edward elric.
that’s it. that’s the post.
(image from fullmetal alchemist: brotherhood)
additionally
i love his hair down so much aaaaaaaaaa it’s so pretty
in conclusion i need more hair down ed
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@poptartsaysurloved
edward elric.
that’s it. that’s the post.
(image from fullmetal alchemist: brotherhood)
additionally
i love his hair down so much aaaaaaaaaa it’s so pretty
in conclusion i need more hair down ed
for april fools we’re deleting this entire site sayonara you weeaboo shits
@achivement-unlocked for the 12th anniversary can we have “sayonara you weeaboo shits” pretty please?
Achievement unlocked!
Still kicking
See you weeaboo shits again here same time next year
Caramelldansen turns 20 this year and frankly I am not prepared for that.
So it’s settled? When November 2 rolls around, we’re all laying facedown and blasting Caramelldansen?
no we’re gonna put our big boy pants on and do the goddamn caramelldansen dance for once in our lives
Well I know what I’ll have to reblog on the 2nd
some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.
I couldn't remember the word "doorknob" ten minutes ago.
ok but the onelook thesaurus will save your life, i literally could not live without this website
REBLOG TO SAVE A WRITER'S LIFE
LIFE SAVED
REBLOGGING TO SAVE ANOTHER WRITERS LIFE
I use this every time I sit down to write. It's the best tool in the world and I would be lost without it!
My favorite thing to do when someone asks me to perform a simple task is to say “No” while doing it
“Well you wouldn’t be discriminated against if you just hid everything about who you are from everyone”
Hey. Hey. Listen. Come close. Closer. Yeah. Listen.
*blows an air horn in your ear*
you need to be earnest. you need to tell people that you love them. you need to speak on how you’re feeling honestly. you need to be sentimental. you need to stop letting the fear of other people laughing at you have so much control over how you express yourself. you need to get over yourself. you need to be embarrassing but true.
One of my favorite thing I’ve learned about animals studies is that you should avoid using colorful leg bands when you’re banding birds because you can accidentally completely skew the data because female birds prefer males with colorful bands
Apparently if you put a red band on a male red wing blackbird his harem size can double
So like you can completely frick up the natural reproduction of a group of birds by giving a guy a bracelet so stylish that females CANNOT resist him
Me, putting a red bracelet on the leg of a male red wing blackbird: ON GOD we gonna get u some pussy bro
I remember reading a study where researchers realized that female birds of a certain species preferred males with a darker breast. So they created what they literally called a “Super-Sexy Male” by catching a male and coloring his chest with a marker. They then ran dna tests on the eggs in the area.
Previously when the researchers had run these tests, they found a certain amount of infidelity was common for these birds. Somewhere around 10% of eggs were fathered by males who were not the primary mates of females.
After the advent of the Super Sexy Male, however, stuff got crazy in bird world. Infidelity skyrocketed, with upwards of 25% of ALL EGGS in the area being fathered by this specific male. Furthermore, his mate’s eggs were 100% his.
This is just insane to me. Just imagine you’re living your bird life when suddenly somebody scribbles on Dave’s chest and the ladies can’t stop throwing themselves at them. It’s stupid that we theoretically can wreck this kind of havoc on an ecosystem.
via @elytrians
one little detail i love from fullmetal alchemist is the intimacy of automail, and what it means between edward and winry. because automail isn’t just about intelligence or mechanics, but about vulnerability and trust.
edward being an older brother, being a protector, is someone who avoids vulnerability. its just who he is, hiding any pain or doubts he has for the sake of being strong for others. but with winry? he has to let her see his weaknesses. he has to trust her with him and his body in ways he wouldn’t trust with anyone else.
she knows his strengths- how much force he can exert, how agile he can be, how he gets around in a fight. she sees this and knows what he needs for his automail. but more importantly, winry knows edward’s weaknesses. she knows where his nerves are, what he can and can’t do when he’s missing his automail limbs, or when he’s too hard on himself and refusing to admit it. shes the one person who truly understands edwards body, and in turn him, maybe better than he does.
and thats what makes automail so personal. their relationship is so meaningful because of the trust between them. winry literally builds edward’s arms and legs- his ability to move and fight and even use alchemy. shes his source of strength. and everytime he breaks his arm or busts his leg? he goes back to her, and she’ll repair him. winry is edward’s source of strength. no matter where edward goes, or how much he endures, she is his foundation, someone who helps him rebuild.
every time she tweaks and reattaches something, or scolds edward for being reckless- she isn’t just repairing a machine- shes taking care of him. and edward lets her, because he knows he needs her.
and when ed and al return to her, no metal limbs or suits of armour? she runs to them in tears of joy. because it was never about repairing and putting work into edward’s automail- it was about edward. and for the first time, she doesn’t have to worry about him with chipped metal or frayed wires. he’s whole, he’s standing in front of her, complete, safe, and whole. and he’s chosen to come back to her.
