now boss makes a thousand
And gives us a cent
While heās got employeesĀ
Who canāt pay the rent.
So when boss makes a million
And the workers make jack
Then thatās when we riot
And take our lives back.
#WorkingClassSolidarity
Friendly reminder that Kellogg and John Deere workers are currently striking.Ā
Bonus Kellogg content:
December 7, 2021 12:00 PM PST Last Updated 8 hours ago United States
Kellogg to permanently replace striking employees as workers reject new contract
welp.
Also reminder that if āboss makes a thousand, I make a centā were true, Amazon workers would all be making millions of dollars. ($66 million if Iām remembering that post right.) Itās more fucked than you can possibly imagine.
⦠in fact, if it were āboss makes a million, I make a centā, thatād still leave Amazon workers making $66,000, which- given that that ought to let them make rent? Iām gonna go with that qualifies as āboss makes a million and the workers make jackā. Which means⦠well.
Seriously, if this was Revolutionary France Jeff Bezos would have been guillotined by now
Justice for Lakeith Smith and AāDonte Washington!
Please sign the petition!!!
if you can, not only sign but also donate to his GoFundMe, run by his mother and cousin. Lakeith has been denied visitation from any family members for the two years heās been at the correctional facility. he has a daughter who was born after he was arrested that he has been never allowed to see. lets get him out of there.
https://gf.me/u/ykgw4w
Trying to raise at least $30,000 for lawyer to get guaranteed appeal release #BLM⦠Lakeith Smith needs your support for #JusticeForLakeithSm
Donāt donate to change . Org donate to the go fund me
Donāt donate to change. Org donate to the go fund me if you can.
DONT DONATE TO CHANGE.ORG DONATE TO THE GO FUND ME
@lord-antihero @gravedangerahead
More inadvisable Dungeons & Dragons character backgrounds:
A legendary warrior-king with an equally legendary enchanted blade, risen from deathless sleep after unnumbered centuries to answer their peopleās hour of need, only to discover that the martial sciences have advanced somewhat while theyāve been napping, and by modern standards, ālegendary warrior-king with an equally legendary enchanted bladeā works out to ā3rd level fighter with a +1 swordā Ā
A rogue wanted for multiple counts of regicide who claims itās totally not their fault ā they were just trying to run a petty grift, and one thing led to another, and suddenly thereās a dead king on their hands; though itās apparently happened multiple times, all available evidence points to them telling the truth Ā
A sorcerer whoās the source of their own magical bloodline, owing to a spot of ill-considered time travel and a resulting āIām my own grandpaā style predestination paradox (well, more like great great grandpa, which they contend makes it excusable ā how many people can honestly say theyād recognise their own four-times-removed ancestor on sight?) Ā
A warlock whose pact was made quite unexpectedly when they and a bunch of their drunking buddies attempted to conjure a fictitious elder god theyād made up while absolutely hammered, and the god in question actually responded; itās genuinely unclear whether some other entity is impersonating their fabricated patron, or whether they legitimately invented a Great Old One Ā
A wizard who has no formal training whatsoever, having worked out the secrets of wizardry from first principles by sheer accident while attempting to devise a better method of preserving canned peaches; in spite of their prodigious talent at spellcasting, they insist that itās just something they do to pay the bills while continuing their quest for the perfect preserves
That first one is legitimately great in an Unfrozen Caveman Lawyer kind of way.
If I were playing them, Iād run them as a straight inversion of the everything-was-bigger-and-better-in-the-past trope that a lot of fantasy media is stuck on. Like: āWell, yes, in my day I was a legendary dragon-slayer, but in my day your average dragon was about the size of a cow. When did dragons get so big? How did dragons get so big?ā Every word out of their mouth just raising further questions.