Nautilus expedition live streams (+ their commentary) | 2024
Heyya everyone! Here with a super cute commission for @poptartsaysurloved! This was such a cute idea to work with and honestly it was so much fun adding the inanimals here too! Only the coziest of vibes with Mateo💙
Thanks again so much for the commission hun! And for being so patient with this piece.
Its come to my attention that a lot of people do not know how to deal with a hot car in summer. A lot of people will get back to their car, after hours of it being parked in the full sun, and will open the door to be blasted in the face with furnace-level temperatures, and you'll just clamber in and shut the doors and leave the windows closed and you'll start driving that thing, and you'll wait for the air-conditioning to battle and overcome the heat.
Thats. Insane to me.
The inside of a car can get up to 40°C/104°F hotter than the outside temperature. Why would anyone get inside that????? It's gonna take your air-conditioning at least half an hour to combat that and bring the temperature down to something even remotely reasonable, and in the meantime you're sitting there risking heatstroke.
Now, I understand that it's currently winter in the northern hemisphere, which is where most of this site lives, but a) I'm in the southern hemisphere and today was Lots Of Degrees, and b) y'all should read this now and commit it to memory or queue it to reblog in summer or whatever, because it boggles my mind that some of you get into a car whose interior is literally oven-hot.
So!!!! Some tips!!!!!
Get a sun visor. One of the big ones that goes inside your windshield. You will not believe how much cooler those things keep your car. Get one, use it. Leave it to bounce around in your back-seat on cooler days, but have it on hand for the stinkers. They range in price but two-dollar stores usually have them for pretty cheap.
Leave the windows of your car cracked open. It doesn't have to be much. Literally just the tiniest amount will mean that the heat building inside your car has a way to escape, meaning the interior temp will naturally be kept lower. The larger the opening, the better, but depending on the neighbourhood you're parking in, maybe it would be better to have them open just a sliver. Even the tiniest crack will help. Ever tried warming up an oven with the door open? It doesn't work well. This is the same concept. If there is a way for the hot air to escape, the inside of your car will stay a lot cooler than it otherwise would have.
If you're fancy enough to have an openable sunroof (that's the dream) then leave that open a bit as well.
Youve just gotten back to your car and opened the door, and its hot as fuck in there. Open another door, ideally on the other side of the car, and let the hot air escape. If you can open all four doors and the boot, then thats even better. A bunch of the hot air will flush out. Not all!!! But a lot. Give it anywhere from a few moments to a few minutes, depending on how much of a hurry you're in.
Get in, start the car, open all the windows. Yes, even if you hate having the windows open.
Put the air-conditioning on full blast, and make sure the recycle is turned OFF. This means it pulls fresh air from outside the car (hot, but less hot than inside) and pumps that into the car, further displacing the heat inside the vehicle.
Start driving, still with the windows down. Once you get up enough speed, the force of the air from outside coming in will blast the rest of the excess heat out of the car.
The temp inside the car will now be roughly equivalent to the temp outside the car. Still hot!!!! But MAJORLY less so, and majority more handle-able by your air-conditioner.
Put all your windows up, and switch the air-con over to recycle. This means it takes the air in the car and cools it, then spits it back into the car, meaning that with each cycle, the air gets progressively cooler a lot faster.
If you do this, your car will be a hell of a lot more comfortable a hell of a lot sooner than it would be if you got into a 60°C/140°F cabin and just.... endured that, until your aircon could overcome it.
This post has been brought to you by an Australian who knows not one but TWO people who get into 60°C cars and wait 15 to 30 minutes for their car to drop back down to a temperature that's even REMOTELY tolerable.
Until like a month ago I lived in Phoenix, Arizona where it hit 99° before the end of March this year. Almost nobody cracked their windows. I've never understood why.
I don't mean this in any jokey or disrespectful way; is there any truth to the alchemy in say, the Full Metal Alchemist anime? The symbols or transmutation circles?
Actually the author of FMA did a ton of research into historical western alchemy. The whole law of equivalent exchange is a real alchemical concept from hermetica, and one that sir Issac Newton expounded into the law of thermodynamics.
The elrics dad, Van Hoenhiem, is based on a real alchemist named Theophrastus Bombastus Von Hoenhiem. At one point Pride even references the real alchemists name.
Basically everything about alchemy in FMA is taken from primary sources, down to the symbology of transmutation circles to the color scheme of Edwards design.
The way alchemy works in FMA doesn’t resemble the way real-life alchemy is or was supposed to work, however, FMA is still packed full of references to real-life alchemy. The most obvious one is Hohenheim’s name, but there are plenty more! (Ed and Al also share their names with real-life famous occultists, Edward Kelly and Alphonse Constant (Eliphas Levi), but this might be a coincidence.)
It is probably no accident that Ed’s color scheme is black, white, and red. The three main stages of alchemy are names the nigredo, the albedo, and the rubedo. Nigredo, the black stage, is when the matter of the Stone “dies” and putrefies, representing spiritual death. Albedo, the white stage, is when the matter of the Stone is washed, boiled, and turns to vapor, which condenses back into water, and the cycle repeats. This represents spiritual ascension and unification with the divine. Finally, during the rubedo, this “volatile” matter becomes “fixed,” crystallizing into the Philosopher’s Stone. Ed also has gold hair and eyes, which is fairly self-explanatory. Gold is a metaphor for the state of spiritual perfection.
The “Flamel” symbol of a serpent nailed to a cross that’s on the back of Ed’s coat, painted on Al’s pauldron, and tattooed on Izumi’s chest is the “crucified serpent,” which actually does come from Nicolas Flamel. It represents the completion of the Great Work, the union of the fixed and volatile, the mercurial serpent physically nailed down to the cross with its four arms representing the Four Elements (with Quintessence in the center) and the reconciliation of polarities. It also demonstrates the death and mortification of the old body that is necessary for the Philosopher’s Stone to be reborn:
The wings at the top of FMA’s “Flamel” is probably meant to represent Mercury’s Caduceus, and maybe also the resurrection of the snake. The crown references the “King” that is a metaphor for the Philosopher’s Stone. The Flamel symbol also bears resemblance to the Staff of Asclepius, which represents medicine in the real world.
Another example is the “Green Lion” on the flag of Amestris that acts a symbol of the military and is referenced a few other times:
In real alchemy, the “Green Lion” is a symbol of antimony ore and represents the Philosopher’s Stone in its “imperfect” state, before it’s been purified. The Green Lion eats the Sun (representing perfection and Gold), causing a solar eclipse, representing the nigredo (death), the first stage of the Great Work. Amestris was created for almost exactly that reason, and it is far from “purified,” with corruption running deep into its core.
The image of the lion eating the sun appears in the show, when Ed and Ling are in Gluttony’s stomach:
There’s also the transmutation circle itself, which looks so realistic, I actually thought it was real when I first saw it online:
Here’s a real magic circle:
Real magic circles are from ceremonial magic, not alchemy, but the text around the outside of the Human Transmutation Circle does reference alchemy. The “peacock’s feathers,” the spotted panther and the green lion (as previously mentioned), the progression of black, gray, white, and red, all are metaphors for chemical reactions that are supposed to take place in an ideal alchemical procedure.
Some of the more complicated transmutation circles that appear throughout the show are also based on real designs from manuscripts. There’s this design on the wall of the Fifth Laboratory:
Here we see the Sun and Moon (more on that in a minute) and three symbols of Mercury, which represent their unification. This looked very realistic, so I did some searching and this is what I found:
It’s not exactly the same, but it’s clearly an image from an alchemical manuscript, and it’s very similar.
The designs on Ed and Al’s doors are real. The design on Ed’s door is the Kabbalistic Tree of Life as depicted by Robert Fludd in his seventeenth-century book Utriusque Cosmi:
The design on Al’s door comes from an alchemical manuscript called The Marrow of Alchemy by George Ripley (as in, the Ripley Scroll). It depicts the alchemical process:
I haven’t managed to find where the design on Mustang’s gate comes from, but I wouldn’t be surprised if that one was real, too.
One more thing I want to draw attention to is this dialogue between child-Ed and child-Al in ”He Who Would Swallow God.”
Edward: “The Sun is male, representing masculinity.” Alphonse: “The Moon is female, representing femininity.” Edward: “When the Sun and the Moon overlap, then the two genders become one.” Alphonse: “In other words, the union represents a perfect being.”
The Sun and Moon are kind of a big deal in alchemy, and they are associated with maleness and femaleness respectively. Their role in real alchemy is as the metaphorical “parents” of the androgynous Philosopher’s Stone, the perfect being:
The Sun is its father, the moon its mother, the wind hath carried it in its belly, the earth is its nurse. The father of all perfection in the whole world is here.
—The Emerald Tablet
Through the “chemical wedding” of the Sun and Moon (sulfur and mercury), the Philosopher’s Stone is produced. I actually didn’t consider that a solar eclipse might be a symbol of the chemical wedding, until Ed and Al explicitly pointed it out in that episode. That’s not what an eclipse traditionally represents in alchemy (that’s the Green Lion swallowing the sun, the nigredo and dark night of the soul that follows the first chemical wedding), but I still think it makes sense.
(An image of the Chemical Wedding itself actually appears on the door to the exam room in the 2003 anime.)
Alchemy in FMA mostly doesn’t resemble real alchemy beyond those references. Real alchemy isn’t equivalent exchange — changing something into something else of equal value — but rather, metamorphosing something into a more improved version of itself. Theoretically, this would be turning “lead” into “gold,” the most base form of metal into the most perfect form of metal (as was believed). But real alchemy isn’t about chemicals, and it never really was. Real alchemy is a spiritual process, meant to transmute the soul from its “base” human state into a “perfect” spiritual state. The way to do this is to separate out the “subtle” from the “gross,” i.e. the higher spiritual self from the mundane and earthly human self, and then joining them back together so that the spiritual self purifies the mundane self. This is summarized by the Latin phrase “solve et coagula,” to dissolve and to congeal, or alternately, to separate and to bring together. FMA parallels this with its two parts of alchemy being deconstruction (solve) and reconstruction (coagula). Therefore, the character whose goals and motivations come the closest to those of real alchemists is… believe it or not… Father.
What Father wants, or at least what he says he wants, is knowledge. He wants all the knowledge in the universe. That’s what most occultists want, actually. Most occultists want to either merge with or become alike to God, although they all have different theories and methods of doing that. In FMA, the Philosopher’s Stone is an alchemical catalyst powered by human souls, but in real life, the Philosopher’s Stone is (long story short) a metaphor for the perfect being that Father wants to become. The real Philosopher’s Stone is a being that is a perfect balance of male and female, sun and moon, dark and light, human and divine. It is therefore whole and complete. As I understand it, a person who has become the Philosopher’s Stone can, theoretically, have the power and knowledge of a god whilst still being able to live on earth as a human.
By this means you shall have the glory of the whole world and thereby all obscurity shall fly from you. Its force is above all force, for it vanquishes every subtle thing and penetrates every solid thing. So was the world created.
—The Emerald Tablet
Father’s “perfect” form is a perverse version of this ideal.
(This form gives me some very confusing emotions.)
“As above, so below” is the Hermetic Principle of Correspondence, the closest thing to a real Law of Equivalent Exchange — it is the idea that the Macrocosm (God, the Universe, Truth) reflects the microcosm (humanity), and that by affecting one, you affect the other. The goal of the alchemist is to become the Philosopher’s Stone, the place where Human and Divine meet and become one thing.
I can’t believe it took me until now to see “As above, so below” represented here. Even the episode’s title makes that obvious! But despite that blatant symbolism, there is no healthy convergence of divine and human here. Many occultists believe in something called “ego death,” which I used to think meant losing one’s individuality, which sounded a lot like being trapped in a homunculus with a torrent of other screaming souls. Only now, after watching this show, do I understand what “ego death” really means. This scene is pure ego on Father’s part:
HEAR ME GOD! I DEMAND YOU ANSWER THE CRY OF MY SOUL! COME TO ME! JOIN ME! YES, I WILL NO LONGER BE BOUND TO YOU OR YOUR CONSEQUENCES! I’LL FORCE YOU DOWN TO THIS EARTH AND INTO MY BOWELS! YOU HAVE NO CHOICE BUT TO BE ABSORBED!
—”Eye of Heaven, Gateway of Earth.”
This isn’t a genuine attempt to understand God, this is just an inferiority-superiority complex. Father doesn’t care to understand anything about God. All he cares about is himself, and acquiring power for himself. Power is all he’s after, to assuage his inferiority complex. And there’s nothing inherently wrong with wanting power (e.g. Mustang), but godlike power to command the universe is a byproduct of having properly completed the alchemical process and become the Philosopher’s Stone. It is not the end in and of itself. “Ego” isn’t having a sense of self, it’s the inability to understand the spiritual. It’s viewing everything in a mundane lens, having all your motivations be ultimately small and petty, no matter how grand the spectacle. It’s wanting power or glory or whatnot just to make yourself feel better, but not having the self-awareness to actually admit that. The first stage of the alchemical process is nigredo, death — watching your old self die away so that it can be reborn as a better version of itself. Father never understands this, and The Truth says as much.
The Truth is a personification of the Hermetic Principle of Mentalism:
Who am I? One name you might have for me is The World. Or you might call me The Universe. Or perhaps “God.” Or perhaps “The Truth.” I am All, and I am One. So of course, this also means that I am you.
That’s basically it right there. God is All. All is God.
The reason why the Homunculus never grew beyond his days in the flask is because, despite wanting to acquire knowledge, he never actually learned anything. Trying to drag God down to Earth is sheer hubris, not because Earth is too far beneath it, but for the opposite reason — it can come down to Earth whenever it likes. It is everywhere and everything. And the Homunculus never did any of the introspective work needed to find God within himself. He tried to separate out (solve) his perceived “flaws” (the Seven Deadly Sins, i.e. the other homunculi) but did not reintegrate them back into himself (coagula), thus only completing half the alchemical process. He is neither human, nor divine, he only steals Hohenheim’s human shape and Truth’s divine power. He never broadened his thinking or improved himself mentally/spiritually, and thus can’t become alike to God. He never became more than what he is, the dwarf in the flask, and thus his Gate is blank.
Edward, by contrast, loses almost everything in attempting human transmutation (nigredo), and then accepts his own humanity at the gate of Truth (albedo), losing the ability to perform alchemy but becoming a better version of himself (rubedo) — thus, completing the alchemical process. In the end, he’s free, which is all Father wanted to be. He acknowledges that you don’t have to use alchemy or whatnot to become more than you are, because who you are is enough.
Thus, Edward becomes the best version of himself, which is what real alchemists aspired to be. He’s completed the Great Work, and therefore has no need for alchemy anymore. “That is the correct answer, alchemist!”
Fullmetal Alchemist: Brotherhood + text posts and stuff
Christians keep stealing shit from other esoteric traditions when St Barbara is right there.
Y'all have a PATRON SAINT OF BOMBS AND EXPLOSIONS AND NONE OF Y'ALL EVER MENTION HER
Her symbology is the Chalice and Cannon. Queen.
her Wikipedia page says she's lesbian
*LEBANESE
patron saint of osha
PATRON SAINT OF OSHA
My mother is so glad I didn't know about this one when I had to choose my saint name for confirmation
HOW AM I JUST NOW LEARNING that there's a 90s cartoon about a crossdressing vigilante hunting down zombies who looks like THIS:
with the goons in question being led by a little kid who uses 'YOU FOOLS' in every other sentence named JOSE VON REICHTER.
JOSE
VON
GODDAMN
REICHTER
who looks like THIS:
AND the animation of FLIPPIN' Trigger!?
Was ANYONE going to tell me??
dont put the name of the show in the post or anything helpeful tho
Doing some digging and it's called Cybersix, based on an Argentinian comic book but created in English, never fully aired in the US and I think was censored there, but all 13 eps were shown in Canada. It's apparently on Hulu atm but I have no idea in what form
HTH :D
the entire show is up for free on TMS' youtube channel
CYBERSIX (EP01 - 13) Von Reichter is a professor who works on experiments in South America, creating the Cyber Series, artificial humanoids
Also it was not animated by Trigger. Trigger didn't exist yet. It was animated by TMS who famously did the animation for several early 90s cartoons like Animaniacs and Batman the Animated Series. As well as local anime like Lupin the third, Dr. Stone, and Fruits Basket. They also work in Collaboration shows like Cybersix and the 1990s Moomin show.
Studio Trigger was formed in 2011 by former Gainax studio members.
Also yes, this show WILL give you Gender envy
Loved watching this as a kid, but I rarely was allowed to stay up late enough when it was on XD
This is my favourite part!
I actually have the first number of the comic! It's good!
GO AMIR GO!!!